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Synth modules

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Cat: 590406 Rel: 10 Nov 15
 
Matric sequencer synth module - 28HP wide
Notes: The Z8000 Matrix Sequencer is a powerful modulation source in a compact package. The 16 knobs of the Z8000 are accessed by ten sequencers each with their own clock, direction and reset inputs. The ten sequencers are as follows:

- Four 4-step CV sequencers on the horizontal.
- Four 4-step CV sequencers on the vertical.
- One 16-step CV sequencer on the horizontal.
- One 16-step CV sequencer on the vertical.

With the Z8000, you can simultaneously modulate many parameters in your synthesizer polyrhythmically, with unprecedented motion. One knob affects all 10 CV outputs! Imagine modifying 10 parameters from one knob, and all clock inputs can be driven at audio rates.

Your synthesizer is modular, so your sequencer should be too. The Z8000's open design allows you to create a custom sequencing environment to fit your personal needs. Add clock dividers, clock sequencers, switches, trigger sequencers and logic gates to create a completely unique system.
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 3 in stock $308.47
Cat: 590417 Rel: 09 Nov 15
 
Snare drum module made from the TR808's circuit adapted for Eurorack use - 4HP wide
Notes: Introducing the SD808, part of our new series of drum modules that brings analog percussion to the modular synth world, instantly turning your system into a self-contained music machine.

The SD808 is the TR-808's analog snare drum circuit adapted for use in Eurorack modular synthesizer format and was designed to sound like a fresh-out-of-the-box, 1980s TR-808 snare. Adapting the circuit to the modular format has allowed us to add special features like independent accent levels, a high-powered gain stage, a dual-input pulse-shaper, and an adjustable noise source - all without compromising the signature sound of the TR-808 snare drum.

The SD808 sounds tight and extremely snappy because it's analog - the real thing, not samples. The sound is made with three analog sound generators mixed together: two oscillating sine waves and a noise source. The SD808's front panel controls have a lot of sweet spots with sounds that are not just limited to snare drum sounds; it can also create other electronic percussive elements.

The noise source generator in the original TR-808 machines were revised in later production batches, resulting in variations in sound across the production run. The SD808 uses this later, revised circuit to create a snare drum hit that is slightly darker, has more body, and is more realistic. Just like other drums in this series, the SD808 includes a high-powered output gain stage capable of producing signals up to 20Vpp, allowing you to get an array of harmonized snare drums sounds with even tighter attacks. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the SD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 1 in stock $108.12
Cat: 590419 Rel: 09 Nov 15
 
Hi-hat percussion synth module made from the legendary TR-808's closed & open hi-hat circuits - 8HP wide
Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 2 in stock $143.10
Tiptop Audio Happy Ending Kit (black) (modular synth starter kit)
Cat: 590437 Rel: 10 Nov 15
 
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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 1 in stock $140.98
Tiptop Audio Happy Ending Kit (silver) (modular synth starter kit)
Cat: 590438 Rel: 10 Nov 15
 
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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 4 in stock $140.98
Cat: 595782 Rel: 19 Jan 16
 
Percussion module based on sounds from a classic 909 - 8HP wide
Notes: Tiptop Audio Cymbal 909

The module was designed, tuned and tested to sound like the crash and ride sounds from a 909 fresh off the factory line. The sound circuits use a combination of low-fi 6 bit sound samples that pass through a series of analog elements that provide envelope and filtering to the source sound.
TipTop Audio enhanced the circuits by adding manual and voltage controllable tuning to each voice which result in a wide sound range: from hard industrial sound at the low end to the original crash/ride sounds to brilliant HihHts at high settings.

Like other TipTop drum voices also the Cymbl909 has high output level, allowing you to further enhance the sound by distortion and clipping. Play dynamically with the volume of the drum sounds with the Accent parameter, whose CV input is normalized to the gate input. Which means you just need to turn up the accent knob to play the sound with full punch.

Crash: tune CV input; gate input, normalized to accent CV input; Crash audio output
Ride: tune CV input; gate input, normalized to accent CV input; Ride audio output

60 mA +12V
40 mA -12V
0 mA 5V
8HP
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 2 in stock $156.88
Cat: 595820 Rel: 03 Aug 16
 
Links up to 3 Zeus Studio Bus boards with an external power supply - 4HP wide
Notes: Zeus Access provides a simple, fast, and cost-effective solution for linking up to three Zeus Studio Bus boards with an external Cincon-TTA brick-style power supply. It is a tethered 4HP space-saving front panel with a long lasting high power rating On/Off switch and power socket.

It comes fully assembled and wired with 16AWG wire and plated copper terminals leads that require no additional assembly or special tools for connecting to a Zeus Studio Bus board.
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 2 in stock $29.42
Cat: 693138 Rel: 02 Jul 18
 
FX expansion card bundle for ZDSP digital effects processor
Notes: The Time Domain Bundle is all about rich delay effects. The package consists of three Z-DSP cards with eight algorithms each. Modulated Delays specializes in animated echo programs, which can be used to create, for instance, diffusion, chorus or pan effects. Hydra provides multi-tap algorithms. These can be used to generate rhythmical delays. Spiral combines a pitch shifter and a multi-tap echo to create atmospheric to slightly psychedelic effects.

Mod Delay:

Modulated Delays brings various forms of animation to the delay lines. These types of algorithms further extend the signal path of delay effects with extra processing and routing of the audio signal. The sonic results put the Mod Delay effects in a category of their own.

Each program adds different processing like diffusion, chorus, panning and other modulation to the basic mono or dual delay line structure. The two Modulator programs are intended for use with external CV - opening up vast modulation possibilities of the modular synthesiser. Each card comes loaded with 8 presets.

Hydra:

Hydra is the multi-armed DSP creature tapping its tentacles into a buffered delay line and creating a range of multi-tap delay rhythmic and spatial effects. The Spread parameter sweeping through rhythmic variations allowing some of the programs bridge the gap between single delays and reverbs by using diffusion while others use taps to create rhythmic patterns.

The basic Hydra algorithm sums the inputs to mono and writes the signal to a single delay line. Multiple output taps are taken from the delay line and spread across the stereo outputs. Each program adds additional features like panning, filtering, pitch shifting and/or diffusion to create a unique Z-DSP Hydra experience. The last two programs add external Clock input for more precise sync to the beat.

Spirals:

Spirals is a pitch and multi-tap delay card for the Z-DSP. This card uses numerous multi-tap delay techniques in combination with dual pitch shifters to create a wide range of harmonizing choruses, echo and harmonic reverb sounds. Programs on this card derive from the complex algorithms found on high-end studio effects processors, which, while powerful, have a complex editing process. On the Z-DSP all of the power of the internal code is controlled by three simple adjustments for sculpting the sound - making the experience more about performance and live tweaking rather than navigating through dozens of menu pages.
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 4 in stock $74.21
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Cat: 595807 Rel: 19 Jan 16
 
3U rack ears for use as either tabletop or rack mount frame
Notes: The Z-Ears Tabletop are standard 3U rack ears that can be used as either a tabletop frame or standard rack mount frame. These parts are made of anodized aluminium and are custom made to work with Eurorack mounting rails like Z-Rails.
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 2 in stock $22.79
Cat: 718720 Rel: 29 Oct 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 1 in stock $86.85
Cat: 646204 Rel: 30 May 17
 
Wave multiplier & sub-octave generator - 12HP
Notes: The Fold Processor is a voltage controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from the standard sine, triangle, sawtooth and square waves, has a dedicated output jack and CV input with an attenuator making it very easy to create beautifully animated folding sounds. Adjustable voltage controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.
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 2 in stock $131.44
Cat: 658617 Rel: 13 Sep 17
 
Snare drum module in Eurorack format - 8HP
Notes: The SD909 adapts the iconic TR-909 snare drum and noise generator for use in the Eurorack modular synthesizer format. We painstakingly tested the module in our lab to sound like a fresh machine coming off of the assembly line back in the 80s. On top of the original circuit, we have added new features that expand the palette of what can be produced with this analog circuit.

The sound of the SD909 consists of two main sections: the binary noise generator and two modulated triangle oscillators. The oscillators provide the low end punch while the noise makes up the upper sonic spectrum, resulting in a combination that makes the 909 snare sound so rich. In the SD909 module the noise generator and oscillators are variable and voltage controlled, which pushes the circuit beyond its original boundaries offering new sounds as well as many variations of the original tone. The panel has markings to guide setting the knobs to reproduce the snare sound of the vintage machine.

Just like the other drums in this series, the SD909’s high-powered output gain stage allows further enhancement of the sound through distortion and clipping. We have designed a dual pulse-shaper circuit on each gate input so you can trigger your SD909 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. Also, the SD909 is equipped with access to the MIXZ MixBus matching the rest of the Tiptop line of percussive modules.
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 2 in stock $160.34
Cat: 658619 Rel: 13 Sep 17
 
SD card for the ONE modular synth module
Notes: DOTS features 256 short/dots one shot sounds created specifically for ONE to further extend ZV_K's live Tiptop drum setup. These sounds were selected for their percussive transient response but are also great as monophonic sound sources to use alongside analog synth when sequenced. DOTS are samples of the signature sounds of Buchla, Cwejman, Mutable Instruments, Jomox, Mungo, Industrial Music Electronics (aka The Harvestman), HexInverter, Make Noise, Monomachine, Vermona, Audio Damage. Bastl, Epoch, Mungo, Delptronics as well as some human voice artefacts and even a prepared piano. Each sound was carefully selected from hours of recordings, edited but not altered to retain the original sound's qualities and dynamics and was extensively tested using the module to make sure all the sounds sound good at any setting. DOTS are very easy to fit into a mix, run through effects and are very well suited to be used and abused by a modular system.
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 3 in stock $27.56
Cat: 683513 Rel: 09 Apr 18
 
Sample library for the Tiptop Audio One by Joseph Fraioli aka Datach'i
Notes: Tiptop Audio and award winning sound designer/electronic music artist Joseph Fraioli AKA Datach'i come together in the form of the new Datach'i One card. The card, to be used exclusively in the Tiptop ONE Sample Player, contains 187 unique sounds ranging from organic recorded elements and electronic percussion to dramatic gestures, ambiences and melodic sequences. Created with field recordings, the Eurorack modular synthesizer, Symbolic Sound Kyma system and boutique electro acoustic instruments, all sounds were recorded at 24 bit/96k quality for maximum resolution in pitch control while maintaining latencies of as low as 0.25 ms.
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 1 in stock $27.30
Cat: 634778 Rel: 06 Feb 17
 
Digital processor with high precision analog CV circuitry
Notes: QuantiZer is a creative melody composing module that uses cutting edge analog electronics and DSP to tune analog VCOs precisely into Western musical scales. The front panel is packed with functions that makes it very playable and intuitive to use, with a layout that moves forward from the typical quantizer design. At its centre is a slider that can be set to play notes, add Portamento to an incoming sequence, transpose a sequence with in an octave range or transpose a sequence within 5 octave range. The 12 note keyboard can be set to play notes manually, add and subtract notes from scales, transpose a sequence as well as setup a variety of settings that define the quantizer behaviour and sync with other modules.

Major and Minor keys are both built in to let you switch scales in a very playable way, making it pretty easy to explore musical progression. There are also 24 user scales ready to be filled up with your own custom scales. A built in sketch pad records and plays back keys entered manually on the keyboard and slider in sync with external clock and reset signal, or Tiptop's SyncBus which chains the QuantiZer recording function to the Circadian Rhythms time line for precise recording and playback. Scale CV in can be set to switch between changing scales or transposing pitches using CV from sequencers. Quantization can be set for free run or Trigger mode for even more interesting ways to interact with external sequencers.

Quantizer sets a new performance standard for Eurorack that offers incredibly stable CV quantization minimizing glitches on input, utilizes high precision temperature compensated 1V/Oct CV generation on output and features stunning conversion latency of less than half a millisecond. QuantiZer can be set to process a wide variety of CV voltage input ranges, +/-5V CV from LFOs, bi-polar envelopes and such, or 0-10V / 0-5V standard CV from sequencers. Continuing the tradition of advanced Tiptop digital modules, the QuantiZer Firmware running the digital brain is upgradeable via a USB thumb drive interface at its back allowing for continuous improvement and fine tuning of function and stability over time.
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 1 in stock $252.30
Cat: 641102 Rel: 27 Feb 17
 
24bit, 96k 4HP mono sample player
Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.
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 2 in stock $154.76
Cat: 641111 Rel: 28 Feb 17
 
Micro SD Card with 256 fresh sounds for the One sample player
Notes: PERC features 256 percussion sounds with tight attacks and a bright harmonic spectrum. This collection is specifically focused on shorter percussive samples and includes material such as multi-layer drum & percussion hits, chopped & processed loops, synthesized FM strikes, mallet and bell tones, sampled drum machines, various toms and hand drums, obscure noise boxes, sampled old-school game chips and much more. PERC makes full use of ONE's snappy character.

All samples on the card are available for playback at 48k, 64k and 96k for maximum versatility in pitch control while maintaining latencies of as low as 0.25 ms.

Design by: Glitchmachines
Type: One Shot
Character: Percussive

Only compatible with the Tiptop Audio One Digital Audio Flux Eurorack Module.
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 1 in stock $26.49
Cat: 601462 Rel: 05 Apr 16
 
Reverb cartridge for TipTop Audio Z-DSP with 8 original algorithms
Notes: The Z-DSP Shimmer cartridge has 8 original algorithms, designed to combine lush reverberation with multiple voices of pitch shifting, to create ethereal pads, rich chordal textures, dissonant clouds of sound, and a variety of other sounds that are perfect for electronic music. The algorithms are customized to work with the Tiptop Audio Z-DSP Eurorack module.

There are 6 reverb algorithms in the Z-DSP Shimmer cart, arranged in order of complexity:
- Fast Shimmer: A modulated reverb that quickly decays away into an endlessly pitch shifting tail. The shift interval can be set between +/- 12 semitones. Perfect for that classic "octave up" shimmer sound.
- Slow Shimmer: Similar to Fast Shimmer, but with a much slower attack.
- Dual Shimmer: Two pitch shifted voices, embedded within a larger modulated reverb network, shifting the reverb decay in both positive and negative directions. Try slowly sweeping the Shift control in this mode for ridiculously cinematic sounds.
- Triple Shimmer: Two pitch shifted voices embedded within the reverb decay network, plus a third voice external to the network. This allows the user to have a reverb with +12 and -12 semitones of feedback, plus a stable +7 semitones voice without feedback.
- Quad Shimmer: Four pitch shifted voices feeding into a lush modulated reverb. This allows for a variety of dissonant and consonant chordal textures, with the max Shift setting corresponding to a rich major chord.
- ClusterVerb: Four pitch shifted voices embedded within the feedback network of a modulated reverb. The result quickly becomes dissonant or metallic. Perfect for insta-Ligeti, or Penderecki In A Box.

In addition, the Z-DSP Shimmer cart features 2 special effects algorithms:
- Quad Detune: 4 short pitch shifted delays, feeding back on each other. A variety of chorus, detuned, and dissonant effects can be obtained through this mode. Turn up the Feedback for maximum fun.
- PitchEcho: A single pitch shifting voice, combined with a tape echo emulation = sound mangling joy. Turn up the feedback for barberpole self-oscillation, and sweep the decay time for all sorts of swoopy glitches.
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 2 in stock $65.71
Cat: 595778 Rel: 19 Jan 16
 
Reverb Z-DSP cartridge featuring a collection of 8 Voltage-Controlled reverb algorithms for the Tiptop Audio Z-DSP module
Notes: The Tiptop Audio and Valhalla DSP 'Halls Of Valhalla' is a reverb Z-DSP cartridge featuring a collection of 8 Voltage-Controlled reverb algorithms for the Tiptop Audio Z-DSP module.

The cartridge contains 8 original reverb algorithms, custom designed for the Z-DSP and the Eurorack environment. Voltage-control over reverb decay, tone, and modulation allows the user to create reverbs ranging from small rooms to large halls to near-infinite decays. The reverbs in the Halls Of Valhalla are arranged in order of perceived size, from small to big to huge to uncomfortably enormous!

The Halls Of Valhalla brings the artifacts of fixed point digital signal processing to the forefront, resulting in a thickness and warmth that evokes the classic digital gear of the 1970s through the early 1990s. The goal of the algorithms is not to evoke physical environments, but rather to create unreal spaces that range from subtle to bombastic, from light to dark, with a lushness that turns simple input sounds into rich orchestral washes. The Halls Of Valhalla brings the Valhalla DSP aesthetics into the hardware world: Minimalist interface, Maximalist sound.

Features:
Program 1: Room
Program 2: Chamber
Program 3: Plate
Program 4: EnsembleVerb
Program 5: Cathedral
Program 6: Nilfheim
Program 7: Asgard
Program 8: Ginnungagap
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 2 in stock $51.94
Cat: 688915 Rel: 25 Jun 18
 
Open-source, cartridge-based, digital sound processing & generating platform
Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.

An assortment of interchangeable cards, programmed by Tiptop Audio and specialists like Valhalla DSP, provide a wide range of boutique effects algorithms such as Halls of Valhalla, Time Fabric, Clocked Delays and Grain De Folie. Tiptop Audio also offers blank Z-DSP cartridges and a development tool called NumberZ for developers, students and power users who want to design their own effects and cards with the FV-1 DSP chip programming language. Blank cards can be loaded using programs that are freely available for non-commercial use and can be found in the modular community through online forums. With each card swap, the Z-DSP takes on new effect algorithms, changing like a digital chameleon and bringing colourful digital effects processing to your Eurorack setup.

The Z-DSP comes included with 2 cards: Halls of Valhalla and Dragonfly Delay MKII.
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 3 in stock $400.70
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Cat: 595826 Rel: 19 Jan 16
 
4HP power supply module for Eurorack format systems
Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
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 4 in stock $88.44
Cat: 717728 Rel: 25 Jan 19
 
Precision calibrated analogue VCA - 4HP
Notes: The Tiptop Audio VCA is a full featured, precision calibrated, analogue Voltage Controlled Amplifier. At its heart is a novel design of a control circuitry - a function that lets you sweep continuously through three different response curves: Logarithmic, Linear, Exponential - giving you all three shapes in a single module. This special control circuitry design by Mr. Osamu Hoshuyama was adopted into the VCA module to make it a great sounding synthesizer VCA with flexibility to address all duties: level control for both audio and CV modulation, gating audio into silence, and amplitude modulation effects.

A VCA, Voltage Controlled Amplifier, sometimes referred to as an audio gate, is an essential module to any Eurorack and no system is complete without one. The concept is an input, an output and a control that sets how much of the input signal passes through to the output.

A great VCA means minimum feedthrough of the control signal bleeding into the passing signal and minimum distortion applied to the passing signal. An excellent audio gate means minimal leakage of signal from IN to OUT when the control tells the VCA to fully close. These are the most critical conditions for a good sounding, good responding VCA and are what the Tiptop Audio design carefully addresses. 2 LED peak indicator lights on the front panel light up with incoming CV or audio signals. While a clipping indicator for audio is expected, clipping of CV is often overlooked and it's included here to visually maintain the full dynamic range of an envelope driving the VCA.

The Tiptop Audio VCA lets you concentrate on creative uses rather than figuring out the module's anomalies. The result is an excellent sounding synthesizer VCA that's a joy to use and pleasing to hear.
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 2 in stock $112.36
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Cat: 708032 Rel: 29 Oct 18
 
Seven channel mixer with classic analogue sound - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 3 in stock $89.04
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quote 708032
Cat: 590435 Rel: 09 Nov 15
 
Percussion synth module with TR-909's original closed and open hi-hats circuits adapted for use in Eurorack modular synthesiser format - 8HP wide
Notes: Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provides anything from crushed hats and short ticks to the original sound and anything in between. A modulation switch allows you to tap a voltage control to either the tune input or the internal VCA for modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.
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 2 in stock $167.48
Cat: 696915 Rel: 27 Jul 18
 
8HP voltage-controlled ADSR envelope with CV processor - 'New Style'
Notes: The Z4000 NS is a snappy voltage-controlled analogue envelope generator with a built-in CV processor for scaling, inverting, and voltage-controlled deviating of the envelope shape. The Z4000 generates an envelope made of the four classic segments: Attack, Decay, Sustain and Release, in which each segment can be manually set using knobs or dynamically set under voltage control.

Control knobs for the Attack, Decay, and Release segments are scaled. The first 0-50% of the knobs rotation is dedicated to high resolution adjustment in the millisecond range.

The output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler. A bi-colour LED indicates intermediate values in both polarities and their crossfade state.

The Attack slope switch allows selection of a logarithmic or exponential curve for the Attack segment. This subtle effect helps further the fine adjustment of the Attack segment slope. A Shoot button is provided to let you fire the envelope manually. The Z4000 also provides a retrigger input allowing you to create legato notes when using a classic keyboard interface.

Going down to nuts and bolts, the Z4000's smoothness and snappiness is made possible by a four-segment active-charge discrete circuit which is an extended version of circuits found in classic two-segment rise/fall transient generators.
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 2 in stock $156.88
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quote 696915
Cat: 677565 Rel: 29 May 18
 
Mark II version of the Rubicon triangle core VCO module
Notes: Intellijel has made the already awesome Thru Zero VCO Rubicon even better! In addition to the seven waveforms plus sub-oscillator of the first version, the second generation offers a new Warp stage, which generates a hybrid of complex pulse and other waves - you can even use external audio material. In order to keep results in the range of 10 Vpp, there is a wave folder called Squish. On top, the FM capabilities were expanded.
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 2 in stock $379.50
Cat: 703388 Rel: 15 Oct 18
 
World's first and only 3D Cartesian Sequencer for music synthesisers - 34HP
Notes: The Rene music synthesizer module is a powerful three-dimensional prism of composition. It is the world's only 3D Cartesian Music Sequencer. Named for the French philosopher & mathematician Rene Descartes, it uses the Cartesian coordinate system to unlock the analogue step sequencer from the shackles of linearity. The original Rene was a one-channel, two-dimensional Cartesian sequencer with limited memory, this new Rene is a three-channel, three-dimensional Cartesian sequencer with memory for up to 64 complete States. Considering the multiple channels and FUN programming options per multiple axis, Rene has become an n-dimensional matrix or tesseract of synthesizer sequencing.
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 1 in stock $497.17
Cat: 590918 Rel: 26 Oct 15
 
Dual Low Pass Gate synthesiser module - 4HP wide
Notes: The LxD, Low Strike Duo, is a dual-response, two channel, direct-coupled, Low Pass Gate, which utilizes vactrols in order to provide simultaneous control over the Amplitude and Frequency Spectrum of an Input Signal.

It is, in essence, a VCFA (Voltage Controlled Filter Amplifier). Unlike the Optomix, the LxD offers two different filter responses. CH. 1 offers a 12db/ Octave response that is mildly-resonant, while CH. 2 offers a 6bd/ Octave that is non-resonant.

The Output of CH. 1 is normalled to the input of CH. 2. This normalization puts the two channels in series, which is similar to the VCF into VCA arrangement made popular by many monosynths of the 1970's.
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 9 in stock $104.42
Cat: 733416 Rel: 19 Dec 14
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. The Low Pass Gate is a classic West Coast synthesis circuit.

Revision 2 adds audio side-chain compression and expands CV generation and processing capabilities.
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 1 in stock $190.14
Cat: 643385 Rel: 29 May 18
 
Touch-sensitive control surface for Eurorack - 20HP
Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.
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 2 in stock $261.83
Cat: 643391 Rel: 29 May 18
 
Updated version of the Springray module with added parametric EQ
Notes: There are many excellent digital reverbs available these days but there is still nothing quite like the timeless and magical character of a true spring reverb.

For the Intellijel Springray II, each tank has a totally different set of characteristics, with many unexpected surprises when feeding it through a wide variety of sound sources. One of the most interesting results is how a slow attack saw waveform from a Dixie almost sounds like a realistic cello!

Version two of the Springray provides a number of changes and improvements to the original design. The shelving EQs have been replaced with a parametric EQ with frequency, Q, and gain controls. The CV inputs for feedback and mix balance have been replaced with inputs to control the filter frequency and gain. Lastly, the feedback and limiter circuits have been redesigned, and the drive quality has been improved.

PLEASE NOTE: Does not include Spring Reverb Tank.
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 2 in stock $226.86
Cat: 673867 Rel: 12 Jan 18
 
Effects pedal interface - 16HP
Notes: The Pedal I/O 1U system enables the modular synthesist to interact with the impressive assortment of delays, choruses, flangers, phasers, fuzz boxes, tremolos, wah-wahs, amp simulators, compressors and pitch shifter pedals available to guitarists. Conversely, it also grants guitarists access to the myriad filters, ring mods, wavefolders and - most importantly - the near infinite CV modulation delights inherent in Eurorack.
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 2 in stock $90.90
Cat: 673868 Rel: 12 Jan 18
 
Versatile audio mixer module - 6HP
Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.
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 8 in stock $89.04
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quote 673868
Cat: 673911 Rel: 15 Jan 18
 
Balanced TRS 1/4" input path to Eurorack modular signal level
Notes: This module allows you to connect balanced line level audio (+4 dBu) into your Eurorack modular system. It is a compact and easy way to patch in a rack mount/desktop FX units, external line-level instruments like synths and drum machines, outputs from your DAW, or many other line level sources.
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 3 in stock $40.81
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quote 673911
Cat: 712437 Rel: 10 Mar 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.

Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.

In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled "LINK" which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.

The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.

The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.

The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
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 1 in stock $637.49
Cat: 569524 Rel: 30 Jun 15
 
Modal synthesis voice module comprising a noisy and impulsive excitation signal generator, and 64-partial modal resonator
Notes: Elements is a full-blown synthesis voice based on modal synthesis - an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.

Elements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback... or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank - an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes...) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.

All parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds - often beyond physical realism - but always well controlled and stable. The "dark spots" of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free - what you dial/patch is what you hear!

*For audio demos, please visit - http://mutable-instruments.net/modules/elements/demos
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 3 in stock $447.34
Cat: 569556 Rel: 03 Mar 16
 
Topographic drum sequencer module - 16HP wide
Notes: Take the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you've got a drum pattern generator like no other.

Grids' "brain" is a map of the typical drum patterns used in (mostly electronic) music, laid out by similarity, trained on a large corpus of drum loops. The module can smoothly interpolate and navigate from one pattern to the other, at the whim of a knob move or a CV.

But Grids' knowledge of drum patterns goes far beyond what would be achieved with presets - given a position in the map, thousands of variations can be intuitively generated by controlling the "event density" of each of the 3 channels (bd, sd, hh) - gradually moving from a sparse backbone to a deliciously rich pattern with ghost notes, rolls and fills.

Add CV-control on these parameters and you can add subtle or drastic variations to the drum pattern. If you don't want to waste a noise source or S&H for that, Grids has its own internal source of randomness that can unpredictably spice the pattern, in an always meaningful way.

Building the rhythmic foundation of your tracks with Grids is fun, surprisingly intuitive, with modulation and variations possibilities that will rapidly make you forget x0x-style sequencers.

*For audio demos, please visit - http://mutable-instruments.net/modules/grids
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 6 in stock $152.64
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quote 569556
Cat: 569591 Rel: 10 Apr 15
 
Multiples and mixing utilities synth module, 4HP size
Notes: Links provides 3 utility functions focused on signal distribution and mixing.

1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules - particularly VCOs.

2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.

3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.

A 2-color output monitoring LED is available for each of these functions.
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 6 in stock $56.17
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quote 569591
Cat: 569592 Rel: 10 Apr 15
 
Mixer, offset, attenuverter synth module with 3 channels of audio/CV processing, 6HP size
Notes: Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.

A bicolor LED monitors the polarity and intensity of the audio or CV signal on each output.

Unconnected inputs are normalized to an internal precision voltage reference, which can produce either a +5V or +10V constant voltage.

Normalization on the outputs allows the module to be used as a mixer or offset generator: when no jack is inserted in an output, the signal from this output is summed into the next output. Combined with the internal voltage reference, this allows the module to be used as a CV offset control.

Patch examples:

Mixing:
When output 1 is left unconnected, the signal on output 2 is the sum of channels 1 and 2. Channel 3 can be used for another purpose (attenuation, attenuversion, or constant CV generation).

When output 1 and 2 are left unconnected, the signal on output 3 is the sum of channels 1, 2 and 3.

Offset generation:
Leave channel 1's input and output unconnected, and connect a CV source to channel 2's input. Channel 2's output will contain a scaled and offset copy of the input CV. Channel 1's level knob will control the offset and channel 2's level knob will control the signal scale and polarity.
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 3 in stock $87.98
Cat: 677564 Rel: 24 Aug 18
 
Joystick/vector mixer for CV or Audio - 14HP
Notes: The most complex modulator is you. The Planar 2 puts macro control over six outputs - including a quad panning mixer - into your hands with a buttery smooth joystick. Record up to 30 seconds of your own movements, stretch it or mangle it with scan mode, use a trigger for playback, or just loop it - synced or not. Add yourself to your patch.

With its smoothly responsive precision joystick, Planar 2 facilitates hands-on vector control of two entirely independent sets of outputs (quadrants A-D, and axis X/Y), plus the ability to capture and playback your gestures. Recording your joystick movements enables the creation of organic and complex envelopes, wild and wobbly LFOs, or extended sonic evolutions. It mixes, morphs, routes and pans audio inputs; triggers gates; outputs control voltages and is itself, CV-controllable. Planar 2 puts the 'joy' back in 'joystick,' and the 'fun' back in 'function generator.' Its multitasking and tactile interface makes it a flexible and unique control device, no matter what your musical genre.
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 8 in stock $315.90
Cat: 732343
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.

Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found.

Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.
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 1 in stock $433.57
Cat: 643382 Rel: 27 Mar 17
 
Headphone & stereo output module
Notes: High quality headphone amp capable of driving consumer and studio grade headphones with excellent bass response and loud levels.

This module can also be used as a line level stereo output.
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 3 in stock $74.20
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quote 643382
Cat: 643387 Rel: 21 Aug 17
 
Physical modelling percussion synthesiser module - 12HP
Notes: Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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 8 in stock $327.56
Cat: 718062 Rel: 18 Feb 19
 
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
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 5 in stock $273.49
Cat: 733943 Rel: 10 Mar 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Each function can have a linear or exponential curve.

wide time range for attack/decay controls: <0.5ms to well over 30s

All analog and discrete logic for function generation (totally smooth and continous waveforms)

12hp and skiff friendly
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 1 in stock $247.68
Cat: 557451 Rel: 19 Dec 14
 
Random voltage generator synth module
Notes: The "WoggleBug" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges).

The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!
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 3 in stock $231.09
Cat: 557456 Rel: 19 Dec 14
 
Reverb synth module with size ranges from "coffin" to "the heavens"
Notes: The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.

Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found.

Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.
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 6 in stock $447.34
Cat: 557477 Rel: 19 Dec 14
 
Compact analog computer module specifically designed for musical purposes
Notes: FUNCTION is part of the MATHS family of control voltage utility modules.

It is a small analog computer designed for solely musical purposes.
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 1 in stock $149.46
Cat: 557504 Rel: 19 Dec 14
 
Output interfacing synth module with the added functionalities of FX Loop
Notes: Rosie is an output interfacing module with the added functionalities of FX Loop, Crossfader and Auto-Cue system.

It is designed to facilitate live performance on the modular synthesizer by allowing the artist to preview and modify portions of a patch using the Auto-CUE system, while the audience is listening to a different portion of the patch as selected by the crossfader.

Additionally it allows for Stereo processing of all sounds via the FX Loop. The Rosie is suitable for headphone monitoring of the modular system and interfacing the modular system to a recording environment. Internal Level Matching and Limiting w/ overload indication makes it easy to connect the modular system in the studio or on stage.
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 2 in stock $135.68
Cat: 557508 Rel: 19 Dec 14
 
Multiple signal sending module
Notes: The Multiple is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR circuit).

It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way/ one 3-way or one 7-way multiple.

The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.
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 2 in stock $36.57
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