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Synth modules

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Cat: 660460 Rel: 15 Mar 18
 
4-stage Analog Shift Register (ASR) module with built-in quantizer & digital noise generator - 14HP
Notes: The E102 is a 4-tap delay for control voltages (a digital implementation of the Serge ASR - Analog Shift Register). There is also a digital noise generator with 8 different types of noise spectra. With no CV patched into the INPUT jack, the digital noise is sampled. Each clock pulse (internally set by RATE or patched into CLOCK IN) samples the INPUT and stores it as a 14-bit value. Successive clocks then shift the sampled voltage to the next output. The sampled voltage is shifted in the delay line as OUT1 > OUT2 > OUT3 > OUT4. A quad 14-bit DAC drives the outputs with an accuracy of <1mv.

A unique addition to the traditional ASR is the voltage-controlled DELAY. Selectable in 3 ranges, this adds delay stages in-between each output. For example, if DELAY was 2, then it would take 6 additional clocks for the OUT1 to "travel" down the delay line to appear at OUT4. The INPUT is sampled once for each clock, no matter what the DELAY is. The outputs can be quantized to whole-note steps.

The most common use of the E102 is having each OUT drive a VCO. If you have a step sequencer, then use the sequencer's clock into CLOCK IN and the sequencer's CV out to INPUT. The 4 OUTs will then generate a musical canon (like "Row Row Row Your Boat") when driving 4 VCOs. Each VCO will play the same note as the prior clocked output. This is of course assuming DELAY = 1. DELAY is not the same as a 'clock divider': when DELAY is not 1 (say it is 12), then every sample clock, the INPUT is fed into the delay. In this case there are 12 clock-delay stages between each out. If 0.25V was sampled and appears at OUT1, then 12 clocks later that same 0.25V appears at OUT2. There is no delay from INPUT to OUT1. The delays are OUT1 to OUT2, OUT2 to OUT3, and OUT3 to OUT4. OUT1 is a 'traditional' sample/hold.
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 1 in stock $286.08
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Tangible Waves AE Modular 2ATT/CV Dual Audio & CV Level Attenuator Module
Cat: 719663
 
Dual audio & CV level attenuator
Notes: 2ATT/CV contains two units of a simple level attenuator for any kind of signal. You can also switch to voltage mode and get manually controllable CV on the outputs.
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coming soon $34.70
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Tangible Waves AE Modular 2ENV Dual Attack & Decay Envelope Module
Cat: 719670
 
Dual attack/decay envelope
Notes: 2ENV is a dual attack - decay envelope; it can be switched between full sustain (the output remains at full level as long as the GATE input is on) and zero sustain (for percussive envelopes). Another switch (SLOW/FAST) allows selecting the time range.

For manual triggering there is a button for each envelope.

CV control: Both attack and decay time can be CV controlled; the CV "multiplies" the time by 1...approx. 8 times.
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coming soon $42.37
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Tangible Waves AE Modular 2OSC V2 Dual Oscillator Module
Cat: 719691
 
Dual oscillator
Notes: The 2OSC module contains two oscillators; each of them features:

- One frequency knob
- CV input (1V/octave)
- PWM input
- SYNC input
- Square/Saw/Narrow pulse (sync) output

The first oscillator additionally has a pulsewidth knob; the second oscillator can be pulsewidth-modulated by the PWM input.

The 1V/octave characteristic and stability in this module is a bit less than in the VCO module; but on the other hand you get two oscillators in one small module!
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coming soon TBA
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Tangible Waves AE Modular 2OSC/d Dual Hybrid Oscillator Module
Cat: 719701
 
Dual hybrid oscillator
Notes: The 2OSC/d module contains two 1V/octave hybrid oscillators. Each of them features:

- One frequency knob plus a range switch +2 octaves
- CV input (1V / octave)
- PWM input
- SYNC input
- Sawtooth/Square/Sub-octave output

The pulsewith knob controls either the pulsewidth of the first oscillator (with the second one having a fixed pulsewidth), or via a switch the second oscillator is also controlled by the pulsewidth knob. Both oscillators can be pulsewidth-modulated independently by their PWM inputs.

The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output wavefom itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to get a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!
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coming soon TBA
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Tangible Waves AE Modular 2S&H Sample & Hold Module
Cat: 719665
 
Sample & Hold module
Notes: The purpose of the SAMPLE&HOLD module is to "freeze" the input voltage with a trigger input.

Typically used for random CV patterns if a noise signal is fed to the input and triggered e.g. by an LFO.
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coming soon $34.70
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Tangible Waves AE Modular 2SIGNALAMP Dual Audio Signal Amplifier Module
Cat: 719699
 
Amplifier for audio signals
Notes: 2SIGNALAMP contains two amplifier stages for audio signals; the amplification can be adjusted up to 15:1.

A clip LED indicates that the amplified level exceeds the usual range of AE modular and is short before clipping.

Main purpose of this module is to boost external audio signals for further processing within AE modular, or also the triangle output of the VCO which has by design a lower signal amplitude.
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coming soon TBA
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Tangible Waves AE Modular 2VCA Dual VCA Module
Cat: 719668
 
Dual voltage controlled amplifier module
Notes: 2VCA contains two separate VCA (voltage controlled amplifiers); the classic module to shape the volume of a sound that is fed to IN by a control voltage, e.g. from an ENV to the CV input.

A switch determines the operation mode (DC/CV or audio), choosing the right position can reduce/avoid pop's with short attack envelopes.

An additional knob for each VCA attenuates the level, if necessary.
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coming soon $27.02
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Tangible Waves AE Modular 3VCSWITCH Multi Purpose Electronic Switch Module
Cat: 719697
 
Three multi-purpose electronic switches
Notes: 3VCSWITCH contains three electronic toggle switches that can be operated either manual (latched or momentary by two buttons) or by an external gate signal. The connection by the switch is bidirectional and can be used for any kind of signal within AE modular, e.g. for dynamic signal routing/selection of modulation sources.
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coming soon TBA
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Tangible Waves AE Modular 4ATTMIX Mixer & Quadattenuator Module
Cat: 719689
 
Versatile mixer/quadattenuator
Notes: 4ATTMIX offers four input channels which can be level controlled / attenuated by the corresponding knobs. The attenuated signals are sent to four outputs.

Additionally, each channel can be sent to an internal mixer by the switches beside the knobs. The mix signal is then sent to the mix output.

An additional switch selects the general operation mode for the mixer, for DC/CV signals or for audio signals.
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coming soon $31.78
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Tangible Waves AE Modular 4I/O Four Minijack Inputs & Outputs Module
Cat: 719687
 
4 minijack inputs/outputs
Notes: 4I/O offers four minijack sockets that are connected to the AE sockets for connecting external audio sources, CV's and Eurorack modules. Sockets 1 and 3 are stereo sockets; if a stereo cable is inserted here the signal is available on sockets 1/2 and 3/4. With mono cables the four sockets can be used independently.

All sockets have an overvoltage protection (as AE modular is limited to 5V) and can be switched between audio and DC/CV signals.
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coming soon $34.70
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Tangible Waves AE Modular BEAT DIVIDER Clock Divider Module
Cat: 719673
 
Clock divider module
Notes: The BEAT DIVIDER takes a clock signal (the BUS CLK which presents the MIDI clock from the MASTER module) and divides it to musical clock dividers, selectable from 1/2... 1/32.

Additionally, a second output provides the dotted or triplet clock of the selected divider value.
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coming soon $25.17
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Tangible Waves AE Modular DELAY Lofi Type Mono Delay Module
Cat: 719659
 
Mono delay module
Notes: This module is a standard mono delay with the usual parameters:

- Delay time
- Feedback
- Dry/wet mix

It sounds not as clean and polished as a usual digital delay but has quite a character on its own. High feedback settings allow endless and distorting loops.

(For the techies: It is based on the well-known PT2399 chip.)
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coming soon $34.70
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Tangible Waves AE Modular DIVIDER Binary Divider Module
Cat: 719661
 
Binary divider for incoming signals
Notes: A binary divider for incoming signals. It can be used either for dividing clock signals (e.g. from an LFO, BEATDIVIDER) by 2 / 4 / 8... 128 for rhythmical purposes but also for audio signals - in this case you get subharmonics/lower octaves squarewaves at the outputs, which can be mixed or used separately.

The reset input resets all output signals; in case of audio signals this can get quite unique, ringmodulator-like sounds.
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coming soon $34.70
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Tangible Waves AE Modular FILTER Wasp Type Filter Module
Notes: This filter module is a variant of the Wasp filter, a quite strange circuit used first in the EDP Wasp synth end of the seventies, which abuses digital chips in an analogue way leading to the characteristic sound of this filter type. In this module, vactrols are used for controlling the filter frequency.
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coming soon $36.02
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Tangible Waves AE Modular HPAMP Stereo Headphone Amplifier Module
Cat: 719658
 
Stereo headphone amplifier
Notes: A stereo headphone amplifier for AE modular.

It has separate left/right inputs; via a switch it can be set to mono operation (only left input is used). One common volume control for both outputs.

Two headphones can be attached via 3.5mm stereo minijack sockets.
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coming soon $34.96
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Tangible Waves AE Modular LFO Module
Cat: 719694
 
LFO module
Notes: The LFO module generates modulation voltages mostly below the audio range; this module offers:

- PWM modulation for the Pulse out
- RATE knob for controlling the frequency
- SLOW/FAST switch for two frequency ranges; with FAST the rate can go into the lower audio range
- Triangle/Sawtooth switch; changes the waveform of the output
- PULSEWIDTH knob, this sets the pulsewidth of the according output
- Control LED for sawtooth/triangle and for pulse
- Three separate output signals: Square (even duty cycle), TRIANGLE/Sawtooth, Pulse
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coming soon TBA
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Tangible Waves AE Modular LOGIC Dual NAND, AND, XOR Inverter Module
Cat: 719682
 
Dual NAND, AND, XOR inverter
Notes: The LOGIC module combines two inputs by different logical rules (AND, NAND, XOR). This can be used either for operations on trigger/gate signals (let gate signals pass depending on other signals, invert them depending on the other input etc.), or for audio signals, where you get ringmodulator-like sounds when feeding two different oscillator frequencies.
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coming soon $22.78
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Tangible Waves AE Modular LOPAG Vactrol Lowpass Gate Module
Cat: 719685
 
Lowpass gate module for AE modular
Notes: The LOPAG is the lowpass gate module for AE. It is based on a Vactrol (like all good lowpass gates) and has two inputs: IN (audio signal) and TRIG. A pulse on the TRIG input opens the signal path shortly and via the characteristics of the Vactrol the audio signal is filtered and attenuated in a plucked, percussive way. Additional GATE and CV inputs allow more control over the way the module works.
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coming soon $33.38
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Tangible Waves AE Modular Master I/O Module
Cat: 719648
 
Master I/O module
Notes: The MASTER module is the base of every AE modular system - it contains;

- The voltage regulation (5V) for the power supply of the modules
- MIDI input (minijack; Breakout cable to DIN-5 socket is available separately)
- In/out-sockets (3.5mm minijack) for audio out and/or interfacing with a Eurorack system
- All bus signals (CV, GATE, CTRL, MIDI clock/start/stop) as patch sockets

The power supply is a 9V DC adapter; it can be connected either at the side or on the top of the module.
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coming soon $52.97
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Tangible Waves AE Modular MIXER 4-4 Quad Mixer Module
Cat: 719678
 
Audio mixer with 4 inputs
Notes: This module consists of an audio mixer with 4 inputs and their level knobs, plus an additional 4 separate inputs that are mixed at full level (especially for mixing CV signals), and a separate output.
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coming soon $25.17
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Tangible Waves AE Modular MULTIFX Stereo Digital FX Module
Cat: 719655
 
High quality stereo digital FX for AE modular
Notes: The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.

Each program has 3 parameters that can be adjusted and additionally be CV-controlled.

With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.

It is based on the FV-1 DSP chip that is well-known from other FX-modules in the Eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by Tangible Waves.
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coming soon $105.95
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Tangible Waves AE Modular NOISE Analogue & Digital Noise Module
Notes: Analogue & Digital Noise Module.

- The A output generates analogue noise (technically, a fluctuating voltage between about 1...4V)
- The D output generates digital noise, which is a random changing 0V / 5V

The RATE knob controls the colour of the noise, which goes from almost white noise on A output and knob fully clockwise to a rather harsh and digital sound on D output and RATE counter-clockwise.
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coming soon $23.84
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Tangible Waves AE Modular NYLE FILTER Steiner Type Filter Module
Cat: 719683
 
Steiner filter for AE modular
Notes: The NYLE FILTER is an adaption of the Steiner Filter for the AE modular palette. It contains the classic filter curves lowpass/highpass/bandpass with adjustable filter frequency and resonance. The unique feature of this filter type is, that there are separate inputs for lowpass/highpass/bandpass (not separate outputs as with other filters). This allows quite unusual sounds, if different signals are fed into the different inputs.

Each input has its own attenuator; for frequency CV control there are two inputs with individual attenuators. Additionally, the resonance can also be CV controlled!

The sound goes from quite soft filtering with low resonance setting to a quite intense resonance peak to full self-resonance.
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coming soon $51.91
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Tangible Waves AE Modular RACKLINK 2 x Module Kit (connect 2 AE cases using RACKLINK)
Cat: 719690
 
2 x Eurorack modules + cable
Notes: Connect two AE cases with RACKLINK!

The RACKLINK is a module for connecting two AE cases; the kit contains of 2 identical modules and a connector cable (length 50 cm). The modules are placed in both cases and are connected by the cable.

By this, you get the following:

The second case is powered by the first one

All bus lines (CV, GATE, CONTROL, MIDI clock/start/stop) are connected to the second case

Additionally, there are 8 connections that can be freely used; so it is not necessary to have connections between two cases. E.g. the second rack can run a patch for a drone sound, the output is then sent via Racklink line 1 to the first rack and here patched to a mixer, via line 2 the second rack can receive a modulation signal from the first one. The lines are bi-directional!
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coming soon TBA
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Tangible Waves AE Modular SEQ16 Analogue 16 Step CV Sequencer Module
Cat: 719650
 
Analogue 16-step CV sequencer
Notes: The SEQ16 is a 16-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ16 has 5 knobs for pre-setting different CV's (= notes); each of the 16 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

An additional feature is "accent"; this can be set for each step by turning the knob fully clockwise. If a step is set to "accent", a separate trigger output is set and also a gate repeat for the regular gate output can be selected (from one to eight repeats).
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coming soon $81.58
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Tangible Waves AE Modular Spring Reverb Module (module only - spring tank not included)
Notes: Unique, vintage reverb sound.

The SPRINGREVERB module brings the unique sound of this quite old (introduced in the 60's) technique for creating reverbs to the AE modular.

IMPORTANT NOTE: This is only the module without spring tank and connection cable; with this module alone, you get no reverb. This is for users who want to use their own spring tanks.
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coming soon $37.07
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Tangible Waves AE Modular SVFILTER State Variable Filter Module
Cat: 719656
 
State variable filter
Notes: ThisThis filter module is a classic state variable filter.

It offers the control knobs cut-off frequency, resonance and CV attenuator; two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter this filter has a significant self-resonance and also a very quick response to cut-off frequency changes.

Three different outputs provide lowpass, bandpass and high-pass output.
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coming soon $34.96
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Tangible Waves AE Modular TRIQ164 Trigger Sequencer Module
Cat: 719652
 
4-track, 16-step trigger sequencer
Notes: TRIQ164 is a 4-track, 16-step trigger sequencer.

Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.

For each step in each track a "repeat" can be activated, resulting in repeated triggers within one step. The number of repeats can be selected from one to eight by the REPEAT knob. Additionally, the repeat count can be CV controlled by the REPEAT CV input.

The inputs MUTE 1/2 allow to mute the outputs 1 and 2 by an external signal (e.g. for muting a kick drum)

Each of the 16 steps has a separate trigger output for additional control for certain steps or limiting the sequence length by connecting one of the outputs to the RESET input.

Use it for any kind of rhythmical patterns, typically for triggering drum sounds or envelope generator!

No, it has no pattern load/save features; this will be part of a future, much more complex sequencer. TRIQ164 is designed as improved replacement for the STEP10.

Width: 2U
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coming soon $52.97
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Tangible Waves AE Modular USBPOWER Triple USB Power Output Socket Module
Cat: 719700
 
Three USB power output sockets
Notes: Each of the three USB-A sockets on the USBPOWER module can be used to charge your mobile phone, connect a USB lamp or supply power to any other USB device. Furthermore, the output socket provides +5V and ground to supply e.g. DIY circuits on a breadboard.

Please note: This is only a power source via USB sockets; no USB data communication is possible here.

Includes additional USB lamp!
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coming soon TBA
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Tangible Waves AE Modular VCO Module
Cat: 719693
 
Classic VCO for AE modular
Notes: The VCO module is a "classic" VCO featuring:

- Two CV inputs 1V/octave
- MODulation input with Level-knob, switchable to frequency or pulsewidth
- PWM input
- Coarse/Fine knob for frequency
- Pulsewidth knob for squarewave
- Square/Triangle/Sawtooth output

The module works well if you need an oscillator for primary musical/melodic use.
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coming soon TBA
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Tangible Waves AE Modular WAVEFOLDER Module
Cat: 719686
 
Classic wavefolder for the AE system
Notes: This module is based on a design used also by Ken Stone for his CGS system; the original circuit dates back to a publication from 1973.

Basically, the WAVEFOLDER clips and folds the incoming waveform; usually, waveforms with little overtones (like triangle or sinewaves) are used as input. In general, by the clipping and folding, the signal enriches the input signal with more overtones.
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coming soon $30.72
Cat: 595782 Rel: 19 Jan 16
 
Percussion module based on sounds from a classic 909 - 8HP wide
Notes: Tiptop Audio Cymbal 909

The module was designed, tuned and tested to sound like the crash and ride sounds from a 909 fresh off the factory line. The sound circuits use a combination of low-fi 6 bit sound samples that pass through a series of analog elements that provide envelope and filtering to the source sound.
TipTop Audio enhanced the circuits by adding manual and voltage controllable tuning to each voice which result in a wide sound range: from hard industrial sound at the low end to the original crash/ride sounds to brilliant HihHts at high settings.

Like other TipTop drum voices also the Cymbl909 has high output level, allowing you to further enhance the sound by distortion and clipping. Play dynamically with the volume of the drum sounds with the Accent parameter, whose CV input is normalized to the gate input. Which means you just need to turn up the accent knob to play the sound with full punch.

Crash: tune CV input; gate input, normalized to accent CV input; Crash audio output
Ride: tune CV input; gate input, normalized to accent CV input; Ride audio output

60 mA +12V
40 mA -12V
0 mA 5V
8HP
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 2 in stock $156.81
Cat: 683513 Rel: 09 Apr 18
 
Sample library for the Tiptop Audio One by Joseph Fraioli aka Datach'i
Notes: Tiptop Audio and award winning sound designer/electronic music artist Joseph Fraioli AKA Datach'i come together in the form of the new Datach'i One card. The card, to be used exclusively in the Tiptop ONE Sample Player, contains 187 unique sounds ranging from organic recorded elements and electronic percussion to dramatic gestures, ambiences and melodic sequences. Created with field recordings, the Eurorack modular synthesizer, Symbolic Sound Kyma system and boutique electro acoustic instruments, all sounds were recorded at 24 bit/96k quality for maximum resolution in pitch control while maintaining latencies of as low as 0.25 ms.
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 1 in stock $27.28
Cat: 646204 Rel: 30 May 17
 
Wave multiplier & sub-octave generator - 12HP
Notes: The Fold Processor is a voltage controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from the standard sine, triangle, sawtooth and square waves, has a dedicated output jack and CV input with an attenuator making it very easy to create beautifully animated folding sounds. Adjustable voltage controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.
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 2 in stock $131.38
Cat: 595778 Rel: 19 Jan 16
 
Reverb Z-DSP cartridge featuring a collection of 8 Voltage-Controlled reverb algorithms for the Tiptop Audio Z-DSP module
Notes: The Tiptop Audio and Valhalla DSP 'Halls Of Valhalla' is a reverb Z-DSP cartridge featuring a collection of 8 Voltage-Controlled reverb algorithms for the Tiptop Audio Z-DSP module.

The cartridge contains 8 original reverb algorithms, custom designed for the Z-DSP and the Eurorack environment. Voltage-control over reverb decay, tone, and modulation allows the user to create reverbs ranging from small rooms to large halls to near-infinite decays. The reverbs in the Halls Of Valhalla are arranged in order of perceived size, from small to big to huge to uncomfortably enormous!

The Halls Of Valhalla brings the artifacts of fixed point digital signal processing to the forefront, resulting in a thickness and warmth that evokes the classic digital gear of the 1970s through the early 1990s. The goal of the algorithms is not to evoke physical environments, but rather to create unreal spaces that range from subtle to bombastic, from light to dark, with a lushness that turns simple input sounds into rich orchestral washes. The Halls Of Valhalla brings the Valhalla DSP aesthetics into the hardware world: Minimalist interface, Maximalist sound.

Features:
Program 1: Room
Program 2: Chamber
Program 3: Plate
Program 4: EnsembleVerb
Program 5: Cathedral
Program 6: Nilfheim
Program 7: Asgard
Program 8: Ginnungagap
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 2 in stock $51.92
Tiptop Audio Happy Ending Kit (black) (modular synth starter kit)
Cat: 590437 Rel: 10 Nov 15
 
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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 1 in stock $140.91
Tiptop Audio Happy Ending Kit (silver) (modular synth starter kit)
Cat: 590438 Rel: 10 Nov 15
 
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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 4 in stock $140.91
Cat: 590419 Rel: 09 Nov 15
 
Hi-hat percussion synth module made from the legendary TR-808's closed & open hi-hat circuits - 8HP wide
Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 2 in stock $143.03
Cat: 590435 Rel: 09 Nov 15
 
Percussion synth module with TR-909's original closed and open hi-hats circuits adapted for use in Eurorack modular synthesiser format - 8HP wide
Notes: Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provides anything from crushed hats and short ticks to the original sound and anything in between. A modulation switch allows you to tap a voltage control to either the tune input or the internal VCA for modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.
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 2 in stock $167.40
Cat: 708032 Rel: 29 Oct 18
 
Seven channel mixer with classic analogue sound - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 3 in stock $88.99
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Cat: 718720 Rel: 29 Oct 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 1 in stock $86.81
Cat: 641102 Rel: 27 Feb 17
 
24bit, 96k 4HP mono sample player
Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.
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 2 in stock $154.69
Cat: 634778 Rel: 06 Feb 17
 
Digital processor with high precision analog CV circuitry
Notes: QuantiZer is a creative melody composing module that uses cutting edge analog electronics and DSP to tune analog VCOs precisely into Western musical scales. The front panel is packed with functions that makes it very playable and intuitive to use, with a layout that moves forward from the typical quantizer design. At its centre is a slider that can be set to play notes, add Portamento to an incoming sequence, transpose a sequence with in an octave range or transpose a sequence within 5 octave range. The 12 note keyboard can be set to play notes manually, add and subtract notes from scales, transpose a sequence as well as setup a variety of settings that define the quantizer behaviour and sync with other modules.

Major and Minor keys are both built in to let you switch scales in a very playable way, making it pretty easy to explore musical progression. There are also 24 user scales ready to be filled up with your own custom scales. A built in sketch pad records and plays back keys entered manually on the keyboard and slider in sync with external clock and reset signal, or Tiptop's SyncBus which chains the QuantiZer recording function to the Circadian Rhythms time line for precise recording and playback. Scale CV in can be set to switch between changing scales or transposing pitches using CV from sequencers. Quantization can be set for free run or Trigger mode for even more interesting ways to interact with external sequencers.

Quantizer sets a new performance standard for Eurorack that offers incredibly stable CV quantization minimizing glitches on input, utilizes high precision temperature compensated 1V/Oct CV generation on output and features stunning conversion latency of less than half a millisecond. QuantiZer can be set to process a wide variety of CV voltage input ranges, +/-5V CV from LFOs, bi-polar envelopes and such, or 0-10V / 0-5V standard CV from sequencers. Continuing the tradition of advanced Tiptop digital modules, the QuantiZer Firmware running the digital brain is upgradeable via a USB thumb drive interface at its back allowing for continuous improvement and fine tuning of function and stability over time.
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 1 in stock $252.18
Cat: 590417 Rel: 09 Nov 15
 
Snare drum module made from the TR808's circuit adapted for Eurorack use - 4HP wide
Notes: Introducing the SD808, part of our new series of drum modules that brings analog percussion to the modular synth world, instantly turning your system into a self-contained music machine.

The SD808 is the TR-808's analog snare drum circuit adapted for use in Eurorack modular synthesizer format and was designed to sound like a fresh-out-of-the-box, 1980s TR-808 snare. Adapting the circuit to the modular format has allowed us to add special features like independent accent levels, a high-powered gain stage, a dual-input pulse-shaper, and an adjustable noise source - all without compromising the signature sound of the TR-808 snare drum.

The SD808 sounds tight and extremely snappy because it's analog - the real thing, not samples. The sound is made with three analog sound generators mixed together: two oscillating sine waves and a noise source. The SD808's front panel controls have a lot of sweet spots with sounds that are not just limited to snare drum sounds; it can also create other electronic percussive elements.

The noise source generator in the original TR-808 machines were revised in later production batches, resulting in variations in sound across the production run. The SD808 uses this later, revised circuit to create a snare drum hit that is slightly darker, has more body, and is more realistic. Just like other drums in this series, the SD808 includes a high-powered output gain stage capable of producing signals up to 20Vpp, allowing you to get an array of harmonized snare drums sounds with even tighter attacks. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the SD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 1 in stock $108.07
Cat: 658617 Rel: 13 Sep 17
 
Snare drum module in Eurorack format - 8HP
Notes: The SD909 adapts the iconic TR-909 snare drum and noise generator for use in the Eurorack modular synthesizer format. We painstakingly tested the module in our lab to sound like a fresh machine coming off of the assembly line back in the 80s. On top of the original circuit, we have added new features that expand the palette of what can be produced with this analog circuit.

The sound of the SD909 consists of two main sections: the binary noise generator and two modulated triangle oscillators. The oscillators provide the low end punch while the noise makes up the upper sonic spectrum, resulting in a combination that makes the 909 snare sound so rich. In the SD909 module the noise generator and oscillators are variable and voltage controlled, which pushes the circuit beyond its original boundaries offering new sounds as well as many variations of the original tone. The panel has markings to guide setting the knobs to reproduce the snare sound of the vintage machine.

Just like the other drums in this series, the SD909’s high-powered output gain stage allows further enhancement of the sound through distortion and clipping. We have designed a dual pulse-shaper circuit on each gate input so you can trigger your SD909 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. Also, the SD909 is equipped with access to the MIXZ MixBus matching the rest of the Tiptop line of percussive modules.
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 2 in stock $160.26
Cat: 693138 Rel: 02 Jul 18
 
FX expansion card bundle for ZDSP digital effects processor
Notes: The Time Domain Bundle is all about rich delay effects. The package consists of three Z-DSP cards with eight algorithms each. Modulated Delays specializes in animated echo programs, which can be used to create, for instance, diffusion, chorus or pan effects. Hydra provides multi-tap algorithms. These can be used to generate rhythmical delays. Spiral combines a pitch shifter and a multi-tap echo to create atmospheric to slightly psychedelic effects.

Mod Delay:

Modulated Delays brings various forms of animation to the delay lines. These types of algorithms further extend the signal path of delay effects with extra processing and routing of the audio signal. The sonic results put the Mod Delay effects in a category of their own.

Each program adds different processing like diffusion, chorus, panning and other modulation to the basic mono or dual delay line structure. The two Modulator programs are intended for use with external CV - opening up vast modulation possibilities of the modular synthesiser. Each card comes loaded with 8 presets.

Hydra:

Hydra is the multi-armed DSP creature tapping its tentacles into a buffered delay line and creating a range of multi-tap delay rhythmic and spatial effects. The Spread parameter sweeping through rhythmic variations allowing some of the programs bridge the gap between single delays and reverbs by using diffusion while others use taps to create rhythmic patterns.

The basic Hydra algorithm sums the inputs to mono and writes the signal to a single delay line. Multiple output taps are taken from the delay line and spread across the stereo outputs. Each program adds additional features like panning, filtering, pitch shifting and/or diffusion to create a unique Z-DSP Hydra experience. The last two programs add external Clock input for more precise sync to the beat.

Spirals:

Spirals is a pitch and multi-tap delay card for the Z-DSP. This card uses numerous multi-tap delay techniques in combination with dual pitch shifters to create a wide range of harmonizing choruses, echo and harmonic reverb sounds. Programs on this card derive from the complex algorithms found on high-end studio effects processors, which, while powerful, have a complex editing process. On the Z-DSP all of the power of the internal code is controlled by three simple adjustments for sculpting the sound - making the experience more about performance and live tweaking rather than navigating through dozens of menu pages.
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 4 in stock $74.17
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Cat: 590408 Rel: 19 Jan 16
 
Trigger sequencer
Notes: From a conceptual view, the Trigger Riot generates 16 clock streams consisting of multiple time manipulation functions (division, offsets, etc) that interact to create the trigger output, and direct access to each parameter via individual knobs allows for quick manipulation. The 8 outputs are the sum of those manipulated streams per row. The outputs of the module are arranged as either a 4x4 matrix, where each of the 16 knobs affects both row and column, or as a set of independent outputs for each row or column. This allows forming 8 complex musical interactions in a 'Matrix' mode or 8 independent streams in 'Independent' mode and is switchable from one to the other on press of a button for some unexpected results.

Since each of the 16 knobs represents a real time tweakable trigger generator/modifier the Trigger Riot is extremely playable and can result very complex patterns with only few knob turns; patterns that would otherwise take much longer and in some instances be almost impossible to produce using grid based step sequencing. Patterns can have unique time signatures that can repeat or be randomized through probability, time shifted and phased, divided, multiplied and counted, it's unbelievable how complex this module can get with minimal input.
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 1 in stock $411.11
Cat: 595826 Rel: 19 Jan 16
 
4HP power supply module for Eurorack format systems
Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
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 3 in stock $88.79
Cat: 601462 Rel: 05 Apr 16
 
Reverb cartridge for TipTop Audio Z-DSP with 8 original algorithms
Notes: The Z-DSP Shimmer cartridge has 8 original algorithms, designed to combine lush reverberation with multiple voices of pitch shifting, to create ethereal pads, rich chordal textures, dissonant clouds of sound, and a variety of other sounds that are perfect for electronic music. The algorithms are customized to work with the Tiptop Audio Z-DSP Eurorack module.

There are 6 reverb algorithms in the Z-DSP Shimmer cart, arranged in order of complexity:
- Fast Shimmer: A modulated reverb that quickly decays away into an endlessly pitch shifting tail. The shift interval can be set between +/- 12 semitones. Perfect for that classic "octave up" shimmer sound.
- Slow Shimmer: Similar to Fast Shimmer, but with a much slower attack.
- Dual Shimmer: Two pitch shifted voices, embedded within a larger modulated reverb network, shifting the reverb decay in both positive and negative directions. Try slowly sweeping the Shift control in this mode for ridiculously cinematic sounds.
- Triple Shimmer: Two pitch shifted voices embedded within the reverb decay network, plus a third voice external to the network. This allows the user to have a reverb with +12 and -12 semitones of feedback, plus a stable +7 semitones voice without feedback.
- Quad Shimmer: Four pitch shifted voices feeding into a lush modulated reverb. This allows for a variety of dissonant and consonant chordal textures, with the max Shift setting corresponding to a rich major chord.
- ClusterVerb: Four pitch shifted voices embedded within the feedback network of a modulated reverb. The result quickly becomes dissonant or metallic. Perfect for insta-Ligeti, or Penderecki In A Box.

In addition, the Z-DSP Shimmer cart features 2 special effects algorithms:
- Quad Detune: 4 short pitch shifted delays, feeding back on each other. A variety of chorus, detuned, and dissonant effects can be obtained through this mode. Turn up the Feedback for maximum fun.
- PitchEcho: A single pitch shifting voice, combined with a tape echo emulation = sound mangling joy. Turn up the feedback for barberpole self-oscillation, and sweep the decay time for all sorts of swoopy glitches.
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 2 in stock $65.68
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