Review: Sub Terrain One is the first in a series of split EPs featuring high tempo bass music by ffliktion & dreamlogicc. Three cuts from ffliktion on the A side pair classic jungle breaks with hazy atmospherics and weighty basslines. Two cuts from dreamlogicc on the B side touch on hypnotic trance progressions with deep spacey textures.
Review: Some 15 months after the first multi-artist "Folio" EP landed in stores, 1985 Music has dropped a sequel. It's another all-action affair, with all four cuts hitting home hard. Label founder Alix Perez kicks things off with "White Lies", a minimalist roller where metallic percussion hits and evocative soul vocals rise above a thoroughly filthy, wobble-powered bassline. Label favourites Submarine step up with sub-heavy hot-stepper "Grunge", before Scepticz and Lavance take things up a notch or two via the industrial strength distorted bass, mind-altering electronics and punchy beats of "Flatline". To round things off, Hyroglifics and Visages get together on the skewed but energy-packed creepiness of "Searching".
Horace Andy & Marcus Visionary - "Sound Killer" (Jungle VIP) (6:25)
Visionary - "Hustlin" (feat Camp Souljah) (6:26)
Truespirit - "Deep In The Jungle" (4:06)
Review: Reissue time! As New York jungle pillars Liondub International celebrate 10 years they've put together some of the hardest hitting bangers of their previous "Jungle To The World" collections on this powerful piece of wax. All the right vibes in all the right places, these all sound future fresh: DJ Hybrid's swashbuckling Dread bass backflips on "Special Request", the absolute bashy bless from Horace Andy and Marcus Visionary on "Sound Killer", the warmer reggae soul bubbles of Visionary's "Hustlin" and Truespirit's purring late 90s two-step homage "Deep In The Jungle". No filler in sight whatsoever.
Review: Brand new Marky! It's about time... Four years after his "My Heroes" album landed (and two years after his last single - "Silly VIP") the Sao Paulo don returns with two perfect soulful D&B gems. "Should I" looks back to the early 2000s with its powerful sample and Bingo-style bubbling bassline while "Love Break" takes off where "Silly" left us; swooping instrumentation that will have you leaping behind the decks and a break that will never ever quit. Don't leave it so long please Marky!
Review: Stefan Senf is a man of many aliases. His most popular is Noize Creator but The Duke Of Juke is by far one of his wittiest. The tunes are just as sharp too. Gritty, glitchy and raw doffs a cap towards jungle's primordial melting pot ranging from the ballistic cuts and shunts of opener "Tuff Measures", to the twisted half/quarter time ghetto grunts and bumps of "Boomin' Dub". The staccato drum jitters of "High Plains Trouble Maker" and the peaktime break slammage and sudden dubby drops of "Undecided" are also not to be missed. Put your dukes up.
Review: Eliphino continues to explore his emotionally charged, modern sound with this new mini LP for Secretsundaze. Following the trend laid out by his previous turns on Hypercolour, The Love Below and Meda Fury, he unfurls a richly harmonic sound that places emphasis on melodic progression to tell a particularly personal story, ranging from the emotive "Studio Time" to the crooked break-flecked "Old Lemons". "Second Sunday" flirts with electro and "Breaking Up Is Hard" veers towards jungle, but throughout Eliphino's personality binds the record together in fine style. Thoroughly contemporary and unbounded by genre restrictions, this is the sound of someone making the record they want to make.
Review: Those whose jungle history goes all the way back to the formative days of drum & bass culture may remember Flatliner, an East London/Essex producer whose 1994 release on RAM Records, "The Big Bang", was something of an anthem at the time. The two previously unheard cuts showcased on this 12" - his first since the 1990s - were both recorded in 1995 when the producer was at the peak of his powers. "Just Stop" is particularly potent, with stabbing analogue bass, weighty sub-bass tones, minimalist bleeps and dreamy pads rising above a crunchy, pitched-up Amen break. "Flatline" is a little more rough and tough, with creepy chords and female vocal snippets riding a fiendishly edited, cut-up jungle rhythm and insanely weighty sub-bass.
Dare Balogun - We Could Have Had Brunch (Goldefish Breaks For Brunch remix) (5:42)
Review: We've been waiting for this for a while now... After some heavyweight support from Aphex Twin, west country artist Goldefish makes his debut with four seismic slabs of electronic bliss. "Radon" is a dreamy jungle joint, all roughly hewn and starry-eyed. It's back by the thundering stomps and 303 wizardy of "Acid Immersion", the freeform breakbeat chaos of "Moonlight" and an absurdly good remix of Vandelay founder Dare Balogun's summer-tinged house cut "We Could Have Had Brunch". Chow down!
Review: After the game-changing success of his debut album, "Timeless", Goldie could have easily repeated the same trick and cashed in. Instead, he went completely the opposite direction and indulged himself in an hour long orchestral symphony (many years before the current trend for such shows became a thing). Collaborations with Noel Gallagher (the vulnerable "Temper Temper"), personal tracks that address his mother, and a long lost suicide note. Musically, the now 21 year old "Saturnz Return" is mostly dark and broody jungle that will re-wire your brain, though "Digital" and "Fury - The Origin" offer moments of soaring beauty.
Review: Eight years after their ground-breaking "Resolution 653" full length, pioneering duo Instra:mental make a welcome return with their new album Timelines, and this first selection of tunes from it gives you a good idea why. "Pacific Heights" is a jumble of minimal drum beats and futuristic synth smears that is atmospheric, while "Sakura" is more sparse and zoned out thanks to forlorn chords which speak of romantic pain. Things slow down into deep rubbery rhythms on the lush "Photograph" while "End Credits" has an unexpected Balearic vibe to it, with breezy chords making for a mood that feels akin to gazing out to sea.
Review: Metalheadz might be celebrating 25 years in the game in 2019, but they are not spending too much time looking back. Instead, Goldie's vital label continues to serve up forward looking drum & bass, this time from Jem One. A year after his debut on the label he's back with another varied three tracker. Form the swirling pads of liquid roller "Lotus" to the more angsty, tightly coiled drums of old school jungle cut "Transpose" and on to darkened minimal stepper "The Hardcore", there is a lot to love here.
Review: A master of all things dark and gritty when it comes to jungle and drum & bass, Ray Keith is back with a vengeance here across two devastating cuts. A side "Jungle Fi Dread" is built on his archetypal dread bass sound, stepping breaks and flailing hits, and it adds up to a controlled bit of dance floor frenzy with numerous peaks and troughs. "What Time Dread" on the flip has a rude vocal stretched and warped over rinsed out breakbeats that shimmer while a droning bassline conjures up some sort of doom-laden final level boss scene from your favourite RPG.
Review: This new one on Martyn's 3024 might be a various artists affair but the tracks sit rather well together, which is even more remarkable given the diverse backgrounds of those involved: Noire with his super hard drums, Metalheadz affiliates Gremlinz & Jesta who link here with Sin, and Parris who makes some truly bonkers club music. Martyn's own "Frozen Bread Snaps" is the opener that most impresses with its delicate and skeletal drum programming and heartfelt chords. Elsewhere, "Door Of Guf" is a high octane rough rider while "Ballas" is perfectly off kilter and funky. "Dusty Glass Bubbles" somehow sounds exactly like it should with that title.
Review: 7th Storey Projects welcome back Necrotype and Tim Reaper for the "Exclusive To Bandcamp EP", which isn't actually available on Bandcamp. It's an adventurous outing that covers all bases - Necrotype takes care of the a side with "Track 1": all pitch-shifted hardcore vocals and rinsing breakbeats with a mellow but euphoric feel, while "Track 2" is similar but with even more energy in the drums. Tim Reaper steps up first for the ravey banger that is "Track 3" before rounding things off with the a blissed out and intergalactic roller ("Track 4)". These two might be young guns, but they certainly know what they're doing.
Review: Sometimes the road gets too rough. Sometimes you just have to annihilate a punching bag due to the high levels of gully coming into your ears. Whatever you do when things get too stinky, however you deal with the body-blowing pressure of absolutely foul tracks, we know you're going to do it to this new EP from Perez who is on such a roll right now it's crazy. Following his dubstep EP "Last Rites" comes this awesome back-to-dnb-grit session. Opener "Trinity" is just utter high voltage darkness, "Phantonym" takes things even deeper with some proper gruesome bass bubbles while "SWRV" takes us back to Alix's soulful side and "Vibrations" plays the perfect game of contrasts and shade. What an EP.
Review: Proc Fiskal used to run a party called Shleekit Doss that was ecstatic and transcendent while still being fun and silly. He tries to capture the magic of the party on this new EP and does so admirably. The 6 tracks on the EP feels clever but charming. It's a collision of hardcore flurries, warped synths and day-glo keys that is often chaotic but also comforting. Drum & bass, rave, future grime and more all colour its grooves, but the resulting sound is pretty much impossible to define (in a good way).
Review: Boom: 7th Storey bossman Tim Reaper slams down his unavoidable hammer once again. This time on the blink-and-miss Lickshot series. Going right back to the roots for this, both sides are crusty, clattering and rougher than a cat's tongue. Just the way we like them. Real reggae samples, warm dubby bass, unpredictable twists and more groove than a carpenter's worktop; this is proper jungle. Don't fear the Reaper... and don't sleep on this!
Review: Seba and Paradox... If ever there was a D&B dream team, it's these guys. With collabos going back to 2005 on labels such as Hospital, Critical and Bassbin (to name but a few) their complementary vibes reach a new height as they set up a label strictly for them. And it starts right here. "Over Now" is pure cosmic soul sent from the year 2319, all planet-bounding breaks and hazy atmospheres, while "Jupiterize" whisks us off on a dreamy magic carpet ride around the galaxy as a jazzier spring is added to the evocative mix. Precision tag-team business, both men bring their a-game as always.
Review: 32 years after they first bonded over a mutual love of hip-hop, Oxford drum and bass duo Total Science are still going strong. You'd have expected their form to dip in that time, but this two-tracker - a second collaboration with French pal Samy Ponsar AKA War - is as on-point and exciting as the pair's classic works. A-side "What Now" is particular potent, with the trio peppering a surging bassline and fizzing D&B drums with all manner of crazy effects, redlined percussion hits, reggae vocal samples and dreamy chords. If anything, flipside "Cool & Deadly" is even better, primarily thanks to snappier beats, dub style sub bass and more loved-up chord sequences.
Review: Om Unit takes it to the bridge once again. His label's first V/A collection since its evergreen "Cosmology Selections" in 2017, it's another vast plain ripe in sonic depths and textures from some of the most left-minded, boundary-fusing captains in the bass game. Featuring two crucial link-ups from the bossman himself with two kindred spirits Djrum and Synkro plus a whole cosmic cornucopia of voyages from the likes of Danny Scrilla, J:Kenzo, Vromm and stacks more, every track is a highlight in its own beguiling way. No label flares with the same level of dark vitality, there's more than enough for our brains to chew on right here.