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Synth modules

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2hp AVert Dual Attenuverter Module (black faceplate)
2hp
Cat: 686009 Rel: 04 May 18
 
Dual utility attenuverter - 2HP
Notes: AVert is a dual attenuverter. Each channel offers the ability to attenuate and invert any input signal. The signal present at channel one is normalled to channel 2, allowing for two unique output signals from a single input. Get Inverted.
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MRP:$105.30
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2hp AVert Dual Attenuverter Module (black faceplate) (B-STOCK)
2hp
Cat: 804551 Rel: 04 May 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


AVert is a dual attenuverter. Each channel offers the ability to attenuate and invert any input signal. The signal present at channel one is normalled to channel 2, allowing for two unique output signals from a single input. Get Inverted.
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 1 in stock $83.36
2hp Buff Buffered Multiple Module (silver faceplate)
2hp
Cat: 725419 Rel: 19 Mar 19
 
2HP Eurorack buffered mult module - silver
Notes: The 2hp Buff is a buffered multiple capable of splitting an input signal to multiple outputs. Due to its active architecture, inputs retain their full integrity as they are copied to multiple destinations. One input signal can be copied to six outputs, or two inputs can be copied to three outputs each. The Buff is especially great for splitting pitch or audio signals where signal integrity is critical. Keep your signals in shape with Buff.
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MRP:$92.99 SAVE 14%
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2hp EG Envelope Generator Module (black faceplate)
2hp
Cat: 686015 Rel: 04 May 18
 
Full featured two stage envelope generator module
Notes: EG is a full featured two-stage envelope generator. In addition to a colossal range from 3ms to 11 minutes per stage, EG features the ability to switch between linear and exponential curves on the fly, a built-in attenuator, and CV over attack and decay. Boasting more features than modules five times its size, EG can fill any envelope-sized gap in your system.
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2hp EG Envelope Generator Module (silver faceplate)
2hp
Cat: 638778 Rel: 21 Feb 17
 
Full featured two stage envelope generator module
Notes: EG is a full featured two-stage envelope generator. In addition to a colossal range from 3ms to 11 minutes per stage, EG features the ability to switch between linear and exponential curves on the fly, a built-in attenuator, and CV over attack and decay. Boasting more features than modules five times its size, EG can fill any envelope-sized gap in your system.
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MRP:$118.97 SAVE 24%
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2hp LFO v2 Low Frequency Oscillator Module (silver faceplate)
2hp
Cat: 680016 Rel: 12 Mar 18
 
Compact voltage controlled LFO featuring 8 waveforms
Notes: LFO is a voltage controlled low frequency oscillator. 8 waveforms are available with smooth morphing between each, allowing for complex and unique patterns.

In addition to sine, triangle, sawtooth, and square waveforms on the primary output, four alternate waveforms are accessible simultaneously via the secondary waveform output. The alternate waveforms have been designed with modulation in mind and provide an innovative voltage source to use on filters, oscillators, and everything else.

Animate your modulations with LFO.
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MRP:$124.44 SAVE 24%
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2hp Unity Dual Mixer Module (black faceplate)
2hp
Cat: 686044 Rel: 08 May 18
 
Dual unity mixer with two sets of three inputs - 2HP
Notes: Unity is a dual unity mixer with two sets of three inputs. Its versatile normalling behaviour allows it to function as a six-to-one mixer, or two three-to-one mixers. Three modes of operation provide ideal behaviour for audio, control voltage, or both.

Averaging Mode allows the user to mix audio signals without losing their relative loudness. Unity Mode is great for mixing control signals in situations where you want to add vibrato to a sequence, or create a chaotic modulation source out of LFOs and envelopes. Split Mode sets each channel to a different mode, allowing for mixing CV on one channel and audio on the other. Unite your system with Unity.
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4ms Listen Up Passive Expander Module For Listen Modules
Cat: 752435 Rel: 25 Oct 19
 
Small passive expander for the Listen Four & Listen IO modules - 4HP
Notes: The Listen Up is a small passive expander for the Listen modules that provides stereo 1/4" (6.35mm) jack inputs and outputs. It connects to one or two Listen modules and/or WAV Recorder module with the included 3-pin cables. There are four 1/4" jacks arranged in left/right pairs. The left jack of each pair can be used as a TRS stereo jack if the right jack is unpatched.
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4ms Rotating Clock Divider Breakout Module
Cat: 589499 Rel: 09 Dec 15
 
Breakout synthesiser module for Rotating Clock Divider module - 4HP wide
Notes: The RCD Breakout adds features to the Rotating Clock Divider module. Six switches allow you to set the maximum Divide-by amount, Gate or Trigger mode, Counting mode, Spread mode, and Auto-Reset. The RCD Breakout requires the RCD to function, and does not use any extra power.
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Acid Rain Technology Navigator Voltage Utility Module
Cat: 804572 Rel: 22 Jan 21
 
Voltage utility module
Notes: Navigator is a compact, multi-use voltage utility designed to bring playable control to CV sources in your rack. The combination of normalled voltages and mixing allows you to attenuate, polarize and offset signals to modulate parameters exactly within the sweet spot of another module's CV input. Navigator is a compact, multi-use voltage utility designed to bring playable control to CV sources in your rack. The combination of normalled voltages and mixing allows you to attenuate, polarize and offset signals to modulate parameters exactly within the sweet spot of another module's CV input.

Details:

4hp

25mm deep

11 mA on +12V, 8 mA on -12V, 0 mA on +5V
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MRP:$106.67
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ADDAC System ADDAC200S Size Matter Module (red faceplate)
Cat: 776135 Rel: 08 Sep 20
 
Adapter module
Notes: ADDAC System's 1/4 to 1/8 inch adapter allow you to connect one 1/4 inch jacks to an 1/8 inch one right in from your rack- now you can leave all those cable adapters behind.

Mechanical:
- Format: Eurorack
- Width: 4 HP
- Depth: 3.5 cm

Electrical:
- Passive
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FORTHCOMING
ADDAC System ADDAC218 Attenuverters Module
Cat: 808226 Rel: 30 Apr 21
 
Attenuator/multiple/utility eurorack module
Notes: Another addition to ADDAC200's CV Utilities.

This module features 3 independent Attenuverters each with its input, output and 13mm knob.

White areas allow the user to write down what is connected to each channel.

Channel 1 is normalled to Channels 2 and 3.

40 mA +12V
40 mA -12V
0 mA 5V
25 mm deep
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MRP:$116.24 SAVE 17%
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ADDAC System ADDAC301C Dual Sustain Pedal Switcher Module (red faceplate)
Cat: 776294 Rel: 08 Sep 20
 
Dual sustain pedal switcher
Notes: Passive dual sustain pedal switcher.

Plug any CV or audio source through it and control its state (on / off) through any standard sustain pedal.

Specs:
- Passive Module
- Width: 4 HP
- Depth: 3 cm
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MRP:$71.11
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ADDAC System ADDAC807A+ Individual Channel Stereo Outputs Module (black faceplate)
Cat: 776667 Rel: 08 Sep 20
 
Stereo outputs module
Notes: Dedicated expansion for the ADDAC807 VC Summing Mixer

Features 5 individual track post fader stereo outputs.

6HP
2 cm deep
0mA
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After Later Audio 3:1 Mixer Module
Cat: 805161 Rel: 14 Jan 21
 
Audio mixer module
Notes: The 3:1 Mixer has two section of 3 inputs to a single output. Each section has an LED indicator indicating activity on the output. Section 1 is normalled to section 2 so it can easily behave as a 6:1 mixer as well.
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After Later Audio Envy ADSR Style Envelope Generator Module
Cat: 805053 Rel: 14 Jan 21
 
ADSR-style envelope generator module
Notes: ADSR Style Envelope Generator

An ADSR style envelope generator based on the CEM3310 chipset, found in many classic synthesizers (Pro One, Prophet 5, MemoryMoog). We have added a small twist, end of attack and end of release delayed triggers. The module offers this rich set of features packed into 6HP.

Attack, Decay, Sustain, and Release controls with CV inputs for each.

Threshold controls the required gate level to trigger the envelope

Time range is configurable via jumper on back (shortest attack is 0.5ms and longest is 750ms)

End of attack delayed trigger

End of release delayed trigger

Length of the gate signal controls the length of the sustain phase

Retrig the attack while the gate is still high

Size: 6hp
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MRP:$120.34 SAVE 18%
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After Later Audio Filthy Multimode Filter Module
Cat: 805057 Rel: 14 Jan 21
 
Multimode filter module
Notes: A multimode filter offering LPF, BPF, HPF, and NOTCH simultaneous outputs in 6HP.

Low pass filter (4 pole)

Band pass filter

High pass filter

Notch filter

Two audio inputs

Two FM inputs with an attenuverter for FM1

v/oct tracking for cutoff CV

CV over Resonance

Resonance will reach self-oscillation

Size: 6hp
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After Later Audio G&T Gates and Triggers Module (1U format)
Cat: 805032 Rel: 14 Jan 21
 
Audio gates & triggers module
Notes: Take your gates and generate triggers and take your triggers and generate a gate.

Gate to Trigger section:
Takes a gate signal and give a trigger output on both the rise and fall of that gate. The IN LED will illuminate while the gate input is high.

Trigger to Gate section:
Takes a trig signal to start a gate signal and is normalized from the fall output in the Gate to Trig section. The gate length knob controls the gate length. The fall output will generate a trigger at the end of the gate. The OUT LED will illuminate while the gate output is high.

This is in the 1U Intellijel format.
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After Later Audio Morcom Expander Module (for Alan module)
Cat: 805517 Rel: 14 Jan 21
 
Expander module for After Later Alan
Notes: Morcom Expander for micro Turing Machine (Alan)

An expander for After Later's Alan module (a smaller version of the Turing Machine) that exposes the pulse outputs from the main Alan module. You get 7 seven random outputs and then 4 that are derived from other 7 outputs. When 1 and 2 are high then the 1+2 outputs is high. You can get some great rhythmic effects using these in conjunction with the main stepped CV output.

The module comes with the required cable to connect to the main module. The panel is designed to compliment Alan, After Later's micro version of the Turing Machine.

The module comes with a 1 year warranty.
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AION Modular 995 Attenuators Module
Cat: 780130 Rel: 07 Jul 20
 
Attenuator module
Notes: The 995 Attenuator panel consists of three "passive circuits", each made of a 25k potentiometer between input and output. The signal input to the top attenuator is chained to the bottom two in series. Introduction of a plug into middle or bottom input breaks the normalling system: 1 to 1-2-3, 1-2 to 2-3, 1-2-3 to 1-2-3.
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ALM Headphone Output Module
Cat: 688779 Rel: 11 Jul 18
 
Stereo headphone driver output - 2HP
Notes: The 'HPO' is an affordable super slim and skiff friendly no frills stereo headphone driver output for your modular synthesiser. Includes a volume control and ability to double up a mono signal into stereo. A great use for that left over 2hp in a skiff or larger system.

Give loved ones, friends and acquaintances a break from your musical 'genius', the HPO offers a solitary cell for focused creativity impregnable from undeserving non-believers.
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ALM O/A/x2 Dual Channel Offset & Attenuverter Module
Cat: 584260 Rel: 15 Apr 16
 
Dual channel attenuverter synthesiser module - 4HP wide
Notes: 'O/A/x2' is a dual channel attenuverter with each channel also including a bipolar voltage offset and LED monitoring. The module is primarily intended for fine grain flexible 'editing' of control signals (i.e changing the phase, level and DC offset of an LFO signal) but also has uses with audio signals such as attenuation, inversion and mixing.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~50ma
Size: 4 HP
Depth: 32mm (including power header)
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ALM PE1 Dual Band Parametric EQ Module
Cat: 628651 Rel: 17 Oct 16
 
Dual band parametric EQ & simple two channel mixer
Notes: Two control sections provide a sweepable cut or boost to a selectable upper and lower frequency band. The module has two ac-coupled audio inputs, one of which has an attenuation control for basic mixing, and a single audio output.

The 'PE-1' is inspired by the EQ circuits used in early 'Portastudio' type 4 track tape mixers. Warm up a digital source, fine control a live performance, extend a mixer, tweak a feedback loop - there are many uses for this great sounding EQ.

Features:
- Provides +/-12db of boost and cut across 2 selected frequency bands
- Dual input with single attenuation control
- Reverse polarity protection.
- Skiff friendly
- Designed and made in the UK
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ALM PEXP2 Pamela's New Workout Expander Module
Cat: 648932 Rel: 25 May 17
 
Expander module for Pamela's New Workout - 2HP
Notes: Pexp-2 is an expander module for Pamela's NEW Workout offering additional dedicated fixed clocked outputs.

Extend Pam as a master to clock external gear with a super solid MIDI & Din Sync dedicated clock outputs.

Use extra fixed jack clocked gate outputs to free up Pamela outputs for more exotic modulation duties.

Connects to, and powered by, expander header on rear of Pamela's NEW Workout. Only a single expander is supported at any time.
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ALM SBG Guitar Effects Adapter Module
Cat: 584253 Rel: 15 Apr 16
 
Compact utility synthesiser module for interfacing guitar effects with eurorack modular system - 4HP wide
Notes: The 'S.B.G' is a compact utility module intended for the interfacing of guitar effect pedals with your eurorack modular system.

It provides both attenuation and amplification of audio signals for level matching together with a crossfade control to conveniently adjust the wet/dry mix of a processed signal. The module also offers regulation of outgoing CV signals for safer use of pedal expression inputs.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~30ma
Size: 4 HP
Depth: 22mm (including power header)
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FORTHCOMING
AniModule AnVilope Module
AniModule AnVilope Module (clock generator / envelope generator / LFO synth module)
Cat: 794381
 
Envelope generator module
Notes: A Simple, Affordable, 4HP, Analog Envelope Generator.

Attack, Decay, Release... Simple.

- Envelope Out 0V to +7V
- Loop function so you can use it as a Variable Wave-Shape LFO / Timer
- Inverted out that goes from +7V to 0V

Function:
When the gate is High the envelope will rise and cycle through it's phases.
When gate goes low again the envelope will revert to the release phase.

If the Gate is longer than the ADR phases, the decay will play out then go to release and the envelope will end after the release.

Sprinkle them all over your system!

4HP Depth : 28mm
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MRP:$117.61 SAVE 17%
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FORTHCOMING
AniModule Line_Amp Module
AniModule Line_Amp Module (multiple / preamp / utility / dual stereo / external synth module)
Cat: 793793
 
Buffered multiple module
Notes: Check out AniModule's Line to Synth Level Converter.

2 Channels of 1 in <--> 2 Out.

Each channel is designed to multiply your input by *3 to boost your Line Gear / Tablet / Phone so you can integrate audio OR Control Voltages from your auxiliary systems.

Each channel's input is designed with Line Level gear's input impedance in mind.

Perfectly compatible with Synth Output Impedances, but the standard Synth Input Impedance is higher than Line level equipment is expecting.

Don't need to amplify your XPhone right this minute? Never fear! Just Hit the Switch!

This module won't sit unused in your cabinet breeding resentment and dust bunnies.

Hit the switch and that channel becomes a normal 2 HP Unity Gain Buffered Mult.

Only need one channel of each? It's YOUR Choice!
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MRP:$113.50 SAVE 17%
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FORTHCOMING
Behringer 110 VCO/VCF/VCA Module
Cat: 799848
 
VCO/VCF/VCA Module
Notes: Legendary Analog VCO/VCF/VCA Module for Eurorack

The 80s was the golden age of electronic music. Synthesizers were at their prime and almost every hit song and movie soundtrack at that time had a synth in one form or another. Modular synths have become more and more popular with professionals and enthusiasts over the years and they're about to get even better.

This is the Behringer System 100 110 VCO/VCF/VCA Module. An authentic reproduction of the original "System 100M" circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 110 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun!

The 110 comes with a complete synth voice with an internally patched signal flow for ease of use and to save patching time so you can focus on your music. You can vary the VCO section by selecting one of three waveforms; triangle, ramp and Pulse Width Modulation which can be adjusted by the Mod Manual knob. The VCO also offers pitch and range control knobs as well as one audio output, which can be routed to another source, and two CV inputs.

The VCF features cutoff frequency and resonance sliders while the VCA comes with two audio outputs (low/high). Both the VCF and VCA each feature two audio inputs and two CV inputs that allow for other sources to be plugged into the 110, making it a must-have in any modular synth.

Installing the 110 VCO/VCF/VCA is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 110 VCO/VCF/VCA to be mixed with other synth modules for a truly unique set up.

Whether you're just getting into modular synths or looking to complete your collection, the 110 VCO/VCF/VCA module from Behringer is a great tool to have when creating amazing music.

Specification:

Inputs
Pulse width mod
Type
3.5 mm TS jack, DC coupled

Impedance
>70 kO, unbalanced

Maximum input level
0 V to +10 V, 4% per volt

Signal input
Type
Impedance
>50 kO, unbalanced

Max input level
+17 dBu @ unity gain

VCO mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, 1 V/oct

VCF mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, 1 V/oct

VCA mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, typically 1 V per 10 dB

Outputs
VCO output
Type
3.5 mm TS jack, DC coupled

Impedance
1 kO, unbalanced

Max output level
10 V p-p

Frequency range with no external CV
<10 Hz to 500 Hz

Frequency range using external CV
<1 Hz to 30 kHz

VCA output
Type
2 x 3.5 mm TS jacks, AC coupled

High impedance
1 kO, unbalanced

Low impedance
3 kO, unbalanced

High max output leve
+18 dBu

Low max output level
-2 dBu

High output noise
<-60 dBu, 22 Hz -22 kHz

Low output noise
<-80 dBu, 22 Hz -22 kHz

Controls
Pulse width manua
50% to min

Waveform
Triangle, sawtooth, pulse

Range
32', 16', 8', 4', 2'

Pitch
2 octave range

Cutoff frequency
20 Hz to 20 kHz

Resonance
Off to self oscillation

Sig in level
-8 to unity gain

Mod in level
-8 to unity gain

VCA initial gain
Power
Power supply
Eurorack

Current draw
80 mA (+12 V), 50 mA (-12 V)

Physical
Dimensions
81 x 129 x 46 mm (3.2 x 5.1 x 1.8")

Rack units
16 HP

Weight
0.19 kg (0.42 lbs)
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FORTHCOMING
Behringer 305 EQ/Mixer/Output Synth Module
Cat: 799850
 
EQ/mixer/output synth module
Notes: Legendary Analog Parametric EQ, Mixer and Output Module for Eurorack.

This is the Behringer System 100 305 EQ/MIXER/OUTPUT Module. A parametric EQ, mixer/oscillator and headphone amp combo that's an authentic reproduction of the original "System 100M" circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price! Mix the 305 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun!

The 305 allows for maximum tone shaping with its 4-channel EQ section complete with level, bandwidth and frequency controls that span a wide frequency spectrum from 20 Hz all the way up to 20 kHz. Using the two outputs of this section, you can then patch signals to two different modules for some extra modulation and waveform sculpting possibilities and even switch between EQ'd and Bypass modes for a quick comparison.

For added mixing capabilities, you can use the 305's 4-input mixer with individual pan and level controls. The output signal can be in either mono or stereo via 3.5mm and 14" jacks. Monitor your overall signal though the independent headphone output and its included level control.

Installing the 305 EQ/MIXER/OUTPUT is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 305 EQ/MIXER/OUTPUT to be mixed with other synth modules for a truly unique set up.




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Behringer 921B VCO Module
Behringer 921B VCO Module (oscillator module)
Cat: 780467 Rel: 19 Oct 20
 
VCO module
Notes: Clone of the Moog 921B module, a free-running LFO or oscillator driven by the accompanying 921A oscillator driver module. An affordable entry point to classic Moog-inspired sounds.

Supplier's Notes:
Enter the Behringer 921B OSCILLATOR. An authentic reproduction of the circuitry from the "Modular 55 and 35" series oscillators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921B OSCILLATOR module is controlled by the Behringer 921A OSCILLATOR DRIVER or can be used as a free-running LFO. Separate Frequency and Range knobs allow you to adjust the frequency range in semitones and in octaves. The 921B along with the 921A modules form the foundation of a proper modular synthesizer and the basis for some really great music.

The 921B OSCILLATOR features independent audio outs for each of the 4 waveforms which include sine, triangular, sawtooth and rectangular which can be patched out to different modules to unlock even more creative possibilities. A dedicated oscillator sync input and switch can be used to sync the 921B to a signal introduced into the Sync In jack. Parallel link jacks allow the 921B to link to other 921B in the chain.

Installing the 921B OSICLLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921B OSICLLATOR to be mixed with other synth modules for a truly unique set up.
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Behringer 923 Filters Module
Behringer 923 Filters Module (eurorack module)
Cat: 772935 Rel: 19 Oct 20
 
filters module
Notes: Enter the Behringer 923 FILTERS. An authentic reproduction of the circuitry from the Modular 35 and 15 series filters used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 923 features separate Low and High Pass filters each with their own dedicated frequency cutoff controls. The Low Pass filter control will roll off all frequencies above the set threshold frequency from 10Hz to 10KHz while the High Pass filter control will roll off frequencies below the set frequency. Each filter comes with their own 3.5 mm ins and outs giving you the ability to route incoming signals through the IN jack, through the filter and back out the OUT jack.

For you to shape an endless number of tones, the 923 comes with a white and pink noise generator. Use the parallel jacks for each of the noise sources to send out a white or pink noise signal and start sweeping frequencies to build tension and excitement in your songs, or use them to create some percussive sounds for a real groovy drum beat.

Installing the 923 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 923 to be mixed with other synth modules for a truly unique set up.
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 9 in stock $64.60
Behringer 961 Interface Module
Cat: 772932 Rel: 19 Oct 20
 
interface module
Notes: Enter the Behringer 961 INTERFACE Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 961 features an audio to V-Trig Converter, allowing you to plug in any audio source and transform it into a voltage trigger to drive other modules in your rig. Dual S-Trig to V-Trig and a multichannel V-Trig to S-Trig converters on the 961 can be utilized to switch or control a particular function on other modules.

Controls on the 961 include a Sensitivity knob that adjusts the gain of the audio signal coming into the module via the Audio In jack. Column B in each V-Trig In bank has a Switch-On Time knob you can use to manually control how short or long the "ON" duration is for S-Trig signals. This feature is normally used to drive the 911 envelope generator. Add a 960 sequential controller to release the full creative potential of this interface module.

Installing the 961 INTERFACE is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 961 INTERFACE to be mixed with other synth modules for a truly unique set up.
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Behringer 961 Interface Module (B-STOCK)
Cat: 810433 Rel: 19 Oct 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Enter the Behringer 961 INTERFACE Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 961 features an audio to V-Trig Converter, allowing you to plug in any audio source and transform it into a voltage trigger to drive other modules in your rig. Dual S-Trig to V-Trig and a multichannel V-Trig to S-Trig converters on the 961 can be utilized to switch or control a particular function on other modules.

Controls on the 961 include a Sensitivity knob that adjusts the gain of the audio signal coming into the module via the Audio In jack. Column B in each V-Trig In bank has a Switch-On Time knob you can use to manually control how short or long the "ON" duration is for S-Trig signals. This feature is normally used to drive the 911 envelope generator. Add a 960 sequential controller to release the full creative potential of this interface module.

Installing the 961 INTERFACE is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 961 INTERFACE to be mixed with other synth modules for a truly unique set up.
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 1 in stock $85.11
Behringer 995 Attenuators Module
Cat: 772930 Rel: 19 Oct 20
 
attenuators module
Notes: Enter the Behringer 995 ATTENUATORS. An authentic reproduction of the circuitry from the Modular 55 and 15 series attenuators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 995 features three separate attenuators each with their own independent inputs and outputs. The attenuators can be used to adjust the level of the input signal passively from - 8 to unity gain and accept both audio and CV signals. Connecting a single signal to the first input will allow it to pass to all 3 outputs for up to 3 variable outputs of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 leaving input 1 to feed out of output 1.

Installing the 995 is simple as it was designed to fit into a standard Eurorack case. This allows for the 995 to be mixed with other synth modules for a truly unique set up.
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Behringer CP35 Attenuators Module
Cat: 772818 Rel: 19 Jun 20
 
attenuators module
Notes: Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - 8 to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.

Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!

Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.
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FORTHCOMING
Behringer Dual Noise/Random Voltage Generator Module 1016
Cat: 799852
 
Dual noise/random voltage generator module
Notes: Legendary 2500 series dual noise source module for Eurorack.

This is the Behringer 2500 series DUAL NOISE/RANDOM VOLTAGE MODULE 1016. An authentic reproduction of the original "System 2500" circuitry from the 70's that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the DUAL NOISE/RANDOM VOLTAGE MODULE 1016 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The DUAL NOISE/RANDOM VOLTAGE MODULE 1016 is a classic discrete transistor white/pink/random noise source with independent attenuators for the white/pink noise level, a white /pink selector switch with color coded LED's. The slow random voltage generator produces random CV voltages and the maximum level can be controlled via the attenuators as well as an on/off switch with LED indicators for each channel. The 2 channels are completely independent of each other for even more creative possibilities.

The 1016 gives you comprehensive connectivity, each channel has a separate white/pink noise output and separate outputs for the random voltages, the outputs are all available simultaneously to feed multiple noise and CV signals to other modules.

Installing the DUAL NOISE/RANDOM VOLTAGE MODULE 1016 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cable to the power supply and screw in the module using the included screws. This allows for the 1016 to be mixed with other synth modules for a truly unique set up.

Specification:

Outputs
Noise
Type
2 x 3.5 mm TS jacks, DC coupled

Impedance
1 kO, unbalanced

Max output level
i5 V

Random
Type
2 x 3.5 mm TS jacks, DC coupled

Impedance
1 kO, unbalanced

Max output level
i5 V

Controls
Noise
Attenuates noise generator output

Random
Attenuates voltage output

White/pink/of
Selects white or pink noise, or of

Random on/of
Engages or disengages voltage generator

Power
Power supply
Eurorack

Current draw
45 mA (+12 V), 15 mA (-12 V)

Physical
Dimensions
42 x 71 x 129 mm (1.7 x 2.8 x 5.1")

Rack units
14 HP

Weight
0.13 kg (0.29 lbs)

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FORTHCOMING
Behringer Multimode Filter/Resonator Module 1047
Cat: 799853
 
Filter/resonator synth module
Notes: Legendary 2500 Series 12dB state variable filter module for Eurorack.

This is the Behringer 2500 series MULTIMODE FILTER/RESONATOR MODULE 1047. An authentic reproduction of the original "System 2500" circuitry from the 70's that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the MULTIMODE FILTER/RESONATOR MODULE 1047 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The MULTIMODE FILTER/RESONATOR MODULE 1047 is a classic voltage controlled 12 dB per octave state variable filter, the filter is a matched transistor design for a vintage sound. The 1047 filter is equipped with a coarse and fine filter frequency controls, a resonance (Q) control which acts on all 4 filter outputs, a resonance limit switch prevents signal overload when high levels of resonance are used, the notch frequency/fc control allows the notch frequency to be adjusted up or down from fc as set by the frequency controls, 2 summed frequency CV attenuators and a resonance (Q) CV attenuator for maximum flexibility, the signal input is also equipped with an attenuator. All this gives you endless possibilities of filter curve shape to create the ultimate sound.

The 1047 gives you comprehensive connectivity, filter signal input, FCV 1 and FCV 2 inputs can be used for filter frequency control or modulation, the Q CV input allows modulation of Q and resonance. The independent low-pass, high-pass, band-pass and notch filter outputs are all available simultaneously to feed multiple filter signals to other modules.

Installing the MULTIMODE FILTER/RESONATOR MODULE 1047 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cable to the power supply and screw in the module using the included screws. This allows for the 1047 to be mixed with other synth modules for a truly unique set up.



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Blue Lantern Modules Active Buffered Multiple Module
Cat: 775752 Rel: 13 May 20
 
multiple module
Notes: This is an active multiple using the TL074 op amp to copy the signal and repeat the patch, using a simple design. What goes in, comes out exactly the same, and no resistors have been used to play with the ratios. A 100k to ground clamp has also been added so that you can copy even fast clocks, gates, etc and they will not 'stick' together to make one big pulse, which can be a problem with some multiples.

You can have two long 8 repeated outs and one four repeated out, or patch all five inputs to have five sets of four repeated outs.

5 mA +12V
5 mA -12V
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Blue Lantern Modules CMOS Party Logic Module
Cat: 775755 Rel: 13 May 20
 
Logic module
Notes: The CMOS Party Logic, by Blue Lantern, is a readily patchable boolean logic module just waiting for a square wave or clock signal into its corresponding A and B inputs in order to generate a variety of output signals. The module's AND, NAND, NOR, XOR, and OR outputs ensure a variety of potential combinations.

Additionally, the CMOS Party Logic features extremely low latency and is capable of operating at audio rate.
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Blue Lantern Modules Harmonic Generator Module
Cat: 773975 Rel: 13 May 20
 
Sub-harmonic generator module
Notes: This is a VCO add on or helper. You patch a saw, square, triangle , or sine wave into the input jack. Now patch the output jack to a mixer module. For example you can use the Blue Lantern modules: Sir Mix Alot, Mix Em Up, or other third party mixers. You also patch one of the original waves from your vco (this is optional as you will still get audio results).

What you will hear with your gear is one supper fat mixture of harmonics. You have 4 knobs to mix in each harmonic.

The module can handle a full wide frequency spectrum.

The module is using CD4013 Flip Flop IC to do its 4 divider break down- there is no latency, no Atmega or STM issues
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Blue Lantern Modules Looping Simple ADSR Version 2.1 Module
Cat: 773976 Rel: 13 May 20
 
ADSR module
Notes: A Simple Envelope Generator that produces an Attack, Decay, Sustain, and Release voltage output. This product only produces voltage. You will need an external VCA module for you to complete the common Envelope + Amplifier Patch. This module can also be used to modulate for example a vco. This is a digital product. There is positive CV control for the output,amplitude level of the envelope.
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Blue Lantern Modules Simple VCLFO Module
Cat: 775771 Rel: 13 May 20
 
LFO module
Notes: This is another analog lfo made specifically for those who may be on a really tight budget- this particular module is good for modulating your filter module or VCO module.
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Doepfer A-102 Diode Low Pass Filter Module
Cat: 692503 Rel: 18 Jun 18
 
Reproduction of the legendary British diode lowpass filter - 8HP
Notes: Module A-102 is a reproduction of the legendary low pass filter design that uses diodes in the filter stage as frequency controlling elements - resulting in "strange" resonance behaviour and frequency response, as resonance and frequency are not independent from another.

As for the rest, the A-102 is identical to the A-120 Moog low pass filter, the A-103 (18dB TB303 Filter) i.e. the same controls, inputs and outputs. Only the filter sound is different:

- Manual control of filter frequency
- 3 CV inputs (CV1, CV2, CV3), 2 of them with attenuator (CV2, CV3)
- Input level control
- Resonance control up to self-oscillation (depends upon the frequency setting for the A-102)
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Doepfer A-103 18dB Low Pass Filter Module
Cat: 692504 Rel: 18 Jun 18
 
18dB low pass filter based on a modified Moog cascade - 8HP
Notes: Module A-103 is a voltage controlled low pass filter with 18dB/octave slope. The circuit is based on a modified transistor ladder (Moog ladder) and is a reproduction of the legendary TB303 filter.

As for the rest the A-103 is identical to the A-120 Moog low pass filter (same controls, inputs/outputs) only the filter sound is different.
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Doepfer A-106-5 12dB SEM Filter Module
Cat: 577753 Rel: 06 Jun 19
 
12dB multi-mode filter - 8HP
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module.

The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates.

The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.
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Doepfer A-106-5 12dB SEM Filter Module (special edition cream version)
Cat: 671592 Rel: 29 Nov 17
 
12dB multi-mode filter based on classic SEM filter circuitry
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system. The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.

Inputs: Audio In, CV1 In without attenuator, CV2 In with Polarizer
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio Attenuator, CV2 Polarizer, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the Wasp filter module A-124. But the sound of both filters is very different! We will publish no separate user's manual for the A-106-5 but a combined manual for both A-106-5 and A-124. The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer)

Width: 8HP / 40.3mm
Depth: 55mm (Measured from the rear side of the front panel)
Current: +12V: +30mA, -12V: -20mA
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Doepfer A-118-2 Noise & Random Slim Line Module
Cat: 731938 Rel: 10 Jun 19
 
Noise/random generator - 4HP
Notes: Module A-118-2 is the slim version of module A-118-1 and offers essentially the same features as the A-118-1. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-118-1. The module is primarily planned for applications where only limited space is available. The functional difference between A-118-1 and A-118-2 is the additional T&H/S&H unit which is not included in the A-118-1.

The module generates the signals white noise, coloured noise, continuous random voltage and stepped random voltage (derived from the continuous random voltage by means of a S&H/T&H unit).

The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is derived from the coloured noise signal by low pass filtering. Consequently the settings of the controls for the coloured noise (Blue, Red) affect the behaviour of the random voltage! A dual colour LED (red = positive / yellow = negative output voltage) indicates the continuous random voltage.

The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal (= continuous random voltage) as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal (= continuous random voltage) is sampled at the rising edge of the Clock signal.

For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. It does not work with slowly changing continuous CV signals. Another dual colour LED (red = positive / yellow = negative output voltage) indicates the stepped random voltage.
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Doepfer A-118-2V Noise & Random Slim Line Vintage Edition Module
Doepfer A-118-2V Noise & Random Slim Line Vintage Edition Module (noise/random/sample & hold synth module)
Cat: 790467 Rel: 10 Nov 20
 
Signal generator module
Notes: Module A-118-2 generates the signals white noise, colored noise, continuous random voltage and stepped random voltage.

The noise signal is generated 100% analog by amplification of the noise of a transistor. White and colored noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red and Blue noise (low/high frequency component) in the colored noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal is sampled at the rising edge of the Clock signal. For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. Dual color LEDs are used to indicates the continuous and stepped random voltages.

Controls:
Blue: share of the high frequencies in the the colored noise output
Red: share of the low frequencies in the the colored noise output
Rate: rate of change of the continuous random voltage
Level: amplitude of the continuous random voltage
TH/SH: switches between T&H und S&H

Inputs and outputs:
RND: continuous random voltage output (with LED display)
TH/SH: stepped random voltage output (with LED display)
Clk: Clock input of the S&H/T&H unit
C Noise: colored noise output
W Noise: white noise output

Important notes:
After power on it takes a few minutes until the two noise signals and the random signals are generated. The module is not faulty when after power on the signals do not appear immediately!

The S&H/T&H function is realized by pure analog circuitry (electronic switch followed by a holding capacitor and buffer). Consequently the output voltage drifts a bit in the holding state because the capacitor is discharged by parasitic resistors. The drift depends also upon environmental conditions like humidity or temperature.

The level of the random voltage changes with the settings of the Blue and Red controls. Especially the Red control affects the random voltage level (which is derived by low pass filtering from the colored noise signal) because the Red control changes the share of the low frequencies in the colored noise signal. The effect of the Blue control is much smaller because it changes the share of the high frequencies in the colored noise signal which are filtered out by the low pass of the random circuitry.

Power consumption: 20mA at +12V and 20mA at -12V
Depth: 40mm
HP : 4
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Doepfer A-118v Noise Random Module (vintage edition)
Cat: 703564 Rel: 08 Oct 18
 
Analogue noise/random with black faceplate & custom knobs - 8HP
Notes: Module A-118 is (as you might have guessed) a noise and random voltage generator. It produces three types of signal: white noise, coloured noise, and random voltage. The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise can be used as audio sources, and also, in conjunction with a sample & hold module, as control voltages, and the random voltage is a useful source of voltage control, especially for its low frequency content.

The A-118 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

There are knobs to control the rate of change and amplitude of the random voltage, and two LEDs indicate the state of the voltage at any one time.
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Doepfer A-119 External Input Envelope Follower Module
Cat: 577771 Rel: 29 Nov 17
 
Envelope follower & pre-amplifier for microphone/line-signals - 8HP
Notes: Module A-119 (External Input / Envelope Follower) is designed to allow external audio signals to be integrated into the System A-100. It comprises a pre-amp, envelope follower, and comparator.

The pre-amp has two inputs: an unbalanced input for line level signals, with a gain factor of from 0 to 20, and a balanced input with a gain factor of from 0 to 500, for insertion of low level signals, for instance from a microphone or electric guitar.

The Envelope Follower reads the signal level of the input, and puts out a proportional voltage as an envelope at its own output.

The comparator generates a gate signal whenever the input goes above an adjustable trigger threshold.

Three LED's help you keep track of overload, the envelope, and the gate signal.
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