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Items 1 to 26 of 26 on page 1 of 1
FORTHCOMING
Behringer 112 Dual VCO Module
Cat: 780465
 
analog dual VCO module
Notes: Eurorack module; two identical analog VCOs in one module.

Selectable waveforms: triangle, sawtooth and squarewave/pulse; adjustable pulsewidth and PWM CV input with attenuator; octave-switch and fine-tune control knob; hard and soft sync; 3 pitch CV inputs with attenuators;

Power consumption: 130mA (+12V) / 70mA (-12V); width: 16 HP; depth: 46mm
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coming soon $106.20
FORTHCOMING
Behringer 3 Tier Eurorack Module Stand Case
Cat: 780468
 
module stand case
Notes: Behringer Eurorack Stand 3-Tier; desktop stand for mounting up to 3 Eurorack 104 cases (item 463669), or 3 Behringer synthesizers (e.g. Pro-1, Wasp Deluxe, K-2, Neutron, Model D, Cat).

Variable width (70 HP, 80 HHP or 104 HP); rugged aluminum/steel construction.
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coming soon $66.90
Behringer 904A VC Low Pass Filter Module
Cat: 772780 Rel: 19 Jun 20
 
low pass filter module
Notes: No prizes for guessing that this one's inspired by the legendary Moog 904-A filter, but offered at Behringer's hugely tempting affordable price point. Silky, fat filter with tons of character.

Supplier notes:
Enter the Behringer 904A VOLTAGE CONTROLLED LOW PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55, 35 & 15 Series from the 70s used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55, 35 & 15 Series from the 70s used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 904A VOLTAGE CONTROLLED LOW PASS FILTER features a cutoff frequency knob that lets you decide which frequencies to attenuate. The resulting frequency is determined by this knob giving you the ability to change your sound with one turn.

Three Control Inputs plus audio ins and outs are available to send the processed signal to other modules and to connect voltage signals from other modules to affect the cutoff frequency.

The 904A VOLTAGE CONTROLLED LOW PASS FILTER provides you control of the resulting frequency and internal feedback with the Fixed Control Voltage and the Regeneration knob. A switch also allows you to command the frequency range by letting you decide which frequency band you want to operate in. This gives you real-time access to all important parameters with one module.
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 3 in stock $104.08
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quote 772780
Behringer 911A Dual Trigger Delay Module
Cat: 773000 Rel: 19 Jun 20
 
dual trigger delay module
Notes: Enter the Behringer 911A DUAL TRIGGER DELAY. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 911A comes with two delay triggers with their own delay time controls ranging from 2 ms up to 10 seconds and their own 3.5 mm S-Trig ins and outs. Connect the 911A to the Behringer 911 ENVELOPE GENERATOR module and turn your Attack/Decay/Sustain/Release (ADSR) module into a Delay/Attack/Decay/Sustain/Release (DADSR) module. Rather than just playing the note when the signal is triggered, the 911A creates a nice volume swell effect, rising from 0 until the peak volume then going through the rest of the phases set in the envelope generator.

The delays in the 911A can be coupled in three different ways. In the Off setting, the delays are triggered separately via the trigger inputs. In Parallel mode, the trigger connected to the input at the top section will activate both delays at the same time. Switching the knob to Series will trigger the top section first then the lower section after.

Installing the 911A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 911A to be mixed with other synth modules for a truly unique set up.
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 6 in stock $53.10
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quote 773000
Behringer 921A Oscillator Driver Module
Cat: 772998 Rel: 19 Jun 20
 
oscillator driver module
Notes: Enter the Behringer 921A OSCILLATOR DRIVER. An authentic reproduction of the circuitry from the Modular 55 and 35 series oscillator drivers used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921A OSCILLATOR DRIVER module features a frequency knob that can adjust between either octave or semitone frequencies. The included rocker switch can be used to select between the two frequency types. The width of the rectangular wave is adjusted via a control knob that goes from 10% up to 90%. You can also connect any incoming control voltage or modulation signal into either of the 3.5 mm Frequency or Width inputs.

The 921A not only controls just one 921B Oscillator, but 12 of them- providing you with more flexibility and more nuanced waveforms.

Installing the 921A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921A to be mixed with other synth modules for a truly unique set up.
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 1 in stock $82.83
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quote 772998
FORTHCOMING
Behringer 921B VCO Module
Behringer 921B VCO Module (oscillator module)
Cat: 780467
 
VCO module
Notes: Enter the Behringer 921B OSCILLATOR. An authentic reproduction of the circuitry from the "Modular 55 and 35" series oscillators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921B OSCILLATOR module is controlled by the Behringer 921A OSCILLATOR DRIVER or can be used as a free-running LFO. Separate Frequency and Range knobs allow you to adjust the frequency range in semitones and in octaves. The 921B along with the 921A modules form the foundation of a proper modular synthesizer and the basis for some really great music.

The 921B OSCILLATOR features independent audio outs for each of the 4 waveforms which include sine, triangular, sawtooth and rectangular which can be patched out to different modules to unlock even more creative possibilities. A dedicated oscillator sync input and switch can be used to sync the 921B to a signal introduced into the Sync In jack. Parallel link jacks allow the 921B to link to other 921B in the chain.

Installing the 921B OSICLLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921B OSICLLATOR to be mixed with other synth modules for a truly unique set up.
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coming soon $106.20
FORTHCOMING
Behringer 960 Sequential Controller
Cat: 781518
 
Controller module
Notes: An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard EURORACK case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 960 SEQUENCER CONTROLLER is an 8-step sequencer with 3 rows of CV controls for adjusting the pitch of a signal at that stage. An additional 9th step can be used to stop the sequence. Plug in a Behringer 962 SEQUENTIAL SWITCH and transform the 960 from an 8-step sequencer into a 24-step giant capable of creating more intricate sequences and beats.

More sequence variations can be achieved by switching any of the desired Stage Mode switches to Normal, which lets the current stage proceed to the next one; Skip, which lets you bypass the stage; or Stop, to freeze the sequence. You can even manually trigger each stage by pressing the respective Set button. Create an 8-step sequence then set the 960 to skip every other stage to have a staccato rhythm and spice up a song.

The 960 also comes with an oscillator where you can adjust the oscillator range or pitch with the Frequency Range knob and fine tune that with the Frequency Vernier knob. You can also manually start or stop the oscillator with the on and off buttons or connect an external gate signal to control the on/off status. A control input is available for you to connect another module to tweak the oscillator frequency of the 960 and expand its flexibility.

Installing the 960 SEQUENCER CONTROLLER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 960 SEQUENCER CONTROLLER to be mixed with other synth modules for a truly unique set up.

100 mA +12V
50 mA -12V
0 mA 5V
47 mm deep
O 5.00

Inputs:
Oscillator on/off
Type
2 x 3.5 mm TS jacks, AC coupled

Impedance: >3 kO, unbalanced

Maximum input level : +5 V

Minimum switching threshold:
Control input
Type: 3.5 mm TS jack, 1 V/oct

Impedance: 100 kO, unbalanced

Maximum input level : i2 V, vernier set to 5

Shift input
Type: 3.5 mm TS jack, DC coupled

Impedance: 7 kO, unbalanced

Maximum input level : i5 V

Minimum switching threshold: +1.5 V

Stage triggers: Type
8 x 3.5 mm TS jacks, AC coupled

Impedance: >3 kO, unbalanced

Maximum input level : +5 V

Minimum switching threshold: +3.5 V trigger

Outputs
Row outputs
Type: 6 x 3.5 mm TS jacks, DC coupled

Impedance: 500 O, unbalanced

Maximum output level: +8 V (range X4)

Stage trigger outputs: Type
8 x 3.5 mm TS jacks, DC coupled

Impedance: 250 O, unbalanced

Maximum output level: +5 V, active high

Oscillator output
Type: 3.5 mm TS jack, DC coupled

Impedance: 4 kO, unbalanced

Maximum output level: +4 dBu

Duty cycle: 90%

Controls:
Frequency range:
1 (0.04 to 0.5 Hz), 2 (2.75 to 30 Hz)

3 (0.17 to 2 Hz), 4 (11 to 130 Hz)

5 (0.7 to 8 Hz), 6 (44 to 500 Hz)

Frequency vernier: Tune the oscillator range, 3 octave range

Oscillator on/off
Manually start or stop the oscillator

Voltage knobs
-8 to max voltage set by the range switch

Mode switch
Skip stage, play stage, stop sequencer

Set
Manually select stage

Range switches
X1 (+2 V), X2 (+4 V), X4 (+8 V) max. output

Timing on/off
Allows 3rd row knobs to control stage duration

Shift button
Manually skip to next stage

Power supply: Eurorack

Current draw: 100 mA (+12 V), 50 mA (-12 V)

Physical Dimensions: 284 x 129 x 47 mm (11.2 x 5.1 x 1.9")

Rack units: 56 HP

Weight: 0.64 kg (1.41 lbs)
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coming soon $139.12
Behringer 992 Control Voltages Module
Cat: 772814 Rel: 19 Jun 20
 
Control voltages module
Notes: Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the Modular 55 & 35 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.

An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.

3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.

Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.

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 6 in stock $48.85
Behringer BA 19A Condenser Boundary Microphone
Cat: 772983 Rel: 19 Jun 20
 
condenser microphone
Notes: The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level.

The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy.

Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack.
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 1 in stock $59.47
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quote 772983
Behringer CP3A-O Oscillator Controller Module
Cat: 772823 Rel: 19 Jun 20
 
oscillator controller module
Notes: Enter the Behringer CP3A-O OSCILLATOR CONTROLLER module. An authentic reproduction of the circuitry from the Modular 55 and 35 series mixers used by the world's most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The CP3A-O Module features 4 routing switches that enable you to send Control Voltages to one or more oscillators. Switches 1 to 3 are connected to Control Inputs 1, 2 and 3; switch 4 can be used to route an external Control Voltage signal via a 3.5 mm TS plug and can be controlled by an attenuator knob.

You can route up to three external control voltage signals to any of the three summed Control Inputs. Signals from these inputs can be combined by flipping any of the matching routing switches on. The parallel jacks at the bottom will route the final combined voltage signal to any module they're connected to. A great way to utilize the CP3A-O is to have it drive multiple 921A or B oscillator modules which can allow you to create more intricate patches and hours and hours of fun.

Installing the CP3A-O is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CP3A-O to be mixed with other synth modules for a truly unique set up.
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 3 in stock $45.67
Behringer DI100 Ultra DI Professional Battery/Phantom Powered DI Box
Cat: 493501 Rel: 14 Jun 13
 
Active DI box powered by batter or phantom power
Notes: With the DI100, you can rest assured that your sound source will reach the console balanced and noise free. Behringer's take on the all important active DI box gives you functionality, durability and incredible sound at a remarkable price.

Plug into the DI100's balanced 1/4" TRS or XLR input, then send a signal to your console via the balanced XLR output. You can even plug your guitar or bass amp's speaker output into the DI100, which can handle ratings of up to 3,000 Watts and still deliver a perfect signal. It also features a 1/4" link jack to send your signal to an on stage amplifier.

The DI100 also has a switchable attenuation pad, allowing input levels of up to +50dB. There is also a ground lift switch to eliminate noise associated with ground loops. The DI100 also features Behringer's renowned OT-1 output transformer.
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 More than 10 in stock $27.61
FORTHCOMING
Behringer DI4000 V2 4-Channel Active DI Box
Cat: 780466
 
4-channel direct input box
Notes: The ULTRA-DI PRO DI4000 gives you 4 first-class DI channels in a single rack space. Each channel is equipped with two Inputs (XLR and 14" TRS), a balanced XLR Output - and a 14" Link output to connect to your amp or monitor console. Plus, the DI4000 is designed to accommodate virtually any input signal, up to 40 dB of switchable input attenuation and up to 20 dB of gain, while our highly acclaimed OT-1 output transformers ensure pristine and powerful output.

Direct Injection (DI) boxes make it possible to connect guitars, basses and keyboards (as well as other line-level devices) to audio mixers and recorders. The DI4000 takes the DI box to the next level with a special 8 kHz High-Cut filter per channel for guitar applications, along with a Phase Reverse switch for optimal signal alignment. Additionally, our DI4000 active DI features "buffered" inputs that respect your source signal much better than passive DI boxes can - outputting optimally-balanced, extremely low-impedance (600 O) signals that are far less susceptible to noise and RF Interference (RFI).

The DI4000 does much more than just "bass guitar in, mic-level signal out". It really is a highly versatile input-signal toolkit. Here are just two advantages the DI4000 has over standard DI boxes: Maybe you'd like to connect your guitar amp's speaker output to your mixer? Not a problem, the DI4000 features two -20 dB attenuation switches per channel, allowing you to connect to speaker outputs rated up to 3,000 Watts - and convert them to balanced XLR outs! Weak incoming signal? The DI4000 has a +20 dB switch, which really comes in handy for boosting low-level input signals to balanced signals with real power and rock-solid impact. Worried about fluctuating voltages in the venue? The DI 4000 is equipped with an internal switch-mode power supply that ranges from 100 to 240 V and automatically adapts to mains voltages wherever you go. Of course, the DI4000 provides a Link output for easy connection to other equipment, such as your onstage amplifiers and monitor consoles. Servo-balanced performance guarantees ultra-flat frequency response - and the gold-plated XLR output connectors provide reliable, low-noise operation. Per channel ground-lift switches eliminate ground-loop hum issues. The DI4000 does everything a standalone DI can do, and much more - times four!
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Behringer DI400P Ultra DI High Performance Passive DI Box
Cat: 493504 Rel: 25 Aug 16
 
Passive DI box with impedance and signal matching
Notes: The Behringer Ultra DI DI400P is a passive DI (Direct Injection) box for connecting a guitar, bass or keyboard directly to your mixer. With the DI400P as your go between, impedance matching problems become a thing of the past, and long cable runs will not sacrifice all of your precious tone.

With its parallel 1/4" in and out jacks, the DI400P allows you to plug in your instrument and send the same signal to your onstage amplifier, while the XLR Output sends a balanced signal to your mixer. A ground lift switch eliminates hum associated with ground loops and our high performance transformer provides the ultimate in signal integrity.

The Ultra DI DI400P is compact and we house it in a tough, road ready metal case. This means the DI box will give you great sound gig after gig, session after session. And thanks to its low price, you can afford to outfit the entire band!
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 More than 10 in stock $20.98
FORTHCOMING
Behringer EP2000 Professional 2000 Watt Stereo Power Amplifier
Cat: 781358
 
stereo power amplifier
Notes: The EP2000 has become one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP2000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 2,000-Watts of output power (2 x 1,000 Watts @ 2 Ohms; 2 x 750 Watts @ 4 Ohms; 2,000 Watts @ 4 Ohms in Bridge mode), the EP2000 is the perfect amplifier for medium- sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of the EP2000 provides all of your amp's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Each of the 2 channels feature dedicated Gain controls and Signal LEDs, that light up when a signal is present at the input, as well as Clip LEDs to indicate when input adjustments are required.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called ATR or Accelerated Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps react instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP2000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP2000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP2000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.

There are lots of awesome features on the outside of the EP2000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP2000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.
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coming soon $280.38
FORTHCOMING
Behringer EP4000 Professional 4000 Watt Stereo Power Amplifier
Cat: 781355
 
stereo power amplifier
Notes: The EP4000 builds on the incredible legacy of our EP2500, which is one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP4000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 4,000-Watts of output power (2 x 2,000 Watts @ 2 Ohms; 2 x 1,400 Watts @ 4 Ohms; 4,000 Watts @ 4 Ohms in Bridge mode), the EP4000 is the perfect amplifier for medium-sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of these amps give you all of your sound's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Both channels have independent gain dials as well as Clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also Signal LEDs that light up when a signal is present at the input.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, the EP4000 reacts instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP4000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP4000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP4000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.
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coming soon $336.67
FORTHCOMING
Behringer Eurorack Rack
Behringer Eurorack Rack (19" Eurorack rack mount)
Cat: 780464
 
rack-mount kit with power supply
Notes: The EURORACK RACK is ideal for any Behringer Eurorack-style synthesizer or equipment. This desktop/rack-mount kit converts a 19" rack into an 84 HP Eurorack chassis. A compact 4 HP power supply with two flying bus boards are included together with a 3A universal power adapter. 52 sliding nuts allow you to easily position your modules so you can freely position your synth wherever you need it.
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coming soon TBA
Behringer K2 Analog Semi Modular Synthesiser
Cat: 688736 Rel: 19 Jun 20
 
Analog semi-modular synthesiser based on Korg's legendary MS20
Notes: Channelling the Korg MS20, Behringer serve up a desktop module with attitude. Semi-modular design plays nicely with Eurorack gear to add a dose of the aggro MS sound to your rig.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard. Owning the K-2 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Your K-2 comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right!

The very heart of K-2's sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cutoff Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cutoff frequency, effectively reducing the fundamental and lower-order harmonics levels. The low-pass filter controls the level of signals above the cutoff, which reduces higher-order harmonic content. K-2's VCF Peak controls provide emphasis to the signals at the crossover frequency.

K-2's authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2's waveform can be selected from reverse-sawtooth, square, narrow pulse and ring, where both oscillators are operating. VCO 2's pitch can also be varied independently across a 4-octave range (16', 8', 4' and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects.

K-2's Low Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz - and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack and Release Time, while generator 2 adjusts the cutoff frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA). Dials for this generator include Hold, Decay, Attack, Sustain, and Release for unparalleled envelope-shaping control.

While it is a monophonic instrument (one note at a time), K-2's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

Designed to handle the rigors of life on the road or in the studio, your K-2 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.

For those who want the numbers, K-2 has 36 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand K-2's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices at virtually any point in the signal path!
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 1 in stock $297.38
Behringer MA400 MicroMon Ultra Compact Monitor Headphone Amplifier
Cat: 493528 Rel: 14 Jun 13
 
Compact noise free monitor headphone amplifier
Notes: The ultra compact MicroMon MA400 is the ideal personal monitor mixer for the performer who always asks for "more me".

The MA400 features XLR thru jacks and provides superb noise free operation. Just connect your mic to the mic input and send a line from the mic thru to your main mixer. You can even use studio grade condenser mics, as the MA400 will pass +48V phantom power, if your mixer is so equipped. The phones jacks accept both 1/4" and 1/8" headphone and earbud connections, making the MA400 ideal for hardwired IEM (in ear monitor) applications, such as singing drummers and keyboardists. The MA400 comes with a dedicated 12V DC power supply and an LED to indicate when it is powered up.

Capable of stereo or mono operation, the MA400 is a powerful little mixer that allows you to control two independent sources, a microphone and the monitor feed from your main mixer. Simply adjust the mon level control to a comfortable setting and then dial in all the "me" you want with the mic level control.
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 4 in stock $28.03
FORTHCOMING
Behringer MIC2200 v2 Vacuum Tube Mic & Line Preamplifier
Cat: 780469
 
tube microphone/line preamplifier
Notes: Tubes can really warm up a signal fast, giving it increased depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. A true audiophile 2-channel Mic/Line preamplifier, the ULTRA GAIN PRO MIC2200's hand selected 12AX7 vacuum tube gives everything from microphones to acoustic or bass guitars that vintage tube vibe in a dependable and highly-affordable package. The onboard fully parametric EQs provide unparalleled tonal characteristics, allowing you to sculpt instrument and vocal sounds with the ultimate precision and musicality.

The MIC 2200 is perfect for studio and live applications. The balanced 1/4" TRS and gold-plated XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube for superior tube character and low-noise operation. The MIC 2200 is ideally suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tube-compression that will bring your digital tracks to life.

The incredible MIC2200's controls consist of: switches for +48 V phantom power, Phase Reverse, Lo Cut, EQ Frequency Range and EQ In/Out; plus Mic Gain, Lo Cut Frequency Octave Bandwidth, Level and Output knobs. A 12-segment LED meter provides accurate monitoring of output levels. And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC2200 delivers flawless performance and outstanding signal integrity. For further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable center Frequency, Bandwidth and Level per channel. Both channels also feature independent phase reverse switches for maximum versatility.

The ULTRAGAIN PRO MIC2200 gives you the sound quality of a 2-channel vintage tube preamp and high-end DI box all-in-one - at a mere fraction of what a true relic of the 1960s would cost.
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coming soon $126.38
Behringer MS-1 101 BU Analog Synthesizer (blue)
Cat: 688722 Rel: 19 Jun 20
 
analog synthesiser
Notes: Blue version of Behringer's tribute to the legendary Roland SH-101. Classic Roland-inspired 80s analogue sound with a gorgeously squelchy resonant filter and powerful oscillator with beefy sub.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

MS-1-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

The very heart of MS-1-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

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 2 in stock $267.43
Behringer MS1 RD 101 Analogue Synthesiser (red)
Cat: 688721 Rel: 17 May 19
 
Analog synthesiser based on Roland's SH-101, with 32 full-size keys, 3340 VCO with 4 simultaneous waveforms, VCF, Novamod FM sources, 32-step sequencer, arpeggiator & live performance kit
Notes: The 1980s and '90s spawned a new "wave" of synth performers including Devo, The Chemical Brothers, The Prodigy, The Crystal Method and a host of others, all empowered by the sound of a simple strap-on instrument that let keyboardists steal the spotlight away from their guitar-wielding bandmates. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-101-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analogue signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-101-BU is sure to become your favourite keyboard.

True to the Original:

Great care has been taken in engineering the MS-101-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-101-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

Big, Fat Tones:

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-101-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

Versatile Oscillator:

MS-101-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

Versatile VCF:

The very heart of MS-101-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-101-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

The Envelope, Please:

MS-101-BU's Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.

Onboard Sequencer & Arpeggiator:

MS-101-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-101-BU are fun, mesmerizing and totally addictive...

Own the Stage:

When you're ready to strut your stuff and get a little centre stage time, the MS-101-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight - carve out a little of your own!

Modulate Me to the Max!

In addition to the great sound-sculpting features already mentioned, the MS-101-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-101-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip.
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 1 in stock $279.32
Behringer Neutron Semi Modular Analogue Synthesiser (B-STOCK)
Cat: 787766
 
B-STOCK: Corner slightly damaged in transit
Notes: ***B-STOCK: Corner slightly damaged in transit***


An ultra-affordable leap into the warm world of analogue synthesis, the BEHRINGER Neutron gives you the power to create virtually any monophonic sound imaginable with incredible power and ease.

The pure analogue signal path is based on the legendary V3340 VCO chip with 5 variable oscillator shapes. Blend or switch the 2 oscillators and 5 LFO shapes for unique sound creation. For protection and convenience, the Neutron can even be mounted in a standard Eurorack, making it ideal for the studio and/or the road. Owning a Neutron gives you all the power of a monster modular synthesis system in a flexible package with the ability to create bewildering, complex sounds.
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 1 in stock $259.95
Behringer NX3000 Class D Power Amplifier (3000W)
Cat: 699339 Rel: 25 Oct 18
 
Class-D amplifier with 3000 watts output
Notes: The NX range of power amplifiers pack large Wattages into exceptionally lightweight and rack-mountable packages. And because the NX range is so much more efficient than conventional designs, they run cooler and don't require the massive heat sinks and heavy toroid transformers typically associated with their conventional counterparts. Thanks to our 'Zero-Attack' limiters that offer maximum output level with exceptionally-reliable overload protection and SmartSense Loudspeaker impedance compensation, which provides fully linear frequency response at any speaker load impedance, you can run the NX range full-out for hours on-end. Our revolutionary high-density Class-D technology, combined with an ultra-efficient, switch-mode power supply ensure these feather-light powerhouses will drive your rig effortlessly for many years to come.

Thanks to our High-Density Class-D amplifier Technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The front panel controls and indicators provide your systems vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Limit LEDs to indicate when the amplifier is running at full capacity. Just as elegant as the front, the rear panel is home to the combo XLR and 1/4" TRS Input connectors, making the NX range compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.

The rear panel is also where you'll find the switches that enable the NX amp range to run in your choice of dual mono, stereo or mono bridge modes. The ranges built-in Crossover switch sets the amp to Full-Range mode, where the output is sent unfiltered to your loudspeakers, or Bi-amp mode, which sends only the low-frequency content (<100 Hz) to passive subwoofers, while the high-frequency content (>100 Hz) is channelled to your full-range loudspeakers.

Our new SmartSense Technology puts the punch back into Class-D amplification, providing vastly improved full-range frequency response with more powerfully-dynamic bass, and smoother high-frequency reproduction. The resulting output is no longer dependent on the actual load, but is rendered perfectly ruler flat via impedance compensation. NX's design also incorporates a significantly-higher damping factor that yields better amplifier control over the loudspeaker for stronger audio reproduction especially in the LF area.

Sporting massive output ratings, lightweight Class-D technology and an equally lightweight price tag plus all the amenities a professional audio engineer could ask for the BEHRINGER NX range of power amplifiers are serious amps for your most demanding applications.
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 More than 10 in stock $158.25
FORTHCOMING
Behringer P1 Personal In-Ear Monitor Amplifier
Cat: 781353
 
in-ear monitor
Notes: The POWERPLAY P1 Personal In-Ear Monitor (IEM) Amplifier puts control where it's most useful - right at the artist's fingertips. Whether on stage or in the studio, the P1 provides performers and recording artists with a dependable and affordable personal monitoring solution.

The P1's high-power headphone output ensures that as the band gets louder, you'll still be able to hear every nuance of your performance. And the P1's simple user interface makes it easy for everyone to dial in a perfect mix every time.

Using the P1 also helps protect your hearing in two ways. First, thanks to a built-in current limiter, unexpected peaks in signal level won't get to your ears. Second, the simple act of wearing headphones or earbuds helps isolate your ears from loud stage volume of instrument amps and monitor wedges. With the P1, you can clearly hear your own performance and blend in the ideal amount of the rest of the band.

Dual XLR inputs allow 2-channel, mono or stereo operation with a convenient mix function which allows you to run two sources into the P1 and dial-in exactly what you want to hear as you perform. Two simple controls, Level and Balance, help you achieve the perfect mix in an instant. The P1 lets you take control of what you hear and allows the engineer to concentrate on providing the audience the best listening experience. Plus, setup is so fast and easy, letting you concentrate on putting on the best performance when you hit the stage.

One little 9 V battery lasts up to 12 hours, so the P1 will go as long as your next show or studio recording session! Or, use the optional PSU-SB DC power supply for the ultimate in dependable power. And the P1's metal chassis is built like a tank to handle even your most-demanding and energetic performance. Small enough to hang on your belt - or mount on a mic or drum stand, the P1 puts complete balance and volume control in your hands.

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coming soon $48.85
FORTHCOMING
Behringer Pro-1 Analog Synthesiser
Cat: 781519
 
analog synthesiser
Notes: The Behringer Pro-1 is a clone of the popular retro classic Sequential Circuits Pro-One which was once conceived to be a monophonic Prophet-5. Those who know and love recordings of Depeche Mode and Yazoo, will enjoy recognizing a lot of those sounds with the Pro-1.

The two assertive oscillators, each based on a CEM3340 chip, have sawtooth and square waveforms, an octave switch, fine tuning and pulse width control. Oscillator A can be synchronized to oscillator B, the second tone generator is additionally equipped with the triangle waveform and can be switched to low mode as well as decoupled from the pitch control. Both VCOs are brought together in the mixer, where the noise generator is also located, which can be replaced by an external signal. The beautiful basic sound is processed with a characterful 24dB lowpass filter, also known as Curtis VCF. It behaves similar to a Moog filter, but due to the IC CEM3320 it sounds different than the transistor cascade. The two crisp ADSR envelopes are assigned to the filter and VCA. An LFO with three waveforms is connected to the targets via the modulation bus. The special features of this instrument include the waveforms that can be activated simultaneously in both oscillators and in the LFO.

The modulations are assigned on the left side of the control panel. The filter envelope, oscillator B and the LFO, each with their own attenuator, are available in parallel as sources. These are assigned to the targets frequency oscillator A+B, pulse width oscillator A+B and cutoff directly or via the modulation wheel (or midi controller). Wild oscillator drifts, sync sounds, sirens, FM for filter and/or oscillator A as well as pulse width modulation are possible if used with care. If you turn everything up at once, it gets really wild! The modulation bus is the hottest feature of the Pro-1 next to the sound.

The ingeniously simple sequencer provides access to two patterns, each of which can be up to 40 steps long; pauses can also be programmed. The notes are played via a connected MIDI keyboard. After the input, the patterns can be transposed with the keyboard. The Arpeggiator primarily offers the playback modes Up and Up&Down, but can also be integrated into the pattern. Synchronization to other equipment is done via the analog clock input or MIDI/USB.
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coming soon $334.54
Behringer Super X Pro CX2310 V2 Crossover
Cat: 699323 Rel: 25 Oct 18
 
High-precision stereo 2-way/mono 3-way crossover with subwoofer output
Notes: The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz. By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class!

When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossovers accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection plus Mute and Phase Invert switches, making troubleshooting even a large system virtually effortless!

Chances are if you're reading this, you already know what a crossover is and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you're bench-pressing your limit!)

The CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs. In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional. For your convenience, the CX2310s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected and which controls are currently active.

The high-precision CX2310 is the super-effective and affordable way to optimise the performance of your sound system and protect your valuable loudspeaker investment at the same time! That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover's function to divide these tasks between the various amplifiers and transducers.
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 More than 10 in stock $77.53
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