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Cat: 754479 Rel: 05 Dec 19
 
Innovative 3-way studio monitor, featuring the same woofer & tweeter as Kali's celebrated LP-8
Notes: Big and powerful nearfield monitors from the California brand. Tri-amped three-way design with an 8-inch bass driver for serious bass power. Hugely impressive and reasonably priced.

Supplier's notes:
Kali's IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage:

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali's celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

Imaging:

We know. We keep harping on about the "hyper-realistic" imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic centre, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

Clarity:

The IN-8's total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.

The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimetre peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
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 6 in stock $354.43
Cat: 761512 Rel: 05 Dec 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Big and powerful nearfield monitors from the California brand. Tri-amped three-way design with an 8-inch bass driver for serious bass power. Hugely impressive and reasonably priced.

Supplier's notes:
Kali's IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage:

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali's celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

Imaging:

We know. We keep harping on about the "hyper-realistic" imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic centre, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

Clarity:

The IN-8's total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.

The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimetre peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
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 2 in stock $341.47
Cat: 754475 Rel: 31 Oct 19
 
LP6 powered studio monitor
Notes: Kali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
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 4 in stock $166.34
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quote 754475
Cat: 754477 Rel: 31 Oct 19
 
LP8 powered studio monitor
Notes: Weighty sound from the California brand's 8-inch studio monitors. Clear, revealing sound with particularly good high-end detail thanks to the waveguide and 1-inch soft dome tweeter.

Supplier's notes:
Kali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
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 2 in stock $243.53
Cat: 746019 Rel: 09 Dec 19
 
3.5" powered studio monitors with Bluetooth
Notes: Cracking value for money from the baby PreSonus model. Similar technology to the more expensive Eris monitors but refined into a compact, affordable package

Suppliers notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E3.5 BT's 3.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E3.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E3.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content, with no wires except power cables. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E3.5 BT has you covered with rear-panel, left and right 14-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E3.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E3.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.
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MRP:$150.04 SAVE 21%
 2 in stock $118.51
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quote 746019
Cat: 746023 Rel: 09 Dec 19
 
4.5" powered studio monitors with Bluetooth
Notes: Really great value monitors from PreSonus, packing a punch from 4.5-inch woofers despite their compact overall dimensions. Bluetooth connectivity for added versatility.

Supplier's notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E4.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E4.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E4.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content wirelessly. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E4.5 BT has you covered with rear-panel, left and right 1/4-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E4.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E4.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.
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MRP:$267.46 SAVE 22%
 1 in stock $207.66
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quote 746023
Cat: 736452 Rel: 21 Aug 19
 
Single 2-way active studio monitor with wave guide
Notes: With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris-series studio monitors have been a runaway hit since their introduction. The Eris E5 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

Studio speakers with a wide sweet spot:

We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modelled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It's ideal for group listening and collaboration - while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.

Lows that go lower:

The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E5 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 48 Hz. That's 10 Hz below previous models - with no subwoofer required!

Set up your studio monitors for your room:

We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E5 XT perfectly for your room - you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Studio monitor connections:

It's easy to feed audio to your Eris E5 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 XT monitors provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. You'll have no problem hooking your Eris speakers up to virtually anything.

Accuracy defined:

Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It's Eris, remastered.
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 3 in stock $135.09
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quote 736452
Cat: 736453 Rel: 21 Aug 19
 
Single 2-Way active studio monitor with wave guide
Notes: Updated version of the hugely popular E8. Reshaped waveguide gives a broader sweet spot, while new bass drivers extend the bottom end. The originals were already great value - these are even better.

Supplier notes:
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris-series studio monitors have been a runaway hit since their introduction. The Eris E8 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

Studio speaker with a wide sweet spot:

We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modelled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It's ideal for group listening and collaboration - while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.

Lows that go lower:

The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E8 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 35 Hz. That's 10 Hz below previous models - with no subwoofer required!

Set up your studio monitors for your room:

We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E8 XT perfectly for your room - you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Studio monitor connections:

It's easy to feed audio to your Eris E8 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 XT monitors provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. You'll have no problem hooking your Eris speakers up to virtually anything.

Accuracy defined:

Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It's Eris, remastered.
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 2 in stock $216.36
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quote 736453
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