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Indie/Alternative charts
Bestselling Indie/Alternative vinyl
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Review: Texas-based trio Khruangbin returns with their highly anticipated album, A La Sala, blending Thai funk, psychedelic rock and world music influences. Laura Lee's funky basslines, Mark Speer's intricate guitar work, and Donald "DJ" Johnson's precise drumming define each hypnotic groove. Tracks like 'Farolim De Felgueiras' and 'A Love International' emit a laid-back aura, ideal for lazy summer days, while 'Juegos Y Nubes' adds Latin rhythms with a psychedelic twist. 'A La Sala' offers a rich journey through diverse musical landscapes, solidifying Khruangbin's mastery of genre fusion and their ability to create sonic euphoria.
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Review: Twenty years ago it sounded like an oddly poignant evocation of pre-millennial tension. Two decades later it stands as an eerily prescient glimpe into the technological alienation and dislocation of of a new era. Yet more importantly, OK Computer is no more or less than a sparkling, dramatic and moving collection of songs that haven't lost any of their impact in the interim. The sound of a band stubbornly refusing to follow up the stadium-strafing stylings of its predecessor The Bends - and instead bursting headlong into experimentation and wild creativity -is portrayed in still more vivid colours by the alarmingly strong collection of out-takes and B-sides collected herein, Yet there's no getting away from the chill and spark that marked out OK Computer from everything surrounding it in the post-Britpop malaise, and continues to do so in the pre-Brexit counterpart.
… Read more in stock $10.06
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CD1: Switched On
CD2: Refried Ectoplasm (Switched On Vol 2)
CD3: Aluminum Tunes (Switched On Vol 3)
CD4: Aluminum Tunes (Switched On Vol 3)
CD5: Electrically Possessed (Switched On Vol 4)
CD6: Electrically Possessed (Switched On Vol 4)
CD7: Pulse Of The Early Brain (Switched On Vol 5)
CD8: Pulse Of The Early Brain (Switched On Vol 5)
Review: This massive anthology box set compiles all five volumes of the Stereolab Switched On series: 94 non-album tracks and sought after deep cuts by the group. Beginning with the original Switched On compilation LP from 1992, the series that ensued - though entirely comprised of deep cuts - still makes for a comprehensive jaunt through the Anglo-French auteurs' oeuvre, which never once lets up on quality. Every track here could've appeared on a full-length, so it's a testament to the band's work ethic that they simply had this much material to follow up with. Warp's comprehensive new 8xCD includes experimental highlights such as the original weirdo-chanson 'Plastic Mile', an Autechre remix of 'Refractions In The Plastic Pulse' and the stripped back 'XXXOOO', among many other gemstones.
… Read more in stock $48.22
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Review: Jane Weaver describes her 11th solo album, Love In Constant Spectacle, as her most 'open hearted, direct and intimate' exploration of 'the British musical landscape'. It's certainly an impressive album, with the former Laura Kills vocalist fusing a wide range of nostalgic, pastoral, and analogue rich sounds, from Stereolab-esque krautrock revivalism, ;ate '60s dream pop, turn-of-the-90s indie-pop and crackly, organ-sporting folk-rock. Highlights include the deep and drowsy 'The Axis and the Seed', the fuzzy 'Is Metal', the head-in-the-clouds dreaminess of 'Romantic Worlds' and the hazy but picturesque headiness of 'Family Of The Sun'.
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Review: Much loved emo post-punk outfit The Cure not only released several superb albums but were also a brilliant band to catch live. Over their career, they played many a seminal live show for radio or TV broadcast and now the best of them has been picked apart and collated on this new five-CD box set. The Broadcast Collection spans 1979 to 1996 and includes all your favourites like 'Killing An Arab', 'Boys Don't Cry' and 'Just Like Heaven' (in fact more than one version of some of those make the cut) next to plenty of lesser-known but no less good jams.
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Review: Given their Radiohead connections Thom Yorke and Jonny Greenwood make up two thirds of the band), there's always been an enormous amount of interest in The Smile - a lockdown-born project that has plenty of potential. Wall of Eyes, the trio's second album, is certainly impressive. For proof, check the moody, suspenseful and slowly unfurling title track (all pulsing, low-slung semi-acoustic grooves, eyes-closed vocals, dense electronic textures and soundtrack strings), the heady, subtly jazz-flecked wall of sound that is 'Friend of a Friend' (listen out for the music concrete-style sound collage sitting in the background of the White Album era Beatles-esque 'Friend of a Friend'), and the lo-fi, string-laden headiness of the largely beat-free 'Bending Heretic', whose cut-glass horror strings and Nine Inch Nails style guitars are impressively intense at times.
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Review: Cranes were a British alternative band formed in 1985. Long before the Dream Pop subgenre name came out, the band earned a cult following culminating in 1992 opening for The Cure on their Wish tour of America. Strangely, there catalogue has been mostly untouched as far as reissues are concerned. But, the news of a remaster and reissue is even better! Originally released in 1986, their debut album Fuse was a cassette only purchase and for 38 years it has stayed that way. Until now! Fans of shoegaze, goth, dream pop and indie should pick this up without question to hear how ahead of time the band's music was.
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Review: Build Something Better by Grace Petrie, produced by Frank Turner, is a powerful statement on contemporary societal inequalities and injustices. With a blend of punk-folk elements, Grace's acoustic guitar and vocals shine, supported by Ben Moss' captivating fiddle playing and Stuart Proven's excellent drumming. The album tackles themes of alienation, political disillusionment, and the struggle for truth in a post-truth world. Tracks like 'The House Always Wins' and 'Meanwhile In Texas' confront hard-hitting issues with poignant lyrics and infectious musical patterns. Grace's songwriting ability shines through in tracks like 'King And Country' and 'Earthwire,' where personal relationships intertwine with broader social commentary. The album culminates in the title track, 'Fixer Upper,' offering hope amidst the existential threat of global crises. Overall, Build Something Better is a musically rich and lyrically profound album.
… Read more in stock $12.90
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Vini Reilly (35th Anniversary Edition) (3xCD + mini CD + DVD)
Cat: FACD 244. Rel: 18 Apr 24
Vincent Gerard & Steven Patrick - "I Know Very Well How I Got My Note Wrong" (bonus track - 3" Mini Cd)
Live In Porto 30/04/1988 (DVD Region 0)
Review: Formed in the post-punk era of Manchester in 1978, The Durutti Column, led by guitarist Vini Reilly, has remained an enigmatic and influential force in the history of post-punk. Their 1989 release, aptly titled Vini Reilly, is a testament to Reilly's eclecticism and sonic experimentation. The album spans a vast musical landscape, encompassing elements of post-punk, rock, acoustic, avant-garde, jazz, classical, folk, pop, and electronica.The album's 35th anniversary reissue box set includes many great additions that allows listeners to appreciate the enduring impact of his artistry, as he continues to inspire and challenge music enthusiasts worldwide. Includes new essay by Durutti Column/Factory Records expert James Nice, liner notes by band member Bruce Mitchell, liner notes from Anthony Wilson, interview extracts with Vini Reilly and restored images and outtake images.
… Read more! low stock $30.68
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Review: Julia Holter has subtly shifted focus on new album (her sixth in total) Something In The Room She Moves, moving away from exploring memory and dream-like states to instead focus on (in her words) "the complexity and transformability of our bodies". To create this rather distinctive (and rather good sound world), she added her own ethereal vocals to self-created backing tracks rich in electric fretless bass, warming wind and reed instruments, and distinctive synth sounds plucked from a Yamaha CS060. The results are predictably immersive and soul-enriching, with highlights including stunning opener 'Sun Girl', the percussively inventive 'Spinning', and the pastoral, dreamy 'Evening Mood'.
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Review: Mute's reissue of These Immortal Souls' sophomore album, I’m Never Gonna Die Again, is a long-awaited gem for fans of the band's dark and brooding sound. Remastered from the original tapes by Lindsay Gravina, along with original members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new life into the haunting melodies and gritty textures of the album. Originally released in June 1992 after a hiatus due to Rowland S. Howard's writer's block, the album marked a triumphant return for These Immortal Souls. Lead single 'King of Kalifornia' set the tone with its gritty intensity, showcasing the band's evolution since their debut. Joined by Anthony Thistlethwaite on saxophone and slide mandolin, the band's lineup remained formidable, with Rowland S. Howard's distinctive vocals and guitar work leading the charge. Alongside Harry Howard, Epic Soundtracks, and Genevieve McGuckin, they crafted a sonic landscape that was both haunting and hypnotic. For fans of post-punk and dark wave, I’m Never Gonna Die Again remains a standout in These Immortal Souls' discography. With this reissue, Mute pays homage to the band's enduring legacy, ensuring that their music continues to gain new fans for years to come.
… Read more in stock $10.83
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Review: The last ten years have seen no shortage of bands with their delay pedals set to stun intent on capturing an aura of dreamlike radiance. Yet Texas 'pop-noir' troupe Cigarettes After Sex are no ordinary shoegazers, for a variety of reasons - frontman Greg Gonzalez' androgynous and dulcet tones may be part of the appeal, yet moreover it's the quality of the songwriting here, which never falls prey to the style-over-substance traps of their peers. Indeed, this debut is more than enough to justify the considerable hype around this outfit, being a collection of ditties as sultry as they are atmopsheric.
… Read more in stock $8.76
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Review: There was naturally much excitement when A Moon Shaped Pool, Radiohead's surprise ninth studio set, popped up on streaming and download services back in May. Here it gets a CD release, offering those who prefer physical products a chance to bathe in its' woozy eccentricities. Seen by some as a return to their arty rock roots following an extended period spend exploring electronics, the album's 11 tracks draw on a variety of influences (krautrock, ambient, Pavement, James Blake, Stockhausen, intense melancholia etc.), with predictably impressive results. Occasionally elegant, string-laden and grandiose, always beautiful, and sometimes intensely moving, A Moon Shaped Pool is undeniably up there with the band's best work.
… Read morePlayed by: Juno Recommends CD Albums
in stock $9.27
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Review: A genuine treat for goth-rock fans, here, as Laser Media presents a six-disc box set featuring live performances - all originally recorded for radio broadcasts - by arguably the genre's most famous and celebrated band, Leeds legends The Sisters of Mercy. It moves back and forth through the years, with the earliest recordings (featured on disc five) dating from 1981 - when they'd yet to fully define the "goth" sound - and the most recent 1991 (discs three and four). It's a good reflection of their live sound and career evolution, with fine renditions of singles and fan favourites being joined by deeper cuts and covers of such classics as 'Knocking On Heaven's Door', 'Gimme Shelter' and 'Jolene'.
… Read more! low stock $23.21
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Review: My Bloody Valentine frontman Kevin Shields has talked a lot about the stress of making Loveless, the band's now iconic 1991 sophomore album. It took over two years (and trips to 20 recording studios) to make, such was Shields sharply focused desire to capture a very specific sound. As this reissue proves, his attention to detail genuinely resulted in what many critics cite as their best album - a wonderfully immersive, wide-eyed and enveloping set that fuses their fuzzy alt-rock guitars with gaseous musical textures, dreamy aural colours and painstakingly layered musical soundscapes that sound as gloriously intense and druggy as they did way back in 1991. It's an album that everyone should own - or at least all those who doubt the sonic potential of primarily guitar-based music.
… Read more in stock $12.90
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Review: The third full-length studio album from Singaporean singer-songwriter-producer Nat Cmiel (aka yeule) released to rave reviews earlier this September, following an ethereal rollout with singles 'dazies', 'ghosts' and 'inferno' showcasing exactly what yeule excels at: worldbuilding. 'softscars' is now the 3rd instalment in one of the most exciting album runs in modern alt-pop, shifting away from the glitchy, electronic ambience of predecessor 'Glitch Princess', moving in a more rock-centric, brighter direction. This isn't to say the album doesn't have its soul-crushing moments, opening track 'x w x' closes with a defiant scream of frustration, whilst the drums, guitar and synths fight each other for dominance - bottoming out into a gentle outro sequence. The calm after the storm. We could go on about this album for hours, as a yeule fan it feels so fresh but so perfect with it's oscillating directness in delivery. Whereas 'Glitch Princess' felt like travelling through a clastrophobia-inducing tunnel at time, 'softscars' is that moment you burst out of the tunnel and are hit with a huge green vista. It's my album of the year but, hey, what do I know?
… Read more in stock $10.83
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Review: Following on from 2022's critically acclaimed, Mercury Prize nominated debut LP The Overload, crossing over the bridge provided by last year's absurdist, Black Mirror-indebted eight-minute stand alone single 'The Trench Coat Museum', everyone's new favourite Leeds based post-punks Yard Act are set to capitalise on their momentous winning streak with the highly anticipated sophomore effort Where's My Utopia? Recorded in collaboration with Gorillaz member Remi Kabaka Jr handling production duties, sonically the band have opted to open their playful dynamic to as many sprawling influences as possible, simultaneously leaning into synth-laden new wave territory whilst citing Fela Kuti's political messaging and worldly psychedelia as an integral aspect. As lyrically snide and sharp as ever, the reliable brand of tongue-firmly-in-cheek socio-political commentary reaches ludicrous new heights when unpacking the band's success to date, their self-awareness of being signed to a subsidiary of a subsidiary of another soulless corporation aggressively at odds with the members' personal ethos, and even the increasing admiration/begrudgery that stems from the ascension within the eyes of their supporters. It's all clever, dense, humorous and delivered via an onslaught of razor-focused bangers. In essence, it's Yard Act.
… Read more in stock $13.16
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Review: The latest offering from serial collaborator and cross-genre tastemaker Stephen O'Malley's Ideologic Organ imprint is a tender filigree bureau of acid folk sketches from Tokyo's Ai Aiso. Across seven tracks, she patiently meanders through broken and phased chord progressions, her simultaneously pure and wavering vocal lines forming elegant arcs over sparse beds of instrumentation and washes of room tone. Some tracks are bookended by applause, and it is this ostensibly 'indoorsy' atmosphere which lends the mini LP a great deal of charm; the delicate atmospherics seem to issue from an intimate and isolated space. Indeed, Bandcamp user Everyvillianislemons317 describes it as "The perfect album for a lonely night in the city." We're more than inclined to agree.
… Read more in stock $14.43
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Review: Mute's re-release of These Immortal Souls' debut album, Get Lost (Don’t Lie!), marks a long-awaited moment for fans of post-punk excellence. Remastered from the original tapes by Lindsay Gravina, along with original band members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new life into the iconic record. Originally unleashed in 1987 on the heels of their debut EP, Marry Me, the album encapsulates the band's raw energy and uncompromising vision. Led by the unmistakable vocals of Rowland S. Howard, renowned for his work with the Birthday Party, the band's lineup, including Harry Howard, Epic Soundtracks, and Genevieve McGuckin, solidifies their place in the annals of post-punk history. Clocking in at a concise 30 minutes, Get Lost (Don’t Lie!) remains a potent sonic statement, capturing the essence of These Immortal Souls' dark and brooding sound. From the haunting atmospheres to the frenetic rhythms, each track is a testament to the band's collective talent and creative chemistry. For both seasoned enthusiasts and newcomers to the These Immortal Souls saga, this reissue serves as a fitting tribute to a band whose influence reverberates through the underground music scene.
… Read more in stock $10.83
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Review: During The Black Keys surprise revival of recent years, much of their music has been produced by Dangermouse. While he played no role on the duo's new album, Ohio Players - their 12th in total - his influence remains in the inventiveness of the production. The pair's new-found love of collaboration remains too, with Beck credited as co-writer on roughly half of the album's tracks. His influence is obvious in the funkiness and fuzz-fuelled psychedelia of 'This Is Nowhere' and 'Don't Let Me Go', as well as the quirky, horn-sporting cheeriness of 'Beautiful People (Stay High)' and the low-slung, effortlessly funky indie-rap hedonism of 'Paper Crown' (where he appears on vocals alongside Juicy J. The band's wholehearted love of hip-hop is also explored on the excellent Lil Noid collaboration 'Candy & Her Friends'.
… Read more in stock $12.90
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Review: While it would be fair to say that My Bloody Valentine's most celebrated works are by and large albums, their EPs - and particularly the four released between 1988 and '91 - are every bit as alluring and ground-breaking. For proof, check this fine collection, which not only gathers them together but also adds rare tracks and deep cuts that have long been fan favourites (see the full, 10-minute version of 'Glider', a cacophonous but strangely addictive psychedelic soundscape, and the baggy-but-ghostly 'Instrumental No. 2'). Over the course of the two discs, it's possible to chart the pioneering band's sonic development over a three-year period in which they went from visionary alt-rockers to a band that not only defied categorization, but also played by different rules to their contemporaries.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $12.90
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Review: Just when you thought all hope was lost along come The Strokes to fulfil the promises they made way, way back with their startling debut 'Is This It'. That was 17 years ago, and while the outfit have made plenty worthy of note in the years between then and now, we'd be surprised if we're the only ones thinking this latest is their best effort since that inaugural outing. Confident but also hungry, rather than bloated and lazy, there's plenty here that you won't be able to get away from in a hurry. 'Brooklyn Bridge To Chorus' might define the package best, delivering some powerful pop energy in an all-round homage to and critique of the 1980s, an era revisited again on 'Bad Decisions', which owes plenty to Billy Idol's Generation X classic, 'Dancing With Myself', with tracks like 'Why Are Sundays So Depressing' diverting to a synthdom route and 'Not The Same Anymore' throwing crooner styles into the mix. Exceptional stuff.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $10.83
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Review: Mute's latest offering, Extra, unveils a treasure trove of live recordings and remastered tracks from the enigmatic post-punk outfit These Immortal Souls. Led by the inimitable Rowland S. Howard, known for his pioneering work with the Birthday Party alongside Nick Cave, the band's Australian roots infuse their London-based sound with a unique edge. This album, accompanied by detailed sleeve notes by original member Harry Howard, serves as a companion piece to the 2024 remasters of their seminal debut Get Lost (Don’t Lie!) and sophomore effort I’m Never Gonna Die Again. The tracklist is a akin to the band's eclectic tastes, featuring visceral renditions of classics like Alice Cooper’s 'Luney Tune' and Iggy Pop & James Williamson's 'Open Up and Bleed.' With Rowland S. Howard's distinctive vocals leading the charge, complemented by the masterful musicianship of Harry Howard, drummer Epic Soundtracks, and keyboardist Genevieve McGuckin, These Immortal Souls deliver a sonic journey that transcends time and genre boundaries. Formed in 1987 after departing Crime & the City Solution, These Immortal Souls carved out their own sonic niche, blending raw energy with haunting melodies. Extra offers a glimpse into the world of one of post-punk's most underrated gems.
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Jon SAVAGE / VARIOUS
Jon Savage's 1983-1985: Welcome To Techno City (unmixed 2xCD)
Cat: CDTOP2 1639. Rel: 24 Jan 24
in stock $18.82
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Review: Few bands have sidestepped expectations as cannily as Mount Kimbie. Initially a duo but now expanded into a quartet, the British band has previously excelled in mixing, matching and fusing a wide range of experimental and left of centre electronic music influences. On The Sunset Violet, their first full-length as a quartet, they've shifted sonically once more, leaning into their indie-rock influences on a set recorded in California. The latter aspect - and the impact of being surrounded by sunshine and desert - is reflected in the warmth and haziness of the sound, which draws on the layered vocals and guitars of vintage shoegaze while also reaching for more familiar aspects of the band's previous experimental electronic sounds (for proof, check the ghostly musical vision that is King Krule collaboration 'Boxing').
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