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Items 1 to 28 of 28 on page 1 of 1
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Cat: 50WEAPONCD 16. Rel: 06 Mar 14
Footwork/Juke
Review: Stepping up with his second album for 50 Weapons, Addison Groove is once again mining the rhythmic excitement of juke and footwork and working it into his blue-hued melodic headspace. Standout vocal cut '"Just You" is a prime example of the upbeat flavour across the album, while "11th" matches the plush harmonies with moodier switch-ups, and "The Spirit Level" drops the tempo into a house bump that lends itself to the illustrious synth sweeps. Typically though the beats are in that twitchy middle ground between dubstep and footwork, leaving plenty of space for razor-sharp constructions and dazzling edits as best demonstrated on the dynamic acid roll of "Space Apples". Chaos abounds on the B Side where Developer's frantic side is shown via "Promiscuous" whilst the tightly wound "Pulstar" is quite hypnotic.
… Read morePlayed by: Juno Recommends CD Albums
out of stock $11.16
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Review: More body slamming material here from Addison Groove. Direct dancefloor business, the title track "I Go Boom" shakes and sasses with a tight dancehall stomp that's balanced beautifully with soft minor keys in a way that DJ Gregory might have done back in the day (only a lot heavier). "Button Moon" takes the heaviness level up several notches with more steppy beats and a fine acid house flavour. "Oversize Clip", meanwhile, nods to the dubstep heads with a deep and minimal 808 riddim. "Melody Maker" finishes the show on a deeper note. Timeless, jacking and sweetened with a sexy groove, Addison Groove can do no wrong right now.
… Read moreout of stock $13.24
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Review: Here's something to excite all those who like their dance music to come with a heavy dose of funk: a split release from 50 Weapons that boasts material from Bristol-based floor-slayer Addison Groove and scene veteran Erik "Errorsmith" Wiegand. The latter is in a combative mood, delivering a rave-friendly chunk of analogue madness that comes complete with colossal build-ups, twisted acid lines, bouncy electronics and ghetto-tech-inspired intensity. While rather good, it lacks the energy and punch of Addison Groove's contribution, the throbbing "Allaby". Typically, it sits somewhere between the relentless jack of juke, the cut-up appeal of ghetto-tech, and the rolling goodness of tech-funk. However you describe the track, it's a bit of a banger.
… Read moreout of stock $11.16
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Review: Bringing a measured kind of juke menace to the 50 Weapons camp, regular attraction Addison Groove this time links up with fellow Bristol bass maven Sam Binga for some short and snappy cuts that explore diverse corners of electronica while all riding that hyped-up tempo. "Rzor" keeps things strictly rhythmic with its rush of 808 beats moving through pitch tweaks and rubbing up against found sound percussion. "Thr3id" gets twisted up in melodic stabs and the kind of gnarly acid spits you might find on Drukqs-era Aphex, bouncing off steady central motifs in order to fire off as many drum machine samples as possible in a three minute time frame. "11th" is even further into deploying intricate melodic darts that zip through the rapid fire beats, delicate chimes offset by dreamy synths and stuttering samples. "Ol Man EK" whips all these feelings up into a perfect summation track, capturing the bittersweet-ness of early jungle and vintage deep house in amongst a positively futuristic flurry of percussion.
… Read morePlayed by: Shiftee
out of stock $10.90
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Review: Under his Anstam guise, Lars Stoewe seems to specialize in the sort of moody, hard-to-pigeonhole fare that flits in the crawl space between murky IDM, experimental dubstep and nightmarish ambience. Stones and Woods, his second album, builds on the formula first explored on his 2011 debut, Dispel Dances. Typically, it refuses to sit still, showcasing a trademark style that often puts clandestine atmospherics above rhythmic naval-gazing. Ironically, it's when he melds the two - such as on the distorted live drums and odd noises of "Me & Them", or high-speed "Handsome Dances The Dance" - that Stones and Woods really hits home.
… Read morePlayed by: Juno Recommends Experimental
out of stock $11.16
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Review: This surprise debut album from German mystery men Anstam should be a cause for celebration. Having first made waves between 2007 and 2009 with a trio of bleak 12" singles that pitted contemporary grime and dubstep rhythms against classic and contemporary techno sounds, the fiercely secretive duo have released very little since. Dispel Dances continues that fruitful exploration of bass music's past and present, sneaking in Detroitian tech-jazz ("To All The Voices", "Handsome Talks The Talk") and hectic, next-level dubstep-jazz ("In The Bell Run") amidst the dubwise rhythms, basement atmospheres and smoky Berlin textures. The results are every bit as impressive as you'd expect.
… Read moreout of stock $10.42
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Review: Bambounou again proves he is a reliable source for straight up dancefloor music devoid of pretence and full of quality. The producer's French house side shines through on this fourth release for 50Weapons, but he still holds on to the ghetto vibe he's shown on his ClekClekBoom releases, while keeping it deep. "Feel Like This" features a skipping house beat with a repetitive vocal and evolving background textures, while "Onto This" is a fuller alternative thanks to upfront chords and extra percussion.
… Read moreout of stock $12.72
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Review: Later this month, 50 Weapons will round out another fine year with a mix CD of 2013 highlights pulled apart by their Parisian correspondent Jeremy Guindo-Zegiestowski aka the always fun to pronounce Bambounou. Before that, the Frenchman himself lines one last 12" transmission from 50 Weapons and like his previous work on the label, Bambounou's class shines through. If you were hoping "Ignition" was Bam's take on the R Kelly classic, you'll be disappointed. But chin up, son, as it is a fine example of lopsided and stripped back techno. Complementing this, "Take It Out On Me" is a proper DJ tool that swerves ever deeper down the bass/techno wormhole.
… Read moreout of stock $12.19
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Review: Across releases for Sound Pellegrino, ClekClekBoom and Youngunz, Bambounou has shown himself to be one of France's brightest new talents in the crossover world between techno and bass music - his debut album for Modeselektor's 50 Weapons stable has been keenly anticipated, and thankfully, it doesn't put a foot wrong. As well combining the raw bass physicality of producers like Objekt and Digital Mystikz in tracks like "Any Other Service" and "Capsule Process", the broken techno rhythms of producers like Shed in "Data" and "Splaz", the bright UKF hybrid styles of DVA and Champion and footwork inspired sampling on "Mass" and "Let Me Get", Orbiting offers a uniquely French take on bass, with "Great Escape" and "Challenger" even giving the palette of 90s French touch a contemporary spin. Easily the best 50 Weapons album this year, which in a year that has seen Shed and Addison Groove provide long players for the imprint is no mean feat.
… Read moreout of stock $14.01
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Review: Across releases for Sound Pellegrino, ClekClekBoom and Youngunz, Bambounou has shown himself to be one of France's brightest new talents in the crossover world between techno and bass music - his debut album for Modeselektor's 50 Weapons stable has been keenly anticipated, and thankfully, it doesn't put a foot wrong. As well combining the raw bass physicality of producers like Objekt and Digital Mystikz in tracks like "Any Other Service" and "Capsule Process", the broken techno rhythms of producers like Shed in "Data" and "Splaz", the bright UKF hybrid styles of DVA and Champion and footwork inspired sampling on "Mass" and "Let Me Get", Orbiting offers a uniquely French take on bass, with "Great Escape" and "Challenger" even giving the palette of 90s French touch a contemporary spin. Easily the best 50 Weapons album this year, which in a year that has seen Shed and Addison Groove provide long players for the imprint is no mean feat.
… Read moreout of stock $10.90
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Review: It's fitting that Benjamin Damage is the last artist to release an album on 50 Weapons. Apart from owners Modeselektor, he was also one of the first to feature on the label. Obsidian sees Damage straddle a fine line between the melodic and the atmospheric, the dance floor-heavy and the visceral. This is audible on the title track, where spacey chords are introduced over a rolling rhythm and on "Monolith", an arrangement that sees Damage fuse tribal beats with fragile, angelic hooks. Even though much of the album revolves around this interplay, there are also moments when the balance tips in the favour of the esoteric, and the lithe break beats and sensuous ambience of "Pulse Width" and "Shimmer" bring an end to Damage's relationship with the label in fine, introspective style.
… Read morePlayed by: Juno Recommends CD Albums, Lo Shea
out of stock $11.68
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Review: 50 Weapons' Welsh correspondent Benjamin Damage continues the explicit flirtation with techno explored on debut album Heliosphere with the two track 4600 EP. Intriguingly it's the first tangible results of O'Shea's restorative endeavours with a huge ETI 4600 synth, having spent some 18 months repairing it back to working condition with a synth-obsessive in Suffolk. Given the lengths he went, you'd think Damage would be happy but no there he is on the cover, scowling whilst perched on a vintage Italian scooter. Still though stern faces suit the mood of the music within with "ET Rework" unashamedly aimed at the darker main room techno floors. B Side cut "Nebula" meanwhile, offers something more cerebral in it's skipping percussion and faltering analogue bleeps.
… Read moreout of stock $11.93
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Review: Continuing the spate of remixes commissioned off the back of the Heliosphere album, 50Weapons put Benjamin Damage under the knife with a pair of modern techno mavens. SCNTST is something of a prodigal young talent from Germany, previously appearing on a pair of singles for Boys Noize. Here he crafts a multifaceted version of "010x" that moves through myriad moods and headspaces from calming pad drenched lulls to breakbeat-fuelled roughness, but always marching ahead with a technoid sense of purpose. Meanwhile Truncate brings a more delineated kind of workout that sports the hallmark focus of the L.A. based producer. Po-faced drums and hypnotic melodic hooks meet with more gentle ambient washes to create a flawless slice of contemporary techno.
… Read moreout of stock $13.49
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Review: Benjamin Damage returns to 50 Weapons for another ripper and he means business on this one! Aqueous melodies, dubbed-out beats and just the right level of bass feed into a strong techno backbone; "Up" is a warehouse banger with seductive loops, and "Acid Bath" is a straight tool bumper for the peak hours, but it's "Splash" that really impresses, finishing things off with some much needed - albeit subtle - jackin action.
… Read moreout of stock $12.44
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Review: It's fitting that Benjamin Damage is the last artist to release an album on 50 Weapons. Apart from owners Modeselektor, he was also one of the first to feature on the label. Obsidian sees Damage straddle a fine line between the melodic and the atmospheric, the dance floor-heavy and the visceral. This is audible on the title track, where spacey chords are introduced over a rolling rhythm and on "Monolith", an arrangement that sees Damage fuse tribal beats with fragile, angelic hooks. Even though much of the album revolves around this interplay, there are also moments when the balance tips in the favour of the esoteric, and the lithe break beats and sensuous ambience of "Pulse Width" and "Shimmer" bring an end to Damage's relationship with the label in fine, introspective style.
… Read moreout of stock $14.01
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Review: The inhabitants of Swansea have a lot to shout about these days. Not only is their football team riding high in the Premier League, but the city also boasts the originators of a sound dubbed "deep rave" - a suitably warm, muted fusion of old skool rave influences, deep house, UK funky, tropical and murky Berlin techno. Here, said pioneers - hometown heroes Benjamin Damage and Doc Daneeka - deliver their debut album for the mighty 50 Weapons imprint. They Live! is a suitably deep and lovable collection of bass music given their distinctive twist, with extra warmth provided by vocalist Abigail Wyles. Deeper, headphone-friendly moments ("Halo", "Juggernaut", "Battleships") are offset by a string of robust, peaktime bombs, not least a fine version of scene anthem "Creeper" and the eye-popping "Deaf Siren".
… Read morePlayed by: Juno Recommends CD Albums
out of stock $12.44
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Review: After truly impressing with his swerve in sonic direction across some of our favourite labels this year in Hessle, Rush Hour and 50 Weapons, the excellent Cosmin TRG deemed to grace the latter imprint with this much awaited debut album. And for anyone who dipped into the Romanian's recent output, Simulat will delight on many levels. The opening dusty strains of "Amor Y Otros" sets the standard, cleverly layering sounds and thumping rhythms in a fashion that is expansive yet cohesive, even straying down some thrilling pitch shifted dynamics. Previous 50 Weapons single "Fizic" features and its hazy melodic treatment of chords and synths is an obvious highlight, but there's plenty more on offer. "Ritmat" seemingly succeeds in marrying the rough drum skeleton of dubstep with ascendant house rhythms whilst "Want You To Be" immerses your senses in a deep fog of crackling ethereality, embellished with haunting vocals and militant kicks. Brief moments of calm are interspersed with more familiar Cosmin TRG tackle on a twelve track album that might not contain the immediate gratification of A Universal Crush, instead its real charms reveal after repeat listens.
… Read morePlayed by: Juno Recommends CD Albums
out of stock $12.44
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Review: The Romanian hotshot gets his work reshaped by two of the best contemporary remixers. Marcel Dettmann is best known for his industrial-tinged techno, but his remix of the title track casts a different light on him. Shards of delicate, metallic percussion provide the basis for Dettmann to deliver fragile melodies and a mysterious electronic groove. It's an impressive about turn for the German producer, but not quite as jaw-droppingly unusual as Lee Gamble's version of "Noise Code". There, razor sharp hats soar in over a pacey, tracky rhythm that stops, starts and collapses to reveal a wobbly, cartoonish bassline. Just before the end, Gamble lets the track descend into abstract mushiness, a fitting end to an idiosyncratic remix package.
… Read moreout of stock $10.38
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Review: Although he has flirted with dubstep, garage and house since his first appearance in 2007, Cosmin Nicolae's transformation into one of contemporary techno's most interesting figures was completed when he joined the 50 Weapons fray in 2011, releasing two twelve inches and an excellent debut album in Simulat. His follow up, Gordian, references an ancient myth and the music contained within is just as fantastical as the title suggests. The complex melodic arrangements of his previous album are expanded upon to great effect on tracks like "New Structures For Loving" and "Defeated Hearts Club", recalling the more exciting end of 00s minimal, while tracks like "Gordian", "Desire Is Sovereign" and "To Touch Is To Divert" are as forceful and driving as his Rush Hour releases; once again Cosmin has taken a great leap forward.
… Read moreout of stock $14.01
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Review: Peddling releases back and forth between the Black Acre and 50Weapons labels, UK production unit Dark Sky return to Modeselektor's dynamic imprint with four bass heavy cuts. It's easy to imagine Gernot Bronsort and Sebastian Szary's eyes light up as they watched the lathe cut down and into the master copy of Dark Sky's Myriam EP for the first time. The bossy plods and squelchy kicks of "Shutter Speed" are reminiscent of the sounds heard on Modeselektor's earlier works Hello Mom! and Happy Birthday!, while dubbed out and hoovering synths link up with beats made for krumping - a form of street dance - in "Shades". On the flip "Hequon" picks up the pace with a tip-toeing bassline, skipping hi-hats and housey chords while the ghetto jungle percussion and 808 thumps of "Gaddagive" make a fitting backdrop for talkative and uplifting synths.
… Read morePlayed by: HXDB, Juno Recommends Bass
out of stock $10.90
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Review: Linux, Dettmann's second EP for 50Weapons, tones down the techno abrasion of his previous missive for the label, with the results considerably easier on the ears. The Berghain resident opts for kooky and linear housey-techno instead, a sound frequenting many of his DJ sets of late. A constant kick drum and croaky bassline lasts the entirety of "Linux" and acts like a revolving door - greeting and chussing various hi-hats, claps, rides and rimshots. On the flip, Dettmann's love for Depeche Mode and Human League synths is clearly evident, as a basic, but slightly varying synths roll through a similar drum machine sequenced arrangement.
… Read morePlayed by: Ben Sims, Joao Maria (Assemble Music), Billy Nasty, Dave Miller, Skudge, Patrick Bateman (Tic Tac Toe), Rolando, ROD, Tripeo, Sable Sheep, Juno Recommends Techno, Jinno(Enable Recordings/Japan), Nihil Young, 3.14, Edit Select, Inter Gritty, Rivet, Resident Advisor, Gareth Wild (EarToGround Records), Joton, A Sagittariun
… Read moreout of stock $10.13
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Review: With the label's 50th and final release imminent, Modeselektor has decided to ramp up the pressure on 50 Weapons' last few EPs. Here, they turn to German techno royalty Marcel Dettmann, and fast rising Ilian Tape founders The Zenker Brothers. Dettmann kicks things off with "Activator" - a dark, intoxicating and smoky DJ tool built around shuffling, broken techno rhythms. As for the Zenker Brothers, their "Namuan" mines the world of 1990s loop techno for inspiration, with sweaty handclaps, fizzing electronics and clandestine aural textures riding a bouncy, chunk and formidably bass-heavy groove.
… Read moreout of stock $10.38
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Review: Whilst the most recent Modeselektion compilation saw Berlin pair Modeselektor pick from a largely established (if very varied) pool of artists, the latest release on their 50 Weapons labels shows Gernot Bronsert and Sebastian Szary have not lost any of their canny A&R skills for uncovering new talent. The uniquely named Fjaak are a Berlin trio with "futuristic minds but already nostalgic feelings" and as far as we can tell this two track 12" is their debut release. Familiarise yourself with both cuts and you'll understand why Bronsert and Szary scooped Fjaak up, with a their rave ready productions executed on a mixture of hardware and software the sort of club focused music 50 Weapons has made it's name on. As immediate as the title track is, our pick is the tougher techno fix of B Side "Plan A".
… Read moreout of stock $12.19
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Review: "Uplifting" isn't perhaps a term you'd associate with 50 Weapons releases, but it certainly an apt term to describe "Herenow", the lead cut from this excellent EP from former Shitkatapault, Boys Noize and Tiger Beats man Phon O. Rising impressively throughout, it takes a contemporary approach to the sort of melodic, intoxicating "intelligent techno" once offered up by Orbital. Elsewhere, things get a little murkier, with the dubwise old skool vibes of "Kellerkind" - complete with loose drum breaks, Berlin techno hooks and moody strings - contrasting nicely with the post-dubstep beauty of the dreamy "Moonwalk".
… Read moreout of stock $10.90
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Review: Aside from the splurge of sublime releases for the likes of Detroit Underground, Cytrax, and Shitkatapult, Phon O has been at the forefront of 50 Weapons' output, as of late. This time he shares a 12" for the same label alongisde R&S' Paula Temple, and the pair lay down their skills, respectively. Phon O takes the A side, and his "TW33tz" is a perfect hybrid tune, a visceral mix of house and breakeat; in respect of the latter, it's the infusions of subtle breaks and stuttering melodies that remind us of peeps such as Plump Dj's. Temple, instead, comes across ruder and more aggressive with "Oscillate", a techno mutant that verges onto acid-ridden electro. All in all, they're heavy and abrasive - check 'em!
… Read morePlayed by: Tale Of Us, Mathame
out of stock $10.90
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VARIOUS
50 Weapons Of Choice #10-19 (unmixed CD)
Cat: 50WEAPONSCD 02. Rel: 15 Jul 11
Dirty Dubstep/Trap/Grime
Review: Modeselektor's 50 Weapons Of Choice series offers a simple but devastating premise: great, floor-filling exclusives from themselves and some of their closest musical allies. Last year's first collection - featuring "weapons 1 to 9" - was mostly made up of remixed Modeselektor tackle and their own cheeky bootlegs. This time round, they've gathered together an impressive line-up of bass music talent. There's Falty DL, ripping up the dance in typical fashion with the retro-futurist garage rave-up "Large Flash". Cosmin TRG offers up two sparkling contributions, including a contemporary techno beast. And so it goes on, showcasing all manner of unfeasibly heavy, post-dubstep bass music bangers. If that's your bag, don't sleep.
… Read moreout of stock $12.44
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Review: Modeselektor's 50 Weapons imprint shifted focus a little last year, moving back to the dancefloor following 2012's obsession with artist albums. As part of their master plan, they released nine (count 'em) vinyl-only remix singles. Here, those tracks are collected together on CD for the first time, presented in nerd-friendly chronological order. The material - a woozy, late night blend of sparse post-dubstep grooves, heads-down techno (see the reworks from Truncate and Robert Hood), leftfield rhythms (Lee Gamble) and evocative, anthemic moments (shouts to Marcel Dettmann, DJ Friction and Legowelt) - offers depth and variety, with the tracklist offering a veritable who's who of cutting edge underground producers. For the heads, there's also a clutch of previously unreleased remixes, including Tale of Us's most unusual and underground work to date.
… Read moreout of stock $12.44
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Review: Prior to the 50 Weapons we all know and love today, the imprint was begun as a series of anonymous white labels which we later collected as part of a compilation. This latest collection gathers the best of the label's singles output from the past 12 months. Dark Sky, Benjamin Damage & Doc Daneeka and Cosmin TRG all represent - highlights include Phono's technoid UK garage killer "Abbey Road", Marcel Dettmann's prickly atonal techno bomb "Deluge", and Shed's "RQ-170", an experimental piece of 160BPM dubstep which sounds like Drexciyan explorers picking through the sandblasted remains of a dried up underwater city.
… Read moreout of stock $10.33
Items 1 to 28 of 28 on page 1 of 1
