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Cat: 568704 Rel: 30 Mar 15
 
Rackmountable audio/MIDI recording interface with Thunderbolt connectivity, with 18 inputs and 20 outputs
Notes: The rack-montable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, as well as 10 digital inputs and ouputs (in both S/PDIF and ADAT Optical formats), plus Word Clock and MIDI I/O.

Wheter you want to record large multi-channel 24-bit/192k sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take advantage of today's latest technology.

With 8 analog inputs and additional digital options, the TAC-8 allows you to record what you want, when you want. Record drums, bass, guitar, and vocals all at once, or go big with a 8 mic drum setup: or anything inbetween. Thunderbolt speeds will ensure you won't have to deal with latency issues. The software mixer and output options let you customize your session to your needs.

The TAC-8 allows you to use your laptop onstage with high quality sound. Simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TRS outputs to your mixing board or PA system. Whether you're a one-man band with an epic onstage rig or your TAC-8 + computer is the central hub for a band leveraging software effects and instruments, with 10 analog outs you can customize your rig to your needs.

Thunderbolt technology opens up new doors for audio engineers. With Thunderbolt, the TAC-8 provides 8 high-quality analog inputs, as well as up to 10 additional digital input options, at near-zero latency speeds. This gives creators of all kinds the best technology available in an easy to use interface, taking their work to new heights.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits-per-second, which means virtually no latency. Thunderbolt interfaces such as the TAC-8 are also unaffected by computer jitter (slight variations in timing).

The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals. Inputs 1 and 2 can also accept instrument-level signal from guitars and basses. Dedicated input gain controls and Clip LED's make it easy to set optimum input levels, and the selectable multi-channel Phantom Power feature allows for the use of condenser microphones.

Dual balanced analog TRS output jacks enable you to connect the TAC-8 to amplifiers or self-powered speakers, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices.

A large front-panel Output knob offers fast control of main output level, and there are two independent 1/4" stereo headphone jacks, each with its own dedicated volume control for private monitoring.

ADAT and S/PDIF digital inputs/outputs allow for the use of up to 10 inputs from external interfaces as well as 10 outputs, providing a combined total of 18 inputs and 20 outputs through the TAC-8 device. Built-in Word Clock allows for syncing between devices, and MIDI In/Out allow electronic keyboards, sequencers, and drum machines to be connected through the TAC-8. Thunderbolt speeds ensure precise audio and MIDI sync.

In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer.

The TAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-8 processes the signal at high resolution 176.4kHz or 192kHz respectively. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

TAC-8 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-8. It provides a comprehensive onscreen mixer, with independent level, phase reversal, and panning control for each channel. TAC-8 MixEfx also allows you to freely route all inputs to all outputs and to create custom mixes for each pair of outputs. In addition, a variety of reverb and echo effects can be used as a send/return effect. Complete mixes can then be stored in three different memory slots, allowing instant total recall.
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 1 in stock $554.50
Cat: 612033 Rel: 09 May 16
 
***B-STOCK: Box opened, product unused***
Notes: The rack-montable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, as well as 10 digital inputs and ouputs (in both S/PDIF and ADAT Optical formats), plus Word Clock and MIDI I/O.

Wheter you want to record large multi-channel 24-bit/192k sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take advantage of today's latest technology.

With 8 analog inputs and additional digital options, the TAC-8 allows you to record what you want, when you want. Record drums, bass, guitar, and vocals all at once, or go big with a 8 mic drum setup: or anything inbetween. Thunderbolt speeds will ensure you won't have to deal with latency issues. The software mixer and output options let you customize your session to your needs.

The TAC-8 allows you to use your laptop onstage with high quality sound. Simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TRS outputs to your mixing board or PA system. Whether you're a one-man band with an epic onstage rig or your TAC-8 + computer is the central hub for a band leveraging software effects and instruments, with 10 analog outs you can customize your rig to your needs.

Thunderbolt technology opens up new doors for audio engineers. With Thunderbolt, the TAC-8 provides 8 high-quality analog inputs, as well as up to 10 additional digital input options, at near-zero latency speeds. This gives creators of all kinds the best technology available in an easy to use interface, taking their work to new heights.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits-per-second, which means virtually no latency. Thunderbolt interfaces such as the TAC-8 are also unaffected by computer jitter (slight variations in timing).

The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals. Inputs 1 and 2 can also accept instrument-level signal from guitars and basses. Dedicated input gain controls and Clip LED's make it easy to set optimum input levels, and the selectable multi-channel Phantom Power feature allows for the use of condenser microphones.

Dual balanced analog TRS output jacks enable you to connect the TAC-8 to amplifiers or self-powered speakers, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices.

A large front-panel Output knob offers fast control of main output level, and there are two independent 1/4" stereo headphone jacks, each with its own dedicated volume control for private monitoring.

ADAT and S/PDIF digital inputs/outputs allow for the use of up to 10 inputs from external interfaces as well as 10 outputs, providing a combined total of 18 inputs and 20 outputs through the TAC-8 device. Built-in Word Clock allows for syncing between devices, and MIDI In/Out allow electronic keyboards, sequencers, and drum machines to be connected through the TAC-8. Thunderbolt speeds ensure precise audio and MIDI sync.

In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer.

The TAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-8 processes the signal at high resolution 176.4kHz or 192kHz respectively. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

TAC-8 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-8. It provides a comprehensive onscreen mixer, with independent level, phase reversal, and panning control for each channel. TAC-8 MixEfx also allows you to freely route all inputs to all outputs and to create custom mixes for each pair of outputs. In addition, a variety of reverb and echo effects can be used as a send/return effect. Complete mixes can then be stored in three different memory slots, allowing instant total recall.
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 1 in stock $442.49
Cat: 608753 Rel: 03 Oct 16
 
Compact multi-channel and stereo USB audio interface for PC/Mac/iPad with 2 inputs & 4 outputs
Notes: The U-24 is a compact, 2-in/4-out audio interface that provides all of the essential tools you need for recording and performing with high resolution, 24-bit/96 kHz audio - anywhere you go. Get incredible sound quality thanks to high-quality, low-noise preamps - the same ones found on the acclaimed H5 and H6 Handy Recorders. Connect to your PC, Mac, or iPad via USB and record mics, instruments, and more. The U-24 delivers the same great sound as our U-44 interface, with a more streamlined feature set.

The Go-Everywhere Interface:
The bus-powered U-24 packs all the essential tools into a compact form factor that fits in the palm of your hand. Record with mics, instruments, and more at home or on the go - the U-24 is iPad* compatible and small enough to take anywhere. It can even run on just two AA batteries for recording in the most remote locations.
* Requires 2 AA batteries or optional AC adapter for power, plus an Apple iPad Camera Connection Kit or Lightning-to-USB Camera Adapter for connection to iPad.

Pristine Recording and Playback:
Inspired by our Zoom H-series recorders, the U-24 is equipped with high-performance, low-noise mic preamps (-119.5 dB EIN) that enable recording and playback at resolutions up to 24-bit/96 kHz. You can also use U-24 as a studio-quality headphone amp and listen to your favourite music in full fidelity.

Get Connected with the U-24:
The U-24 is equipped with an essential collection of inputs and outputs for streamlined recording. Two combo inputs with independent gain knobs and multi-colour level indicators allow you to connect mics, keyboards, mixers, and more. 48V phantom power can be supplied to both inputs, and input 1 supports Hi-Z for connecting guitars, basses, or other passive instruments. MIDI input and output jacks allow you to use devices like keyboards, controllers, synthesizers, and drum machines.
Separate TRS and RCA output jacks provide multiple options for connecting DJ mixers, monitors, and other gear. Finally, an independent headphone output with dedicated volume control gives you complete flexibility while monitoring.

Your Mix, Your Way:
The U-24 has flexible monitoring options for dialling in the perfect mix with zero latency. Balance the cue and main out signals when you're DJ'ing, or create a mix of click track and main out signals during live performances. Each connector and knob is strategically positioned for fast access, so you can set up and control the U-24 with ease.

Create More with Your U-24:
Includes Ableton Live 9 Lite - When you combine the U-24 with Ableton Live 9 Lite, you have everything the modern music creator needs. Record your tracks quickly and intuitively, enhancing them with studio-quality effects like EQ, compression, reverb, delay, chorus, filter, and more.
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 1 in stock $120.88
Cat: 615405 Rel: 31 Oct 16
 
Audio interface for iPad, Mac OS & Windows - includes free license for Cubasis LE
Notes: Music. There's an app for that:
Once viewed as a toe-tapping way to kill a few minutes of spare time, music apps for iPhone and iPad have matured into truly powerful outlets for creative expression. And with the TASCAM iXR, you can now seamlessly integrate your iOS device into your audio arsenal with all of the connectivity, quality and reliability your music demands. Uniquely designed to bring mobile devices into the world of professional audio, the iXR is a full featured iPhone/iPad/Mac/PC audio interface featuring direct connection to iPhone and iPad via the Lightning Connector, dual microphone preamps, MIDI in and out and balanced stereo outputs. Thinner than any other XLR-equipped audio interface on the market, this backpack-approved powerhouse unleashes the true potential of your smartphone or tablet.

The iPad takes centre stage:
Taking full advantage of the multi-touch screen and the built-in accelerometer, iOS app developers are constantly creating revolutionary musical instruments that marry gesture and sound generation like never before. And with the TASCAM iXR, these instruments can finally explore their full potential. No longer does the iPad wielding soloist need to rely on mini-plugs and adapters; the iXR makes a direct digital connection via the lightning port and uses professional quality digital to analog converters and balanced output to deliver a clean, clear signal to the recording or live sound engineer.

A recording studio at your fingertips:
Whether you're using a simple recording app like Garage Band, or working with a full-featured DAW, the TASCAM iXR can turn any location into a professional recording space. Sporting dual XLR 1/4" Combo jacks and TASCAM's unique HDDA microphone preamps, iXR allows you to easily connect any guitar, bass, keyboard or studio microphone with stellar results, which seamlessly combine with virtual instruments performed by your iPhone or iPad. Add in latency-free monitoring, a powerful headphone amp and balanced stereo outputs and you have a truly pro-quality recording rig that can easily fit into any messenger bag or backpack. And when you get home, iXR connects directly to your Mac or PC to deliver the quality and reliability that you've come to expect from a TASCAM audio interface.

It's all about your jam:
Turn any room into a personal Karaoke club with the TASCAM iXR. With over 100 Karaoke apps and thousands of songs available, the iPad is the perfect sing-along band leader. And with iXR, you'll be up and crooning in moments. Plug in your microphones, connect your iPad and stereo output to your PA or speaker system and you are good to go. All that's left to do is to pick out your favourite song and get ready to start signing autographs.

Everything you need:
The iXR includes a free license for Cubasis LE, a full-featured multitrack recording system for your iPad. Record vocals, play with software synthesizers, and mix with plug-in effects for a complete production all from your tablet. When you're ready to take your production to the next level, the iXR also includes Cubase LE for MacOS and Windows. Also available is the iXR TRACKPACK, which includes a TASCAM TM-60 microphone, desktop stand, cable, and vinyl protective cover for the iXR.
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 1 in stock $121.99
Tascam US 1x2 USB Audio Interface (USB audio interface)
Cat: 657211 Rel: 07 Aug 17
 
Compact, lightweight USB audio interface with High Definition Discrete Architecture microphone pre-amp
Notes: The US-1x2 is the ideal USB audio interface for entry-level users. It is small, lightweight and economically priced, but nevertheless of high quality. The model features one microphone and one line/instrument input and an RCA unbalanced stereo analogue input as well as an RCA unbalanced analogue output. It enables you to record or stream to the Internet vocals and a single instrument or a stereo source, or archive your cassette tape collection - at up to 96 kHz/24 bit using virtually any major DAW software or recording app under Windows, macOS or iOS.

The US-1x2 features a Tascam original ultra-HDDA mic preamp with very low input noise and a high gain range of 57 dB for dynamic mics as well as phantom power for condenser mics. Further features include latency-free direct monitoring, a headphones output with level control, stereo/mono input monitor modes and a mute switch on the software settings panel. A license for Cubase LE including Cubasis LE is also included. And - last but not least - the interface can be operated in standalone mode for practice sessions when used with an external power supply.

Vocal/instrument recording with outstanding performance:
A recording environment with low noise and great audio performance is a relevant factor for vocal and - in particular - wind instruments. The US-1x2 features an Ultra-HDDA microphone preamplifier with an EIN figure of -127 dBu. This very low noise level makes this interface the ideal tool for recording with condenser microphones. You can also plug in your electric guitar or bass directly using the line/instrument input and use plug-in effects on your computer recording (DAW) software. Or connect any instrument amplifier's line output to the line input of the US-1x2.

The US-1x2 is also a great tool for composing on the road. Combine it with an iPad and you can record your ideas with high quality wherever you go.

Even if you're not so familiar with recording equipment, the US-1x2's user-friendly design enables you to use it right away.

Perfect for music playback from your computer:
The US-1x2 can improve your sound when playing music from your computer. No matter if you create your own dance music using software synths and other plug-ins or if you play back commercial music on a birthday party - with its high audio quality and separate controls for headphones and line outputs (loudspeakers) the US-1x2 easily turns your computer into a good-sounding playback device.

You may have noticed that your sound system is not very loud when powered directly from a computer. When using the US-1x2 to feed your power amplifiers, its high line output level ensures you get the maximum power out of your sound system.

Ultra-HDDA Mic Preamps Provide Pristine Audio Quality:
Tascam Ultra-HDDA Mic PreampThe Ultra-HDDA (High Definition Discrete Architecture) mic preamps used on the US-1x2 feature a discrete construction. They have a higher number of components and are far away from mass-produced preamps. Their EIN (equivalent input noise) rating, which measures the absence of noise, is as low as -127 dBu. Including other specifications, the US-1x2 achieves a very high level of audio performance overall and a signal-to-noise ratio of 100 dB. Parts have been selected through listening tests for balanced audio performance and audio quality at a high level.

Tascam Ultra-HDDA Mic PreampHigh-Performance XLR Balanced Microphone Input:
The US-1x2 adds a balanced microphone input to your computer. Computers usually don't have such professional connectors but if you want to achieve studio sound there's no way without it. Balanced connections are less sensitive to interference caused by other electrical signals (from mains power cables, for instance). Also, balanced connections are required to provide phantom power to high-quality condenser microphones.

The XLR mic input on the US-1x2 can provide 48-volts phantom power to condenser mics and it offers enough gain (up to 57 dB) to cope even with less expensive dynamic mics.

Tascam Ultra-HDDA Mic PreampSecond Input For Instruments:
Unlike your computer, the US-1x2 offers an instrument input for direct connection of an electrical guitar or bass. This means you can record or stream your instrument without the need for an instrument amplifier. Use plug-in effects (available as an option) on your DAW software to create truly professional sounds.

Tascam Ultra-HDDA Mic PreampRCA Stereo Input For External Audio Devices:
You can also connect external equipment to the US-1x2 like a cassette deck, CD player or even your smartphone using a conversion cable. Why not archive your cassette tape collection to your computer? It's really simple. Or record or stream your keyboard performance in stereo.
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 1 in stock $106.45
Cat: 437520 Rel: 06 Feb 12
 
Mic & guitar interface for iPad/iPhone/iPod Touch
Notes: The Tascam iXZ iPhone Audio Interface turns your iPhone, iPad or iPod Touch into a recording studio.

To turn an iPhone into a portable practice, songwriting or live recording rig, it's tough to beat the Tascam iXZ. Plug in a microphone, guitar or bass to interact with the latest guitar amp, sampling, recording and DJ apps.

The Tascam iXZ provides phantom power for condenser microphones. An input setting sets the gain and there's a headphone output to monitor from your iOS device.

You can also use the Tascam iXZ for guitar practice, songwriting, rehearsal recording, Sound Effects collecting and many more.
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MRP:$65.21 SAVE 23%
 1 in stock $50.46
Cat: 554444 Rel: 09 Feb 15
 
Rackmountable USB audio/MIDI interface with ultra-HDDA (High Definition Discrete Architecture) mic preamps
Notes: The TASCAM US-16x08 captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring.

Built into the US-16x08 is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ and compression for polished-sounding monitor mixes. In addition to interface mode, the US-16x08 can be used stand alone as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel.

Whether using the ergonomically-designed angled desktop stand or mounting with the included rack ears, the US-16x08 includes analog I/O for almost any music recording application.

TASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding from any interface in their range. A gain range of 56dB makes them ideal for any type of mic - dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-16x08 makes your tracks sound like a record.

TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 100 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests.

The first two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. (Guitar effect plug-ins sold separately.)

The Ultra-HDDA mic preamps and line inputs offer 20dB of headroom for distortion-free recordings of percussive, high SPL instruments like drum tracks.

Eight XLR mic inputs and eight TRS inputs can be used simultaneously for 16-track live recordings. Capture every detail of live performances or rehearsals for later mixdown.

The eight XLR mic inputs have switchable +48V phantom power to use up to 8 condenser mics at the same time. The two front panel TRS line inputs are switchable between instrument level and line level input with adjustable gain. An additional six TRS line ins on the rear of the unit are switchable between -10dB and +4dB. All of the jacks support balanced or unbalanced 1/4" signals.

When powered on with out a USB connection, the US-16x08 functions as an 8-channel microphone preamp. Mics pass through the Ultra-HDDA preamps to the eight balanced line outputs on the rear panel. Use the interface to add additional high-quality mic inputs to a mixer an another audio interface.

Digital processing features like the DSP Monitor Mixer and advanced USB drivers make sessions with the US-16x08 comfortable for the musicians and engineer. The DSP Mixer includes processing for a polished-sounding headphone mix without latency delay from your DAW software, fueled by a Blackfin DSP processor. And new drivers, re-written from the ground up, provide beter compatibility and performance on Mac, Windows and iPad recording systems.

The converters and electronics on the US-16x08 allow you to record at audio resolutions up to 96kHz/24-bit for detailed acoustic productions. No matter what your session's sample rate is set for, the high-quality analog and digital design make your recordings sound their best.

The US-16x08 uses USB 2.0 to connect to your computer, found on nearly every computer manufactured in the last 10 years. Simply connect the interface to any available USB port. USB 2.0 provides plenty of data bandwidth, even when recording 16 channels at 96kHz/24-bit. The US-16x08 will also work with USB 3.0 jacks on your computer.

Powered by an Analog Devices BlackFin DSP processor, the US-16x08 includes an advanced digital mixer for monitor mixing. Each input includes 4-band EQ, a low-cut filer, and compressor. The DSP mixer can store up to 10 snapshots as scenes - making it easy to recall mixer settings. An additional tab opens a digital patchbay to route signals to any output.
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 1 in stock $246.20
Cat: 588489 Rel: 05 Oct 15
 
20-in/20-out USB 3.0 interface with mic pre and digital mixer modes
Notes: TASCAM's Celesonic US-20x20 packs 20 channels of analog and digital I/O into a single rackspace with great sounding preamps and USB 3.0/2.0 connectivity. Eight Ultra-HDDA microphone preamps provide 56dB of gain and high headroom to make microphones sound their best. Up to ten channels of digital I/O are included on ADAT and S/PDIF connectors, with word clock also provided for use with external clocks like TASCAM's CG-1000. MIDI I/O allows use with controllers and synthesizers, and sample rates up to 192kHz/24-bit are supported.

The TASCAM Celesonic US-20x20 is the first USB 3.0 interface to use class-compliant drivers for future-proof use with computers and tablets. A built-in DSP mixer includes parametric EQ and compression on every channel and a stereo reverb send for great-sounding monitor mixes. The DSP mixer can also be used as a live mixer or submixer with computer control. The US-20x20 has three operation modes - audio interface, digital mixer, and 8-channel digital mic preamp - for maximum flexibility.
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 1 in stock $432.37
Cat: 623478 Rel: 05 Sep 16
 
Professional quality audio interface with built-in microphone and effects
Notes: The TASCAM MiNiSTUDIO Personal US-32 features a built-in microphone and a combo XLR mic/balanced 14-inch TRS line input with high-quality mic preamp and 48V phantom power. A 1/8-inch input can connect to a smartphone, tablet, or other consumer audio device so you can fly in pre-recorded music and dialog. Separate headphone and headset/mic connections are also available.

You talkin' to me:
At the heart of every Podcast and online broadcast lies the desire to communicate. And more often than not, this communication takes the form of the human voice...and TASCAM knows a thing or two about recording the human voice. Central to the MiNiSTUDIO Personal is an XLR/combo mic/line connector and a professional quality microphone preamp. Built-in phantom power allows you to quickly and easily connect your favourite dynamic or condenser microphone...or not... For the ultimate in plug and play convenience, the MiNiSTUDIO Personal features a built-in microphone, so you're ready to talk the talk right out of the box. Simply press the ON AIR button and go to town. And to top it all off, the MiNiSTUDIO Personal features a 4-band parametric EQ, adjustable on-board compression and a digital reverb effect with a convenient front panel depth control.

Have an effect:
Designed to bring an extra dimension to your podcasts and live streaming, the TASCAM MiNiSTUDIO features three assignable PON sound effect buttons. Use the included bell, buzzer and applause effects or apply your own .wav or .mp3 files for a completely customized experience. You can also set each velocity sensitive PON button to act as a one-shot sound effect, to only play while you press or to loop as long as you hold the button down. Why should the morning DJ's have all the fun?

Find your voice:
Disguise your voice, fool your fans! Perhaps the most extreme feature of the MiNiSTUDIO Personal is the Voice Effects option. Simply pressing this innocent little button will instantly transform your voice in any one of a number of amazing and amusing ways. Pitch your voice up into cartoon mouse territory or pitch it down like you've joined the Dark Side. Add a spacey Echo, wobbly Chopper or go old school with the Walki-talkie-approved Radio effect. Voice Effects: crazy, wacky and a whole lot of fun.

Become an expert:
In addition to the default Easy mode of the TASCAM MiNiSTUDIO software panel is an Expert mode that can be accessed by selecting the tab along the top of the window. This exposes a more comprehensive set of controls that enable you to fine tune EQ, compression and reverb settings as well as customize the behaviour of the PON sound effect buttons and the various Voice Effect options. Don't be fooled by the friendly face of the MiNiSTUDIO - underneath the shiny exterior lies a truly professional tool that proudly carries the TASCAM name.

Your audience hears what you hear:
You talk. You play music. You play games. You fire off PON sound effects and bathe your voice in the mysterious fog of a reverberant hallway. In short, you create an immersive soundscape that you want to share with your listeners. To make this dream a reality, the MiNiSTUDIO Personal US-32 supports TASCAM's unique Broadcast architecture that seamlessly mixes your voice and effects with any and all audio produced by your PC or Laptop.
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 1 in stock $108.05
Cat: 593083 Rel: 23 Nov 15
 
2 x 2 USB 2.0 Audio Interface with 2 x D-PRE and 192 kHz support
Notes: FROM NOVEMBER 1ST 2017 TO JANUARY 31ST 2018, EVERY CUSTOMER WHO BUYS A UR INTERFACE OR ALREADY OWNS ONE WILL RECEIVE 3 OF STEINBERG'S VST SOUND LOOP SETS - DUBSTEP, URBAN & INDIE ROCK - COMPLETELY FREE OF CHARGE! (EACH WORTH 20 POUNDS, TOTAL 60 POUNDS)

ALL YOU NEED TO DO IS TO REGISTER YOUR INTERFACE AND SUBSCRIBE TO THE STEINBERG NEWSLETTER!

MORE INFORMATION AND AUDIO DEMOS AVAILABLE HERE: https://www.steinberg.net/en/shop/sounds/vst_sound_loop_sets.html

Record and compose music in studio quality on your laptop or iPad with the UR22mkII. With outstanding audio and build quality for its price class, the UR22mkII combines choice components with advanced connectivity and flexible I/O options to offer a full-on mobile production platform.

Together with the included Cubase AI and Cubasis LE software, the UR22mkII audio and MIDI interface is a fully-fledged mobile recording studio. Offering easy and stable connection to PC or Mac computers, the MKII version now adds pro-level recording for iPad with the CC Mode and external power input. The UR22mkII offers total mobility, ultra-solid build quality and incredible sound characteristics for its price class, covering all aspects of recording and production in small studio environments as well as mobile production situations.

When engineering the advanced driver architecture for the UR22mkII, our veteran team of audio and driver software developers created an I/O implementation that combines flexibility with stability. And because the drivers support the ASIO, Core Audio and WDM standards, owners of the UR22mkII are free to connect to all DAW applications available on the market today that support any of these widely accepted standards. Via the CC Mode, the UR22mkII also connects easily to your iPad, enabling a wide range of iOS audio apps to be used with it.

The included Cubase AI is a streamlined version of Steinberg's world-famous Cubase production environment compatible with Windows and OS X. iPad owners can download Cubasis LE from the App Store for an exciting range of recording and mixing features optimized for touchscreen operation. Because Cubase can open Cubasis LE projects, you can capture musical ideas in Cubasis and transfer them to Cubase for further development, right up to full-on album productions. Quickly capture a melody when inspiration strikes on your iPad, sketch out a song on your PC laptop or MacBook and then transfer your project to a computer running Cubase in a full-blown studio to develop your musical creativity into a complete production, ready for mastering.

The UR22mkII turns your iPad into a full-on professional music production platform. Connect to your iPad with CC Mode using either the Camera Connection Kit or Lightning to USB Camera Adapter. The power input socket supplies your UR22mkII with the electrical voltage needed to run professional equipment such as condenser microphones requiring +48 V phantom power by letting you plug in a USB power adapter or a USB battery pack. And with the included Cubasis LE version for iOS, you can start recording and mixing straight away, with the option to upgrade to the full Cubasis version via in-app purchase.

With UR22mkII, you're ready for a huge range of recording and production scenarios, even when you're on the move. Record vocals, guitars and other audio equipment with up to two audio channels in pristine 24/192 quality while simultaneously recording MIDI signals. And you won't have to carry it everywhere on a silk cushion; its sturdy construction and steel casing means the UR22mkII can withstand the rough and tumble of mobile music production. On tour, at home, on stage, or at your rehearsal space: take your UR22mkII with you wherever you need ultra-reliable recording and first-rate sound.

With a flexible range of inputs and outputs, outstanding component quality, pristine sound and a functional depth that belies its compact size, the UR22mkII audio and MIDI interface is designed and built for mobile musicians, producers and DJs that want high performance at any place and at a low price.
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 1 in stock $124.63
Cat: 472837 Rel: 04 Mar 13
 
1 input/1 output MIDI interface with FPT processing
Notes: Compact, convenient, and fast, the affordable UM-One mk2 boasts high-performance FPT processing for low latency and tight timing. The bus-powered MIDI interface is compatible with Macs and PCs, and now with the iPad as well via the Apple Camera Connection Kit.
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 2 in stock $38.82
Cat: 430176 Rel: 01 Aug 11
 
High-speed USB 2.0 audio/MIDI interface with 4 inputs & 4 outputs
Notes: Pro Performance For Portable Production:
With a pair of premium VS Preamps onboard, plus superb 24-bit/192 kHz audio quality, ultra-low latency performance, and convenient USB bus power, QUAD-CAPTURE sets a new standard for portable USB 2.0 audio interfaces. Its compact, durable design and pristine sound makes it the perfect foundation for portable, multichannel computer-based productions on the go. With quality and performance that far exceeds its size and price, QUAD-CAPTURE stands at the head of its class.

VS Preamps:
QUAD-CAPTURE boasts two premium-grade, digitally controlled mic preamps (VS Preamps) made from the same high-grade components as the preamps found in Roland's V-Studio 700 and M-400 digital mixer. Two XLR/TRS combo inputs are provided for the preamps, plus independent phantom power, low-cut filter, phase invert, and digital compression for each channel. The VS preamps can be controlled easily and intuitively with the included graphical Control Panel software (Mac/PC).

One-Click AUTO-SENS:
Never before has it been faster or easier to set perfect input levels - simply activate the AUTO-SENS feature with the push of a button, play your connected instruments, and QUAD-CAPTURE automatically sets the ideal recording level for each input. Whether you're a beginner or a professional, AUTO-SENS is great for quick, fail-safe recordings, saving you setup time and letting you focus on where it starts... the performance.

VS Streaming:
QUAD-CAPTURE offers incredible stability and industry-leading low-latency USB performance via Roland's proprietary VS Streaming technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac).

Low-Noise Power Supply:
One of QUAD-CAPTURE's key "behind-the-scenes" features is its low-noise, wide-ranging power supply. Designed to deliver a clean, balanced input and output, it provides a reliable foundation for any professional audio application or environment. When driven by the USB bus power supply, QUAD-CAPTURE's power is regenerated, providing the analog circuitry ideal voltage for the very best sound quality and efficiency in mobile environments.

Aluminum Build, DI Functionality:
QUAD-CAPTURE is small, strong, and housed in a road-tough aluminum body, so you can transport it anywhere with the confidence that its premium internal components are securely protected. For live-concert environments, QUAD-CAPTURE also provides Direct-Box (DI) functionality, essential for noise-free live stage use.
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 1 in stock $176.09
Cat: 637361 Rel: 28 Aug 17
 
2-in/2-out, high-resolution interface for MAC, PC & iPad
Notes: Rubix22 offers a perfect balance of high-fidelity sound, solid build quality, compact size, affordable price, and crucial features for today's musicians and producers. With support for high-resolution audio up to 24-bit/192kHz, Rubix22 sounds clear and defined and is carefully engineered to have extremely low noise from input to output. Its near universal USB support means it works seamlessly with Mac and PC computers, and even supports iPads, for the ultimate in portable music production and performance.

Studio-grade sound you can take anywhere:
Nothing is more important than sound quality when it comes to audio interfaces. And you shouldn't have to sacrifice sound quality to have an affordable interface that you can take with you. Rubix sounds clean and detailed with transparent, low noise mic preamps and supports audio resolutions up 24-bit/192kHz. It's made of durable metal, and a lot went into its compact, low-noise design. With all the places Rubix22 can go, you'll appreciate its extensive shielding and ground lifts, making sure you get good clean audio just about anywhere.

2 high quality mic preamps:
Rubix22's dual microphone preamps are designed for low noise and high definition. They sound clean and transparent with plenty of headroom for capturing all the impact and detail of whatever you're recording. And the flexible combo jacks mean you can easily connect a wide variety of sources without the need for adapters or special cables.

Built for Mac, PC and iPad:
Rubix22 is ultra-portable and ultra-flexible. It has low latency class compliant drivers for Mac and PC, so it's simple to get up and running with smooth, reliable audio performance. And it also supports iPad giving you an extremely compact system for on-location recording, on-the-go production, or live performance. It even includes Ableton Live Lite, powerful studio production and live performance software that works perfectly with Rubix22, right out of the box.
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 3 in stock $131.97
Cat: 637363 Rel: 27 Nov 17
 
2-in/4-out, high-resolution interface for MAC, PC & iPad
Notes: Rubix24 offers a perfect balance of high-fidelity sound, solid build quality, compact size, affordable price, and crucial features for today's musicians and producers. With support for high-resolution audio up to 24-bit/192kHz, Rubix24 sounds clear and defined and is carefully engineered to have extremely low noise from input to output. Its near universal USB support means it works seamlessly with Mac and PC computers, and even supports iPads, for the ultimate in portable music production and performance.

Studio-grade sound you can take anywhere:
Nothing is more important than sound quality when it comes to audio interfaces. And you shouldn't have to sacrifice sound quality to have an affordable interface that you can take with you. Rubix24 sounds clean and detailed with transparent, low noise mic preamps and supports audio resolutions up 24-bit/192kHz. It's made of durable metal, and a lot went into its compact, low-noise design. With all the places Rubix24 can go, you'll appreciate its extensive shielding and ground lifts, making sure you get good clean audio just about anywhere.

2 high quality mic preamps and 4 separate outputs:
Rubix24's dual microphone preamps are designed for low noise and high definition. They sound clean and transparent with plenty of headroom for capturing all the impact and detail of whatever you're recording. And the flexible combo jacks mean you can easily connect a wide variety of sources without the need for adapters or special cables. Four individual outputs mean you can create more sophisticated routing and monitoring setups. This is useful for sending a click track to a performer, setting up a stage monitor, or routing audio to external gear.

Hardware compressor/limiter:
Highly dynamic sources like vocalists and percussion instruments often need taming, especially when recording on location. Dynamics processors help ensure a good hot signal without clipping and causing unwanted distortion. Rubix24's built-on compressor/limiter provides peace of mind in the heat of a recording session.

Big, clear level indicators:
Studios and stages can be dark places, and getting proper levels is critical. You want to focus on the performance, not on small, hard-to-see clip and level indicators from across the room. Rubix24 has highly visible indicators that are an integral part of its design. They clearly show if a channel has incoming signal, or if you're going to overload, even from a distance.

Built for Mac, PC and iPad:
Rubix24 is ultra-portable and ultra-flexible. It has low latency class compliant drivers for Mac and PC, so it's simple to get up and running with smooth, reliable audio performance. And it also supports iPad giving you an extremely compact system for on-location recording, on-the-go production, or live performance. It even includes Ableton Live Lite, powerful studio production and live performance software that works perfectly with Rubix24, right out of the box.
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 2 in stock $165.24
Cat: 637364 Rel: 16 Oct 17
 
4-in/4-out, high-resolution interface for MAC, PC & iPad
Notes: Rubix44 offers a perfect balance of high-fidelity sound, solid build quality, compact size, affordable price, and crucial features for today's musicians and producers. With support for high-resolution audio up to 24-bit/192kHz, Rubix44 sounds clear and defined and is carefully engineered to have extremely low noise from input to output. Its near universal USB support means it works seamlessly with Mac and PC computers, and even supports iPads, for the ultimate in portable music production and performance.

Studio-grade sound you can take anywhere:
Nothing is more important than sound quality when it comes to audio interfaces. And you shouldn't have to sacrifice sound quality to have an affordable interface that you can take with you. Rubix44 sounds clean and detailed with transparent, low noise mic preamps and supports audio resolutions up 24-bit/192kHz. It's made of durable metal, and a lot went into its compact, low-noise design. With all the places Rubix44 can go, you'll appreciate its extensive shielding and ground lifts, making sure you get good clean audio just about anywhere.

4 high-quality mic preamps and 4 separate outputs:
Rubix44's four microphone preamps are designed for low noise and high definition. They sound clean and transparent with plenty of headroom for capturing all the impact and detail of whatever you're recording. And the flexible combo jacks mean you can easily connect a wide variety of sources without the need for adapters or special cables. Four individual outputs mean you can create more sophisticated routing and monitoring setups. This is useful for sending a click track to a performer, setting up a stage monitor, or routing audio to external gear.

Hardware compressor/limiter:
Highly dynamic sources like vocalists and percussion instruments often need taming, especially when recording on location. Dynamics processors help ensure a good hot signal without clipping and causing unwanted distortion. Rubix44's built-on compressor/limiter provides peace of mind in the heat of a recording session.

Big, clear level indicators:
Studios and stages can be dark places, and getting proper levels is critical. You want to focus on the performance, not on small, hard-to-see clip and level indicators from across the room. Rubix44 has highly visible indicators that are an integral part of its design. They clearly show if a channel has incoming signal, or if you're going to overload, even from a distance.

Built for Mac, PC and iPad:
Rubix44 is compact and ultra-flexible. It has low latency class compliant drivers for Mac and PC, so it's simple to get up and running with smooth, reliable audio performance. It's got plenty of inputs and outputs for growing studio setups, and it also supports iPad giving you a compact system for on-location recording, on-the-go production, or live performance. It even includes Ableton Live Lite, powerful studio production and live performance software that works perfectly with Rubix44, right out of the box.
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 1 in stock $216.18
RME
Cat: 445883 Rel: 30 Jan 12
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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 3 in stock $1,089.25
RME
Cat: 420693 Rel: 04 Apr 11
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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 1 in stock $874.43
RME
Cat: 571284 Rel: 24 Aug 15
 
24 channel bus-powered USB interface, with ADAT I/O
Notes: The exciting new Babyface Pro once again demonstrates RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.

Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.

Two digitally controlled preamps provide individually switchable 48V 'phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.

Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.

The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.

Babyface Pro ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.

The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.

Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.

This high-end interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.

RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.

The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.
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 1 in stock $697.56
RME
Cat: 620638 Rel: 05 Jun 17
 
Remote control for RME audio interfaces
Notes: Plug'n Play Plus:

The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands.

TotalMix FX:

Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.

With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:

TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UCX, UFX, 802 and Babyface, Babyface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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 2 in stock $118.66
RME
Cat: 637503 Rel: 06 Mar 17
 
30-in/30-out USB audio interface featuring RME's unique direct USB recording & range of analog inputs
Notes: The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source. Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.

With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME's famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.

The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit's channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME's optional ARC USB remote controller.

RME's Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.

Improved DURec (Direct USB Recording):
The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives.

ARC USB Remote Control - Plug'n Play Plus:
The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II.

TotalMix FX:
Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:
TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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 1 in stock $1,875.32
RME Digiface USB Audio Interface (USB audio interface)
RME
Cat: 641232 Rel: 03 Apr 17
 
24-Bit/96kHz digital multi-format interface
Notes: This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
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 2 in stock $372.62
Cat: 640561 Rel: 20 Feb 17
 
Digital to analogue converter - supports HD audio up to 24/192kHz
Notes: The DAC Box E by Pro-Ject is an entry level Digital/Analogue converter for your digital sound sources. Despite its bargain price, the DAC Box E uses high quality components to deliver an outstanding sound from such a small package and supports HD audio up to 24/192kHz.

The internal circuitry design of the DAC Box E is perfectly linear with low output impedance to avoid any interference from cables or amplifiers.

This compact DAC is a perfect sound upgrade for most home entertainment systems by adding better sound quality for the likes of your CD Player, BluRay or DVD player, Games console or set-top box.
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 1 in stock $75.41
Cat: 640559 Rel: 20 Feb 17
 
High fidelity aptX Bluetooth audio receiver
Notes: Pro-Ject's new Bluetooth Box E allows you to stream your music wirelessly and in high definition. By using your smartphone or tablet you can connect to the Bluetooth Box E and stream your music from the comfort of your own chair through your hi-fi system.

Supporting SBC standard codecs as well as the audiophile grade aptX you can pair your device quickly and have play back happening in a matter of seconds. The Bluetooth Box E comes with an optical digital output and RCA analogue output and can memorise up to 8 different Bluetooth devices to make switching between your phone or tablet simple.
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 1 in stock $76.52
FORTHCOMING
Presonus SW5E AVB Switch With PoE Interface
Presonus SW5E AVB Switch With PoE Interface (audio video bridging switch)
Cat: 665734 Rel: 17 Oct 17
 
5-port audio video bridging switch with PoE
Notes: PreSonus' SW5E AVB switch supplies five AVB ports with secure Ethercon jacks for compatibility with both standard RJ-45 cables and the more rugged Ethercon cables commonly found in audio production houses for live sound. This, along with its robust construction, makes the SW5E an especially good choice for live sound systems. Network Link/Activity indicators help you ensure that network data is flowing properly.

What is an AVB network?
Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols. For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio - even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don't need to do anything special to your devices or AVB switch. And you can only get them with AVB.

PoE: Remote power for networked devices:
Power over Ethernet (PoE) is a technology that enables network cables to carry electrical power to compatible devices. With PoE, a single cable delivers both network data, such as digital audio, and electrical power. You can locate a PoE-enabled device anywhere you can run an Ethernet cable because you don't need a local power source. Four of the SW5E's five ports can provide PoE, a rare feature in the current generation of AVB switches. The SW5E's fifth port is non-PoE, which is useful for linking to additional switches to create a larger network.

Tough enough for live sound:
Live sound gigs are hard on gear, and if your network fails, the show could be over. That's why the SW5E is built to stand up to the rigors of live sound and perform reliably every time. In addition to using rugged, locking XLR Ethernet connectors, the SW5E is housed in a heavy-duty, all-metal chassis and can be rack mounted using a rack tray (not included). The unit also employs an internal power supply with standard IEC connector - not a clumsy "wall wart" supply that could easily get bumped loose.

A great networking solution for StudioLive digital mixers:
When used with StudioLive digital mixers, an SW5E AVB switch makes many wonderful things possible. Use an SW5E to network StudioLive Series III consoles or to connect a StudioLive AI-series console and StudioLive RML-series rack mixer (as a stage box). Put an SW5E at the centre of your network to connect a StudioLive RML-series rack mixer with a StudioLive CS18AI control surface. You can even cascade two StudioLive RML-series mixers to create a larger system by AVB networking them with an SW5E.

You also can use the SW5E to connect non-PreSonus AVB-enabled equipment. As long as the product is compatible with the AVB specification, it is compatible with the SW5E.
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e-mail me when released
coming soon $TBA
Cat: 648659 Rel: 10 Jul 17
 
24-bit/192kHz, 26-in/32-out Thunderbolt 2 audio interface
Notes: Your expandable, ultra-high definition recording system:
Taking full advantage of the high-speed Thunderbolt 2 bus and ADAT Optical I/O, the PreSonus Quantum audio/MIDI interface delivers up to 26 inputs and 32 outputs, with extremely low latency. Boasting superb audio quality; 24-bit, 192 kHz recording and playback; recallable XMAX microphone preamps; and the ability to expand your system as your needs grow, it's a great choice for a wide variety of professional and semi-pro producers and electronic musicians.

We cut the wait:
Every design decision during Quantum's engineering was made with one goal in mind: speed. Quantum sports high-speed Thunderbolt 2 connectivity and a no-frills, direct-to-daw architecture, with no DSP. The result is our leanest, fastest, lowest-latency interface to date. Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range and a surprising amount of expandability and software control options round out the package.

Expandable when you need more I/O-up to 96 in and out:
The Quantum offers two combo mic/line/instrument inputs and six combo mic/line inputs, each with a digitally-controlled XMAX preamp and individual +48V phantom power. You also get two 14" TRS main outputs, eight 14" TRS aux outputs, and two independent headphone outs with dedicated volume controls. But that's just the start. With ADAT Optical I/O and S/PDIF stereo digital I/O, you can have up to 18 digital inputs and outputs. And if you need even more I/O channels, you can stack up to four Quantum interfaces via Thunderbolt to create a monster system with up to 96 in and out. BNC word clock I/O ensures your Quantum and other digital audio devices operate in tight sync. And of course you get MIDI I/O, too.

Superior sound:
Audiophile-grade digital converters, low-jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Quantum operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

A superior choice for any production environment.
With its pro features and abundant I/O, the Quantum fits into any recording and production environment. You get two main and eight auxiliary balanced line-level outputs, as well as Mute/Dim and Mono controls. The onboard talkback mic can be routed to any mix, and you can listen to any mix from either of two independent headphone amps. All 10 analog outputs are DC coupled so they can provide control voltage to external analog equipment. Add that to Quantum's expandability, flexible software suite, blazing speed, and superb sound quality, and you have a recording system that will be the heart of your dream studio for years to come.

Tight integration with Studio One:
With the Quantum, your audio interface is an integrated extension of your recording environment. Launch Studio One, and you'll find full preamp control integrated into your recording environment. Need to track away from your computer? Launch Studio One Remote on your iPad.

Remote control with UC Surface, too:
The Quantum's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. We even included a real-time analyser to monitor your audio streams. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need.

Now includes Studio Magic plug-in suite:
This suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll find yourself relying on for countless mixes.
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 1 in stock $1,130.07
Cat: 638720 Rel: 28 Aug 17
 
6-in/6-out USB 2.0 audio interface with 4 XMAX preamps
Notes: Professional quality for small studios:
An excellent choice for producers and musicians working in small studios, the Studio 68 provides the right I/O and features for recording and performing. Equipped with four famous XMAX Class A preamps, high-end converters, and cue mix monitoring with an ear-bleedingly loud headphone amp, it delivers professional quality audio and the connections you need to create your next hit and play it at your next gig with 24-bit, 192 kHz resolution. A complete, all-in-one recording solution, the Studio 68 comes with PreSonus' award-winning Studio One Artist DAW software for Mac and Windows.

Superior sound:
Audiophile-grade digital converters, low-jitter clocking, and XMAX preamps add up to a superior recording and listening experience. The Studio 68 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings, making it ideal for both vocal production and sampling.

Fits into your studio and your gigs:
The Studio 68 is a great choice for small studios and has all the right stuff for teaching music, too! A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones - perfect for both DJ-ing live and listening in on a performer's monitor mix. Six LED meters indicate input and output levels.

World-class recording software included:
Seamlessly integrated with the included PreSonus Studio One Artist DAW, the Studio 68 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:
The Studio 68 features two front-panel combo mic and switchable line/instrument inputs and two mic/line inputs with +48V phantom power for condenser mics, In addition to L/R main outputs with front-panel level controls, you get two balanced line outputs for monitor mixing or speaker switching plus stereo S/PDIF digital I/O. MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making the Studio 68 a true central hub for your studio.

Designed for the studio. Built for the road:
Whether you need a high-quality interface for DJ-ing, are a veteran producer, or both, the Studio 68 will give you the ultra-high-def sound and versatile connectivity you need to make state-of-the-art recordings and perform them live. The perfect companion for any recording software, the Studio 68 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution.
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 2 in stock $248.53
Cat: 542615 Rel: 27 Oct 14
 
Bus powered USB/iPad recording interface with built-in class A mic preamplifiers and MIDI compatibility
Notes: Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac, PC, and Apple iPad. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio Oner Artist DAW for Mac and Windows and Capture Duo recording software for iPad.

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn't stop there!

PreSonus' award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality - and the AudioBox i series delivers.

AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don't have to mess with a "wall wart" power supply or AC cord. And they're built to withstand the rigors of travel.

The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.
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 1 in stock $116.45
Cat: 572772 Rel: 19 Oct 15
 
26x32 audio interface & studio command center with zero latency monitoring & Studio One 3 Artist license included
Notes: The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity in addition to professional monitoring and mixing controls in a single rack-space. Whether you're a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.

The Studio 192 is designed to be the central hub for any project or professional studio. The onboard Talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your Main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

The Studio 192 includes eight remote controlled XMAX preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency provides smooth, solid sonic reproduction.

Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you'll find the preamp controls, speaker switching, mono, dim, and talkback functions needed to control your Studio 192. Create zero-latency monitor mixes complete with Fat Channel processing without leaving the Studio One mixer. Studio One's exclusive hybrid Fat Channel plug-in runs on both your computer's processor and on your Studio 192 and switches with a sonically seamless transition. At last, you can punch in while monitoring the same audio between playback and recording.

Because we can't create the same integrated Studio One experience in every recording application, the Studio 192's onboard features can also be controlled in UC Surface's road-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 includes Fat Channel processing on every analog input, plus a stereo reverb and delay. The result is a better performance and ultimately a better recording.

The Studio 192 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 192 kHz. These converters provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally. You'll hear every breath, transient, and detail of a performance in your recordings.

The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on your Studio 192. Available early Fall 2015, the DP88 features eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and Word Clock I/O. The DigiMax DP88 mic preamps are fully remote controllable from Studio One or UC Surface when connected via ADAT to your Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space: pristine audio up to 192 kHz, zero-latency effects, eight remote controllable preamps, monitor mixing, speaker switching, headphone amps and tight DAW integration.
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 1 in stock $714.20
Cat: 665733 Rel: 20 Nov 17
 
22-in/24-out Thunderbolt 2 audio interface with 4 recallable XMAX preamplifiers
Notes: Taking full advantage of the high-speed Thunderbolt 2 bus and ADAT Optical I/O, the PreSonus Quantum 2 audio/MIDI interface delivers up to 22 inputs and 24 outputs, with extremely low latency. Boasting superb audio quality; 24-bit, 192 kHz recording and playback; recallable XMAX microphone preamps; and the ability to expand your system as your needs grow, it's a great choice for a wide variety of professional and semi-pro producers and electronic musicians.

Every design decision during Quantum 2's engineering was made with one goal in mind: speed. Quantum 2 sports high-speed Thunderbolt 2 connectivity and a no-frills, direct-to-DAW architecture, with no DSP. The result is our leanest, fastest, lowest-latency interface to date.

Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range and a surprising amount of expandability and software control options round out the package.

The Quantum 2 offers two combo mic/instrument inputs and two combo mic/line inputs, each with a digitally-controlled XMAX preamp and individual +48V phantom power. You also get four balanced 1/4" TRS outputs and a headphone out with dedicated volume control. But that's just the start. With ADAT Optical I/O and S/PDIF stereo digital I/O, you can have up to 18 digital inputs and outputs. And if you need even more I/O channels, you can stack up to four Quantum 2 interfaces via Thunderbolt to create a monster system with up to 80 in and out. BNC word clock I/O ensures your Quantum and other digital audio devices operate in tight sync. And of course you get MIDI I/O, too.

Audiophile-grade digital converters, low-jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Quantum 2 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

With its pro features and abundant I/O, the Quantum 2 fits into any recording and production environment. You get four balanced line-level outputs, all of which are DC coupled so they can provide control voltage to external analog equipment. Add that to Quantum 2's expandability, flexible software suite, blazing speed, and superb sound quality, and you have a recording system that will be the heart of your dream studio for years to come.

With the Quantum 2, your audio interface is an integrated extension of your recording environment. The perfect companion for any recording software, the Quantum 2 comes equipped with Studio One Artist to provide you with a complete recording solution. Launch Studio One, and you'll find full preamp control integrated into your recording environment. Need to track away from your computer? Launch Studio One Remote on your iPad.

The Quantum 2's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. We even included a real-time analyser to monitor your audio streams. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need.
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 1 in stock $786.44
Cat: 638718 Rel: 04 Sep 17
 
2-in/4-out USB 2.0 audio interface with 2 XMAX-L preamps
Notes: Professional quality wherever you record:
Great for podcasters, live streaming, DJs, and musicians on the road or in the studio, the Studio 26 2x4 USB 2.0 bus-powered audio/MIDI interface can record up to 24-bit, 192 kHz audio. Equipped with PreSonus XMAX-L solid-state preamps and high-end converters, it delivers professional quality audio in a rugged, compact enclosure, allowing you to create your next hit in your studio or on the go. A complete, all-in-one recording solution, the Studio 26 comes with PreSonus' award-winning Studio One Artist DAW software for Mac and Windows.

Superior sound:
Audiophile-grade digital converters, ultra-low-jitter clocking, and XMAX-L solid-state preamps add up to a superior recording and listening experience. The Studio 26 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion.

Perfect for guitarists, singer/songwriters, and podcasters:
The Studio 26 is a great choice for podcasters, singer/songwriters, or a couple of guitarists who want to collaborate or jam. Use it for recording sermons and teaching music, too! A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones - perfect for DJs and to listen in on a performer's monitor mix.

World-class recording software included.:
Seamlessly integrated with the included PreSonus Studio One Artist DAW, the Studio 26 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:
The Studio 26 features two front-panel combo mic and switchable line/instrument inputs with +48V phantom power for condenser mics. In addition to L/R main outputs, you get two balanced line outputs for monitor mixing or speaker switching, while LED meters indicate input and output levels. MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making it the central hub for your whole studio.

Designed for the studio. Built for the road:
Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 26 will give you clear, clean, ultra-high-def sound in a bus-powered, rugged chassis that's ready to hit the road when you are. The perfect companion for any recording software, the Studio 26 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution.
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 1 in stock $173.00
Presonus AudioBox USB 96 Recording System (audio recording interface)
Cat: 650545 Rel: 17 Jul 17
 
2-channel 24-bit/96kHz USB 2.0 audio recording interface
Notes: Simple, reliable, and portable:
Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USB 96 is for you! This simple, handy little recording interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Bus-powered and built to travel, the AudioBox USB 96 makes recording easy.

Just the right size:
The AudioBox USB 96's two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favourite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

Roadworthy and ready to travel:
Here is a mobile interface in the best sense of the term. We gave the AudioBox USB 96 a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it's USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop.

World-class recording software included:
While the AudioBox USB 96 works with virtually all Mac and Windows audio-recording software, it comes with a free license for PreSonus' Studio Oner Artist DAW, giving you a complete recording solution. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice.

Built for the studio and the road:
Whether you're just getting into recording or are a veteran producer who wants to go mobile, the AudioBox USB 96 will give you great sound in a bus-powered, rugged chassis that's ready to hit the road when you are. The perfect companion for any recording software, the AudioBox USB 96 comes equipped with Studio One Artist to provide you with a complete recording solution right out of the box.

Now includes Studio Magic plug-in suite:
This suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll find yourself relying on for countless mixes.
Read more
 3 in stock $94.27
Cat: 653015 Rel: 12 Jun 17
 
USB audio interface for digital recordings from line & phono sources - includes audio software
Notes: Plug & play audio interface connects line and phono inputs with your computer for recording and playback. Audio software Audacity is included for recording and editing on CD-ROM. Directly compatible with PC and Mac - no setup required.
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 1 in stock $32.00
Notes: The Native Instruments Komplete Audio 6 interface is a premium-quality 6-channel audio interface. It provides everything you need to record, play and perform music, with 4 analog inputs/outputs, digital input/output, MIDI and low-latency performance, all in a sleek, rugged metal casing. The 2 mic inputs are armed with high-end pre-amps while Cirrus Logic converters deliver pristine and transparent sound. Upgrade your setup with Komplete Audio 6, because it sounds better.

The Komplete Audio 6 package also includes Komplete Elements, with over 1000 sounds and effects, plus software for recording, sequencing and DJing.

The Komplete Audio 6 interface lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. After all, if you're using Maschine or Komplete instruments and effects, you're armed with an array of sounds in the highest-possible audio fidelity. The Komplete Audio 6 gives you the hardware to match.

The Komplete Audio 6 has designed in-house by Native Instruments. From the custom, streamline circuit design, through the hand-picked components to the analog volume knob on top of the uni, every part of the interface is designed to preserve signal clarity.

This audio interface also includes Cubase LE6, Komplete Elements & Traktor LE2 audio production software.
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MRP:$401.90 SAVE 59%
 1 in stock $165.24
MOTU UltraLite Mk3 Hybrid Audio Interface (USB/Firewire audio interface)
Cat: 405195 Rel: 27 Sep 10
 
Firewire/USB hybrid interface with 10 inputs/14 outputs, Audiodesk software included
Notes: The Ultralite-mk3 Hybrid is MOTU's most compact and versatile audio interface, featuring hybrid FireWire/USB2 connectivity to your Mac or Windows computer, on-board mixing and effects, superb sound and reliable performance. As the first-ever hybrid audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or Hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including 2 mic/instrument inputs, 6 line-level analog inputs, 10 channels of analog output, stereo S/PDIF and a stereo headphone output.

Housed in a rugged, compact half-rack enclosure you can take anywhere, the UltraLite-mk3 Hybrid is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the UltraLite-mk3 Hybrid provides 10 separate inputs and 14 separate outputs.Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer i with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

The included CueMix FX cross-platform mixing software provides attractive graphic mixing, graphic editing of parametric EQ, and a convenient tabbed interface for quick access to all features in one window. Advanced signal analysis tools include a full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis. After programming the on-board mixing in the studio, unplug the UltraLite-mk3 Hybrid from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. The UltraLite-mk3 Hybrid provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32-bit mixing/processing/mastering.
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MRP:$664.07 SAVE 20%
 2 in stock $533.43
Cat: 517348 Rel: 10 Feb 14
 
28 input, 30 output audio/MIDI interface with Thunderbolt technology
Notes: As Thunderbolt becomes more widely adopted, Hi-speed USB 2.0 provides across the board compatibility with virtually all laptops and desktops on both Mac and Windows. Since USB 2.0 devices are compatible with USB 3.0 equipped hosts, your 828x interface is a future proof investment in your studio.

Motu pack it in like no one else can: two combo-style mic/guitar inputs with preamps, 8 balanced analog in/out, XLR main outs, 16 channels of ADAT optical (8 channels at 96 kHz), plus S/PDIF, word clock and MIDI. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors.

Now in its fifth generation, the 828 has become a benchmark for the industry, setting the bar by which others are judged. How has this level of respect been earned? Through consistent design integrity and intelligent use of current-generation parts and design technologies.

Do you work with outboard EQs and compressors? Each 828x mic input offers a pre-converter send for mono or stereo mic channel outboard processing. The 828x's unique V-Limit hardware limiter employs a proprietary design to offer an additional 12 dB of headroom over digital zero with no digital clipping or harsh artifacts, for that added protection in dynamic recording situations. The 828x's preamps are clean and neutral, allowing you to use your favorite plug-ins and host software to colour the sound just the way you want for each recording application.

Record, monitor, route and process all live inputs using the professional on-board CueMix FX digital mixer - with no latency and no processor strain on your computer. Apply DSP-driven compression, EQ and reverb to every input and output, independent of your host computer.

After programming the on-board mixing in the studio, unplug the 828x from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

We still get calls and Facebook posts from happy users of the original 828, introduced more than 10 years ago! Like all MOTU interfaces, the 828x's aluminium alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and road. In a world awash with cheap plastic, the cool feeling of the 828x's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.

The 828x provides time-tested drivers for Mac OS X and Windows (8, 7 and Vista) for cross-platform compatibility with virtually all audio software via WDM, ASIO, and Core Audio drivers.
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 1 in stock $770.91
Cat: 543431 Rel: 11 Aug 14
 
Thunderbolt audio interface with 16 analog inputs and outputs, 48 channel mixing and AVB audio networking
Notes: The 16A is one of several new high-performance audio interfaces from MOTU that combine superb audio quality, large console style mixing, and state-of-the-art features

Sixteen balanced/unbalanced TRS analog inputs and outputs, plus 2 x 8-channel ADAT optical ports, deliver a total of 32 inputs and 32 outputs. Use the 16A for expanded analog I/O for your computer, or as a flexible, capable patchbay and mixer. Or both!

The 16A employs latest-generation ESS Sabre32 Ultra converters, known for their industry-leading performance, together with expertly engineered analog circuits that reflect more than three decades of pro audio engineering expertise. The result? The 16A achieves actual, measured performance of 123 dB dynamic range (A-weighted, 20 Hz to 20 kHz) on its balanced TRS analog outputs.

Every digital audio workflow has some latency. The only question is, how much? In the case of the 16A, the answer is, not much at all. In the 16A, latency is measured in a handful of samples, from the time an audio signal first goes digital to its arrival somewhere else (to an output, the mixer, or the computer). By keeping latency this low in the hardware, the 16A helps minimize latency introduced by your host software.

Thunderbolt lets you connect displays, hard drives, and other peripherals to your computer, along with the 16A, and the Thunderbolt bus won't even break a sweat. But more importantly, Thunderbolt gives you an astonishing 256 channels of computer I/O (128 in and out). You can use them to route audio to the physical inputs and outputs on the 16A, plus the 48-channel mixer inside the 16A, plus audio network streams. The 16A is the first and only interface to combine Thunderbolt I/O connectivity with AVB audio networking.

Don't have a Thunderbolt-equipped computer yet? Hi-speed USB 2.0 provides across-the-board compatibility with pretty much all laptops and desktops. The 16A is USB audio class compliant, which means you enjoy OS-level USB compatibility and support, including iPad support (with a camera connection kit). Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 16A interface is a future-proof investment in your studio.

The 16A is equipped with a 48-channel digital mixer designed just like a large format mixing console. The 48 inputs can take signal from anywhere: the physical inputs on the 16A interface itself, audio channels from host software on your computer, audio network streams, or even mixer outputs. The mixer provides 7 stereo aux busses, 3 groups, a reverb bus that can alternately serve as a 4th group, a Main Mix bus and separate Monitor bus that can serve as a solo bus. In essence: capable and transparent mixing.

British analog mixing consoles are renowned for their musical EQ profiles. The 16A meticulously models these classic EQs to give you the very same, magical EQ response found on these coveted desks. Each input channel also provides a classic compressor module with optional peak/RMS operation. Groups and the Main Mix bus are equipped with MOTU's Leveler™, an accurate model of the legendary Teletronix™ LA-2A™ optical leveling amplifier, known for its unique and highly sought-after Automatic Gain Control (AGC) characteristics.

With one click on the 16A's routing grid, you can route any source signal to any destination. Sources can be analog or digital inputs on the interface, computer channels, mixer bus outputs, or audio network streams from other devices on the network. Destinations include interface outputs, host software inputs, mixer inputs, or any other device (or computer) on the AVB network. You can even split any single input (or stereo pair) to unlimited multiple output destinations.

The 16A network port introduces AVB Ethernet, the new industry standard developed by the IEEE for professional audio networking. Add a second MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e or CAT-6 ethernet cable.

The software that you can use to control the 16A doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 16A's on-board DSP, mixing, device settings, and network audio routing from the web app software running in your favourite web browser on a laptop tablet or smart phone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shared the same network.

Connect an Apple Airport or other Wi-Fi router directly to the 16A with a standard Ethernet cable and control the 16A's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing!
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 3 in stock $1,439.48
Cat: 670265 Rel: 27 Sep 10
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


The Ultralite-mk3 Hybrid is MOTU's most compact and versatile audio interface, featuring hybrid FireWire/USB2 connectivity to your Mac or Windows computer, on-board mixing and effects, superb sound and reliable performance. As the first-ever hybrid audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or Hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including 2 mic/instrument inputs, 6 line-level analog inputs, 10 channels of analog output, stereo S/PDIF and a stereo headphone output.

Housed in a rugged, compact half-rack enclosure you can take anywhere, the UltraLite-mk3 Hybrid is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the UltraLite-mk3 Hybrid provides 10 separate inputs and 14 separate outputs.Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer i with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

The included CueMix FX cross-platform mixing software provides attractive graphic mixing, graphic editing of parametric EQ, and a convenient tabbed interface for quick access to all features in one window. Advanced signal analysis tools include a full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis. After programming the on-board mixing in the studio, unplug the UltraLite-mk3 Hybrid from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. The UltraLite-mk3 Hybrid provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32-bit mixing/processing/mastering.
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 1 in stock $512.36
Cat: 665115 Rel: 09 Oct 17
 
28-in/32-out hybrid audio interface for studio & live sound
Notes: Renowned ESS Sabre32 Ultra DAC technology:
New in the 828es, renowned ESS Sabre32 DAC technology delivers 123dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248.

Ultra-low latency and renowned rock-solid performance:
Round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt with high-performance DAW hosts.

USB and Thunderbolt for Mac, PC and iOS:
Connects to your Mac or PC with Thunderbolt, hi-speed USB 2.0 or AVB/TSN Ethernet for up to 256 audio channels (128 in and 128 out). Class-compliant firmware and industry standard drivers work with any audio apps. Connects to iPad with a standard camera connection kit (adapter).

Cutting-edge components deliver ultra-transparent sound:
Capture your recorded material in its truest, most natural form with -108 dB THD+N, 118dB dynamic range and -128dBu EIN performance. Each mic channel has individual preamp gain, pad, 48V phantom power and digital remote control. Do you work with outboard EQs and compressors? Each 828es mic input offers a pre-converter, hard-wired send for mono or stereo mic channel outboard processing.

Control room features:
Take control of your recording sessions with the built-in talkback mic and front-panel talk button. Connect two sets of speakers and check your mixes instantly with front-panel A/B speaker select buttons.

Console-style mixing with 48 channels and 12 busses:
A full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Vintage processing with 32-bit float precision:
Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 828es DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Route your audio anywhere with one-click ease:
Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Control everything from your laptop, tablet and smartphone:
The software that you use to control the 828es doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 828es on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

No computer or laptop needed:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

MOTU interfaces are built to last:
Like all MOTU interfaces, the 828es aluminium alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the solid feeling of the 828es metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.
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 4 in stock $1,048.79
MOTU 624 Audio Interface (audio interface)
Cat: 634812 Rel: 12 Dec 16
 
16x16 Thunderbolt/USB audio interface with renowned ESS Sabre32 DAC technology
Notes: Equipped with renowned ESS Sabre32 DAC technology, the 624 has the same award-winning analog audio quality and proven performance as MOTU's flagship 1248 interface - packed into a mobile half-rack enclosure.

32 simultaneous audio channels:
Studio-grade I/O for on-the-go recording. You get 2 mic inputs, 2 guitar inputs, 4 x 6 balanced analog with dedicated main outs, 8-channel ADAT optical and independent headphone out for 16 inputs and 16 outputs. The optical ports also support stereo TOSLink (optical S/PDIF).

Superb analog audio quality and high-end converters:
Performance suitable for the most demanding situations. Renowned ESS Sabre32 DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248.

Ultra-low latency and proven, high-performance MOTU drivers:
The best possible latency performance. The 624 delivers round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt - and an astonishing 1.9 ms over USB - with high-performance DAW hosts.

Mobile operation and universal connectivity:
Ultimate portability and flexibility. Connects to your computer with Thunderbolt, super-speed USB 3.0 or AVB/TSN Ethernet - with support for up to 256 audio channels (128 in and 128 out). USB audio class-compliant firmware and high-performance, industry-standard drivers work with any audio apps. Connects to your iPad with a standard camera connection kit (adapter).

DSP mixing and effects processing:
Console-style mixing with 48 channels and 12 busses. The 624's full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Modelled vintage effects processing:
Vintage processing with 32-bit float precision. Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 624's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Flexible matrix routing and splitting:
Route your audio anywhere with one-click ease. Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Web app control from any device:
Control everything from your laptop, tablet and smartphone. The software that you use to control the 624 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 624's on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

Stand-alone operation with wireless control:
No computer or laptop needed. Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Comprehensive metering:
View all I/O activity at a glance - in full colour. The full-colour LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu.

Powerful audio workstation technology for Mac and Windows:
Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.
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 1 in stock $862.36
Cat: 641940 Rel: 13 Mar 17
 
AES3/SPDIF/USB/AVB-TSN audio interface with DSP and mixing
Notes: The 8D provides four channels of professional AES3 (AES/EBU) digital I/O, plus four channels of standard S/PDIF digital audio I/O, with sample rate conversion on all inputs.

The 8D provides universal connectivity to your Mac or PC through USB or AVB/TSN. Renowned drivers deliver industry-leading ultra-low latency and proven, rock solid performance.

High-performance computer connectivity:
New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the 8D delivers an astonishing round trip latency (RTL) of 1.70 ms (milliseconds) on OS X and 1.71 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

A flexible digital converter, router, and splitter:
Send any input to any output, or split to multiple output channels. Convert any format to any other (AES3, S/PDIF, AVB-TSN and USB). Includes routing to and from the computer, plus any devices on the AVB-TSN network.

DSP mixing and effects processing:
The 8D's 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including classic reverb, EQ modelled after British analog console EQs and compression modelled after the legendary LA-2A compressor. If you know your way around a large-format mixing console, you'll feel right at home. With 32-bit floating point processing, the 8D's DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Stand-alone operation with wireless control:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Web app control:
The software that you use to control the 8D doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 8D's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Word Clock:
Standard word clock input and output allows you to resolve the 8D to other digital audio gear or house sync.

Convenient headphone monitoring:
Use the assignable front-panel headphone output with volume control to monitor any stereo channel pair.
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 1 in stock $663.18
Cat: 627984 Rel: 17 Oct 16
 
18x22 USB audio interface with DSP, mixing & effects
Notes: The latest in MOTU's award-winning UltraLite series, the UltraLite-mk4 is a USB audio interface with 40 simultaneous I/O channels (18 in, 22 out). It also delivers exceptional sound quality, new ultra-low latency drivers and expanded DSP for studio-grade mobile audio recording.

Superb audio quality:
- Analog outputs deliver 117dB dynamic range at sample rates up to 192 kHz. Renowned drivers deliver rock-solid performance and industry-leading low latency.

Ultra-low latency:
- New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the UltraLite-mk4 delivers an astonishing round trip latency (RTL) of 1.83 ms (milliseconds) on OS X and 1.84 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

Built for studio and stage:
- Housed in a compact, aluminium-alloy enclosure you can take anywhere, the UltraLite-mk4 is equally well-suited for studio and stage, with or without a computer. As an interface or mixer, the UltraLite-mk4 provides 18 ins and 22 outs, for a total of 40 simultaneous I/O channels.

All the I/O you need:
- Connect all of your audio gear, including speakers, headphones, mics, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices.

Large console-style mixing:
- Record, monitor, route and process all live inputs using the on-board 48-channel, console-style mixer, with no latency and no processor strain on your computer.

Modeled analog EQ and compression:
- Further sculpt your sound with 4-band parametric EQ featuring filter types carefully modelled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveller, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

Advanced Extras:
- Analyse and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full- featured oscilloscope, X-Y plot and phase analyser.

Web app control:
- The software that you use to control the UltraLite-mk4 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the UltraLite-mk4's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Solid Metal Chassis:
- The UltraLite-mk4 aluminium chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the cool touch of the UltraLite-mk4's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction built to last.

Rack mounting brackets:
- Use included brackets and hex bolts to mount the UltraLite-mk4 on rack rails, as shown here with a companion MOTU micro-lite MIDI interface.
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 3 in stock $592.21
MOTU M64 MADI USB Audio Interface (USB audio interface)
Cat: 641937 Rel: 13 Mar 17
 
MADI/USB/AVB-TSN ethernet audio interface with DSP & mixing
Notes: The M64 is a flexible MADI interface, router, repeater, splitter, converter and mixer with AVB/TSN networking. It is ideal for routing MADI digital audio streams in live performance systems, network installations or recording studios of any size.

The M64 delivers optical MADI (64 channels in and out), plus independent coaxial MADI (64 channels in and out) with an extra duplicate BNC output, in all standard formats and sample rates.

High-performance computer connectivity:
New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the M64 delivers an astonishing round trip latency (RTL) of 1.70 ms (milliseconds) on OS X and 1.71 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

The ultimate MADI converter, router, splitter and repeater:
Send any input to any output, or split to multiple output channels. Convert optical MADI to coaxial MADI. Route MADI streams to and from the computer, plus any devices on the AVB/TSN network.

DSP mixing and effects processing:
The M64's 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including classic reverb, EQ modelled after British analog console EQs and compression modelled after the legendary LA-2A compressor. If you know your way around a large-format mixing console, you'll feel right at home. With 32-bit floating point processing, the M64's DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Stand-alone operation with wireless control:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Web app control:
The software that you use to control the M64 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the M64's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Word Clock:
Standard word clock input and output allows you to resolve the M64 to other digital audio gear or house sync.

Convenient headphone monitoring:
Use the assignable front-panel headphone output with volume control to monitor any stereo channel pair.
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 1 in stock $663.18
Cat: 665772 Rel: 23 Oct 17
 
2-in x 2-out USB interface - perfect for home studios & mobile recording
Notes: Whether you're tracking your latest song idea or doing a live stream, the Onyx Series USB Interfaces deliver true studio-quality sound with maximum headroom and ultra-low noise.

Combining high-resolution 24-bit/192kHz converters with premium Mackie analog circuitry and Built-Like-A-Tank hardware design, the bus-powered Onyx Series USB Audio Interfaces give you the power to capture your best performance and experience media with pristine fidelity at home or on the go.

Perfect for singer-songwriters and content creators, the Onyx Artist 1.2 features an Onyx mic pre plus a 1/4" input with Hi-Z switch for quick and easy recording. The Onyx Producer 2.2 expands the versatility with dual Onyx mic pres and MIDI I/O for controllers, synthesizers and more.

Both models offer zero-latency direct monitoring plus a headphone output, L/R line-output and +48v phantom power.

Tracktion T7 DAW:

Tracktion T7 is a multi award-winning workstation, featuring powerful and creative tools to inspire the modern musician. Unlike typical 'Lite' versions, T7 does not impose any restrictions - you get unlimited track count, powerful features, compatibility with all popular plugins and efficient performance on Mac, Windows, and Linux operating systems.

DAW Essentials Collection:

Introducing a collection of 16 contemporary FX plug-ins for use with any DAW. These plug-ins utilize the very latest algorithms and coding techniques to deliver extraordinary sound quality in an extremely efficient package, allowing the plugins to be used liberally across a wide range of native computer systems.
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 2 in stock $98.70
Cat: 665773 Rel: 23 Oct 17
 
2-in x 2-out USB interface with MIDI - perfect for home studios, mobile recording & podcasts
Notes: Whether you're tracking your latest song idea or doing a live stream, the Onyx Series USB Interfaces deliver true studio-quality sound with maximum headroom and ultra-low noise.

Combining high-resolution 24-bit/192kHz converters with premium Mackie analog circuitry and Built-Like-A-Tank hardware design, the bus-powered Onyx Series USB Audio Interfaces give you the power to capture your best performance and experience media with pristine fidelity at home or on the go.

Perfect for singer-songwriters and content creators, the Onyx Artist 1.2 features an Onyx mic pre plus a 1/4" input with Hi-Z switch for quick and easy recording. The Onyx Producer 2.2 expands the versatility with dual Onyx mic pres and MIDI I/O for controllers, synthesizers and more.

Both models offer zero-latency direct monitoring plus a headphone output, L/R line-output and +48v phantom power.

Tracktion T7 DAW:

Tracktion T7 is a multi award-winning workstation, featuring powerful and creative tools to inspire the modern musician. Unlike typical 'Lite' versions, T7 does not impose any restrictions - you get unlimited track count, powerful features, compatibility with all popular plugins and efficient performance on Mac, Windows, and Linux operating systems.

DAW Essentials Collection:

Introducing a collection of 16 contemporary FX plug-ins for use with any DAW. These plug-ins utilize the very latest algorithms and coding techniques to deliver extraordinary sound quality in an extremely efficient package, allowing the plugins to be used liberally across a wide range of native computer systems.
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 1 in stock $131.97
Cat: 663483 Rel: 29 Aug 16
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


The only choice for solo artists who want studio-quality recordings!

With the M-Track 2X2M, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. Boasting an elegant pro-grade metal chassis with a large central volume knob, the M-Track 2X2M features all-new transparent low-noise pre-amps and pristine A/D converters that deliver the highest audio performance in its class. The M-Track 2X2M enables you to record up to 2 channels at once with its dedicated XLR+1/4" balanced combo input, and an all-new 1/4" instrument input that has a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. 5-pin MIDI In and Out connections are included for connecting synths, sequencers and other external MIDI gear. The M-Track 2X2M connects to your Mac or PC via a standard USB or USB-C port using one of the two included cables. This premium Hi-Speed USB connection combined with the USB/Direct balance knob enables you to have zero-latency monitoring of your inputs, making the recording process easier than ever. The overall combination of professional audio performance, easy-to-use features, and the included software bundle that provides everything you need to start recording now makes the M-Track 2X2M the best and only choice for solo artists.

Crystal Clear Recording
With M-Audio's C-Series Interfaces, high quality signal capture has never been easier courtesy of all-new, pro-grade Crystal Preamps. Engineered from the ground up, Crystal Preamps provide musicians and producers with a transparent, low-noise solution that guarantees to get the best out of your microphone and capture your performance the way it was intended to be heard - plus, the inclusion of a +48v phantom power switch assures all microphone types are catered for, including the coveted sound of high-quality condenser mics.

Ultra-Portable Studio-Grade Capture
The M-Track 2X2 fuses pristine A/D converters, tailor made to provide 24-bit resolution digital audio for exquisite dynamic range that captures every nuance and subtlety of your performance; when combined with sample rates of up to 192kHz you can be sure your recordings are completely clear and true to the source audio. Whatever the occasion, be it demos or master recordings, the M-Track 2X2 provides the quality you demand in an ultra portable, user-friendly and robust package.

Whatever The Project, M-Track's Got It Covered
Combining a XLR+1/4" balanced combo input and an all-new 1/4" instrument input, the M-Track 2X2 allows you to record 2 channels simultaneously, all in studio grade 24-bit/192kHz resolution. The flexibility of a combo-input accommodates any source audio with a microphone or line-level output while a tailor made gain and impedance stage on the instrument input guarantees a pristine, accurate guitar or bass DI signal.

Future-Proofed High-Speed, Zero Latency Recording
Connecting the M-Track 2X2 couldn't be simpler; install the drivers, connect it to your Mac or PC via standard USB or USB-C port and you're set to record. With the M-Track 2X2, the convenience of premium high-speed USB-C combines with a USB/Direct Balance knob, granting latency-free recording and monitoring that allows you to focus on what's important - your performance!
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 1 in stock $106.46
Cat: 597496 Rel: 01 Feb 16
 
Super-high resolution USB to optical/DSD converter with digital and analog outputs
Notes: Transit Pro is a super-high resolution USB/DSD (Direct Stream Digital) converter that takes audio signal from your computer and delivers the highest quality digital (optical)/analog signal to any audio component. The key to Transit Pro's outstanding audio performance is its 32bit/384kHz digital "engine," which delivers a super-wide bandwidth frequency response, ultra-wide dynamic range and an extremely low noise floor. There are eight user-selectable sampling rates between 44.1 and 384kHz so you can achieve the exact performance level needed for any given circumstance.

Transit Pro has a built-in high quality headphone amplifier with both 1/4" and 1/8" jacks, for connecting any headphones directly without the need for an adapter. Transit Pro is USB-bus-powered or you can use an optional AC wall adapter (not included). Transit Pro is the answer when you need to deliver a reference-quality digital signal from your computer to an external audio component.
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 1 in stock $220.69
Cat: 663788 Rel: 04 Aug 14
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Add a professional edge to your studio with the M-Track Eight from M-Audio. This eight- input USB audio interface enables you to track large music ensembles, record the band, or mic an entire drum set with pro-grade audio components and a myriad of connections. Eight combo XLR+1/4" inputs accommodate nearly any source, from phantom-powered microphones to your favorite guitar, and eight dedicated outputs offer versatile playback options. The XLR inputs are designed to work with microphones and other Lo-Z sources, and the phantom power switch enables you to use condenser microphones by delivering 48v phantom power to the XLR inputs (Channels 1-4; 5-8). M-Track Eight also has two conveniently located inputs on the front panel that can be switched to allow instrument- level signals, so you can plug your electric guitar or bass directly into M-Track Eight and start recording. Individual gain knobs with meters help ensure the proper input level by providing real-time visual feedback.

M-Track Eight features pristine and precise audio recording with up to 24-bit/96 kHz resolution. Each input channel is equipped with a high-headroom input that features M- Audio's sought-after Octane Preamp Technology. The result is a robust signal path for clean, professional sound. In addition, each input comes with dedicated line-input circuitry so you can record and track with your favorite external preamps.

M-Track Eight offers ultra-low latency monitoring of the input signal - either through the speakers or via headphones. The USB/Analog Direct Balance knob adjusts the balance between the direct inputs and the playback from your computer software for accurate monitoring during tracking and recording sessions. Flexible output routing lets you send signals to outboard gear or analog mixers for summing or processing. Additionally, two headphone outputs, located on the front panel, have their own level and selectable-source controls for creating custom headphone mixes.

In addition to outstanding audio performance, M-Track Eight connects to your computer via USB 2.0 and easily integrates into your studio with its standard 1U 19" rack size. With a single USB cable, M-Track Eight creates a two-way audio connection with your Mac or PC, enabling you to record directly into your favorite DAW or playback audio to mix and master your tracks. Plus, Cubase 7 LE comes bundled with M-Track Eight for out-of-the-box music creation and gives you a powerful software environment to record, edit, and bounce down your songs.
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 1 in stock $292.78
Cat: 621147 Rel: 29 Aug 16
 
Professional studio-quality recording in a portable desktop form factor, with 24-bit/192kHz resolution
Notes: The only choice for solo artists who want studio-quality recordings!

With the M-Track 2X2M, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. Boasting an elegant pro-grade metal chassis with a large central volume knob, the M-Track 2X2M features all-new transparent low-noise pre-amps and pristine A/D converters that deliver the highest audio performance in its class. The M-Track 2X2M enables you to record up to 2 channels at once with its dedicated XLR+1/4" balanced combo input, and an all-new 1/4" instrument input that has a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. 5-pin MIDI In and Out connections are included for connecting synths, sequencers and other external MIDI gear. The M-Track 2X2M connects to your Mac or PC via a standard USB or USB-C port using one of the two included cables. This premium Hi-Speed USB connection combined with the USB/Direct balance knob enables you to have zero-latency monitoring of your inputs, making the recording process easier than ever. The overall combination of professional audio performance, easy-to-use features, and the included software bundle that provides everything you need to start recording now makes the M-Track 2X2M the best and only choice for solo artists.

Crystal Clear Recording
With M-Audio's C-Series Interfaces, high quality signal capture has never been easier courtesy of all-new, pro-grade Crystal Preamps. Engineered from the ground up, Crystal Preamps provide musicians and producers with a transparent, low-noise solution that guarantees to get the best out of your microphone and capture your performance the way it was intended to be heard - plus, the inclusion of a +48v phantom power switch assures all microphone types are catered for, including the coveted sound of high-quality condenser mics.

Ultra-Portable Studio-Grade Capture
The M-Track 2X2 fuses pristine A/D converters, tailor made to provide 24-bit resolution digital audio for exquisite dynamic range that captures every nuance and subtlety of your performance; when combined with sample rates of up to 192kHz you can be sure your recordings are completely clear and true to the source audio. Whatever the occasion, be it demos or master recordings, the M-Track 2X2 provides the quality you demand in an ultra portable, user-friendly and robust package.

Whatever The Project, M-Track's Got It Covered
Combining a XLR+1/4" balanced combo input and an all-new 1/4" instrument input, the M-Track 2X2 allows you to record 2 channels simultaneously, all in studio grade 24-bit/192kHz resolution. The flexibility of a combo-input accommodates any source audio with a microphone or line-level output while a tailor made gain and impedance stage on the instrument input guarantees a pristine, accurate guitar or bass DI signal.

Future-Proofed High-Speed, Zero Latency Recording
Connecting the M-Track 2X2 couldn't be simpler; install the drivers, connect it to your Mac or PC via standard USB or USB-C port and you're set to record. With the M-Track 2X2, the convenience of premium high-speed USB-C combines with a USB/Direct Balance knob, granting latency-free recording and monitoring that allows you to focus on what's important - your performance!
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 7 in stock $120.88
Cat: 659985 Rel: 14 Aug 17
 
24 bit/192kHz portable digital-to-analog converter with analog & coaxial digital outputs
Notes: Micro DAC is a USB digital-to-analog (DAC) 24 bit/192kHz converter with two outputs, one analog and one digital (optical). It's ideal for converting the audio from your computer into a high-quality analog format without needing to carry anything larger than a flash drive. The sound quality available from the typical headphone jack on a portable device or coming from the standard-issue soundcard found in virtually every computer leaves a lot to be desired. Micro DAC delivers a marked upgrade in sound quality, compared to just plugging your headphones directly into your unit's headphone jack.

Use the 1/8-inch analog output to connect any headphones, and enjoy vibrant high-fidelity sound and since virtually all high-quality audio equipment has an optical digital input, Micro DAC's optical digital output is perfect for driving that equipment with a pure digital signal - especially valuable since most computers do not have a digital output.

Micro DAC has a rugged aluminium housing and is USB-bus-powered. Getting professional-quality audio from your computer couldn't be easier!
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 1 in stock $98.70
Cat: 621144 Rel: 29 Aug 16
 
Professional studio-quality recording in a portable desktop form factor, with 24-bit/192kHz resolution
Notes: For artists who want studio-quality recordings!

With the M-Track 2X2, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. Boasting an elegant pro-grade metal chassis with a large central volume knob, the M-Track 2X2 features all-new transparent low-noise pre-amps and pristine A/D converters that deliver the highest audio performance in its class. The M-Track 2X2 enables you to record up to 2 channels at once with its dedicated XLR+1/4" balanced combo input, and an all-new 1/4" instrument input that has a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. The M-Track 2X2 connects to your Mac or PC via a standard USB or USB-C port using one of the two included cables. This premium Hi-Speed USB connection combined with the USB/Direct balance knob enables you to have zero-latency monitoring of your inputs, making the recording process easier than ever. The overall combination of professional audio performance, easy-to-use features, and the included software bundle that provides everything you need to start recording now makes the M-Track 2X2 the best and only choice for solo artists.

Crystal Clear Recording
With M-Audio's C-Series Interfaces, high quality signal capture has never been easier courtesy of all-new, pro-grade "Crystal" Preamps. Engineered from the ground up, Crystal Preamps provide musicians and producers with a transparent, low-noise solution that guarantees to get the best out of your microphone and capture your performance the way it was intended to be heard - plus, the inclusion of a +48v Phantom Power Switch assures all microphone types are catered for, including the coveted sound of high-quality condenser mics.

Ultra-Portable Studio-Grade Capture
The M-Track 2X2 fuses pristine A/D converters, tailor made to provide 24-bit resolution digital audio for exquisite dynamic range that captures every nuance and subtlety of your performance; when combined with sample rates of up to 192kHz you can be sure your recordings are completely clear and true to the source audio. Whatever the occasion, be it demos or master recordings, the M-Track 2X2 provides the quality you demand in an ultra-portable, user-friendly and robust package.

Whatever The Project, M-Track's Got It Covered
Combining 1 XLR+1/4" balanced combo input and an all-new 1/4" instrument input, the M-Track 2X2 allows you to record 2 channels simultaneously, all in studio grade 24-bit/192kHz resolution. The flexibility of a combo-input accommodates any source audio with a microphone or line-level output while a tailor-made gain and impedance stage on the instrument input guarantees a pristine, accurate guitar or bass DI signal.

Future-Proofed High-Speed, Zero Latency Recording
Connecting the M-Track 2X2 couldn't be simpler; install the drivers, connect it to your Mac or PC via standard USB or USB-C port and you're set to record. With the M-Track 2X2, the convenience of premium high-speed USB-C combines with a USB/Direct Balance knob, granting latency-free recording and monitoring that allows you to focus on what's important - your performance!

Instant, Out-Of-The Box Creativity
Whatever the project, the M-Track 2X2's world-class software suite provides the tools you need to take that initial idea to a finished masterpiece. Record, mix and master using Steinberg's Cubase LE; expand your sonic palate with the C-Series Virtual Instrument Suite from AIR Music Technology (including Strike, Xpand!2 and Mini-Grand); and add a professional finish using 20 iconic AU/VST effects and processors from the AIR Creative FX Collection. More than just an interface, the M-Track 2X2 is the heart of your creativity, providing all you need to realize your creative potential.
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