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Synthesisers

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2hp Synth Voice Classic Analogue Voice Lunchbox System
2hp
Cat: 797212 Rel: 31 Jan 21
MRP:$696.89 SAVE 24%
coming soon $532.97
Behringer DeepMind 12 Keyboard Analogue Synthesizer
Cat: 622579 Rel: 03 May 17
 
True analog 12-voice polyphonic synthesiser
Notes: With the creation of DEEPMIND 12, the ultimate, true analog, 12-voice polyphonic synthesizer is finally a reality. DEEPMIND 12 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Sequencer, the DEEPMIND 12 gives you complete control over your soundscape. Plus, DEEPMIND 12 features comprehensive remote control via iPad*/PC/Mac and selected Android Apps over USB, MIDI or built-in Wifi - for a custom-tailored workflow that lets your creative spirit soar to new heights!

Classic Polyphonic Synthesizer:
The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 12's pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right.

The FX Racks:
We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms - including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 12's FX were essentially "rebuilt" in the digital domain - and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 12, ensuring flawless performance, flexible routing - and the end of cable faults forever!


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 2 in stock $670.83
Eowave Quadrantid Swarm Desktop Synthesiser
Cat: 648957 Rel: 30 Jan 19
 
Polyphonic hybrid sound generator featuring touch-capacitive keyboard
Notes: Kickstarter-funded hybrid weirdo from synth experimentalists Eowave. Digital oscillator meets analogue filters with spring reverb, touch keys and built-in sequencer. Gnarly.

Supplier notes:
The Quadrantid Swarm is a versatile, unique instrument for sound designers and musicians looking to explore exquisite and unfamiliar timbres that range from subtle to outrageous, nebulous to shimmering. It is comprised of a digital synthesizer voice with a percussive element, 2 pole analogue filter, an LFO with 8 waveforms, and a spring reverb.

The 8 touch keys can be used as a mono keyboard, polyphonic keyboard or an 8-step sequencer. The QS interfaces with other instruments via MIDI, and CV/Trig inputs. Pre-patching allows you to get hands on immediately, but you can and should use patch cables to fully explore the potential of this instrument.
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MRP:$650.00 SAVE 17%
 4 in stock $541.66
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Erica Synths Pico System III Analogue Modular System (desktop version)
Cat: 749138 Rel: 16 Oct 19
 
Compact modular system with full analogue design - desktop version
Notes: Eurorack innovators Erica Synths pack as much as possible into a compact case with their Pico system. Huge sonic potential and clever card-based patch preset system.

Supplier notes:
Pico System III brings modular synthesis back to the basics - the system has multi functional (instead of single-function, like Pico Drums or Pico Trigger in the Pico System II) analogue modules and is intended to encourage creativity in modular patching.

The system has 31 inputs and 20 outputs (master output is duplicated) + 7 switches; if you have enough patch cables at your disposal, you can patch the system in 121000931215044250740178662400 or 1.21x1029 variations (we ignored the possibility to adjust potentiometers here). Even though only 0,0001% of all patches will sound more-less enjoyable, you and all your future generations can spend a lifetime only patching the Pico System III.

Voice-cards with preset patches set it apart from other eurorack systems - they allow user to change patches instantly and radically, which makes the system well suited for experimental live performances. The system comes with 5 great sounding "factory preset" voicecards, and 5 DIY voicecards that are empty and users can develop their own patches. More voicecards will be available from Erica Synths shop.

Desktop unit includes: 20 patch cables, 1 Hosa stackable cable, PSU, 5 factory preset & 5 DIY voice-cards, user manual and patch note sheets.
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 2 in stock $514.51
Korg Minilogue XD 4 Voice Polyphonic Analogue Desktop Synthesiser Module
Cat: 732457 Rel: 28 Aug 19
 
Desktop module version of the now classic synth
Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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MRP:$768.53 SAVE 32%
 3 in stock $521.04
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Korg Minilogue XD 4 Voice Polyphonic Hybrid Keyboard Synthesiser
Cat: 715952 Rel: 21 Mar 19
 
4-voice analogue synth with deep digital multi-engine
Notes: One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.
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MRP:$768.53 SAVE 30%
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Korg Prologue 8 Voice Polyphonic Analogue 49 Key Synthesizer
Cat: 675862 Rel: 08 May 18
 
8 voice, 49-note polyphonic synthesiser featuring newly developed multi-engine with three modes
Notes: Prologue is a fully-programmable, full-featured, professional synthesizer. Preceded by the four-voice polyphonic Minilogue and the monophonic Monologue, it's the long awaited debut of the flagship: the Prologue.

Prologue is a polyphonic analog synthesizer equipped with a full-sized keyboard. With powerful analog circuits that are descended directly from the earlier models of the series, together with a newly developed digital multi engine and gorgeous DSP-based effects, Prologue expands the variety of sounds and the possibilities for user customization.

The line-up is comprised of two models that cover musicians' needs for not only stage use, but also studio, home, or touring use: 16-voice 61-key Prologue-16, and the eight-voice 49-key Prologue-8. These instruments are capable of sounds that go beyond existing analog synthesizers.

16/8-voice analog sound:
The Prologue is a polyphonic analog synthesizer with 8 or 16 multitimbral voices. KORG's analog synthesizer development in recent years has culminated in the Prologue, which was designed using 11,000 discrete electronic components. Although the Prologue is a flagship instrument, it still retains the inviting feel and accessibility of its predecessors. It features a pure analog path, impeccable sound quality, stunning presence unlike any other poly synth, and the same intuitive interface as the Minilogue and Monologue, granting you intuitive access to a vast world of analog synthesis.

The Prologue uses a structure of 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator's overtones and a sync/ring switch, prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from Minilogue and Monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer.

Newly developed multi-engine:
The ingenuity of Prologue goes beyond its analog design. The newly developed multi engine is provided as VCO3, adding digital waveforms and FM. This multi engine, which is equipped with three different sound engines, can be combined with the analog VCOs to expand prologue's sonic potential far beyond that of a traditional analog synthesizer.

Noise generator:
There are four types of noise generator, indispensable for percussive sounds or sound effects. Experience how digital filtering can produce direct changes in the colour of the noise.

VPM oscillator:
The VPM (Variable Phase Modulation) / FM oscillator was newly developed for Prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by analog means. With 16 types of oscillator and the SHAPE knob, you'll be intuitively guided through complex sound design. Combine these wave shapes with Prologue's gorgeous analog filters, and prepare for sounds you never thought possible.

User oscillator:
The user oscillator section lets you load oscillator programs of your own creation. Sixteen slots are provided, and one type of morphing wavetable oscillator is built-in as a preset.

Digital effects:
The high-quality digital effects feature pristine 32-bit floating-point processing, and add a further polish to the sound of the Prologue. With two effect units provided (a modulation effect and delay/reverb), you can choose from a wide variety such as chorus or ensemble, warm tape delay, or diverse reverbs. The user effect slots let you load effect programs of your own creation.

User-customization:
The Prologue offers an SDK (Software Development Kit) that allows developers to program, customize and extend the capabilities of the multi-engine and digital effects and is expected to be available for download in the spring of 2018. The Prologue provides 16 user oscillator slots and 16 user effect slots, and users can use the Prologue Librarian software (also expected to be available for download in the spring of 2018) to load into their Prologue new oscillators and effect programs created by developers with the Prologue SDK (Software Development Kit).

Analog comp/booster:
The exclusive VU meter is available only on the Prologue-16, and indicates the newly developed master effect L.F. COMP. It's a low end booster/compressor using an analog circuit, delivering a solid sense of presence that cannot be obtained from a simple EQ. You'll particularly notice the difference in high-volume stage performances where maximum dynamics can be utilized.
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MRP:$1,822.34 SAVE 45%
 2 in stock $997.57
Korg Wavestate Wave Sequencing Digital Synthesiser
Cat: 761104 Rel: 16 Apr 20
 
digital synthesiser
Notes: Loosely inspired by the brand's classic Wavestation synth, the Wavestate updates the sound with a new approach to Wave Sequencing. Classy sound, powerful modulation and good hands-on performance options.

Supplier's notes:

KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
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MRP:$910.52 SAVE 33%
 5 in stock $606.79
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MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer (B-STOCK)
MFB
Cat: 782688
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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 1 in stock $983.79
MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer (B-STOCK)
MFB
Cat: 797203 Rel: 09 Apr 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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 1 in stock $987.32
Modal Electronics ARGON8 8 Voice 37 Key Polyphonic Wavetable Keyboard Synthesiser
Cat: 757240 Rel: 05 Feb 20
 
polyphonic wavetable synthesiser
Notes: Stunning wavetable business from rising British synth brand Modal. Eight-voice synth engine with incredible sound. Great value. Check out our full review.

Supplier's notes:
Based around its revolutionary new wavetable synthesiser engine, Argon8 derives much of its heritage and DNA from the highly acclaimed Modal 002.

Bringing eight voices of true polyphony in a professional quality package with features previously never seen at this price point.

Modal Argon8 provides a Class Compliant USB MIDI connection, enabling Argon8 to play in an integrated setup, and the free software editor ModalApp is available on MacOSX, Windows, iOS and Android tablets and phones as well as a VST3 and AU plugin for DAW applications.

Oscillators
120 carefully crafted wavetables split into 24 banks of 5 morphable waveform sets, covering virtual analogue classics through to cutting edge EDM and many from the original Modal 002 as well as a whole range of mathematically generated tables. Additional PWM bank and 3 noise/modulation banks accessible on Oscillator 2

28 static wavetable processors including de-rez, wave folders, wave shapers, phase shapers and rectify that can be applied to the 120 wavetables to give a mind boggling array of permutations and new waveshapes

32 high resolution wavetable oscillators, 4 per voice, with 8 types of oscillator modifier including: Phase Mod (FM), Ring Mod, Amp Mod, Hard Sync and Windowed Sync

Keyboard
FATAR TP9/S Full size 37 key keybed with both velocity and aftertouch

1.54 inch large OLED display - that provides instant visual feedback to the user at all times of playing/editing

Multiple keyboard modes, Mono, Poly, Unison 2, unison 4, unison 8, Stack 2 and Stack 4

Inbuilt sophisticated programmable arpeggiator of 32 steps with rest capability with up to 2048 steps before repeating

Glide/Portamento with both legato and staccato modes

Filter
Two pole morphing resonant filter with multiple filter types

Filter can be morphed from low pass, through band pass, to high pass

Modulation
Hugely powerful "Mod Matrix" with eight assignable slots with four additional fixed routes, 11 mod sources and 52 destinations

A 4-axis joystick that can be assigned to a huge range of modulation destinations and virtually 'locked' when desired

Three dedicated envelope generators for AMP, MOD and FILTER that can be accessed independently or all three simultaneously including negative (reverse) versions

Two Audio rate LFO's with tempo sync (one poly, one global). Polyphonic LFO can sync to frequency divisions

FX
Waveshaping distortion

Three incredibly powerful independent and user configurable stereo FX engines that can create sophisticated Delays, lush Reverbs, Flanging, Phasing, and Rich Choruses

Sequencer
Real time sequencer with 512 notes with input quantise and four recordable / editable parameter animations

Delay FX, LFO's, sequencer and arpeggiator can be either clocked internally or externally

Storage
500 patch memories, all fully editable and ships with 300 factory programs and 200 user patch spaces. Patch upload and download through the free MODALapp

100 sequencer presets and 100 FX presets

Connectivity
Analogue clock sync in and out (configured to the KORG / Teenage Engineering specification)

MIDI DIN in and out

Full size quarter inch jacks for stereo audio outs, headphones and external control such as sustain and expression

3.5 mm stereo input with ability to route incoming audio through the FX

Class compliant MIDI provided over USB connection to host computer or tablet

Optional software editor available for macOS, Windows, iOS, Android with VST3 and AU compatibility - MODALapp can be run within your Digital Audio Workstation (DAW)

Power: DC-9.0V-1.5A

Physical
Road ready Steel and Aluminium chassis
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MRP:$754.21 SAVE 25%
 7 in stock $563.37
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Modal Electronics ARGON8M 8 Voice Polyphonic Wavetable Desktop Synthesiser Module
Cat: 763205 Rel: 11 May 20
 
desktop synthesiser module
Notes: Desktop module version of one of our favourite new synths of 2020. Beautifully rich wavetable synth engine that somehow sounds good whatever you do with it.

Supplier's notes:
The Argon8M features an identical sound engine and feature set, but rather than a 37-note keybed, it has brackets for mounting to a 19" 3U rack, as well as end-cheeks for simple desktop use. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$650.00 SAVE 22%
 More than 10 in stock $509.10
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Modal Electronics ARGON8X 8 Voice 61 Key Polyphonic Wavetable Keyboard Synthesiser
Cat: 763203 Rel: 08 Oct 20
 
wavetable keyboard synthesier
Notes: 61-key version of one of our favourite recent synth releases. Superbly lush, detailed sound from the wavetable synth engine, paired here with a big, expressive keybed. Also available in 37-key or keyless module format.

Supplier's Notes:
The Argon8X features an identical sound engine and feature set, but rather than a 37-note keybed, you get 61 keys for an even more immersive playing experience. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$845.39 SAVE 18%
 4 in stock $693.63
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Modor NF1m Desktop Synthesizer
Cat: 648919 Rel: 31 May 17
 
Polyphonic digital desktop synthesiser - smaller version of the original Modor NF1
Notes: The original Modor NF-1 has one main disadvantage: it's quite big and heavy. Not your favourite piece of hand luggage to carry around. So, here is the smaller, portable version. And of course, a smaller device means a smaller price...!

This comes of course with a smaller number of front panel controls... The Modor NF-1m has 7 context dependant controls grouped in 15 edit pages with a set of 6 pushbuttons to access these pages quickly. Every parameter is just a button press away!

Not unimportant, the NF-1m has new rotary controls with a more stable feeling than the controls on the original NF-1.

Next to that, there are 2 large 'definable controls', DEF1 and DEF2. These controls can be assigned to any sound parameter so that you can 'preselect' two parameters in every patch to have a permanent dedicated control on the front panel. This makes it easy to access your favourite parameters, no matter in which edit page you are...
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 2 in stock $514.85
Moog Mother 32 Semi Modular Analog Synthesizer
Cat: 590202 Rel: 18 Dec 15
 
Moog's first ever tabletop semi-modular synthesiser with voltage controlled 32 step sequencer with 64 sequence locations
Notes: The Moog Mother-32 is the first table-top semi-modular synthesizer from Moog. It is a distinctive analog instrument that adds raw analog sound, sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive new live performance and production instrument is handcrafted in Asheville, NC and has been meticulously designed to provide musicians with a diverse array of creative tools to inspire new music, unique sound and endless sonic exploration.

Mother-32 comes secured in a rugged extruded aluminium enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patch-bay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources.

*For sound demos, please visit - http://www.moogmusic.com/products/semi-modular/mother-32#sound-tab
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MRP:$871.44 SAVE 32%
 4 in stock $592.96
Moog Subsequent 25 Paraphonic Analogue Synthesiser
Cat: 762338 Rel: 02 Jul 20
 
Analogue synthesiser
Notes: Spiritual successor to the brilliant Sub Phatty synth, the Subsequent 25 builds on the powerful, gritty sound of its forebear with a new duophonic mode and tweaked synth architecture.

Supplier notes:
In the spirit of continuous improvement, Moog Music is transitioning production of the award-winning Sub Phatty analog synthesizer to make way for a new standard: the Subsequent 25. Implementing upgraded sonic modifications and functional improvements, the new Subsequent 25 becomes the standard production model moving forward.

Subsequent 25 builds on the success of its predecessor by implementing the ultra-popular paraphonic functionality of Duo Mode, upgrading to wood side pieces, and featuring the familiar Subsequent series of user-requested performance adjustments.
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Pioneer TORAIZ AS1 Analog Synthesizer & Sequencer
Cat: 638665 Rel: 19 Apr 17
 
Monophonic analog synthesiser with intuitive user interface & performance features
Notes: Pioneer have worked close with Dave Smith to create a synth that produces powerful analogue sound. The TORAIZ AS-1 is driven by a fully programmable, true analog synthesis engine based on the discrete analog circuitry in Dave Smith Instruments' Prophet-6 synthesizer, It has 2 voltage-controlled oscillators (VCO) with continuously-variable triangle, sawtooth, and pulse wave shapes. With the TORAIZ AS-1 you can sculpt your sound using the 2 voltage-controlled filters (VCF), a 4-pole, resonant low-pass filter that can self-oscillate, and a 2-pole, resonant high-pass filter.

The TORIAZ AS-1 is the second musical instrument in the TORAIZ range, the AS-1 is a monophonic analog synthesizer that brings new creative possibilities to the studio and the stage. Its intuitive controls include parameter knobs that let you make both subtle and dramatic changes to the tone of your music to create your own personalised sound. Plus you can use the touchpad-style keyboard and slider to manipulate sounds during performances.

Use the TORAIZ AS-1 to create one-of-a-kind sounds using 2 VCOs, 2 VCFs, and VCA, 2 EGs and 1 LFO, then save each sound and its parameter settings as a program so you can instantly access it later. The inspiring 495 preset programmes each have a different sound and 64-step sequence that can be edited separately. You can also save up to 495 of your own programmes in the 5 user banks. Be creative with the Prophet-6-derived dual FX engine and use a single effect or pair 2 together to add extra texture to your sounds. FX includes Bucket Brigade Delay, Distortion, Ring Modulation, Chorus and Maestro Phaser.

The TORAIZ AS-1 will make sure your performance is in perfect harmony as you perform the sounds you create with the touchpad keyboard or change the notes assigned to the keys with Scale Mode. Add dynamic changes to your performance by using the slider to manipulate 7 different parameters. Change the pitch of 2 oscillators, adjust the amount of FX and more.

Prophet-6 analogue sound:
The AS-1 is based on the same analogue filters as Dave Smith's renowned Prophet-6 synthesiser. It has 2 voltage-controlled oscillators (VCO) with continuously-variable triangle, sawtooth, and pulse wave shapes. Sculpt your sound using the 2 voltage-controlled filters (VCF), a 4-pole, resonant low-pass filter that can self-oscillate, and a 2-pole, resonant high-pass filter.

Full programmability:
Use the TORAIZ AS-1 to create one-of-a-kind sounds using 2 VCOs, 2 VCFs, and VCA, 2 EGs and 1 LFO, then save each sound and its parameter settings as a program so you can instantly access it later.

495 presets:
The inspiring 495 preset programmes each have a different sound and 64-step sequence that can be edited separately. You can also save up to 495 of your own programmes in the 5 user banks.

Prophet-6 FX:
Be creative with the Prophet-6-derived dual FX engine and use a single effect or pair 2 together to add extra texture to your sounds. FX includes Bucket Brigade Delay, Distortion, Ring Modulation, Chorus and Maestro Phaser.

Keyboard & scale mode:
The TORAIZ AS-1 will make sure your performance is in perfect harmony as you perform the sounds you create with the touchpad keyboard or change the notes assigned to the keys with Scale Mode.

Slider:
Add dynamic changes to your performance by using the slider to manipulate 7 different parameters. Change the pitch of 2 oscillators, adjust the amount of FX and more.

64-step sequencer:
Give your performance the edge with the 64-step sequencer. Step recording of patterns, changing the musical key, editing the sound without editing the pattern - it's all possible.

Creative DJ setup:
Create even more complex patterns by connecting the TORAIZ AS-1 synth to the TORAIZ SP-16 live sampler via MIDI. Or take it to the booth and connect the sampler to your DJ setup via Pro DJ Link: The CDJs play the track, the TORAIZ SP-16 adds loops and one-shots, and the TORAIZ AS-1 generates unique analogue leads.
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Pittsburgh Modular Lifeforms SV-1B Blackbox Desktop Analogue Modular Synthesiser (B-STOCK)
Cat: 795483 Rel: 29 Jun 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated all-in-one desktop semi-modular system from the ever-reliable Pittsburgh Modular. Big, warm East Coast synth sound meets compact, Eurorack-compatible format. Very nice.

Supplier notes:
The Pittsburgh Modular Lifeforms SV-1b Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary Pittsburgh Filter are paired with a perfectly curated set of synthesis tools. The Lifeforms SV-1b Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

SV-1b Module Specifications:

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Enclosure Power and Specs:
Black powder coat steel construction.

Dimensions: 9 3/4" x 5 1/4" x 2 1/2"

Weight: 3.5 lbs

Power: 1.5A +15v DC power adapter

Included:
Patch Cables: 6 Nazca Audio Brand patch cables.
1/8" stereo jack to midi connector cable.
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 1 in stock $655.74
Pittsburgh Modular Lifeforms SV-1B Eurorack Analog Synthesiser Module
Cat: 782211 Rel: 07 Jul 20
 
Eurorack analog synthesiser module
Notes: One of our favourite entry points into the world of patchable semi-modular synthesis and a great starting point for anyone wanting to dip their toes into the waters of full modular. Great sound, great usability.

Supplier's Notes:

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The SV-1b is not a semi-modular synthesizer with limited signal path options. Each module within the SV-1b can be used independently to the rest of the system. The SV-1b is pre-patched (normaled) internally so patch cables are not necessary to get started. But as soon as you begin patching, you will appreciate the unrestricted creativity of the 53 patch points and 21 knobs. By breaking each module of the SV-1b out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

Smooth and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
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Pittsburgh Modular Microvolt 3900 Micro-Modular Synthesiser
Cat: 677576 Rel: 03 Jul 18
 
Compact, desktop monophonic synthesiser featuring a pre-tuned analogue oscillator
Notes: A Love Letter to the Analogue Monosynth:

A modern, semi-modular synthesiser inspired by the instruments designed by our heroes. The Pittsburgh Modular Microvolt 3900 takes a new approach to building a raw, analogue monosynth with a host of unconventional and inspirational features. Patch cables optional.

Creative Synthesis Design:

With our new temperature stabilized, dual VCA oscillator core, the analogue audio engine of the Microvolt 3900 feeds a set of timbral waveshapers crafted for deep harmonic shaping, enabling a layer of additive synthesis alongside the classic subtractive synthesis waveforms. Waveforms are fed into our binary filter, a custom state variable filter architecture offering near infinite resonance with or without self-oscillation. Sonically this creates a juicy, fluid filter adding depth and energy to the oscillator that can scream if you ask it to.

The heart of the Microvolt 3900's sound is our new dynamic VCA technology. Where a standard VCA works in two dimensions, the Microvolt 3900 dynamic VCA technology adds a third dimension. As the dynamic VCA closes, decreasing the amplitude, harmonics are removed from the source. As the dynamic VCA opens, the harmonics are restored. This mimics the behaviour of sounds in nature. The result is a lively, organic sounding synthesiser full of energy. The design of the dynamic VCA also allows the instrument to be plucked or struck, opening up another set of percussive musical possibilities.

Open Electronic Experimentation:

The Microvolt 3900 is patched internally and does not require patch cables to dial in a wide variety of unique and powerful sounds. For deeper experimentation, the Microvolt 3900 includes a 39-point Eurorack format friendly 1/8" jack patchbay for complete signal routing control over a full complement of audio and modulation options. A four-stage envelope generator, multi-purpose function generator, wide range LFO, chaotic random source, arpeggiator, sequencer, and MIDI to CV control are also available to create dynamic sounds unique to the Microvolt 3900.

Includes:

- 5 Nazca Audio brand patch cables
- MIDI connector cable
- Universal DC power adapter
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MRP:$758.11 SAVE 21%
 1 in stock $596.81
Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (black)
Cat: 781124 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$626.55 SAVE 14%
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Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (white)
Cat: 781126 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: Proper wacky stuff from Soma Laboratory. Voice-controlled effects and synthesis in a unique format, designed to process everything from vocals to synths and beats.

Supplier notes:
THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesiser and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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Tangible Waves AE Modular Starter Rack 2 Complete Modular Synthesiser System (B-STOCK)
Cat: 784816 Rel: 10 Jun 19
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


Complete starter setup of Tangible's AE system, designed as an affordable way into Eurorack modular. Everything you need to get started, including oscillators, filters and much more.

Supplier's notes:
A complete AE modular system in a two-row Rack (32 AE module units in complete); containing the following modules:

- MASTER
- 2OSC/D
- VCO
- NOISE
- 2 x LFO
- FILTER (Wasp type)
- SVFILTER
- 2ENV
- 2VCA
- LOGIC
- SAMPLE&HOLD
- BEATDIVIDER
- TRIQ164
- 2ATT/CV
- MIXER
- DELAY

The case is extendable; via a joint kit (not included) another case of this type can be attached at a free angle; the bus is connected via a short connector cable.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.
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 1 in stock $552.69
Teenage Engineering OPZ Wireless 16 Track Multitimbral Synthesiser & Sequencer (B-STOCK)
Cat: 768212 Rel: 06 Nov 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Centred around an advanced 16-track sequencer where all tracks run independently, OP-Z makes individual track speed and track length possible. In addition to this, it's possible to add unique step behaviours to every one of the 16 steps: a feature we call step components. Think of this as dual layer sequencing where the first layer is a traditional 16 step sequencer, while the second layer adds variation per cycle, note variation, micro sequencing, direction, parameter changes, re-trig's and much more, all on just one single step. In theory, it's possible to create a complete song by programming only the 1st step of the 16, using multiple step components to create endless variations, a technique recommended for experts and engineers only. Seriously, in some situations it's actually almost impossible to predict the complete length of a sequence. So, we created a special component for those situations named 'catch up', that forces a track to exit at a certain step to stay in sync. In total, there are 14 components sorted into 3 groups: triggers, note variations and specials.

All 14 components have 10 values and behaviour programs. The product of all this is that you have 140 ways to alter just one single step. Probably more than most people can handle. And to make step composing really intuitive and super-fast, all keys are backlit with multi-colour LED's with instant machine feedback, a must-have for poorly lit club gigs and late-night-in-bed composing. Actually, the print on the unit itself is made with a special glow-in-the dark-paint. A pretty cool 'world's first' for synthesizers.

Bring your own screen:

OP-Z is a completely stand-alone synthesizer and composer, ready to be used at anytime and anywhere, but for those of you who need that extra injection of vibrant graphics, interactive user interface and awesome synced animations to feel inspired, we introduce the concept of BYOS - bring your own screen. You already have the phone with that gorgeous retina display in your pocket, right? Just download the OP-Z app, pair the two devices and you are all set. Add cellular connectivity, WiFi and powerful graphics processing to that, and the concept certainly makes sense. All this tech when connected to the OP-Z adds several unique features - like using the phone's camera, snapping a series of photos and arranging them to a beat, creating a synchronised music video 'a-la-minute'.

We support Dropbox on IOS as well, so transfer of your custom artwork on to your IOS device will be instant and without cables. To eliminate any latency between image and sound, we ported the OP-Z sound engine to run simultaneously on your IOS device. Something we call 'dual domain synthesis'.

Photomatic:

Snap a series of photos and sequence them to a beat. Compose a song and create a completely synchronised music video 'a-la-minute'. The included photomatic feature is just pure instant fun.

Custom graphics:

By adding any artwork or a photo to your IOS device camera roll or to a Dropbox folder, you can create high quality custom graphics, patterns, colour palettes or stop motion videos. Anything can be animated in pace with your music.

Create your own world:

OP-Z is tailor made for unity 3D, the world's most popular multi-platform game engine. Chosen because of its intuitive workflow and excellent VR support. A dedicated OP-Z toolkit for unity will be available at launch that opens up the entire machine.

Full unity 3D integration:

Teenage engineering have worked closely with Keijiro Takahashi and the unity Tokyo studio to fully integrate OP-Z with the unity game engine. As Keijiro-san is both a full time software evangelist at unity and a renowned VJ at night, we have had access to a selection of Keijiro-san's personally developed tools and shaders which deliver stunning 3D graphics that run at full speed on iPhone or iPad. Keijiro-san's tool-set and real life experience in performances with motion graphics have been invaluable in making OP-Zan inspiring live tool for moving images in sync with music. The weakest point of VJ-ing has always been the creation of content. By exposing the inner control data of the OP-Z and linking it to unity, users can create anything within unity, build the project and just drop the build to a Dropbox folder. Customizing every single polygon in a performance.

If it don't have tape, it's not OP:

The new tape feature is probably one of the coolest sonic features of the OP-Z. Imagine a short snippet of tape secretly recording everything that is programmed in the sequencer - all in real-time. And with its own dedicated track it's possible to sequence the tape, trig the in-point, length and speed. OP-Z will come with a range of tape reels with unique character and functions. Scrub, scratch, wind-up and mess-up!
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 1 in stock $519.49
Teenage Engineering POM-400 Home-Build Analogue Synthesiser With 1-16 Step Sequencer
Cat: 777388 Rel: 22 Jun 20
 
home-build analogue synthesiser
Notes: Top-of-the-range model in Teenage Engineering's kit-build modular synth range. Three oscillators, all the basic synth modules you'd expect, plus built-in sequencer and speaker.

Supplier notes:
POM-400 is a home-build analogue synthesizer with 3 oscillators, noise, random generator, 2 envelopes, 2 VCA's, LFO, filter, mixer, speakerbox, power pack and a 1-16 step sequencer. A Complete kit with powder-coated chassis, 16 modules, 15 patch cables, screwdriver, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-400 chassis
14 x Modules - M-1, M-2, M-3, M-4, 2x M-5, 2x M-6, M-7, M-8, M-9, M-10, M-11, M-12
1 x Battery Pack
1 x Distro
37 x Trim Knob
13 x Value Knob
15 x Audio Cable
14 x Chassis Screw
4 x Rubber Foot
1 x Screwdriver
1 x User's Manual

Added PO-Sync output, which allows for easy patching out and into the PO series. Use this jack to sync modular tempo with any pocket operator.
Speaker volume knob adjusted for intuitive control
Level on sequencer clock out adjusted to 5v from 10v
Output amplitude on white noise adjusted so now it can trigger envelopes
PSU has been improved, it is now more stable and offers a longer battery life
Oscillators have been retrimmed, giving an improved audio range to play with
Increased size of screw holes on powder coated aluminium chassis for easy building

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-2
saw
sawtooth oscillator
Containing both the odd and even harmonics, the sawtooth is great for string types of sound. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-3
sine
sine oscillator
With no overtones the pure sine wave is a jack of all trades. From pure bass to dub sirens, it's the army knife of a modular system. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-7
mixer
3-channel mixer
A necessity in all modular systems. Three inputs, one output, with volume control over both the individual inputs as well as the master output.

M-8
noise
2 x noise
The white noise contains noise equal over the whole spectrum. The saw output is a perfect companion for the sample and hold.

M-9
rand
Randomise your music with the sample and hold. Any input is sampled and then presented at the outputs. Rate can be controlled both externally and internally, but always needs an external signal to sample. Experiment with both receptive and random sources as the sample input.

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-12
sequencer
16-step sequencer
Sixteen steps of control. Override the internal clock with the clock input. Send clock out or PO Sync out. Make it go backwards with the arrow input. Jump to the first step, the second, fourth or eight step with the reset and binary.
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MRP:$650.00 SAVE 21%
 2 in stock $511.26
Waldorf STVC String Synthesizer & Vocoder
Cat: 675800 Rel: 16 Jan 20
 
Desktop synthesiser featuring a 49-note keyboard & vocoding features
Notes: Gorgeous retro-inspired synth. Heavily based on 70s string synthesisers and vocoders, updated in a modern format. Proper lush vibes.

Supplier's notes:
The string section starts with an oscillator bank using octave dividers, followed by a complex mixer, an equalizer and the ensemble effect, just like string machines from the 70's. A single registration knob sweeps through mixer and EQ settings for Violin, Viola, Cello, Brass, Organ, Choir and more for creating rich and creamy sonic textures.

The Solo section is a 16-voice synthesizer that complements the string sounds. A single Tone knob sweeps through many useful settings. Solo is the sidekick to the strings, but it is powerful enough to be the lead character every now and then.

The Vocoder replaces the equalizer in the string section with the filter bank that models the vocal tract from the speech input. This can produce quite intelligible speech or singing using the fully polyphonic oscillator bank. Formants can be modified, which can result in a perceived change of gender. Adjustable jitter of the string oscillators renders the voice hoarse, creaky or a complete whisper. Solo can pass through the Vocoder or play in parallel.

The Freeze button lets you freeze a short speech fragment, which is then repeated by the Vocoder whenever a key is pressed. Change of playback speed, like faster, backwards or a complete stop are possible and fun, as well as formant change.

A novel Tweak function allows for modification or modulation of details, like e.g. the solo cut-off frequency or the Chorus LFO rate. It is similar to a modulation matrix, but it also allows to alter implicit settings with a fixed value or an offset.

Three Effects operate simultaneously - Animate is in fact a modulation of the string or vocoder registration, while a Phaser is a must for any decent string machine. A high-quality Reverb with adjustable size can be mixed to the output.

STVC comes with a high-quality gooseneck microphone that plugs right into the front panel where it belongs.
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MRP:$975.65 SAVE 30%
 1 in stock $678.71
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