4ms Company

Notes: 10-conductor ribbon cable with three 10-pin connectors and a 16-pin connector on one end (20" total length), for connecting more than 2 modules in a Pod.

Notes: 4ms blank panel - 10HP width. Black coloured PCB material with 4ms logo.

Notes: 16-conductor ribbon cable with four 16-pin connectors (20" total length), for connecting more than 2 modules in a Pod.

Notes: 4ms blank panel - 1HP width. Black coloured PCB material with 4ms logo.

Notes: 4ms blank panel - 2HP width. Black coloured PCB material with 4ms logo.

Notes: Jumper cable for connecting two Listen 4, Listen 4Q, or Listen IO modules & for daisy-chaining multiple Listens to create a larger mixer. Also used for connecting a WAV Recorder to a Listen module in order to record directly from the Listen's main mix. See the Listen module manuals for details and examples.

One cable connects two modules. By adding more cables you can create a chain between multiple modules.

Specifications:

1x3 pin female header
Pin Spacing: 0.1" (2.54mm)
Total length: 4.38" (111mm)

Notes: Power brick for powering Pods. One power brick can power up to 10 typical Pods. Pods can be daisy-chained using a Barrel Cable or Long Barrel Cable.

15V/3A (45W) / 2.1mm Barrel Plug (5.5mm outer diameter) / Positive Centre.

You also may use your own power brick if it meets the following requirements:

- 15V to 20V DC
- Positive centre 2.1mm barrel plug
- Minimum 20W output power
- Low-noise output
- Compatible with an IEC C5 cable

Please note: IEC cable not supplied

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Power brick for powering Pods. One power brick can power up to 10 typical Pods. Pods can be daisy-chained using a Barrel Cable or Long Barrel Cable.

15V/3A (45W) / 2.1mm Barrel Plug (5.5mm outer diameter) / Positive Centre.

You also may use your own power brick if it meets the following requirements:

- 15V to 20V DC
- Positive centre 2.1mm barrel plug
- Minimum 20W output power
- Low-noise output

Notes: 4ms blank panel - 4HP width. Black coloured PCB material with 4ms logo.

Notes: 4ms blank panel - 6HP width. Black coloured PCB material with 4ms logo.

Notes: 4ms blank panel - 8HP width. Black coloured PCB material with 4ms logo.

Notes: Power brick for powering Pods. One power brick can power up to 10 typical Pods. Pods can be daisy-chained using a Barrel Cable or Long Barrel Cable.

15-20V / 90W / 2.1mm Barrel Plug (5.5mm outer diameter) / Positive Centre.

Compatible power bricks are available wherever ROW POWER modules are sold. You also may use your own power brick if it meets the following requirements:

- 15V to 20V DC
- Positive centre 2.1mm barrel plug
- Minimum 30W output power
- Low-noise output
- Compatible with an IEC C5 cable

Please note: IEC cable not supplied

Notes: The Buff Mult is a buffered multiple with LED indicators to show positive and negative voltages. Using wide bandwidth opamps, it functions as a dual 1-to-3 or a single 1-to-6 mult for audio, video, or CV signals.

Notes: Bus Sticks are low-profile, small footprint power distribution boards for powering up to 13 modules using un-shrouded headers. Simply connect to a Row Power module using the included cable. Attaches to your case using adhesive pads (included) or by drilling and screwing.

Notes: Bus Sticks are low-profile, small footprint power distribution boards for powering up to 13 modules using shrouded (keyed) headers. Simply connect to a Row Power module using the included cable. Attaches to your case using adhesive pads (included) or by drilling and screwing.

Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer

Notes: The Catalyst Sequencer combines a traditional clocked step-sequencer with an unconventional phase-based sequencer to produce a new paradigm in sequencing. Eight precision CV sequencer channels can be simultaneously driven by a clock, a phase CV, or scrubbed manually with the crossfader.

Each of the eight channels has its own sequence length, quantizer, transposition, clock divider, randomization, voltage range (max -5V to +10V), and selectable CV (precise 16-bit resolution) or Gate mode.

Phase-based sequencing is an advanced form of sequencing where each step is selected by CV. The Catalyst Sequencer has a smooth, responsive crossfader that scrubs the sequence, playing it forward or backwards to track your motions. Patching in a CV signal will do the same: a ramp-up CV plays the sequence forwards, a ramp-down plays it backwards, a triangle plays it ping-pong, and complex waveforms generate new interesting rhythmic and melodic patterns.

The Catalyst Sequencer can also turn into a Catalyst Controller! Hold down a special button combination to change between sequencer and macro controller modes. If you end up liking the Controller more, you can even remove the double-sided faceplate, flip it over, and re-install with the Controller artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Pairs with: 4ms Catalyst Controller

Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company

Notes: ***BB-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The Dual Looping Delay (DLD), designed by 4ms and Gary Hall, is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular timebase and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.
By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythmic devices.

New features in firmware version 5:

Ping Lock for each channel
Quantized Inf/Rev/Time Change Mode
24-bit audio (selectable with a jumper)
Reverse and Inf Hold can be toggled with gates or triggers
Delay Feed knob can be selected to be audio or linear taper
Runaway DC at high feedback settings (e.g. resonant delays) is eliminated
Auto-Muting now has a 1ms attack and decay
Cross-fade Time (CFT) for splices is now variable (set in System Mode from 0ms to 500ms)
Selection of External Clock De-jittering algorithms to allow the DLD to sync with many types of external clocks
Exiting Infinite Hold plays through, without restarting loop

Electrical and Mechanical Specifications:

Module size:

20 HP Eurorack format module
0.98" (25mm) maximum depth with power cable

Power consumption:
+12V rail: 188mA max (jumper set to 5V)
-12V rail: 48mA max
+5V rail: not used

Connect red stripe of power cable towards the bottom of the module, which is marked with a white stripe and the words -12V and POWER
Audio Inputs:
0Hz (DC) to 24kHz
16.8V peak-to-peak maximum before clipping (when AC coupled)
Optional jumper to choose DC or AC coupling on input.

Audio Outputs:
0Hz (DC) to 24kHz with maximum -1.7dB difference between input and output (see technical specification section)
+10.5V to -10.5V maximum output
Soft limiting compression allows for saturation before clipping (can be disabled)

Clock outputs (Main, Loop A, Loop B):
0V to 8.2V
+/- 2.4us maximum jitter (i.e. 0.001% at 120 BPM)
Rise or Fall time: <1us
Pulse Width (Trigger mode) 22ms
Gate mode 50% (square wave)
At clock speeds faster than 22Hz, the clock output becomes 50% duty cycle

Included with the DLD:
16-to-16 pin power cable
4 M3 Knurlie screws

Notes: The Dual EnvVCA is a two-channel analogue linear envelope generator with two fully independent low-noise exponential VCAs. With time ranges from 30 minutes to 8kHz, it can be used as an LFO, slew limiter, ASR/ADSR complex EG, audio-rate oscillator, stereo audio/CV VCA, envelope follower, sidechain processor, and general utility module. The outputs can be attenuated, inverted, and offset without disrupting the VCA, making it a versatile modulation source.

100% analogue

Dual EnvVCA

16HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
10-pin Eurorack power header

Power consumption
+12V: 156mA
-12V: 131mA

Audio/VCA
100k input impedance, 1k output impedance, DC-coupled
VCA gain range: -90dB to +0.9dB
DC to 20kHz, +/-0.1dB
VCA response to CV: exponential

Envelope Times
Minimum rise or fall time: ~62us per segment (8kHz max frequency)
Maximum rise time: >10 minutes (typically > 13 minutes)
Maximum fall time: >20 minutes (typically > 40 minutes)

Jacks:
Env jack: Min = -10.2V, Max = +10.1V?, maximum amplitude 9.3Vpp
Trigger jack: rising edge threshold = 2.5V
Cycle jack: rising edge threshold = 2.5V
Follow jack: active range = 0V to +5V

EO* jacks:
EOR (channel A): <80mV low to >4.50V high gate output
EOF (channel B): <80mV low to >4.95V high gate output
Minimum stable pulse width: 1ms. Shorter than this may produce extra 50us pulses
Audio In/Out jacks: -10V to +10V maximum range without clipping

Notes: The Dual Looping Delay (DLD), designed by 4ms and Gary Hall, is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular timebase and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.
By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythmic devices.

New features in firmware version 5:

Ping Lock for each channel
Quantized Inf/Rev/Time Change Mode
24-bit audio (selectable with a jumper)
Reverse and Inf Hold can be toggled with gates or triggers
Delay Feed knob can be selected to be audio or linear taper
Runaway DC at high feedback settings (e.g. resonant delays) is eliminated
Auto-Muting now has a 1ms attack and decay
Cross-fade Time (CFT) for splices is now variable (set in System Mode from 0ms to 500ms)
Selection of External Clock De-jittering algorithms to allow the DLD to sync with many types of external clocks
Exiting Infinite Hold plays through, without restarting loop

Electrical and Mechanical Specifications:

Module size:

20 HP Eurorack format module
0.98" (25mm) maximum depth with power cable

Power consumption:
+12V rail: 188mA max (jumper set to 5V)
-12V rail: 48mA max
+5V rail: not used

Connect red stripe of power cable towards the bottom of the module, which is marked with a white stripe and the words -12V and POWER
Audio Inputs:
0Hz (DC) to 24kHz
16.8V peak-to-peak maximum before clipping (when AC coupled)
Optional jumper to choose DC or AC coupling on input.

Audio Outputs:
0Hz (DC) to 24kHz with maximum -1.7dB difference between input and output (see technical specification section)
+10.5V to -10.5V maximum output
Soft limiting compression allows for saturation before clipping (can be disabled)

Clock outputs (Main, Loop A, Loop B):
0V to 8.2V
+/- 2.4us maximum jitter (i.e. 0.001% at 120 BPM)
Rise or Fall time: <1us
Pulse Width (Trigger mode) 22ms
Gate mode 50% (square wave)
At clock speeds faster than 22Hz, the clock output becomes 50% duty cycle

Included with the DLD:
16-to-16 pin power cable
4 M3 Knurlie screws

Notes: Seriously potent polyphonic voice built around 16 sine-based oscillators. Capable of a huge range of tones thanks to FM, phase distortion and wavefolding. Another cracker from a consistently reliable brand.

Supplier's notes:
The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.

The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.

30 factory-programmed, user-writeable scales organized in three groups:
12TET: all notes quantized to equal temperament, repeating over octaves
Octave: unquantized notes, repeating over octaves
Free: unquantized notes, repeating over the interval between the lowest and highest note

16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header
Power consumption
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)
Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V
Gate inputs
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings

Notes: The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.

The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.

Electrical and Mechanical Specifications:

16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header

Power consumption:
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)

Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V

Gate inputs:
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.

The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.

Electrical and Mechanical Specifications:

16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header

Power consumption:
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)

Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V

Gate inputs:
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings

Notes: The EnvVCA is compact analogue envelope generator with a built-in low-noise exponential VCA. It's a perfect companion to any VCO, whether you trigger it or self-cycle, and/or use the envelope output to modulate something else. With a wide time range from 30 minutes to 10kHz, it can be used as an LFO, slew limiter, audio or CV VCA, ASR/ADSR envelope generator, audio-rate oscillator, and more.

100% analogue

EnvVCA

8HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
10-pin Eurorack power header

Power consumption
+12V: 83mA, -12V: 81mA

Audio/VCA
100k input impedance, 1k output impedance, DC-coupled
VCA gain range: -90dB to +0.9dB
DC to 20kHz, +/-0.1dB
VCA response to CV: exponential

Envelope Times
Minimum rise or fall time: ~50us (10kHz max frequency)
Maximum rise or fall time: >10 minutes (typically 15-20 minutes per segment)

Jacks:

Env jack:
when fall time > 11ms: Min = -5mV to +40mV, Max = +9.5V
when fall time < 11ms: Min = -200mV to -5mV, Max = +9.5V
Trigger jack: rising edge threshold = 2.5V
Cycle jack: rising edge threshold = 2.5V
Follow jack: active range = 0V to +5V
EOR jack: 0V to 5V gate output
Audio In/Out jacks: -10V to +10V maximum range without clipping

Notes: Flying Bus (male pin) are passive power distribution cables that work with the Row Power to distribute power to your modules.

Can be daisy-chained if extra headers are needed. One 14" flying bus cables with 7 male header pins.

Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: The Listen IO is a simple module which gets signals in and out of a Eurorack system by converting to and from normal modular levels. The top section converts any external signal to modular levels by providing up to 30x gain (+30dB), allowing you to use table-top synthesizers, keyboards, phones/tablets, computers, toys, microphones, etc. in your patches. The bottom section does the opposite: modular signals are converted to normal line level signals. The bottom two jacks can be used as line outs or as headphone jacks, so you and a friend can listen in stereo at the same time.

Each section has two inputs and outputs for use with a stereo signal or two mono signals. An LED bar graph for each output shows the signal level and clipping.

Notes: The Listen Up is a small passive expander for the Listen modules that provides stereo 1/4" (6.35mm) jack inputs and outputs. It connects to one or two Listen modules and/or WAV Recorder module with the included 3-pin cables. There are four 1/4" jacks arranged in left/right pairs. The left jack of each pair can be used as a TRS stereo jack if the right jack is unpatched.

Notes: Crystal-clear clock-synced delay for loop up to 90 seconds, echoes, sound-on-sound, Karplus-Strong etc.

Features:
Loop or echo time is synchronized to a clock
87 seconds of delay/loop time maximum
48kHz/24-bit sampling rate, loop recorded at 16-bit (24-bit optional)
Extremely quiet, low noise and low jitter design
Tap tempo button and clock Ping input set the basis for one "beat"
Delay/loop time set as a number of musical beats (or fractions of beats) using the Time knob, switch, and CV jack
Sample-accurate clock output for perfect synchronization
Loop clock outputs for each channel
Time switches change range of Time knob from 1/8th notes up to 32 bars
Digital feedback, up to 110%
Delay Feed control, independent of dry/wet signal mix
Infinite Hold mode disables recording input and fixes regeneration at exactly 100%
Reverse mode plays memory contents backwards
With an infinite loop locked, knobs or CV can "window" around memory, by shifting the loop
Trigger inputs for toggling Infinite Hold and Reverse
Send and Return for applying effects to feedback with external modules
CV jacks to control Time, Level, Feedback and Dry/Wet Mix
16HP Eurorack module

Specs:
48kHz, 24-bit low-noise hi-fidelity
Up to 90 seconds of loop time
16HP
+12V: 110mA
-12V: 45mA

Included with the Looping Delay:
16-to-16 pin power cable
4 x M3 Knurlie screws

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Crystal-clear clock-synced delay for loop up to 90 seconds, echoes, sound-on-sound, Karplus-Strong etc.

Features:
Loop or echo time is synchronized to a clock
87 seconds of delay/loop time maximum
48kHz/24-bit sampling rate, loop recorded at 16-bit (24-bit optional)
Extremely quiet, low noise and low jitter design
Tap tempo button and clock Ping input set the basis for one "beat"
Delay/loop time set as a number of musical beats (or fractions of beats) using the Time knob, switch, and CV jack
Sample-accurate clock output for perfect synchronization
Loop clock outputs for each channel
Time switches change range of Time knob from 1/8th notes up to 32 bars
Digital feedback, up to 110%
Delay Feed control, independent of dry/wet signal mix
Infinite Hold mode disables recording input and fixes regeneration at exactly 100%
Reverse mode plays memory contents backwards
With an infinite loop locked, knobs or CV can "window" around memory, by shifting the loop
Trigger inputs for toggling Infinite Hold and Reverse
Send and Return for applying effects to feedback with external modules
CV jacks to control Time, Level, Feedback and Dry/Wet Mix
16HP Eurorack module

Specs:
48kHz, 24-bit low-noise hi-fidelity
Up to 90 seconds of loop time
16HP
+12V: 110mA
-12V: 45mA

Included with the Looping Delay:
16-to-16 pin power cable
4 x M3 Knurlie screws

Notes: The Mini PEG is a clock-synced envelope generator and LFO whose envelope times are set by the time between clock pulses or "pings". The Mini PEG is the latest version of the classic 4ms Pingable Envelope Generator.

Specs

Mini PEG
8HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
16-pin Eurorack power header

Power consumption
+12V: 55mA
-12V: 30mA

Envelope Outputs
Maximum voltage range (ENV OUT): -9.4V to +9.4V
Maximum amplitude (ENV OUT): 9.5Vpp
Voltage range (5V OUT): 0V to +5V

Frequency range: +/-0.1dB DC to 1kHz, -1.0dB@2.5kHz, -2.0dB@4kHz
12-bit, 40kHz sample rate
Clock Range

Period range: 29.16 hours to 250us (4kHz)
CV Inputs (Div/Mult and Shape)

Voltage range: -5V to +5V
Gate Inputs (Ping, Trigger, Cycle)
Rising edge threshold: 2.5V

Notes: The 4ms Nocto Loco is an octave pedal capable of going as low at three octaves down in pitch. It can also function as a tremolo effect with the Pulse and Speed knobs.

Notes: Nice dual-module gate/envelope generator which can run off any audio signal. Feed it drums, synths, samples or a mic input and and generate CV modulation signals.

Supplier's Notes:
The Percussion Interface (PI) and PI Expander are a pair of Eurorack modules that generate gates and envelopes from acoustic drums, samplers, drum machines, and virtually any audio source.

Converting microphone, instrument, line and modular signals into CV and clock/gate signals, the PI and PI Expander are suited for synchronizing sequencers or other modules to the rhythm of an audio track or live percussion. The modules can simultaneously be used as a pre-amp for microphones or line-level signals, while generating inverted envelopes useful for side-chaining. The PI module contains all the core functionality and can be used without the Expander to conserve space. The Expander requires the main PI modules and adds three gain stage options, a modular-level audio output jack, a 1/4" (6.35mm) input jack, and envelope attenuation capabilities. The two modules are only sold together, they are not available separately.

Electrical and Mechanical Specifications:
Module size (PI):
4 HP Eurorack formal module
0.98" (25mm) maximum depth with power cable
10-pin Eurorack power header

Module size (PI EXP):
4 HP Eurorack formal module
0.98" (25mm) maximum depth with power cable
8-pin cable connects to PI

Power consumption:
with PI Expander
+12V: 104mA
-12V: 65mA
without PI Expander
+12V: 69mA
-12V: 56mA

Audio Inputs:
1/8" [3.5mm] on PI main module, and 1/4" [6.35mm] on PI Expander
100k input impedance, AC-coupled

Audio Outputs:
Voltage range: -10.4V to +10.8V, DC-coupled
1k output impedance
Gain Characteristics
Gain range: < -100dB to +54dB (500x)
Clip light turns blue when signal (post-gain) exceeds 2.5Vpp
Gate is triggered when signal (post-gain) exceeds 6.3Vpp
Clip light flashes red when signal clips on Audio Out jack (exceeds +10.8V)
Gate Out Jack
1k output impedance
+8V gate/trigger signal
6ms - 0.5s pulse width
+ Env Out jack (jack on PI main module)
1k output impedance
+9V peak (sustain), -60mV resting (off)
15ms attack time
70ms - 6s exponential decay time (1% of peak voltage)
- Env Out Jack (jack on PI main module)
1k output impedance
+9V resting (off), -150mV peak (sustain)
15ms attack time
70ms - 6s exponential decay time (1% of peak voltage)
Env. Out jack (attenuated jack on PI Expander)
1k to 26k variable output impedance
+9V maximum
-60mV minimum
Inv. Out jack (attenuated jack on PI Expander)
1k to 26k variable output impedance
+9V maximum
-150mV minimum
Included with the PI+EXP:
8-to-16 pin power cable
8-to-8 pin cable for connecting to the Expander
M3 Knurlie screws (4)

Notes: The Pingable Envelope Generator (PEG) from 4ms is a dual envelope generator whose envelope lengths are set by incoming clocks or "pings".

The PEG has full CV control of envelope shape, skew, and ping (clock) division/multiplication, as well as a plethora of triggering and cycling options (AD, AR, quantization, cycle), and a tap tempo button for each channel.

Scaling/shifting:
- Scale knob is an attenuating inverter for main envelope output (Maximum 0V to +10V non-inverted, and Minimum -10V to 0V inverted).
- Bi-polar button centers main envelope output around 0V (-5V to +5V output)
- "+5V ENV" jack is a non-scaling output that always produces a 0V to +5V envelope, regardless of Scale and Bi-polar settings
- "OR" jack outputs an analog OR of the two scaled envelope curves. This outputs the highest value from either envelope at any given moment, taking into account the Scale and Bi-polar controls.

Gate outputs:
- End-of-Rise (EOR) gate output goes high when envelope finishes a rise portion, and goes low when envelope begins a rise portion
- End-of-Fall (EOF) gate output goes high when envelope finishes a fall portion, and goes low when envelope begins a fall portion
- Jumper for each channel changes EOR output to a Half-Rise gate output. The Half-Rise jack goes high when 50% of the time of the rise portion has elapsed, and goes low after 50% of the time of the fall portion. Using the Skew parameter, this jack provides a variable phase gate output useful for quadrature effects and clock phase shifting and trigger delay effects. Factory setting is EOR for red channel, Half-Rise for blue channel.

Triggering/cycling:
- Cycle button for each channel forces envelope to self-cycle in sync with the ping clock (LFO mode). Button lights up when in cycle mode.
- "T" jack toggles the state of both channels' Cycle button when a gate is applied
- "QNT" jack for each channel triggers an envelope to start at the next quantized beat, with respect to the divided/multiplied ping clock. Holding a gate high on this jack causes the envelope to repeat.
- "Async" jack for each channel causes an envelope to output immediately (asynchronously). Holding a gate high results in an AR envelope (rise-sustain-fall). If cycle mode is enabled, the envelope will continue to cycle at this new phase with respect to the ping clock. Phase can be reset to being in sync with the ping clock by pressing the cycle button or applying a pulse to the QNT jack.

CV input jacks:
- CV control of Ping Div/Mult, Skew, and Curve using the CV jacks. Respective knobs set the center offset for the applied CV
- CV of 0-10V will modulate the parameter's full range However, a 0-5V CV will modulate the parameter within a very useful range.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod20 is 20HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod20 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod20 Unpowered is 20HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 is 26HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod26 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 is 26HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod26 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 Unpowered is 26HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 is 32HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod32 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 Unpowered is 32HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod34X is 34HP wide and has extra room to fit even the deepest modules (2.16" / 55mm of available module depth). The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

This Pod requires a power brick (not included).

Or, if you already have a Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain power supplies.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod typically will house one or two modules, but three or more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

34 HP Eurorack modular space
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:
34HP Pod, black anodized aluminum
Extra deep (2.16"/55mm) fits virtually every Eurorack module
Built-in power supply with four Eurorack power headers
M3 x 8mm pan-head screws, stainless steel (10)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:
Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.65A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 177.3mm (6.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 34HP
Weight:
0.3 kg = 10 oz

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod34X is 34HP wide and has extra room to fit even the deepest modules (2.16" / 55mm of available module depth). No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

34 HP Eurorack modular space
Standard M3 threaded holes
100% lightweight anodized aluminum

Exterior dimensions:
Width: 177.3mm (6.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 34HP
Weight:
0.3 kg = 10 oz

Notes: The Pod40X is 40HP with 2.00" (51mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod40 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: The Pod40X Unpowered is 40HP with 2" (51mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.

Notes: The Pod48X is 48HP with 2.00" (51mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod48X includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: The Pod40X Unpowered is 48HP with 2" (51mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.