Due to a planned system upgrade, our phone lines will be out of service on 21/01/25 between 12 noon and 3pm GMT. During this time we are contactable by email at support@juno.co.uk or by completing a Contact Us form
Review: Budde & Osti of 100 Records presents an experimental "playground" that offers listeners a unique perspective on their work. The sizzling six-track EP blends jazz and house and features experimental highlights from the Trash Archives, which is a collection of 99 tracks available for free on Bandcamp. All pieces were recorded live in the studio utilising, on the whole, analogue gear that best shows off the duo's raw and unfiltered creativity. From the opening jazz dance of '40' to the closing jazz-funk-techno of '57' this is a beguiling collection.
Charles Wright & The Watts 103rd Street Band - "What Can You Bring Me?" (2:45)
Review: You just cannot miss with this superb label which is now up to release number 33 in this series. And the latest is a golden-era classic featuring legendary mic men A Tribe Called Quest and top soul boy Charles Wright & The Watts 103rd Street Band. The A-side features the track taken from A Tribe Called Quest's Love Movement album so is packed with their signature beats and bars. On the B-side, you are treated to the funky original sample source from Charles Wright & The Watts 103rd Street Band which delivers a raw, infectious groove. If you love classic hip hop and funk, and why wouldn't you, this is a great pairing.
Review: This is one of those raw soul sounds that never goes out of fashion, and thankfully neither does it often disappear from availability. It features two r&b classics, the dancefloor-ready 'Last Night' and the soulful 'Don't Break Your Promises', both originally released on the Rainbow label in the UK and a long-time bastion of Aitken's mastery of blending Jamaican and British influences. The opener draws from The Mar-Keys and Georgie Fame, showcasing r&b's imprint on Aitken's style. 'Don't Break Your Promises' is a Milson Luce cover that gained fame in Jamaica before inspiring numerous versions.
Review: 'Dreamtime Trance' is a cult gem for those who like to dig deep, and Alston Koch is exactly that person. She is a Sri Lankan-born Australian musician and the mastermind behind the Kookaburra Connection project, a collaboration with Aboriginal musicians, and this track blends indigenous themes with a unique, game-changing beat and infectious groove. It's a pure dancefloor revelation and this reissue includes a new extended version with a longer intro buildup that adds depth to the track. On the B-side, the heartfelt ballad 'Midnight Lady' offers a contrasting mood that is perfect for after-hours relaxation with PiNa Coladas. Remastered and re-issued with the original artwork, this EP is a must.
Review: Italian disco DJ and producer Corrado Alunni shares his latest nu-disco soul nostrum, 'Make It Feel More', which, owing to the title, is an EP whose aim is to enliven the largely electronic and mechanistic bent of nu-disco with a good bit of live-recorded pizzazz. Such is heard on the title track, which moves naturally through both augmented and diminished electric piano cadences, not to mention slap basses, to be poised against the beats. Then 'Perfect Direction' brings the boughed basses and disco hits to a new layer of chill; with this, and the ensuing 'Keep Moving', it feels as if we've kept finding new rooms, in which new room contains a new type of hors d'oeuvre to try. 'The Beat Goes On' closes on a snappier and vinyl-driven vexation, perfect for the snakier kind of dancer.
Review: This is another reissue of a record that remains an ongoing favourite. Original Gravity delivered again with the original pressing featuring two unique versions of 'Burning Spear'. Nestor Alvarez opens with a lively, Latin-inspired rendition filled with fluttering flute melodies, raw drum beats and vibrant dancing keys that radiate sunny energy. On the flip, La Machine D'Argent takes a more cosmic approach, smoothing the vibe and layering spaced-out sounds for a dreamy, immersive journey. This release showcases Original Gravity's knack for reimagining funk with flair by offering two distinct yet equally good takes on a timeless groove.
Review: Joe Armon-Jones brings a fresh layer of depth to his ever-evolving sound with 'Sorrow', a track that takes its time to breathe, much like a slow unfolding narrative. The piece moves with a deliberate grace, weaving together his distinctive jazz-infused piano work with an underlying electronic pulse. It starts subtly, slowly layering textures that push the track into deeper emotional terrain. The interplay between live drums and ambient synths creates a fluid yet focused atmosphere, reflecting the introspective mood the title suggests. With 'Sorrow', Armon-Jones proves once again that he is unafraid to let his ideas mature at their own pace, leading listeners through a rich, captivating experience.
Review: Indonesia-based Babon was founded in 2023 by longtime friends Wahyudi T. Raupp and Rayi Raditia and craft instrumentals addressing environmental issues. Their sound fuses Melbourne's vibrant music energy with dangdut rhythms, gamelan percussion, and melodic keroncong folk styles. Here they debut on Batov Records with the wonderful 'Tropical Desert Music' which blends Indonesian traditions with Afro-Latin funk, Morricone-inspired grooves, Bollywood breaks and blues. It's the sort of sound that is perfect for fans of Khruangbin or Sababa 5. The A-side 'Desert Rose' is a spaghetti blues anthem, while the flip 'TNT' tells a miner's tragic tale through cinematic, explosive instrumentation.
Review: The third volume of this series delivers an irresistible blend of funk and 60s-inspired grooves. Side-1 kicks off with a surf-rock-infused funk jam packed with energy and retro vibes. Following that, a swinging 60s sound that combining catchy rhythms and pop sensibilities keeps the momentum going. Side-2 shifts gears a groove-heavy track led by a soulful organ that oozes vintage charm. Closing the collection, there is a gem that features smooth, funk-driven melodies, topped off by a standout sax solo and a subtle British flair. This compilation offers a vibrant mix of styles, perfect for fans of classic funk with a modern twist.
Review: Cheb Bakr's latest release reflects the rich interplay of North African tradition and modernity. Rooted in rhythmic Arabic melodies, the tracks blend warm, soulful instrumentation with a contemporary edge. The production draws from Libyan pop's energetic pulse, merging traditional sounds with subtle nods to r&b and hip-hop. This is a striking example of how regional influences can be reinterpreted for new audiences while retaining their cultural depth and vibrancy.
Review: Fresh from inspiring the global disco community with a tasty debut 7", Portuguese duo the Bam Jam band (AKA Pedro Teneiro and Sergio Alves) return with a similarly impressive sequel. A-side 'Keepin' On' is a genuinely killer workout - a low-slung bass guitar-propelled chunk of revivalist dancefloor disco-jazz rich in sustained organ chords, funky Clavinet licks and restless, Latin-influenced piano riffs and solos. The duo's love of memorable basslines comes to the fore once more on 'Something About Love', a more languid, picturesque and bittersweet affair in which slow, eyes-closed piano patterns and squelchy synths stretch out across a relaxed mid-tempo groove. An artist to watch in 2025 for sure.
Review: Bloco & Soul Essentials are back with their smooth, feel-good vibes with their 7" There For You. Side-1 features the title track, a joyful slice of soul with a fantastic horn section and classy vocals. It captures a warm, 70s mood with smooth strings and an overall laid-back groove that's perfect for fans of classic soul sounds. On Side-2, 'Shady Lady' offers a slower, funkier groove. The track's funky bassline and gentle piano keys create a relaxed, sultry atmosphere, while the rich blend of guitar and smooth vocals tie everything together beautifully. There For You is an essential pick for anyone who enjoys soul music with a touch of Japanese funk and jazz influences, delivering timeless grooves with a modern edge.
Review: If you've not found yourself enthralled by Bluey, the Australian animated kids series about the anthropomorphic six-year-old Blue Heeler puppy, Bluey, her family, curiosity, energy and imagination, then where have you been for the last seven years? Praised for its razor sharp depiction of modern family life in the Western world, it deftly straddles the line between children's TV and adult comedy, hitting both nails squarely on the head. In Rug Isand, Bluey and Bingo discover that a pack of felt tips can be anything - like a snake, or a campfire, or a banana. A perfect example of the creative minds of youth and heir ability to believe in things that grown ups might struggle with, the fact that Dad needs to engage his inner child and suspend disbelief before the episode ends speaks volumes. In musical terms, think fantastical, dreamy and typically witty instrumentation and spoken word, on record.
Review: BBC Radio 6Music favourites Tom Ravenscroft and Nemone are already backing +33JOY's The Wellness Remixes, a year on from Bopperson & Bikbaye's original Wellness Project. This 12-inch release sees four UK-based producers reimagine the message for the dancefloor. Frankson brings an atmospheric, found-sound collage, perfect for closing sets, amplifying Bikbaye's powerful words. K15 takes 'Consumption' deeper, blending Rhodes melodies with shuffling percussion and sub-heavy basslines. Titeknots flips 'Changes' into a tropical journey, all hypnotic guitars and infectious grooves. Michael J. Blood wraps things up with a 15-minute, cavernous techno stomper, pushing boundaries and commanding the B-side in style.
Review: This is a clear vinyl version, though we also have the black 7", of the latest from Finland's leading jazz label. It's a great return for Bronze, Silver & Brass as they again blend brass, guitar and funky drums for a thrilling fusion of funk, soul and jazz. The A-side delivers fast-paced, cinematic funk reminiscent of 1970s chase scenes and all driven by tight guitar riffs and breakbeat rhythms. On the flip side, 'Brass In Motion' offers a mellow, mid-tempo groove with jazzy undertones and a lyrical, laid-back charm. Together, these tracks showcase the band's knack for infectious, instrumental funk of the highest order.
Review: Erin Buku's standout track 'See You Shine' gets a special remix treatment from Soundway Records' affiliate SAI GALAXY, now available as a limited edition 12". A perfect fusion of styles, this remix infuses the original's soulful charm with SAI GALAXY's vibrant production flair. Fans of Lord Echo, Fat Freddy's Drop and Masters At Work will feel right at home with this.
Review: This track was originally released on a rare 7" in the mid-70s and later became the title track of Bobby Byrd's 1993 album. Dubbed 'Soulbrother #1' by Fred Wesley, soulful and funky legend Bobby Byrd rediscovered the track while at Soulciety Records in Hamburg. When the album On the Move (I Can't Get Enough) debuted in 1994, it became a surprise hit that was widely celebrated by rare groove fans and hip hop fans alike, all of whom who admired Bobby's work and his collaborations with James Brown. Now, this classic is available once more and features an unreleased instrumental version.
Review: Byron The Aquarius is one of deep house's most vital innovators. The man with the background making hip-hop for the stars as really excelled in recent times with his always richly musical jams. This new outing is no different: 'Free' (feat Teddy Bryant) lays down solid deep house beats and salts them with soft focus chords and smoky vocals. 'We Still Slaves Out There?' has a dubby groove and more exquisite chords and soulful vocal coos, while two further teriffic tracks 'Slaves Of Reality (feat MDMA)' and 'Lonesome Road We Livin' round out a heartwarming and timeless deep house offering that is cuddly and life-affirming.
Review: We're big fans of Byron The Aquarius here at Juno HQ and it is hard to think why anyone wouldn't be. The master keys man and former hip-hop producer has been turning out a steady and quality stream of deep house deliciousness in recent years and that's what he does again here on US label Toucan Sounds. 'Baddest Behavior' (feat Brandon Markell Holmes) kicks off with chord-laced deep house bliss and a magnificent vocal, 'Freed 4 OG's' (with Coto Loco - feat Rasheeda Ali) is a more lively and percussive jam with more rickety beats and nimble chords and 'I Be Like Dat' brings lovely wet claps and low-key soul to a US garage groove. A series of remixes on the flip seals the deal.
Review: Jean Carne was an underrated legend of disco and r&b music through the 70s and 80s and this reissue helps one of her gems back into the spotlight. On Side-1, the title track delivers a smooth, sensual slow jam that blends early 80s soul with subtle funk and electronic influences. Carne's vocal performance is nothing short of captivating, evoking both tenderness and passion in equal measure. Side-2 offers 'Heartache', another classy soul track that showcases Carne's ability to convey emotion through her rich, soulful and wide ranging vocal talents. The track effortlessly captures the smooth, seductive essence of early 80s r&b and boogie. Timeless rare grooves from yesteryear like this coming back around to be heard again is what makes reissues so important.
Review: A vibrant homage to 80s electrofunk and disco, packed with lush grooves and melodic finesse. Side-1 kicks off with 'Freak', a shimmering track steeped in 80s-inspired electrofunk, blending sleek melodies with a polished, retro vibe. 'Last Days Of Cybotron' follows, maintaining the melodic theme with a funky, futuristic edge that nods to the electro era's pioneering spirit. On Side-2, 'The Chiller Thriller' slows things down with a cool, laid-back electrofunk groove, perfect for low-key moments. 'Radio Station P You' channels early 80s R&B funk and electro in the vein of the Gap Band, delivering a nostalgic yet fresh energy. Wrapping up the release is 'Sassy Strutt', an infectious fusion of funk and house with undeniable dancefloor appeal. This collection masterfully bridges the gap between vintage electrofunk and nu-disco, making it an essential pick.
Review: The Space Grapes return with a 12" EP from the Italian trio Collettivo Immaginario which is made up of LA-based drummer Tommaso Cappellato, pianist Alberto Lincetto and bassist Nicolo Masetto. Known for their experimental fusion of eclectic jazz, funk, downtempo beats and vintage Italian library music, this release marks a fine exploration of Italian vocals. The A-side, 'Luce' features a vibrant mix of 80s jazz-funk and boogie in an extended, energetic version. On the B-side, 'Luna Gioia' presents a contemporary take on downtempo Brazilian funk and slow disco complemented by an instrumental version that highlights the music's intrinsic beauty.
Review: Yet another Northern soul rarity from the criminally obscure Donna Colman, whose voice has a distinctively rounded diction, as evidenced by this newly reissued song dedicated to the overwhelm of new love. Regaling the tale of a man whom she once ignored but then came around to, original copies of this one have been posted for the insane asking price of L1,500 thankfully, due to this issue, we've got you on that front. Like Colman, we love this record too much to turn away from it.
Review: Jimmy Conwell's reputation in the Los Angeles soul scene is undeniable, with a career spanning multiple projects like The Exits, Smoked Sugar and The Tripps. On Let It All Out, Conwell delivers a deeply emotive ballad co-written with producers Len Jewell Smith and Hank Graham. While Northern Soul fans initially gravitated towards the upbeat flipside 'Too Much,' this reissue highlights the tender, heartfelt power of 'Let It All Out'. Conwell's soulful delivery paired with lush production makes this a standout piece for fans of classic LA soul.
Review: Sam Cooke's iconic civil rights anthem 'A Change Is Gonna Come' was deservingly named one of Rolling Stone's greatest songs of all time and this year it celebrates its 60th anniversary. To honour the milestone is this limited edition 7" white iridescent vinyl featuring the original mono single mixes of that as well as 'Shake'. Recorded in January 1964 and included on Cooke's Ain't That Good News, the single was released posthumously in December 1964 just two weeks after Cooke's death as the B-side to the Top 10 hit 'Shake.' It remains as relevant as ever.
Review: Reissued from the original Sedsoul 7" first laid down in 2010, and then a further digital 'House Session' edition in 2015, Cool Million and Eugene Wild are again 'Back For More'. Clearly, the Danish-German production duo, when in collaborative cahoots with r&b singer Wilde, are prone to redound to milking the dance for all it's worth; we gather that for as long as this tune is out, they'll always want their seconds and thirds, else they wouldn't eat, so to speak. So too does this third edition of the stellar, four-alt-mix 'Back For More' prove just as funky as it did at the moment of its original release fourteen years ago; Wilde rides the groove with serious flux, assuring the fulfilling of said prophesied return against spiccato strings and a curvaceous synth bass. There's even a karaoke version on there too, just in case you'd like to flaunt your underground soul intel at your next knees-up.
Don Covay & The Jefferson Lemon Band - "If There's A Will There's A Way" (3:36)
Harvey Mandel - "Baby Batter" (3:40)
Review: Climactic, psychedelic soul and blues brilliance by Don Covay, co-written by Donny Hathaway and backed by a proto-Balearic sweetmeat on the B, Harvey Mandel's 'Baby Batter'. The A-side was originally released one year after (1972) the B-side (1971) on the American Janus label, and the tracks provide a palpable contrast, drawing on the same idiom yet approaching it with remarkable difference. Covay's lyrics are, thematically, overflowing with determination, despite the psychic conflict at the track's heart. Is there any resolution? "The sweeter you, look, mama... the bitterer you treat me..."
Review: Boom! Ultra rare outernational funk reissue action by the new Habibi Funk imprint! Dalton were a late '60s soul band formed in Tunis by a group of American music enthusiasts, and their one and only LP under the Dalton name was independently released and super rare until now. "Alech" nears psychedelic territories thanks to its echoing vocals and trippy percussion, whereas "Soul Brother" is more of a classic soul ballad, but filled with the band's own native roots, of course. Be sure to check, this is hot and recommended for the diggers.
Review: Dangerous Goods bring fresh energy to I Travel to You with 'Wish,' reshaping a 2001 r&b track through the lens of street soul. The A-side thrives on a punchy bassline, crisp 808 drums, and a newly recorded vocal, giving it a sleek, modern flair. For the Deepest Dub mix, the track slows down, cut to tape and drenched in the bass-heavy influence of late 80s and early 90s breaks. It's a dual homage, blending nostalgic grooves with bold, contemporary production.
Review: Mr Bongo restock a brilliant 7" in their signature Brazil 45s series. The nineteenth to grace it, this blue-starred slice of small wax shone a light on Wilson das Neves' brilliant cover of Average White Band's 'Pick Up The Pieces' on the A, as well as a Mr Bongo fave on the B, Som Tres' potent samba-funk overflow 'Tanga'. The former flexes the historic muscles of a mythic Brazilian percussionist and vibesman, lending fidgety soft feels to AWB's already lull-lifting concoction; then 'Tanga' contrasts to this sense of measuredness with pure animal verve, as Tres' calls out to his bandmates commandingly amid whirlwinds of piano and drums.
Golden Years (previously unreleased instrumental) (4:04)
Fame (previously unreleased instrumental) (4:01)
Review: Newfangled popstar back-cat diggers label Bowie kick off their 7"s arm with an intention to "dig deep into the unreleased sides of pop superstars material from the past", focusing initially on two formerly unreleased funk instrumental tracks recorded by the label's namesake. Who knew an anisocoric kid from Bromley could end up playing funk? So he did, having, at an unnamed point in time, laid down funk versions of 'Fame' and 'Golden Years', two already towering moments in the discography. His trademark jerkiness shines as ever here, but it's the 'Fame' instrumental that really flexes his twanging side, flaunting long releases and dramatic two-tone movements.
Review: UK legend Dego and killer keys-man Kaidi Tatham have been in a rich vein of form of late, dropping brilliant EPs on Eglo, Sound Signature and Rush Hour (the latter under their 2000Black alias). Here, they return to Eglo with four more slices of warm, rich, soul-flecked fluidity. As with previous outings, much of the material has a laidback jazz-funk feel, particularly "Orbiting Uhara" and the delicious "The Vault Descends" (think bustling bruk rhythms and darting boogie synths). They also offer up some tougher, synth-laden bruk-funk in the shape of "Man Made", while "Black Is Key" sees them unfurl a head-nodding vocal roller.
Review: JAKe Detonator is a renowned graphic artist who shows another side to his skills here as he drops a slick 7" featuring two instrumental hip-hop tracks dedicated to the legendary MF DOOM. Both tracks, 'Requiem for Doom' and 'Stoneferry Morning,' were crafted during lockdown like so much good music of recent years. They are killer joints with woozy synths worming their way in and out of tough, classic boom-bap betas as dark vocal musings add extra weight. Naturally, this double A-side comes complete with full-colour artwork by JAKe himself and marks his first 45 release.
Review: William DeVaughn hears two cuts from his classic D.C. album Be Thankful For What You Got reissued for the first time on 12" since 1974. A rare ode to gratefulness in a world of material gratuitousness, but two lines from the title track of the original eight-track opus resound, and capture the sentiment perfectly: "you may not own a car at all... but remember, brothers and sisters, you can still stand tall!" As sampled by N.W.A, De La Soul, Outkast, Ludacris, Big Tymers, Rihanna, Hip Club Groove and L'Imperatrice, the A-sider is a historical record; its strength lies in its affecting singularity of theme and moral sway, and, on the instrumental side of things, we can say the same of its tight playing and serene sound. Backed by the cream of Philadelphia session groups MFSB (Norman Harris, Vince Montana, John Davis), DeVaughn wax continues to wax poetic over themes of inheritance, love, and compersion; a great foundation laid for the gangster rap that would follow from it.
Review: Michael Diamond is the Indian-born UK artist who is co-founder of the Vasuki Sound label and club night. He is known for his 'jazzed electronic' sound in which he blends academic insights with musical creativity. His background in music perception and cognition, which he studied at Oxford while pursuing Medicine, shapes his unique approach. On his new EP 'Placid Wakefulness', Diamond collaborates with renowned musicologist Professor Eric Clarke to explore how music impacts sleep and wakefulness. The tracks blend ambient calm with energetic rhythms and are a fine example of Diamond's distinctive sound and deep understanding of neuroscience and music.
Super Sweet Hoe Cakes (Alternative/extended mix) (2:15)
Bonus Beats (1:06)
Frenz Or Strangerz (2:38)
Review: DJ AL delivers creative edits that breathe new life into iconic tracks from hip-hop and r&b. Side-1's title track takes the beat from 2Pac's '2 of Amerikka's Most Wanted' and transforms it into a smooth, soulful jam, showcasing DJ AL's knack for blending hip-hop and soul seamlessly. On Side-2, 'Super Sweet Hoe Cakes' reimagines Anita Baker's 'Sweet Love' with a hip-hop beat, adding a fresh layer of groove and soul. The instrumental 'Bonus Beats' wraps up the release with jazzy, laid-back beats, allowing the production to shine on its own. Creative and unique.
Review: Our resident edits master DJ Bacon brings home more than enough on Super Disco Raps, his sixth vinyl LP to be put out via his eponymous record label. Flexing his chops over the course of eight new porcine pressurisers - plus eight previously released crispy cuts and one bonus rasher - we hear over sixteen smackout, curly-tailed mud-rootlers come plated-up badboys here, packing edits of the likes of Black Eyed Peas, Beastie Boys, Digital Underground, Wu Tang, Ultramagnetic MC's and Missy Elliott among prize swine (this is the only context in which we'd ever call such artists swine). Swiftly made and yet laid to record with an effortless hogherd's touch, we're more than happy to excuse your mouth-watering about this one, where you'd usually need to keep your cool. Bypass button, certainly not - bypass surgery, perhaps!
Review: DJ Bacon's new edits LP Super Disco Raps takes two forms: firstly as a full-length 16-track LP, and secondly as a selectors' single edition, the latter of which you see here. 'Vol. 2' hears two extra remixes that did make the big disc's cut, but Bacon decided they also suited a limited edition 7" release for good measure. Playability is the implied reason: on the A we've a glossed-out disco scratch-tool remix of Wu Tang Clan's 'Gravel Pit', on which ghostly rap acapellas are laid to a lackadaisical funk beat, and on the B there's a similar version of Ultramagnetic MC's's 'Moe Luv's Theme', which loops and skips about an unmistakable four-beat, wax-scrubbing hook.
Review: DJ EPIK delivers a dynamic blend of styles on this release, showcasing his versatility across two distinct tracks. 'My Infamous Starship' stands out with its atmospheric, deep backdrop, evoking the soulful vibes of Pharcyde while maintaining a smooth, east coast flavor. The vocal performance is fluid and smooth, drawing listeners into its deep soundscape. On the flip side, 'Gotta Get Dis Money' brings a funky, 70s-influenced groove, channeling the spirit of early Too Short with its catchy flow and upbeat energy on top. This track is made for the dancefloor, combining infectious rhythm with a touch of classic hip-hop swagger. DJ EPIK's ability to seamlessly blend hip hop and r&b influences makes this release a standout for fans of both genres.
Wie Schon Du Bist (feat Armin Teutoburg-weiss & The Dusseldorf Dusterboys) (3:46)
Amor (feat Cesar Lacerda) (3:43)
Review: DJ Koze teams up with Arnim and the Dusseldorf Dusterboys to craft an evocative tribute to East German soul icon Holger Biege. Building around the haunting line "Du hast erzahlt, gelacht / Mir gezeigt, wie schon du bist" from Biege's 1978 classic 'Bleib doch', Koze creates a track rich in both nostalgic warmth and forward-looking soundscapes. This release showcases Koze's unique ear for blending past and present, turning Biege's heartfelt lyrics into a fresh, emotional journey that pays homage to a timeless soul legacy with a truly modern twist.
Review: UK-Irish label Battle Weapons do exactly what their name suggests, releasing slab after slab of proverbial sonic weaponry for use on the dancefloor come warground. Here the outfit welcome two seasoned names, DJ LBR and DC's Finest, for 'Let Me Clear My Funk' and 'Can I Have It Like Wack'. The first is a hilariously hung slab of cutup goodness, mashing up a live recording of DJ Kool, Biz Markie and Doug E. Fresh's 'Let Me Clear My Throat' with the central lick-groove of Cheryl Lynn's 'Got To Be Real', among other crowd-jeering follow-ons. Then the B moves bustlier and heavier on the ride cymbal sizzle, with vocal sampleage from Pharrell Williams' 'Can I Have It Like That' together with some super-real big band bravado.
Yekermo Sew (feat Don De, Craig Crofton, Piotr Zabrodzki) (4:12)
Yekermo Sew (feat Don De, Craig Crofton, Piotr Zabrodzki - dub) (4:12)
Review: Dreadsquad's latest single marks the first glimpse of an upcoming instrumental dub album and pays homage to a pivotal moment in world music history. In 2005, Jim Jarmusch's film Broken Flowers introduced global audiences to Ethiopian jazz, particularly through the hauntingly beautiful 'Yekermo Sew' by Mulatu Astatke, who is considered the father of Ethio-jazz. Now reimagined as a reggae dub track, Dreadsquad has replaced electronic elements with live instrumentation and worked with an international team of musicians. Meaning "man of experience and wisdom" in Amharic, 'Yekermo Sew' reflects Dreadsquad's seasoned journey across continents and reaffirms the universal truth that music transcends all boundaries.
Julie Driscoll, Brian Auger & The Trinity - "Indian Rope Man" (3:22)
Brian Auger & The Trinity - "Black Cat" (3:23)
Review: Heavy Jazz Records has licensed this very welcome reissue of one of the most iconic Hammond Mod dancefloor bangers of all time. This limited edition new 45 rpm features Julie Driscoll, Brian Auger & The Trinity's 'Indian Rope Man' on one side, a track packed with driving chord work, vibrant guitar licks, and passionate, intense vocals. On the flip side, Mod enthusiasts will find another gem in the form of 'Black Cat.' This track races forward with raw brass, hard-edged vocals, scintillating drums and epic chord progressions. A true pair of heavy-hitting tracks from the vault, sure to thrill collectors and dancers enthusiasts alike.
Klima Project - "Velvet Moon" (Patrice Scott Reshape) (7:48)
Review: Sole Aspect takes us around the world and to the studios of artists based across Madrid, Switzerland, Los Angeles and Detroit on The Mystic Embrace EP. Opening it up is Ernes Joey & Robbin Hauz with 'U Should Know' (feat Shea Doll - Age Of Rage remix) which is a version by Dubbyman alongside Dan Piu with some delightfully jazzy keeps, seductive deep house drums and aching vocals full of heart. The original is a stripped-back sound with less melodic luxuriousness but the still superb vocal front and centre. Dubbyman then mixes Klima Project's 'Sweetback' into a mid-tempo, cuddly back room deep house sound and Patrice Scott Reshapes it with some crystal-cut synth lines that bring cosmic charm.
Review: After a series of successful releases on labels like Razor-n-Tape, music archaeologist and groove master Elado now launches his own imprint Big Baba Records. The debut features some real dancefloor essentials starting with 'Sawanna,' an Afro-disco banger with a driving beat and captivating vocals while 'Baby Music' offers a funky bassline and infectious hooks. 'Discochari' is a rare Armenian disco track reworked into a global anthem that is sure to have everyone chanting along. Last but not least is Antal favourite 'I Wanna' which is a high-energy Afro-disco track designed for late-night, fast-paced moments that won't be soon forgotten. With the likes of Hunee, Tim Sweeney, JD Twitch and Yuksek Severino of Horse Meat Disco all playing it, you'll want to grab one quick.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.