Back catalogue: Hip Hop/R&B

Review: Here's an intriguing remix choice by Pepe Bradock, Coda Deep and Ame: 'Big Booty Express' channels hot-footed twerkage into scratchy yet weighty house beats, over the course of four exclusive mixes on 12". The original beat, which also appears here, was a solid and rather crude piece of space-age lo-fi, filled with Dilla-ey noise wreckage. It was the only Dilla beat to ever come about as a tribute to Detroit techno. And for that, the three remixes lend completely new ideas to the original, tooting and farting into a nice n' raw ether.

Review: Scaring The Hoes was the 2023 collaborative record by unequivocal avant-hip-hop crown bearers Danny Brown and JPEGMAFIA. The album was almost instantly met with widespread critical acclaim, most notably for its weird use of contemporary political imagery in music videos (frequently Donald Trump and Kim Jong-Un, for some reason) and its staunch defiance of the misogynistic injunction to "stop scaring the hoes" with weird, left-of-centre music. Now comes the 'DLC' and/or 'expansion pack' version of the album, which includes four exclusive new mixes from the album sessions; Brown shines on an ultra-kooky, SFX-laden intro, 'Guess What Bitch, We Back Hoe!', followed by the crackly soul-bap of 'Hermanos' and the crossticking lo-fi of 'Tell Me Where To Go'. Closer 'No! No! No!' presents an incredible gospel timestretch-spaghettification, over which a medley shared between both MCs makes their enduring talents ever more apparent.

Review: A Delusional Guide for the Disillusioned is an all new collaboration between Kemastry and Jazz T that takes in five seriously heavyweight cuts that skirt around the edges of hip-hop. The beats have a futuristic and otherworldy quality with sinewy synths and twinkling celestial pads as the well-articulated and menacing bars are delivered with precision and an absorbing narrative. Some fine guest features from Ramson Badbonez and Roughneck Jihad add extra character to the beats and the artwork to this vinyl pressing, and the flipside full of instrumentals, is the icing on the cake.