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Synth modules

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Cat: 714534 Rel: 22 Jan 19
 
Complete modular synthesiser system with protective cover & adhesive strip
Notes: The Shuttle System is a versatile modular setup, capable of generating classical as well as experimental sounds. It comes with a cover and adhesive strip for protecting the system from dust and to carry it around.

The synthesiser is composed of two Buchla style oscillators plus Waveshaper, two function generators, which can be used as envelopes, LFOs or additional VCOs, two filters respectively low pass gates with eight modes of operation and an effects processor.

Furthermore, a mono/stereo mixer with inserts and ducking compressor, utility circuits and a tune section are included. To control all those components, the instrument features an extensively equipped MIDI CV interface. Consequently, the Shuttle System is able to create an extremely wide range of high quality sounds.

The following modules are included in the Shuttle System:

Endorphin.es Cockpit:
The Cockpit is a performance mixer with 4 stereo channels, two channels of send and return to use iOS devices for signal processing (via a 4-pin TRRS cable) and also comes with an integrated compressor with sidechain input.

Endorphin.es Furthrrrr Generator:
The Furthrrrr Generator is a complex, completely analog oscillator inspired by the Buchla 259.

Endorphin.es Gateway:
Gateway is an expander for Endorhin.es Terminal which expands the envelope possibilities, with an integrated autotune-function for VCOs.

Endorphin.es Grand Terminal:
The Grand Terminal is a digital multipurpose module. Its two function generators can be used as envelopes, LFOs or VCOs. The 2 filter channels individually offer 8 modes of operation, and combined with its mixing and routing capabilities and a multi effects unit, it is not only a complete back end of a synth voice, but can also be used as a synthesiser voice, stereo filter bank or general purpose sound effects processor.

Endorphin.es Shuttle Control:
Shuttle Control is a freely configurable converter from USB-MIDI to CV/gate/clock with16 outputs. Use the USB sockets to connect a USB keyboard and the "to device" micro USB connector to hook up a tablet or PC/Mac with controller software which doesn't have to be capable of MIDI. Furthermore it can be used as power supply and distribution and internal MIDI/CV-bus for a small modular system.

Decksaver for Shuttle System:
- Closes patched
- Fits any screws
- Fits any Frap Tools 2x Plus (84 hp) cases with customs Shuttle sides (available as a kit as well)
- Secured with adhesive strip
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 3 in stock $2,166.51
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FORTHCOMING
Pittsburgh Modular Lifeforms Voltage Lab Blackbox Synthesiser Voice Module In Powered Case
coming soon $964.06
Cat: 673006 Rel: 12 Feb 18
 
All analog dual filter bank - 42HP
Notes: The FUMANA is an all analog dual filter bank with various control to access dynamically these bands. Each filter bank is composed of an array of 16 independent 48dB/oct bandpass filters. Having two identical filter arrays, allows you to use one of those for spectral analysis (of a modulator signal) and the other for spectral re-synthesis (of the main signal). Each array is sub-grouped in odd and even bands (numbering these increasingly from 1 to 16 from left to right). It is possible to apply different signal to odd and even bands, both for main and/or modulator arrays. This, together with the 16 envelope followers connected to each band of the modulator filterbank, and the 16 VCA connected to each band of the main filterbank, allows the FUMANA to perform a single 16 bands or a dual 8 bands analog spectral transfer.

While the upper section provide access to each main filter's direct output, the lower section has 4 voltage controllable parameters to manage two independent functions for further spectral editing: tilt and parametric scan.

The tilt, as the name suggest, tilts the spectrum, adding and subtracting amplitude to the 16 bands, emphasizing lower or high bands, and attenuating high or lower bands: this is managed only with the green potentiometer.

The parametric scan, instead, works with three parameters: peak/notch, band selector and width. Like in a parametric equalizer, where is possible to set peak/notch gain, frequency and slope, the FUMANA uses three parameters to set which is the centre band to perform this manipulation, then if that band should be emphasized or attenuated, and how this action is extended to nearby bands.

In addition to the 16 bandpass outputs, there are other 4 outputs provided: the all bands output, the all envelope followers output, the odd bands and the even bands output. These two have the options to be inverted in phase with two switches, in order to obtain even more combination when summed together, maybe/also with the "all bands output", using, for example the 333 module.

Since a spectral transfer tool may be used as a "vocoder-like-effect", the FUMANA provides an input for an external noise which may be used for unvoiced (fricative/sibilants) sounds as words containing or starting with s, f, z, ch and other fricative sounds.
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 3 in stock $875.07
FORTHCOMING
ACL Sinfonion Harmonic CV Processor Module
Cat: 727745
 
Innovative harmonic processor featuring 3 independent quantizers, 4-voice chord generator & arpeggiator
Notes: Over the years, you have build a big modular system, containing lots of oscillators, filters, voices and sequencers...and now you would like to play all these together without ending in a cacophony?! Sinfonion is the answer!

After a long time of development and refinement, Mathias Kettner is proud to present his creation, which could be finalised in cooperation with ACL.

The Sinfonion comprises of three independent quantizer channels, a four-note chord generator, an arpeggiator and a complex progression sequencer in one. Thanks to a vast array of buttons and knobs placed around a sharp OLED display, it is easy to use and come up with musical ideas.

The Sinfonion is meant to be the control centre of your modular system.

With a total of 8 pitch outputs, 4 gate outputs, 11 CV inputs and 9 gate inputs, it offers a large number of controls. Its plethora of buttons make it an actual instrument you can play. Furthermore, the Sinfonion features an expansion port to add modules and expand functionality in the future.

The three quantizer channels provide direct access to harmonic scale notes via dedicated buttons per channel (Root, 3rd, 5th, 7th, 9th, 11th, 13th). The buttons are made for jamming, controlling the sequences on the go. A fast processor allows quantization times below 1ms.

A chord section generates four pitch outputs, allowing to create four-voiced chords. It offers a lot of options directly accessible from the front panel. Thanks to dedicated knobs for pitch and spread, buttons for selecting the notes chord inversion and optional slew, you can get the chord you are looking for in no time.

The arpeggiator section features 8 different patterns, dedicated knobs for pitch and range, and an array of buttons for selecting the scale notes and the pattern (Up, Down, Up/Down, Down/Up, Baroque, Octaves, Brownian, Random).

All these sections are under control of the Chord Progression Sequencer. It is the brain of the Sinfonion and is operated easily thanks to the display. You can change the root, degree and mode by simply turning the according knobs. It enables the creation of 16 songs with 4 parts each, and 32 steps per part. This comprises the sequencing of chord voicings, octave switches and scale note selections.

The Sinfonion puts an unbelievable sequencing power at your fingertips! Harmony in its purest form! It will bring your music to the next level!
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coming soon $874.01
FORTHCOMING
Pittsburgh Modular Lifeforms Voltage Lab Synthesiser Voice Module
Cat: 732132 Rel: 02 Sep 19
 
synthesiser voice module
coming soon $868.71
Cat: 686594 Rel: 27 Oct 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A Digital Delay Line with an Analog Soul:

The Euro DDL features 10 seconds of pristine delay at a 192 kHz sample rate and a unique design that strictly limits the amount of digital circuitry to the bare minimum. Soft saturation clipping, low pass filter, feedback, insert loop, relay bypass, and +20 dB boost are all analog. Delay time can be varied smoothly either manually or by connecting an LFO to the remote input allowing short delays to be used for comb filter and flanging effects.

The Euro DDL is also capable of extremely long delays (up to 160 seconds at a 16 kHz sample rate) allowing long passages to be captured for looping.

From short delays for double tracking, to ridiculously long delays for whatever reason, to creating swept delay and tape echo class effects, the Euro DDL brings it all to your Eurorack rig.
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 1 in stock $761.83
Cat: 676299 Rel: 12 Apr 18
 
CV/Gate-controllable sampler - 28HP
Notes: The ASSIMIL8OR is a CV/Gate-controllable sampler with eight independent channels. Each channel is not only its own voice, but also has a separate audio output and a gate/trigger and three CV inputs. Given ever get two sample inputs and main outputs. Thus, Stereo Sampling and playback is possible. Mixed operation of stereo or mono is possible and is limited only by the maximum number of eight channels or parts.

The ASSIMIL8OR works with high-quality 24-bit AD and DA converters. Internally, however, sample and bit rate for lo-fi sound can be lowered, the latter is even CV-controllable. The samples can also be otherwise manipulated in many ways. Thus, the phase of a sample via CV or a different sample can be modulated. Likewise, the loop points can be controlled and the sample can be traversed with CV control (scrubbing), whereby wavetable similar effects could be achieved. The following parameters can be addressed via the gate / trigger and CV inputs:

- Pitch
- Level
- Bit Depth
- Phase Modulation
- Pan
- Scrub
- Sample Start
- Sample Length
- Loop Start
- Loop Length
- Release Decay

Samples and presets are stored on an SD card, which is easily accessible plugged into the module front.
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 1 in stock $756.41
Cat: 690905 Rel: 17 Dec 18
 
Flagship oscillator featuring ten individual waveform outputs - 26HP
Notes: We are proud to present our newest workpiece: The ACL Multifunction Discrete VCO combines a massive single saw tooth core with a strong sub oscillator - each of them with its individual wave shaper. As usual, we didn't spare any effort to bring you the best quality - from the inside right to the outside.

The module comes with saw, inverted saw, PW rectangle, triangle and sine - all important waveforms of a proper modular unit are featured. We constructed all signal paths in fully discrete design up to the outputs - but it is much more to it than just a clone of a classical VCO:

If you play with the linear detune, it is possible to create awesome "beating effects" between two or more VCOs. The direct relation between the linear detune and VCO response makes it possible to use the same frequency at every pitch - for an atmospheric, rich and alive sound.

If you play the VCO in LFO mode, the module enables to control the speed in the same way as in VCO mode. If you leave V/Oct CV, you can generate very long lasting sweeps.

Another strong feature are the big syncing capabilities: Adjust the sync amount manually or via CV between the range of sync and no sync - and surf through variable degrees from soft to hard sync.

The core should sync to all repeatable waveforms - approximately exceeding 1 V pp - but in case sync wave is important for some applications, it is possible to choose between falling and rising edge sync in order to hold the proper phase relation between the syncing and the synced wave.

The Gate Input gives you the option to reset the VCO core at the beginning of every note. This feature is highly recommended for the creation of bass and percussion patches if every attack should sound equal and systematic at each time the notes are played. The Gate Input can be used as hard-sync input as well, even in the same time with the Sync input.

You are free to modulate both the oscillator and sub oscillator rectangle wave pulse widths through their separate PWM Ins and PW pots.

On top of this, you also have the possibility to choose between different PWM "carrier" waves to change the PWM-behaviour: Rising and Falling Sawtooth will create an unsymmetrical PWM, while Triangle will create a very musical sounding symmetrical PWM.
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 2 in stock $740.53
FORTHCOMING
Frap Tools USTA Sequencer Module
coming soon $735.22
Cat: 717588 Rel: 18 Jan 19
 
Playable sequencer featuring 3 channels of 16 steps & real-time touch pads - Eurorack module edition
Notes: Generator is a highly versatile multi-channel analogue step sequencer. It provides a fun and intuitive, yet powerful way to create rhythms and melodies with your modular and CV synths.

Generator is a very compact and high-quality step sequencer. It's USP is that it is a playable sequencer. You don't just set up a sequence and leave it looping. The UI is designed in such a way as to make it easy, fun and intuitive to alter the rhythm and to get alternative sequences playing using the real time touch pads.

Generator has plenty of scope for re-patching the signals using CV leads, or via the pre-configured switches.

Generator is super easy to hook up to your analogue synthesisers, Eurorack, and other analogue gear.

Sync to DAW is very easy and solid, using MIDI note 60. Play that note and the sequencer will step.

No menus of multi-button pressed. WYSIWYG front panel control.

We have given this sequencer a large and diverse number of controls, that alongside the patch sockets, will give even the best and experienced electronic musician endless possibilities.

We have presented the controls in a user friendly and familiar sequencer layout that, together with this manual and other resources, enable even the new guy to get great patterns quickly.

No compromise has been made with the construction of Generator. Cheaper parts have not been used!
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 1 in stock $688.61
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Cat: 690935 Rel: 15 Jun 18
 
Advanced drum sequencer with 16 trigger outs - 42HP
Notes: X0X-style beat creation for modular systems - Erica's drum sequencer is based on the concepts of classic Roland TR rhythm composers. The module offers 16 trigger channels, twelve of which also feature accent outputs. Additionally, there is a CV and a gate track, meaning you can also notate a bass line or melody. The maximum pattern length is 64 steps. Extensive playback and random functions plus two LFOs help you with creating lively results. Large buttons provide a fantastic feel while programming patterns.
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 1 in stock $687.55
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Cat: 714522 Rel: 22 Jan 19
 
Dual voltage controlled oscillator (VCO) synth module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 2 in stock $675.90
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Cat: 635347 Rel: 05 Jan 17
 
Production sequencer synth module in Eurorack format
Notes: Sequencer 1 is a top-of-the-line x0x-flavored Eurorack sequencer, for controlling up to four voices at once.

With Micro SD card storage and software updates, backing up and updating are as easy as dragging and dropping. Four banks of 16 patterns (each up to 64 steps) plus follow actions for pattern chaining make live performance a breeze. Front-panel one-push access to all commonly-used features means no menu diving, no rote memorization of hex codes, and no confusion. 1V/Oct, Hz/V and gate/inverse gate/S-Trig outputs mean it'll drive both modern Eurorack and vintage analog synths. The three tempo-synced LFOs with 30+ waveshapes are worth the price of admission alone.

In short, Sequencer 1 is, we feel, an incredibly useful production sequencer, in both the studio and on stage, and the feature list will only get longer, with a clear roadmap of updates and additions, and all the programming knowledge and experience that Audio Damage can bring to bear on this, our flagship product.
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 1 in stock $634.59
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Cat: 714524 Rel: 22 Jan 19
 
Digital multi-purpose module with dual voltage controlled AD/AR/looping envelope & dual gates
Notes: The Grand Terminal is a digital multipurpose module. Its two function generators can be used as envelopes, LFOs or VCOs. The 2 filter channels individually offer 8 modes of operation, and combined with its mixing and routing capabilities and a multi effects unit, it is not only a complete back end of a synth voice, but can also be used as a synthesizer voice, stereo filter bank or general purpose sound effects processor.

The Grand Terminal is based on an ARM M4 DSP, audio resolution 48 kHz/16Bit. Its two filter channels can be used in parallel or serial, and there is a link mode for stereo operation. The Audio inputs have individual trimmable gain stages to integrate the Grand Terminal into different production environments. There´s a soft clipping feature in order to prevent unwanted distortion. Gate A is normalized to Gate B for easy parallel processing.

Each of the filters can be set to any of 8 filter types, which are: Transistor Ladder Filter (Low Pass), Diode Ladder Filter (Low Pass), Vactrol Low-Pass Gate, Resonant Vactrol Low-Pass Gate, State Variable Low-Pass Filter, State Variable High-Pass Filter, State Variable Band-Pass Filter, Comb Filter. The filter can be controlled in 2 parameters manually as well as via CV. The outputs of this section can also be controlled in Volume and Pan position. At this stage, the unit is designed to distort in the upper third of the gain control setting.

The built-in multi effects processor features eight algorithms which can be altered in 2 crucial parameters and a possibility to crossfade between the dry and the effected signal. Its algorithms are: Hall Reverb, Shimmer Reverb, Room Reverb, Spring Reverb, Ping-Pong Delay, Tape Delay and Chorus. At the end of the audio path, there´s a Master Volume Control as well as one Mono and one Stereo output.

The two function generators can operate as AD or AR envelopes. All time parameters can be set between 1 ms and 10 seconds, manually as well as via CV. The envelopes can be individually set to loop and then act as LFOs or VCOs (following V/Oct for about 6,5 octaves). They also feature End-of-Stage Outputs.

When used in connection to the Gateway, all controls which are normally set by jumpers on the back of the module are accessible from the Gateway´s front panel.
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 1 in stock $633.52
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Cat: 725954 Rel: 25 Mar 19
 
Touch-sensitive, multi-dimensional 12-channel CV controller with master section - 42HP
Notes: The Mini Horse from Verbos Electronics GmbH is a multi-dimensional touch activated voltage controller. At 42HP wide and ultra thin, it can be added to a synthesizer system either inside the Eurorack or out front in the forthcoming Black Box extra low profile powered enclosure. Twelve keys run across the front, each with its own Gate out, Pressure out and Position out. In addition to the individual keys' outputs the master section presents the parameters of which key was last pressed in addition to a tuneable from the knob behind the key and a "Fixed" voltage, spanning from 0-10v across the keys from left to right. Position outs have memory of their position when last touched, allowing the user to draw a mix across the keys when connected to voltage controlled mixers as in the Harmonic Oscillator or Bark Filter Processor.
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 1 in stock $632.46
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Cat: 690806 Rel: 25 Jun 18
 
Voltage controlled 8 tap digital delay - 28HP
Notes: The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.
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 2 in stock $624.00
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Cat: 718648 Rel: 20 May 19
 
Triple oscillator module with various modulation possibilities - 30HP
Notes: The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analogue, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.

The main or "Carrier" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.

And while each oscillator can be used independently if desired, it's when they're combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call "Zing" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator's Sync button on), the harmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analogue oscillators, TRIDENT offers a vast variety of dramatic sonic textures.
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 2 in stock $621.87
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Cat: 563544 Rel: 10 Mar 15
 
Dual oscillator subtractive synth voice module, 40HP wide
Notes: The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.

Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.

In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled "LINK" which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.

The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.

The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.

The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
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 1 in stock $621.87
Cat: 648377 Rel: 29 Apr 19
 
Six-channel synthesiser module - 26HP
Notes: The Spherical Wavetable Navigator (SWN) is a six-channel synthesiser that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures. The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be "played" using the top row of buttons, the internal LFOs, or note-change detection on the 1V/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.
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 2 in stock $593.26
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Cat: 695377 Rel: 18 Jul 18
 
Sophisticated sequencer with tracker user interface, black faceplate - 32HP
Notes: The Nerdseq is a tracker based CV and trigger sequencer module (32HP) for Eurorack systems.

It consists 6 tracks for the CV/Trigger/MOD generation of 18 outputs. 4 User assignable inputs, clock and reset in/outputs and 2 x 2 sample tracks for sample sequencing. The tracker sequencer allows straightforward and fast editing and has great live playing abilities.

Tracker Style Sequencer:
A full CV and Trigger sequencer based on old-school trackers (like Fasttracker2, ImpulseTracker or LittleSoundDJ)

CV and Trigger I/O:
18 outputs for CV and Trigger sequencing. CV's are free assignable for Note-scale and/or Modulations. 4 multi-purpose Inputs

Samples:
2 additional outputs for 4 sample tracks allow sample sequencing including special sample-FX

Sequencer tools and specials:
Automation, (Wave-)Tables, Quantize, Glide, Retrigger, polyrhythmic patterns, Groove, Probability and many more

Loads of sequencer memory:
255 sequencer rows, 176 patterns with each up to 64 steps can hold many songs for one project. Tons of projects manageable through a SD-Card.

Expansion Modules:
Special expansion modules allow the usage of a SEGA Gamepad for editing and playing, MIDI I/O or the Synthesiser Cartridges from the Nerdsynth
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 2 in stock $568.90
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Cat: 695376 Rel: 18 Jul 18
 
Sophisticated sequencer with tracker user interface, silver faceplate - 32HP
Notes: The Nerdseq is a tracker based CV and trigger sequencer module (32HP) for Eurorack systems.

It consists 6 tracks for the CV/Trigger/MOD generation of 18 outputs. 4 User assignable inputs, clock and reset in/outputs and 2 x 2 sample tracks for sample sequencing. The tracker sequencer allows straightforward and fast editing and has great live playing abilities.

Tracker Style Sequencer:
A full CV and Trigger sequencer based on old-school trackers (like Fasttracker2, ImpulseTracker or LittleSoundDJ)

CV and Trigger I/O:
18 outputs for CV and Trigger sequencing. CV's are free assignable for Note-scale and/or Modulations. 4 multi-purpose Inputs

Samples:
2 additional outputs for 4 sample tracks allow sample sequencing including special sample-FX

Sequencer tools and specials:
Automation, (Wave-)Tables, Quantize, Glide, Retrigger, polyrhythmic patterns, Groove, Probability and many more

Loads of sequencer memory:
255 sequencer rows, 176 patterns with each up to 64 steps can hold many songs for one project. Tons of projects manageable through a SD-Card.

Expansion Modules:
Special expansion modules allow the usage of a SEGA Gamepad for editing and playing, MIDI I/O or the Synthesiser Cartridges from the Nerdsynth
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 2 in stock $568.90
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quote 695376
Cat: 579172 Rel: 07 Aug 15
 
Dual voltage controlled oscillator (VCO) synth module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 2 in stock $563.60
Cat: 598236 Rel: 08 Mar 16
 
Dual oscillator synth module in Eurorack format
Notes: The Heart and Soul of Modular Synthesis:
The Pittsburgh Modular Synthesizers Lifeforms SV-1 is a complete dual oscillator synthesizer, designed to be the core of your eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.

The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample & hold.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset

*For audio demos, please visit - http://www.lifeformsmodular.com/sv-1/
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 1 in stock $562.02
Cat: 631136 Rel: 11 Nov 16
 
Sampler & looper module with 24-bit audio path & clock/MIDI inputs
Notes: Bitbox delivers recording, clip launching, and looping in a musically intelligent way. With a 24-bit audio path, you can capture and play samples with impeccable audio quality. With clock and MIDI inputs, you can create loops pre-cut to bars or beats and launch clips with similar synchronization. Bitbox has a capacitive touch screen that makes easy work of tweaking, browsing, and loading sounds from microSD card.
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 2 in stock $560.42
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quote 631136
Cat: 669645 Rel: 20 Dec 17
 
Touchscreen based sequencer & function generator, designed to drive signal patterns to your other modules - 26 HP
Notes: Toolbox is a musically intelligent control module capable of driving a rack full of gear. It features both MIDI and Control Voltage connections for interfacing with all kinds of different hardware. Toolbox takes full advantage of the integrated 3.5" touch screen to give immediate access to sequences, parameters, and events. The screen provides a full overview of all the active notes and events. It even offers touch based scrolling and zooming, just like a smart phone, to make editing easy and fun. Toolbox is a great way to be creative on your terms.
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 3 in stock $560.42
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quote 669645
Cat: 557458 Rel: 19 Dec 14
 
Dual voltage controlled oscillator (VCO) for generating complex waveforms
Notes: A dual Voltage Controlled Oscillator designed for generating complex waveforms.

Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.
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 3 in stock $559.66
Cat: 712224 Rel: 30 Jan 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Grand Terminal is a digital multipurpose module for ambitious sound designers. It contains two function generators, which can be used as envelopes, LFOs or VCOs, two filter channels with eight modes of operation, mixing and routing options as well as a multi effects unit. Considering this feature set, it is safe to say that the Grand Terminal is more than the sum of its parts. It is a complete synthesizer voice, which can also be used as a dual mono or stereo filter plus reverb, delay respectively chorus processor and modulators. Despite its high complexity, handling the unit is easy as pie. The sound is crystal clear and, thanks to all the filter types and effect algorithms, very versatile. Simply put it in your modular and take off!
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 1 in stock $558.25
Cat: 665158 Rel: 18 Oct 17
 
State variable filter with 12dB slope, individual outputs & variable filter routing - 26HP
Notes: The Dual State Variable VCF consists of two multimode filters with high-pass, band-pass, notch and low-pass outputs. The circuits feature an edge steepness of -12 dB per octave. Routing options allow serial or parallel connection. Thanks to normalizations and a total of three cutoff potentiometers, stereo material can be processed as comfortably as mono signals.

Furthermore, a well-known feature from the Oberheim SEM synthesizer was implemented in the Dual State Variable VCF: The notch characteristic can be weighted more to the high-pass or low-pass side.

The resonance sounds extraordinarily rich and wet, even high values never sound all too harsh. While self-oscillating, the filters can be played like sine oscillators. By modulating both circuits in opposite direction, users are able to achieve interesting stereo effects.
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 1 in stock $554.06
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quote 665158
Cat: 663847 Rel: 12 Oct 17
 
4 note polyphonic synthesiser
Notes: Synthbox is a 4 note polyphonic synthesizer for your Eurorack system. Connect your favourite MIDI controller to synthbox and start jamming with built in presets. Use the touchscreen to choose and shape the waveforms and to apply the built in sound effects. Modulate the waves and the effects using a combination of on screen controls of envelopes, low frequency oscillators, and sequencers together with hard wired CV inputs to tweak the sound to meet your creative vision.

Series 1 Module Firmware Switching:

Because synthbox is a Series 1 module, you can swap out the synthbox firmware for other series 1 module firmware quickly and easily. This means you can switch to bitbox or fxbox firmware simply by signing up at forum.1010music.com, downloading the new firmware and following the instructions on the forum. You can also download the latest synthbox firmware to get new features and updates. It's like getting three modules in 1 with available upgrades!
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 4 in stock $544.53
Cat: 563664 Rel: 10 Mar 15
 
Complex multi stage pitch and gate sequencer synth module, 34HP wide
Notes: The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 2 in stock $542.41
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quote 563664
Cat: 725425 Rel: 23 May 19
 
wavetable oscillator synth voice module
Notes: Cursus Iteritas Percido is the second module in the Percido line of powerful synth voices. Similar to its predecessor the Loquelic Iteritas Percido, CIP takes the original Cursus Iteritas and adds the same musical envelope from LIP with attenuverter-controlled routing to every knob. With the inclusion of the performance-oriented Master Blaster and CV outputs, CIP is a powerhouse of incredibly versatile synthesis.
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 2 in stock $542.41
FORTHCOMING
Rossum Electro-Music Panharmonium Mutating Spectral Resynthesiser Module
Cat: 728570 Rel: 01 Jul 19
 
26HP Eurorack spectral re-synthesiser module
Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that analyses the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyser:

The Spectral Analyser provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.
- The Centre Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.
- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers:

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesise the spectrum.
- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.
- The Feedback control (and associated CV input) lets you route the re-synthesised audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank:

The Oscillator Bank resynthesises the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.
- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.
- The Octave control, not surprisingly, shifts the pitch of the output by octaves.
- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).
- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesised audio.

Optional Functions:

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.
- Holding the Output Mode button and adjusting the Centre Freq control allows you to instead set the lower frequency of the analysis range.
- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangourous, swarming textures.
- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets:

Panharmonium provides 12 user Spectra memories and 12 user Presets (in addition to 12 each factory memories).

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.
- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.
Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.
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coming soon $514.87
FORTHCOMING
Humble Audio Quad Operator Linear FM Synthesis Module
Cat: 731216
 
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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coming soon $508.51
Cat: 617810 Rel: 30 Jun 16
 
USB to MIDI to CV converter synth module - 12HP
Notes: Shuttle Control is a 16-channel MIDI/CV interface which can receive USB-MIDI at a number of inputs simultaneously. For instance control signals from a tablet/PC/Mac at the "to device socket" or USB-MIDI-Keyboard or controllers via the "to host" sockets.

As the sockets provide for a +5V voltage you can use them for example for a LED lamp. An editor allows you to create and save up to 16 different mappings which can be recalled directly at the module. Those mappings can be for example 8-voice polyphonic setups with different CV scales (1V/oct, 1.2V/oct ot Hz/V). This makes it possible to use VCOs with different CV scales simultaneously to integrate them in a polyphonic setup. Besides this you can assign LFOs, triggers, Control Changes and random to the outputs.

Additionally the module can be used as a power solution for a small modular system and has an input for an external laptop brick power supply (12-20V). Also it can pass the Eurorack operational voltages via a long ribbon cable with a number of Euro connectors, both male and female sockets.

The note CV and gate signals generated by the MIDI/CV interface can be sent to other modules internally via Doepfer's internal bus. Endorphin.es' own Terminal and Furthrrrr can read their signals so you can create an entire Endorphin.es system easily.
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 1 in stock $506.11
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quote 617810
Cat: 563566 Rel: 10 Mar 15
 
Dual complex morphable wavetable VCO eurorack synth module
Notes: Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time
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 3 in stock $504.27
Cat: 638949 Rel: 31 Jul 17
 
Experimental sampler module - record, slice & rearrange audio material
Notes: The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Width: 20hp
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V

***MG137 Firmware Update:

Change Log

1. Improves Vari-Speed response for slow modulation rates.

2. Improves SD Card file format for more compatibility with software .wav file formats.

3. Doubles total record time per Reel.

Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.

If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.

Read and Write times will be MUCH longer when you have a Full 2.9 minute reel. So for example, if you decided to erase a 5 second Splice in the middle of a 2.9 minute reel it will take twice as long as before because the MG must re-write the entire 2.9 minute reel. Of course all of this is happening in the background and should not cause too much hassle. Still when that SHIFT button is flashing it is best to not perform more SD Card actions.

For most granular processing Splices of 10 seconds or less are recommended.

So why even bother increasing record time to 2.9 minutes? Well it allows for storing even more Splices on a Reel and it also makes it possible to record long portions of a patch for later arranging within your DAW. You could potentially capture a patch, including modulations of a shorter Splice (say 10 seconds), retrieve the sound from the SD Card and compile into a larger work using your DAW.

4. Increased max number of Splices to 300.
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 2 in stock $503.21
Cat: 676890 Rel: 26 Apr 19
 
Analogue synthesiser voice with expressive sound - 26HP
Notes: MANTHER GROWL is a full featured, Eurorack monophonic synth voice with an analogue signal path, and like the Manther Tabletop, it includes a coveted CEM3340 VCO IC chip. The analogue filter is based on an SSM2044 chip. Square, Saw and Triangle waveforms have their own individual level controls (manual control as well as CV jack inputs), as well as their own individual outputs. Wavefold control can be set to Tri or ALL (folds all waveforms and external input post-filter). Dial the independent LFO level controls to modulate pitch, pulsewidth and filter cutoff. Also includes manual controls over both VCA and filter ADSR and both the VCA and filter have individual gate inputs.
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 2 in stock $503.21
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quote 676890
Cat: 708095 Rel: 25 Jan 19
 
14 band inductor based fixed filter bank - black, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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 2 in stock $502.15
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quote 708095
Cat: 703388 Rel: 15 Oct 18
 
World's first and only 3D Cartesian Sequencer for music synthesisers - 34HP
Notes: The Rene music synthesizer module is a powerful three-dimensional prism of composition. It is the world's only 3D Cartesian Music Sequencer. Named for the French philosopher & mathematician Rene Descartes, it uses the Cartesian coordinate system to unlock the analogue step sequencer from the shackles of linearity. The original Rene was a one-channel, two-dimensional Cartesian sequencer with limited memory, this new Rene is a three-channel, three-dimensional Cartesian sequencer with memory for up to 64 complete States. Considering the multiple channels and FUN programming options per multiple axis, Rene has become an n-dimensional matrix or tesseract of synthesizer sequencing.
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 More than 10 in stock $496.86
Cat: 708102 Rel: 18 Apr 19
 
14 band inductor based fixed filter bank - silver, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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 1 in stock $492.62
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quote 708102
Cat: 655881 Rel: 08 Aug 17
 
Self-contained synth voice module inspired by the ARP 2600
Notes: TONESTAR 8106, an ARP 2600-inspired complete synth voice, infuses Tim Caswell's "Jupiter to Juno" filter alchemy - a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module - into our Tonestar 2600 platform; this chirpy yet full-bodied 8106 model is also fully #OutsToOuts modular featuring 27 pots - one more that the 2600 model for the high-pass filter, 6 switches - one less, sacrificing resonance modulation for that high-pass filtering, and 21 jacks. If the Tonestar 8106 thins somewhat with resonance excess, route the triangle wave 'round the VCF with the "NO VCF" switch setting, and keep this juicy reimagining of the Roland IR3109 module boomin' and gloomin'.

27 Knobbed and "Shafted" Potentiometers:
VCO: RANGE, PM MAN, LFO, PORTA, MOD (ENV), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQ, RES, KBYD, DRIVE, HPF, ENV, MOD (LFO); LFO: AMNT (OSC), RATE; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter/VCA), VOLUME

6 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF); VCF: TRIANGLE/SQUARE (triangle/null/square); ENVs: HOLD, MSTR (hold/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole
- Filter: A 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. 3 dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, 1 amp for the hi-pass filter, 4 (with added buffers) for the low-pass, and 1 for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4072, the tonality, especially when over driven, is distinct.
- Size: 32hp
- Depth: 35mm including connectors
- Power Usage: 130mA, 80mA (+12 / -12)
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 1 in stock $490.50
Cat: 725952 Rel: 25 Mar 19
 
Two flexible mixers & function generator in one module - 18HP
Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.
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 1 in stock $477.79
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Cat: 627828 Rel: 31 Oct 16
 
Compact sequencer and control station with 8 channels of gates, each with up to 16 steps
Notes: VARIGATE 8+ is designed to be the ultimate compact sequencer and control station over an entire Eurorack modular system. Create songs and live performance material with 8 channels of gate outputs with up to 16 steps per channel, 2 independent CV outputs for custom scale quantization, easy recall of 10 storage banks and 100 channel presets, random functions, mute functions and so much more!
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 2 in stock $474.61
Cat: 584261 Rel: 15 Apr 16
 
Dual voltage controlled oscillator (VCO) synthesiser module with authentic 4 operator digital FM - 38HP wide
Notes: 'Akemie's Castle' is a dual voltage controlled oscillator with authentic 4 Operator digital FM using 'new-old-stock' Yamaha IC's for audio signal generation.

Each of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.

Oscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.
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 2 in stock $470.37
FORTHCOMING
Supercritical Demon Core Oscillator Module
coming soon $460.84
Cat: 657487 Rel: 08 Aug 17
 
20HP drum synth voice module
Notes: Loquelic Iteritas Percido is an extension of the original Loquelic Iteritas. Like Loquelic Iteritas, it is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control parameterized by four tone controls. LIP adds an envelope that can be shaped, modulated, and routed to pitches and tone controls, making it into a stand-alone voice.
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 1 in stock $449.18
Cat: 557456 Rel: 19 Dec 14
 
Reverb synth module with size ranges from "coffin" to "the heavens"
Notes: The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.

Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found.

Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.
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 5 in stock $447.06
Cat: 569524 Rel: 30 Jun 15
 
Modal synthesis voice module comprising a noisy and impulsive excitation signal generator, and 64-partial modal resonator
Notes: Elements is a full-blown synthesis voice based on modal synthesis - an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.

Elements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback... or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank - an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes...) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.

All parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds - often beyond physical realism - but always well controlled and stable. The "dark spots" of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free - what you dial/patch is what you hear!

*For audio demos, please visit - http://mutable-instruments.net/modules/elements/demos
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 3 in stock $447.06
Cat: 658753 Rel: 11 Sep 17
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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 4 in stock $442.84
Cat: 638097 Rel: 06 Feb 17
 
Three all-analogue oscillators, each with linear FM & sync inputs
Notes: When one oscillator isn't enough and two oscillators still aren't enough. Three is just right!

The Troika is an arrangement of three all analogue oscillators which can function completely independently or together via parallel pitch tracking utilizing cascading 1V/octave CV normal connections.

The foundations for many powerful subtractive synth voices often use multiple oscillators. Detuning these slightly from one another gives the timbral richness which helped define the original synthesizers of the 60s and 70s.

The Troika was designed to simplify the patching of layered voices in this manner with the benefit of having three voices with matched components and calibration for consistent pitch tracking.

The oscillators each have linear FM inputs with attenuators as well as oscillator sync inputs. This allows for FM operator configurations with first order and even second order modulation on a single module.

Sine, triangle, sawtooth and square waveforms are generated from each oscillator voice, with exception to oscillator three, which lacks triangle but gains CV controllable pulse-width modulation over its square wave.

The waveform control section of the troika utilizes switching between sliding potentiometers which allow for crossfading between the simple waveforms. The arrangement of the waveforms between the three oscillators allows for linear crossfading between any two basic waveforms.
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 1 in stock $442.83
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