Review: Basic Rhythm man Anthoney J Hart has previously released a handful of fine albums and singles as East Man, most notably a couple of killer LPs on Planet Mu. In recent times he's decided to go it alone, pressing up 12" singles on the Hi Tek Sounds label he launched last year. This time round he's in full-on collaboration mode, with Hyperdub and Tectonic regular Walton joining him to lay down a pair of military strength club cuts. A-side "Horse Mouth" is a throbbing chunk of bass science, with the pair wrapping mind-altering analogue bass, creepy chords and occasional dub-wise vocal samples around a hard-wired staccato rhythm. This twisted take on dubstep is explored further on flipside "Gunshot", whose scattergun machine drums come bathed in oven-warm chords.
Review: Busting open a brand new bottle of 2019 with his bare Mancunian hands, Walton returns to Pinch's Tectonic with his first fresh dispatch since his sophomore album Black Lotus. As always, it's a full-bodied assault as "Bullet 2" licks shots with technoid venom. "Inside" follows with a similar spirit but with even less layers of armour and a bouncier bassline, while "More Cowbell" does that toxic Pulse X style alien bass thing, gets all trippy with the percussion and seriously stampy with the kicks. Finally, we close with a bruked up G swagger on the spacious, foreboding "Gunshot Clap". Shots fired.
Review: If every record in The Weevil Neighbourhood acts as a location or hub within its community, this is the town hall. The nucleus from which all information and threads of consistency spread, it's where it began: 2011 with two robust, technoid dubby fusions that owe as much to Croydon as they do Detroit. The two came as a whole and have remained both in demand and breath-taking ever since. Still sounding contemporary and fresh, this is a timely reissue of a timeless release.