Clone Royal Holland Vinyl & CDs

Review: Basic Bastard is one of the more humorous aliases ascribed to dance music household name Orlando Voorn - it's one of almost twenty. Most releases that have come out under the name have included dark surrealist themes, homing in on everything between hard techno to the self-styled genre of techno-soul. Usually optimistic, this music tends to appeal to the basic bastard in all of us; 'Engine' and 'Rise' are an essentially funky pair of tracks, the sonic equivalent of well-worn dancing shoes. The best bits here are the original 'Rise (Detroit Dub)' and the dubbed-out version of 'Engine'.

Review: Bogota producer Felipe Gordon seems to be in an unstoppable run of form right now. His new album Psychedelic Melancholia is just about to drop on Hip Dozer and is already much talked about, while he has also found time to turn out this fresh EP for Dutch label Clone. It opens up with the delightfully deep, dusty and Detroit-style house of 'No Words' then things get more physical but no less warm and vibes with the cursing grooves of 'Travel Through Your Mind'. 'No Words' (Byron The Aquarius dub mix) then boils things back down into a steamy dub stew and a second remix of the same tune by the American brings a little more playful and jazzy synth-funk.

Review: Second time round for Masarima's 'Freak Like U', a sparkling 2020 tribute to post-Italo-disco proto-house, co-produced by Whodamanny and Mystic Jungle. This time round, the track has been reimagined by two stellar talents: West Coast electro stalwart Egyptian Lover and Sheffield-based bleep, hardcore and acid revivalist Luca Lozano. The former handles side A, delivering warming, dreamy, tactile and glassy-eyed electro takes (vocal and instrumental) that reinforce the track's mid 1980s inspiration. Lozano, meanwhile, opts for another kind of nostalgia altogether, first combining house tempo breaks with echo-laden elements of the original (and a couple of hazy new synth stabs) on the 'Breakbeat Guy remix', before layering up the beats on a rather lovely 'Tribal Workout Dub' featuring percussionist Karlos Moran.

Review: Originally debuting on Well Rounded Records' Housing Project sub-label in 2012, Leon Vynehall has since become one of the UK's most in-demand of the new wave of young house producers. He's released subsequent records for George Fitzgerald's ManMakeMusic and Will Saul's Aus, and most recently an album on Martyn's 3024. Vynehall is now in cruise control and he lays back on Clone's Royal Oak with what will prove to be a favourite with DJs this summer. "Butterflies" is this record's piano-driven house jam, but really it's all about "This Is The Place", a loved up peach of a production with the strength to appease the underground and crossover into the mainstream.

Review: The accomplished Zopelar debuts on the equally superb Clone Royal Oak series with a four-track EP packed to the rafters with his 90s Chicago, New York and Detroit-inspired house grooves. The Sao Paulo-based producer and musician born Pedro Zopelar adds a twist of sound from this homeland into his work and opens this one with 'Astral Dynamics', a deep, widescreen sound alive with bendy synths and noodling keys. 'Arp Magic' is bright, synth-laced and uplifting with ever-busier lines and jacked-up drums. 'Miles Away' is another dreamy cut with cosmic pads and an infinite horizon then 'Dark Places Where I Feel Safe' brings a little unsettling synth work to close.