Review: Lucerne based Prasens Editionen was founded in 2011 to give home to Zweikommasieben Magazin. Ever since, a bunch of magazines, books, zines, records, tapes and oddities have been published. After digging deep into their vast archive, they found two gems that are particularly striking: a live recording from a collaborative project (on Side A) in the form of the the textural industrial/noise journey by Nilbog entitled "Liverecording 02/11/16". On the flip Mr Pena's "TMC" (The Markt Chronicles) is a three minute gabba onslught. Mr. Pena lets loose, aiming at hardcore dancefloors while balancing between fight-or-flight terror and pacifying joy. Edition of 300.
Le Syndicat - "Prothesis Pack Xtract 08 (1983)" (3:52)
Le Syndicat - "Maximalist" (Ekman remix) (6:05)
Review: Continuing their uncompromising fusions of artists new and old, Contort Yourself return with a punishing array of industrial thuggery from hardware manipulators you wouldn't take home to your mother. Novacom were last seen on Slumdiscs back in 2014 and here bring a fast and gnarly rhythmic tryst to bear before JK Flesh do their own snagging dance with oppressive synths and drums twirling into a heavyweight whole. French brutalists Le Syndicat then dominate the B-side with their confrontational bastardisation of techno and industrial, making the perfect source material for Ekman to get nasty with on his remix of "Maximalist".
Nocturnal Emissions - "Even The Good Times Are Bad (1983)" (4:33)
Innyster - "Todis" (6:08)
Review: Contort Yourself reaches its sixth installment with yet another era spanning gathering of post-punk and industrial oddities for the most deviant of dancefloors to digest. In the contemporary corner we have Penelope's Fiance, a promising industrial artist from Greece. Meanwhile on the B-side, Nigel Ayers as Nocturnal Emissions takes us back to 1983 with the utterly chilling "Demon Circuits Bloodbath" and "Even The Good Times Are Bad". L.I.E.S boss Ron Morelli steps up as U202 to remix "Even The Good Times Are Bad" as a death march of malevolent percussion.
The Sixteen Steps - "Tales From The Old Country" (5:47)
Neud Photo - "Plagued By Consciousness" (6:08)
Review: As was the case with its predecessors, the third volume in VEYL's ongoing "Previously Undisclosed Rituals" series is packed to the rafters with angry, lo-fi club cuts, paranoid pagan techno and wild, mind-altering dancefloor throb-jobs. It's all of a high standard, of course, but we're particularly enjoying the drowsy late night hypnotism of Terrence Fixmer's "Always Through", the pitch-black electronic body music of The Sixteen Steps' "Tales From The Old Country", the foreboding late night creepiness of Neud Photo's decidedly trippy "Plagued By Consciousness" and the rip-snorting techno stomp of VTSS's nails-hard opener "Toxic Bleach". In a word: intense.
The Voyeur Of Utter Destruction (As Beauty) (4:53)
I Have Not Been To Oxford Town (4:20)
Andy Warhol (3:53)
Breaking Glass (3:44)
The Man Who Sold The World (3:43)
We Prick You (4:20)
A Small Plot Of Land (6:37)
Nite Flights (6:20)
Under Pressure (3:56)
Review: During the U.S leg of his 1995 Outside tour, David Bowie was supported by Nine Inch Nails. Trent Reznor and company not only opened the shows, but also joined forces with the legendary musican on joint performances of some of his songs. Now, some 24 years later, a recording of one of these legendary collaborative performances has finally been released. It's hugely evocative and atmospheric, with many of Bowie's great songs - particularly "Scary Monsters (and Super Creeps)", "Hallo Spaceboy", "The Heart's Filthy Lesson", "The Man Who Sold The World" and "Under Pressure" - benefitting from Nine Inch Nails' low-end grunt and razor-sharp guitars.