Review: The second release on Glasgow imprint Tremors is by Tom Livingstone aka Arctor. He has a way of making music for moments where the crowd has just melted in the palm of the dancefloor. His latest EP entitled Heartless bursts with kaleidoscopic melodies and streamlined percussion From the high octane electro bass of "Exploding Head Syndrome" with its respectful nod to greats like Drexciya or Dopplereffekt, or the more UK electro influenced "Bad Blood" with its heady booming acid vibe, to the emotive B side cut "United" showing the more contemplative side of his sound - the Glaswegian producer continues his run of sophisticated electro euphoria.
Review: Fresh from another killer collaboration with regular studio sparring partner E-GZR on Wania, Laura "LNS" Sparrow goes solo and offers up the second volume in her ongoing "Recons" series. It's another confident and hugely entertaining affair, with Sparrow flitting between electro-influenced space funk ("Recon Two"), deep and dubbed out breakbeat shufflers ("Ecumene"), sunrise ready analogue deep house warmth ("Prahvist"), bleep and bass influenced machine techno ("Lehkist") and spacey ambient beauty ("To Be Continued"). Old pal DJ Sotofett is also on hand to remix "37th Degree" in a typically warm and woozy dubbed-out manner.
Review: From Patron and Wolfskuil to this first drop on Or:la's new label Cead, Utrecht producer Lewski is fast establishing himself in the buzzing space that exists between techno, electro and more experimental fare. "Guadala" has an uptempo bite, but there's plenty of dubby immersion to be felt in the bubbling synth drops and splashy reverb trails. "Jara" has its own kind of crooked intent, pockmarked with acid swerves and interlocking rhythms to get synapses firing. "Mariachi" takes things back to the peppier end of the tempo spectrum, clearly aiming for the peak time without making any cliched moves - no mean feat - and then "Descacorde" switches things up with a stomping electro house workout that brings a wholly different flavour to this excellent EP.
Review: Following up last year's Moments EP, Dea Dvornik and Enrica aka Eris return to Japanese imprint Cabaret with yet more impressive minimal electro shenanigans. The Italian/Croatian duo are in fine form on the Champions League EP, which kicks off with the deep and trippy bass-driven jam that is the tile track, followed similarly by "Redemption In Friedrichshain". On the flip is the most upbeat and lively track by the pair here named "Moloko" which will mix well with the rest of the label's recent discography - this bleepy and funky old school techno groove is absolutely infectious!
Review: Gabriel Reyes Whittaker is The Abstract Eye: an L.A.-based producer also known as GB (Gifted & Blessed) and Frankie Reyes. Regarding the dynamic pace of the music industry, he asks the question, what's real anymore? For him, it comes down to the feelings this music evokes. Last year saw the much needed reissue of his underrated 2011 opus Cool Warm Divine on Holland's Rush Hour, and this new record is another emotive release which explores classic electro and techno sounds - borrowing from the best of the genre's recent past but reinterpreting it in his own distinct way. From the old school deep techno bounce of "Land, Sky & Sea" to the chill groove of "What's Real Anymore?" or the mellow electro of "Butterfly Patterns" - thia is as real as it gets.