Review: Although well known on the funk circuit for their incendiary live performances, the Soul Grenades have yet to translate their hard-hitting, horn-heavy sound to wax. It's for this reason that "A Blast Of Funk!", their debut single, has caused such a commotion. It boasts fresh recordings of two of the most popular cover versions in their armoury. The pick of the pair is undoubtedly their riotous rendition of "Get Lucky", which is re-imagined as a tasty funk-soul work out smothered in headline-grabbing, New Orleans style brass. That said, their version of "Louie Louie" is rather good, too, especially the addition of Meters style Hammond organ licks. As played by Craig Charles on BBC 6,The Allergies, Snowboy, Smoov,Boca 45 , Voodoo Cuts, Aldo Vanucci, Daytoner,Dom Servini, Jack & Wayne Hemingway. Don't sleep!
Review: Mukatsuku struck gold again on this latest first time on a "45" issue. It boasts a couple of lesser-known jazz-funk fusion jams which originally featured on Argentine musician Jorge Navarro's 1977 album "Navarro Con Polenta", an LP that has never been issued outside of South America. A-side "Funk Yourself" is a bustling, high-octane jazz-funk Hammond licks and spiralling horns jumping above a Blaxploitation style backing track. "Repartamos El Funky" is a more laid back but no less musically intricate affair, with a variety of high-grade electric piano and guitar solos riding seemingly endless jazz style drum solos and rubbery bass. Juno hand-numbered copies come in exclusive sleeves and this 45 not be repressed. DJ Support comes from Ge-ology, Dom Servini, DJ Koco (Japan), DJ Food,The Allergies,45LIVE.net ,Dr Bob Jones,Rob Luis, Smoov and more
Review: Stefano Tirone has been a stalwart of the Italian scene since making his debut on legendary Italian house label Calypso Records way back in 1992. Since then, his productions have become increasingly more jazz and soul focused, with a sizeable side order of groovy downtempo beats. His latest seven-inch single begins with "Try My Love", a hazy chunk of head-nodding jazz-funk/soul fusion rich in languid synthesizer solos, lazy grooves, hazy horns and soulful vocals. It's really good all told, though we'd argue that flipside "Odoya" - a wiggling chunk of Afro-tinged mid-tempo funk - is even better. Either way, it's another rock solid release from the effervescent Tirone.
Review: Earlier in the year, Kutiman took his brand of psychedelic fusion to Wah Wah 45s for the very first time. Here he returns home to Siyal Music with Turkish vocalist Melike Sahin in tow. "Sakla Beni" is wonderfully odd and exotic - a spaced-out psych-funk affair that wraps mazy, Moog style motifs, mind-altering orchestration and Sahin's wide-eyed vocal around a skewed, low-slung groove. It's brilliantly hallucinatory, as is the accompanying "Karaoke Version" - a superb instrumental take that allows listeners a chance to revel in the intricacy of Kutiman's arrangements. In this context, "Sakla Beni" sounds like it should be gracing the soundtrack of a particularly odd late 1960s Turkish film
Review: Way back in 1999, Acid Jazz Records launched an offshoot dedicated to disco edits: Original Sound Track Recordings. The best of the series' many superb reworks were later gathered together on a compilation album on EMI that now changes hands for significant sums online. Happily, they've decided to reissue some of their early releases, beginning with this 7" of Family Tree featuring Sharon Brown's "Family Tree". You'll find the peerless original - a breakbeat-driven chunk of lolloping funk brilliance - on Side A, with the label's 2002 "Super Disco Break Beat" version on the flip. Inspired by hip-hop DJs doubling up the track's brilliant drum breaks, it's a killer percussion workout with a few quick blasts of funk energy and carefully placed special effects (think flanged drums, reversed sections and so on).
Review: Dedicated to the Hammond-heavy 1960s soul-jazz sounds of Jimmy Smith, Jimmy McGriff, Grant Green and Reuben Wilson, the Beat Bronco Organ Trio are a fresh outfit with classic inspirations. The Madrid threesome's debut single is something of a retro-futurist treat. We're really enjoying A-side "Easy Baby", a loose and languid fusion of ear-pleasing Hammond licks, laidback, breakbeat-driven drums and flanged jazz guitars that impressively increases in intensity throughout, culminating in a frenzy of sweaty drums and eyes-closed guitar solos. "Geriatric Dance", meanwhile, is even more up-tempo, with high octane Hammond and jazz guitar solos stretching out over a feverish funk drumbeat.
Review: Dr Rubberfunk (AKA long-serving DJ/producer Simon Ward) may have reached the start of middle age, but he's showing no signs of succumbing to a typical "midlife crisis". In fact, his recent releases have been among the strongest of his career to date. The third part of his ongoing "My Life At 45" series is another belter, with opener "A Matter of Time" - featuring talented, fast-rising vocalist Izo FitzRoy - being a particularly strong exercise in revivalist 1960s soul. Elsewhere across the EP, "Slim's Mood" is a fine chunk of hazy rhythm and blues featuring some awesome, Peter Green style jazz guitar solos, while closing cut "Moody Drums" is a chunky beats track tailor-made for funk and hip-hop DJs who like to get busy in the mix.
Etta James & Sugar Pie Desanto - "In The Basement" (Soul Flip edit) (3:20)
John Gary Williams - "My Sweet Lord" (Soul Flip edit) (3:59)
Review: On their latest limited edition salvo, the hardworking Soul Flip crew (AKA experienced DJs and producers Aldo Vanucci and Del Gazeebo) gets to work on two more stomping dancefloor cuts from the golden age of soul. First up on side A is a gently tooled-up and tightened up take on Etta James and Sugar Pie DeSanto's 1966 floor-heater "In The Basement", a hybrid soul-jazz/rhythm and blues jam rich in rubbery double bass, bustling drums, restless handclaps and brilliant lead vocals from the two legendary soul singers. On the flip they tackle Memphis musician John Gary Williams' 1972 cover of George Harrison's "My Sweet Lord", which brilliantly re-imagines the former Beatles' spiritual song as a sweaty gospel-soul stomper.
The Family Daptone - "Hey Brother (Do Unto Others)" (3:52)
Soul Fugue - "The 100 Knights Orchestra" (4:58)
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
James Brown - "Papa's Got A Brand New Bag" (DJP edit) (3:44)
Eddie Floyd - "Knock On Wood" (DJP edit) (3:59)
Review: Flipping heck! Soul Flip invite everyone's favourite big glasses wearing editor DJP to the fold for some twists on two seminal, genre-affirming party joints. James Brown's "Papa's Got A Brand New Bag" gets a cheeky beat facelift with a fresh set of peppy breaks while Eddie Floyd's tree chopping sing-along enjoys a similar mix-friendly shake-up with a slower, roomier drum arrangement ensuring all the power of the '67 original is kept in check. Flip some switches.
Otis Redding - "(Your Love Lifted Me ) Higher & Higher" (Soul Flip edit) (4:03)
Gerri Granger - "I Go To Pieces" (Soul Flip edit) (3:33)
Review: Sometimes you just can't beat the golden oldies and so it is that Soul Flip turns his attention to a couple of raw soul bangers. Up first is Otis Redding's classic "(Your Love Lifted Me ) Higher & Higher" with a rousing bass section which drives along the original version.The hits hit hard, the vocal is given room to breathe and the swing in the drums is infectious. The flipside houses a soaring tweak of Gerri Granger's "I Go To Pieces", with its clattering keys and rolling soul all quickly finding a way into your affections.
Review: Tramp Records' latest vital reissue delves into the back catalogue of the Reggie Saddler Revue, a largely little known funk combo that released a handful of 45s at the start of the 1970s. This double A-side brings together two killer cuts that originally appeared on different 7" singles, both of which are now near impossible to find. A-side "Raggedy Bag" is raw, weighty and impassioned - a scorching slab of deep funk that more than lives up to its high reputation amongst collectors. Over on the flip you'll find "Love Is Just Like A Baseball Game", a sweeter and more loved-up affair blessed with superb vocal harmonies that's nevertheless impressively fuzzy.
Review: Turbotrax was an intermittent curio that belched out of the Bristol underground in a fit of tongue in cheek edits and samples back in the '00s. Someone's clearly rebooted the mainframe and brought this elusive collective out of hiding for another bout of cheeky lifts from more esoteric corners of culture. Library Vultures says it all - this is the work of dedicated diggers pulling forgotten bits n' pieces out of retirement, such as, on the A side here, the storming theme to a Commodore advert, and giving it a buff up more extended retro-pleasure. "Whatever Happened To The Hippies?" on the flip is a more light-hearted affair with a jaunty lilt and a message of positivity for all.
Review: A welcome return to action for Stank Soul scalpel fiends Mako and Mr Bristow, whose last collaborative re-edit release dropped back in 2017. This time round they offer up a slimmed down seven-inch selection boasting two hot-to-trot revisions. On the A-side you'll find "Stax Dawg", a loving tribute to the legendary US label that sees the pair wrap 1960s horns, vocals and instrumentation around their own rubbery, floor-friendly groove. "Love Book", meanwhile, is arguably even better: a low-down revision of a horn-heavy funk-rock affair rich in addictive guitar riffs, bustling drums, heavy horns and gravelly blues style vocals. They round things off via flipside "Funky Jive", a tooled-up version of rhythm and blues standard "Willie and the Hand Jive" that should have everyone singing along in the club.
Review: After taking a year out (presumably to rotate his head 360- degrees and hoot at the moon), wide-eyed re-editor The Owl returns to action with another essential collection of reworks. Check first the hot-stepping James Brown style funk strut of "On It" - all rubbery but thrusting grooves and guttural grunts - before switching to the slick and rising disco goodness of "Boogie". There's something of a switch on the flip, where he works his magic on the low-slung disco tune that Paul Johnson sampled for his classic house cut "Get Get Down". Best of all, though, is the filter-sporting disco-house bagginess of "Sly Lovin", which rounds off the EP in fine style.
Review: Multi-track re-edits, where producers utilize the instrumental and vocal parts found on studio master tapes, are all the rage right now. While the Rephlex crew and Joey Negro are the most famous exponents of the art, Galaxy Sound Co regular Kadena has previously proved to be rather adept at it, too. Here the little-known producer channels the spirit of original disco remixer Walter Gibbons, first to provide a lolloping, groove-based revision of Instant Funk's intergalactic Salsoul classic "I Got My Mind Made Up" (side A), and then to deliver a similarly minded take on First Choice's "Let No Man Put Asunder". Like its A-side companion, it's warmer, looser and predominantly instrumental, with judicious use of key vocal passages.
Review: Mystery might surround fuzzy soul peddlers The Penny Arcade but we know their cover of Rufus Thomas' "Funky Way" was such a strong favourite on Perfect Toy's "Deep In The Valley" collection that they've served it up on its own 45" complete with a fresh soul sojourn in the form of the hazy, light footed swooner "New Love". Penny for your thoughts?
Review: Ahmad Jamal track been sampled and reworked by Hip Hop greats
Primo - Gang Starr Solilquay of Chaos to Black Moon -Black Smif-mWessun- Pete Rock flipped on Something Funky release.
Richard Evans bass player and arranger blazes Jazz Funk intro, really sets it off from Original Foster Sylvers version very hot tune !!!
You're Gonna Need ME Dionne Warwick
1973 Monster of Pysch Soul tune
Written by Holland - Dozier- Holland Studios arranged by Mckinley Jackson you can hear that RAW DETROIT FUZZ FUNK Sound.
Dilla aka Jay Dee brought to the light of day after he flipped it on his Famous Donuts album (STOP) back in 2006 Well that history we already know!
Wu-Tang's Clap from THE W album (2000) as bonus track!
Review: Matasuna Records' latest release offers up two sought-after tracks from Bossa 70, a relatively short-lived Peruvian band whose ultra-limited 1970 releases (a total of 400 copies were pressed of their sole single and eponymous debut album) brilliantly joined the dots between jazz, bossa, soul and funk. Listening to these cuts for the first time, it's easy to see why Matasuna has gone to the trouble of licensing them: A-side "Si Voce Pensa" is an inspired Peruvian funk cover of a 1968 Roberto Carlos track rich in bustling breakbeats, punchy horns and confident female vocals. Just as potent is the band's flipside cover of Baden Powell's "Berimbau", which puts a funk-soul twist on a certified bossa-nova classic.
Review: Founded in 1967 by singer/producer Carlos Oliva and other Cuban immigrants to the United States, Los Sobrinos del Juez were briefly one of the leading protagonists of the turn-of-the-'70s "Miami Sound" - a humid and intoxicating fusion of blues, rock, funk and dancefloor-focused Latin sounds. Their 1974 debut single "Harina De Maiz" - here reissued for the first time since - is a perfect example of that short lived style, offering up a mixture of wah-wah-guitar and psychedelic organ-powered Latin funk grooves and righteous Cuban vocals. On this edition it comes backed by the previously unheard "Corned Beef Hash", a swinging Latin-jazz number rich in vibraphone solos, jaunty piano riffs and plenty of hip-wiggling percussion.