Review: An essential snapshot of late 60s British jazz, Off Centre snaps pianist and arranger John Cameron during a rare small group session, capturing a uniquely vivid, rhythmically complex album. Renowned for his soundtrack and library music work, Cameron brings that same cinematic flair to these tracks: 'Off Centre', 'Troublemaker' and 'Omah Cheyenne' are rowdily rich in texture, yet never overworked. His collaborators include the extraordinary Harold McNair, whose flute and tenor sax playing bring a kinetic energy that nods to his Roland Kirk influences, but with a cooler, more spacious edge. There's a strong modal undercurrent throughout, bringing the session a searching, propulsive edge, reflecting the sonic gemstone gleams that music magpie Gilles Peterson helped champion on his storied Impressed compilations.
Review: Scruscru and Los Protos hook up on the former's ever-reliable label for some more funk-fuelled and sample-heavy madness. This eight-tracker draws on the best of Library, jazz, hip hop and soul and collides elements of all of those together with some raw, and what sounds like, MPC beats, all tapped out with a lovably loose vibe. Some like 'Local Sugar Diggers' look up towards a sunny, cloudless sky, others like 'Dreams Of Sonora' are swaggering broken beat workouts with sensuous sax lines setting a steamy tone. 'Por Do Sol Em Shelekhmet' is another highlight with its aloof, angelic vocal tones.
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