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Review: Sufjan Stevens is nothing short of an enigma. Capable of shapeshifting in almost unfathomable ways, he's the sort of artist that can release a spellbinding and technically astounding collection of piano duets, written to score a ballet, but give tracks names like 'And I Shall Come To You Like A Stormtrooper In Drag Serving Imperial Realness'. High brow while totally accessible, his back catalogue to date is one for which you'd struggle to find anyone who doesn't appreciate, once they've taken the time to listen. Here we are then, mere months after the aforementioned song and its parent album landed, getting to grips with another very different beast. Javelin certainly shares in the beauty that ran through its predecessor - Reflections - but whereas the last LP was relatively minimalist, here things are often the opposite. Big, rousing, 1960s-70s style pop numbers, soulful journeyman acoustic with backing chorus, theatrical soft rock and plenty more besides.

Review: The blissful, heart wrenching, emotionally captivating Sufjan Stevens teams up with one of California's finest lo-fi indie artists, and a chap who has warmed up for him on a number of occasions; Angelo De Augustine. No doubt you can already picture in the mind's ear what this collaboration will sound like, and you'd be right. But it's far more difficult to figure out where they're coming from with this release.

Allow us to divulge, then. Beginner's Mind is a record at once inspired by some excellent movies, and then also some not-so-excellent ones. Each track on here owes something to the world's foremost visual culture (sorry, gamers), from 'Reach Out' referencing Wings of Desire to 'Lady Macbeth in Chains' nodding to All About Eve. In every case the link is nuanced, rather than direct, but this is only testament to the staggering songwriting at play.