New releases last four weeks: Hip Hop/R&B

Review: Tyler Daley is a UK hip-hop mainstay and the vice of the brilliant Children of Zeus. Here he branches out with his own solo album, Son of Zeus - see what he did there? It comes on the band's home label of First World and bares plenty of their signature sonic hallmarks - dusty, undercooked production, lazy hip hop beats, and gorgeous vocals that sit somewhere between neo soul, golden era boom-bap from Tribe and something else a little unique. It's a warm world where yearning bars, lush harmonies and hooky melodies all float around the stripped back but bumping beats. Superb stuff.

Review: While rooted in the quintessential sound of the late 1950s and early 1960s, UK jazz ensemble The Jazz Defenders explore fresh territory while honouring their jazz heritage on their third album, Memory In Motion. Tracks like 'Chasing Fantasies' and 'Fuffle Kerfuffle' showcase their swing jazz finesse, while 'Meanderthal' and 'Snakebite Playfight' infuse soulful grooves akin to 1960s jazz legends. Collaborations with UK rapper Doc Brown on 'Rolling On A High' and the uptempo funk of 'Net Zero' add modern flair, while introspective moments like 'Take A Minute' and the closing 'Enigma' offer a serene balance. Memory In Motion celebrates jazz's legacy and innovation, blending tradition with contemporary influences for an immersive listening experience.

Review: KLIM is a producer who hails from Aviv and is based in Ukraine. He grew up on the classic hip-hop of New York and Detroit and it shows in his crisp boom-bap beats. There have been an eye-watering amount of them to date with over 40 albums to his name. Each one comes laden with soul and this new one, Planet SL1200, which no doubt named after the hardware he used to make it, is another doozy. The short, sketchy tracks convey great vibes and ride on compelling beat work that cannot help but encourage you to zone out and daydream.

Review: There's been rather a lot of noise about Jaguar II, Victoria Monet's much-delayed full-length follow up to 2021's Jaguar mini-album. The hype is, in many ways, understandable - it did recently scoop the 'Best R&B Album' award at the GRAMMYs. More importantly, it's also very good, with the decorated songwriter-turned-pop star confidently serving up retro-futurist gems who's punchy 21st century r&b beats come cloaked in musical motifs that frequently offer nods to black American music of the 1970s, 80s and early 90s. The plentiful highlights include Lucky Daye hook-up 'Smoke', the dancehall-fired excellence of 'Party Girls' (featuring Buju Banton), the Fugees-esque beauty of 'How Does It Make You Feel', and the glossy disco-soul dreaminess of 'Hollywood', where her young daughter Hazel and Earth, Wind and Fire both play starring roles.

Review: Dal Platinum is back once again like a reneged master. His last outings on the fantastic Breakbeat Paradise Recordings came in the form of a remix and a huge Powerhour free download and now he comes correct on a new 7". He kicks off by bringing some crashing breakbeats and funky drumming to a hip-hop classic on 'Breath & Strut', while the melodies are full of soul. On the reverse is a much sunnier sound - 'Peace Dust' is driven by a big bassline with some nice organ stabs and a fiery vocal leading the vibes up top.

Review: Back in 1991, PT House's debut album Big World introduced Soweto rapper Nelson Mohale (who was later known as Dr House) to South Africa's burgeoning house and kwaito scene. Collaborating with producer Danny Bridgens, known for his work with Yvonne Chaka Chaka and Margino, the newly formed pair fused US and UK hip-house influences with local flavours and always imbued their music with a positive outlook for the future. Now reissued for the first time on Afrosynth Records, the small but well-formed four-track record remains a bold testament to their vision and has more than stood the test of time with its vibrant energy and forward-looking spirit.

Review: In 2024 urban and club are often interchangeable terms. Both are also painfully reductive, but that's a point for another time. Los Angeles-based vocalist and producer serpentwithfeet is a case in point, an artist who deftly weaves together sexy and seductive with nightlife energy, proving not only the breadth of each canon but also how much ground they can share. While this may not be unfamiliar, it's relatively new ground for the man with the mic in question, whose previous exploits have often been rooted in gospel tones, nodding to his own upbringing in a religious household. GRIP is musically revelatory in that sense, then, and impeccably crafted.

Review: Shabazz Palaces's Exotic Birds of Prey is a new seven-song mini-album that comes via Sub Pop and follows the huge success of Robed in Rareness back in October 2023. It is a rather enchaining listen that draws on many different rap eras and blends them into one new sound helmed by vocalist and producer Ismael Butler. Shabazz Palaces redefines hip-hop across decades here with the album blending the past, present, and future with warped sounds and fine collaborations from the likes of Stas THEE Boss and Japreme Magnetic who help to enrich this sonic journey. This special Loser Edition comes on creamy white vinyl.

Review: This project, which translates to "The Way of Music" in English, is a collaborative initiative spearheaded by Groh, founder of the esteemed Polish hip-hop label JuNouMi which was established in 2002. It marks a fusion of talents between Polish and Japanese artists and commenced with Twardowski crafting music using samples from Japanese albums followed by the inclusion of MCs KANETSUGU and Prykson Fisk. DJs 1an from Tokyo and DJ Eprom from Warsaw joined the ensemble while the design, handled by Magorzata "Mauko" Korczak, explores Japanese Shod? calligraphy. This 7" release marks the start of a new Polish-Japanese collaborative series with more to come.