100% Secure Shopping

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

100% Secure Shopping

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

Instrument microphones

View:
Options
Items 1 to 14 of 14 on page 1 of 1
Subscribe to our weekly Studio Equipment emails
MXL 990 Condenser Microphone (large diaphragm condenser microphone)
MXL
Cat: 483705 Rel: 12 Mar 13
 
Large diaphragm condenser microphone
Notes: The MXL 990 remains one of the industry's most ground-breaking microphones. The first high quality condenser microphone to come into reach of working musicians, the MXL 990 has an FET preamp and a large diaphragm for truly professional sound quality in both digital and analog recordings. This revolutionary condenser microphone continues to astound artists with its silky, high end and tight, solid low and midrange reproduction.

Read more
 2 in stock $74.51
MXL
Cat: 483707 Rel: 01 Mar 13
Notes: The MXL 770 continues to amaze recording artists all over the world with its incredible price/performance ratio. Singers, especially rappers, love the 770 for its solid bass, as well as its upfront high-end. The MXL 770 even uses a high quality FET preamp with balanced output for a wide dynamic range. This is a perfect piece for seasoned pros or newbie musicians who want a quality condenser mic that won't break the bank.
Read more
 2 in stock $87.92
Click for better price!
quote 483707
MXL 440 Condenser Microphone (MXL 440 studio condenser microphone)
MXL
Cat: 483708 Rel: 11 Mar 13
 
Studio condenser microphone containing FET preamp with an electrically balanced output
Notes: The MXL 440 is a beautiful studio condenser microphone designed to complement a wide variety of vocal and instrument applications. By combining a FET preamp with an electrically balanced output, the MXL 440 delivers an uncompromised tonal quality perfect for all studio applications.

Read more
 1 in stock $65.43
Click for better price!
quote 483708
Cat: 706884 Rel: 07 Jan 19
 
Small-diaphragm cardioid condenser mic with innovative back-electret design
Notes: The sE7 is a high-quality back-electret small diaphragm condenser microphone intended for a wide range of studio and live sound applications, from acoustic guitars to pianos to drums and beyond.

With an optimized acoustic design, discrete class-A circuitry and a transformerless output, it delivers clear, natural sound quality at all frequencies, without suffering from fizzy highs or a lack of low-frequency punch.

The discrete electronics and the switchable attenuation pad ensure a high dynamic range, with high sound pressure level (SPL) handling capability and extremely low-noise components. The switchable low-cut filter helps eliminate rumble or footfall noise, and can also compensate for an excess of bass frequencies caused by the proximity effect. This enables the sE7 to close-mic many instruments including electric guitar speaker cabinets, brass instruments and drums.

Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy all-metal design, robust construction, and high-quality manufacturing standards.

High-quality condenser capsule:

The sE7's specialized capsule is designed for natural, balanced sound quality, with an ultra-thin diaphragm for excellent transient response. Its cardioid polar pattern also makes it ideal for most studio or stage applications, delivering great sound for almost any source.

The quietest pencil mic in its class:

With a very short signal path and state of the art electronics, the sE7 is the quietest microphone in its class. The transformerless design ensures pristine sound quality, reproducing instruments with excellent clarity and depth.

Switchable pre-attenuation pad:

The switchable -20dB attenuation pad prevents overloading your preamp or mixer and provides extended dynamic range, enabling close-mic techniques for even the loudest sources like brass instruments and snare drums.
Switchable low-cut filter:

The integrated 80Hz low-cut filter helps to eliminate low-frequency rumble or footfall noise, or to compensate for excessive bass (proximity effect) with close-mic techniques.

All-metal housing with gold-plated XLR connector, premium finish & accessories:

The sE7's all-metal chassis provides efficient rejection of any electrical interference and noise, and its high-quality finish ensures a great look for years to come, and the corrosion-free gold-plated XLR contacts ensure a loss-free, reliable signal connection for years and years and years and...

The sE7 also comes standard with a custom mic clip that will securely attach it to any mic stand via the included thread adapter, plus a windscreen to avoid wind noise.
Read more
 2 in stock $91.00
Click for better price!
quote 706884
Cat: 482715 Rel: 23 Feb 13
 
Professional flat-response condenser instrument microphone
Notes: The SM137 is a versatile, flat-response cardioid condenser probe microphone.

The SM137 has an ultra-thin diaphragm for a frequency response that combines a smooth high-end with a tight, controlled low-end and a 15db pad for natural sound reproduction in both acoustic and high volume performance applications.

The SM137 can be used with the Acoustic Bass Acoustic Guitar Cymbals Guitar Amp Orchestra/Strings Percussion Piano/Organ Stage Overhead Studio Ensemble Studio Instrument Woodwinds.
Read more
 1 in stock $169.74
Click for better price!
quote 482715
Cat: 570058 Rel: 16 Apr 15
 
Condenser instrument microphone with cardioid polar pattern & XLR cable included
Notes: The PGA81 is ideal for use in sensitive acoustic instrument performance and recording. Available with and without a cable.

The PGA81 is a professional quality instrument microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Applications: Stereo Recording, Piano/Organ, Acoustic String Instruments, Brass/Woodwinds, Choir, Drums/Percussion.
Read more
 1 in stock $91.00
Cat: 482942 Rel: 10 Jan 18
 
Drum microphone with optimised frequency response designed specifically for kick drums & bass instruments
Notes: The Shure Beta 52A Kick Drum Mic is a high-output, dynamic microphone with a frequency response tailored specifically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio-quality sound even at extremely high SPLs. Its modified supercardioid pattern ensures high gain-before-feedback and excellent rejection of unwanted sound.

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds. It is ideal for the professional musician looking to mic up their kick drum, bass amp and acoustic bass. It has the quality and durability to be used on stage and in the studio.

The supercardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10 kHz frequency response with a presence boost at 4 kHz to let electric basses and kick drums cut through the mix.
Read more
 1 in stock $137.02
Cat: 674851 Rel: 12 Jan 18
 
Professional quality microphone kit for kick drum, snare & toms
Notes: Drum microphone kit includes 4 drum microphones to cover all you need in performance and recording applications. Includes 1 x PGA52 kick drum microphone, 2 x PGA56 drum microphones, 1 x PGA57 instrument microphone, 2 x drum mounts, and 4 x XLR cables.

Professional sound, exceptional performance:

The perfect introduction to Shure engineering excellence, PG ALTA microphones set a new standard in accessible gear, delivering professional-calibre sound while easily withstanding the demands of everyday rehearsal, performance and recording.
Read more
 2 in stock $203.48
Cat: 482731 Rel: 11 Jan 18
 
Unidirectional electret condenser microphone for live amplified & acoustic instruments - can be powered by AA battery or phantom power
Notes: The SM94 is a unidirectional electret condenser microphone tailored to the instrument miking needs of professional musicians and sound engineers in both live performance and sound recording. Its smooth, flat frequency response is free of either a presence peak or a low-frequency rolloff, making it a perfect choice for all types of musical instruments.

The SM94 is equally at home in sound reinforcement systems or in sound studios and motion picture/TV scoring stages. It is ideally suited for most instruments including harmonica, cymbals, brass and saxophone, as well as guitar amps. When used with the optional wind-screen, the SM94 can be used by vocalists and speech-makers who desire a wide, flat response with minimum coloration.
Read more
 1 in stock $180.98
Cat: 482837 Rel: 05 Dec 17
 
Dynamic all-round microphone
Notes: Predecessor to the classic SM57 and shipped connected for low-impedance operation, the 545SD features a silent magnetic reed on/off switch with lock-on option. A favourite for instrument pickup and recording, the 545SD can also be used on lecterns in public address systems.

The 545SD Classic Unidyne Instrument Microphone is a dual-impedance, unidirectional, dynamic microphone.

Read more
 1 in stock $127.81
Click for better price!
quote 482837
Cat: 705141 Rel: 10 Oct 18
 
Precision reference microphone
Notes: The PRM1 Precision Reference Microphone is a special type of microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools. It employs a 1/4", pre-polarized electret-condenser capsule with an omnidirectional polar pattern, which allows the microphone to measure reflections, as well as direct signals up to 132 dB SPL. The PRM1 has an all-metal chassis and comes with a clip, foam windscreen, and hard case.

What makes the PRM1 different from most mics?

Unlike mics you use for recording and live sound, the PRM1 has a narrow dynamic range, since it is intended to receive test frequencies, such as pink noise, at a fixed level. As a result, it is not recommended for recording or performance - but it's the right mic for tuning a sound system to perform accurately in a venue. The PRM1 exhibits linear ("flat") frequency response between 20 Hz and 20 kHz, meaning it captures all frequencies equally within that range. Since it neither boosts nor cuts frequencies, it doesn't colour the sound, making it ideal for measuring what a room or speaker is doing to a sound system's outgoing signal.

Designed for use with Smaart and other audio analysis tools.

While the PRM1 can be used for a variety of measurement applications, such as MLSSA, Spectrafoo, and TEF, it is especially recommended for use with the Smaart System Check wizards that are integrated into PreSonus UC Surface control software for StudioLive AI and StudioLive RM mixers. With this combination, you can have a complete, powerful, and affordable, audio-analysis and correction system.
Read more
 2 in stock $101.23
Click for better price!
quote 705141
Cat: 654055 Rel: 02 Nov 17
 
iRig Acoustic Stage MEMS microphone
Notes: Spare MEMS microphone for iRig Acoustic Stage. Works only in association with the iRig Acoustic Stage DSP unit.

iRig Acoustic Stage uses an ultra-compact MEMS microphone to capture your acoustic's sound from the soundhole. It can be quickly slid into place in the soundhole of the instrument and easily removed with zero modification to the instrument required. This lets you use iRig Acoustic Stage on all of your acoustic steel string guitars, classical nylon strings guitars and even ukuleles or other stringed instruments with a soundhole.
Read more
 1 in stock $40.89
Cat: 446896 Rel: 11 Feb 12
 
Pair of condenser microphones for recording drum overheads, group vocals, acoustic instruments and live performances
Notes: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

Read more
 1 in stock $178.94
Cat: 738155 Rel: 29 Mar 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


TM-DRUMS is a set of four microphones tailored for getting a good drum sound with ease using a Tascam multi-track recorder or audio interface with DAW software. Especially designed for beginners who cannot afford separate mics for each and every part of the drum kit, this mic set meets the minimum requirements for multi-microphone recordings and can even be handled by people who are not yet so familiar with creating a good sounding mix with many sources.

TM-DRUMS comprises of one dynamic mic designed for the bass or kick drum, another dynamic mic designed for the snare, and two condenser mics that can be used for hi-hat, toms and cymbals. Each of the three mic types has its own special characteristics to enhance the instrument it was made for.

The TM-50DB's frequency response delivers a thick bass thump with the right amount of punch, while the TM-50DS enhances the special character of the snare drum with attack and clarity. The TM-50C microphone can be used as an overhead microphone to capture the sound of your hi-hat and cymbals. As a condenser microphone, it handles high sound pressure levels and captures a wide frequency range. Since there are two of these in the set, you can also use that pair to easily create a stereo recording of the entire drum kit, supported by the two mics for kick and snare drum.

Creating a great-sounding drum sound is not hard to accomplish. With two overhead microphones and separate mics for the kick drum and snare drum, you'll get a wide stereo image with clear highs. Start with the overheads and try out different positions until you find that toms, cymbals and hi-hat build a balanced base sound. Then, add a thick kick drum and a well-defined snare drum to that base sound with their separate mics.

If a clear hi-hat is important to your music, you can emphasize it by placing one of the TM-50C over the hi-hat and use the second TM-50C as overhead on the other end of your drum kit. By going this way, you will have more influence on the basic instruments: kick, snare, and hi-hat. You will certainly find a good position for the overhead mic where it can capture the rest of your kit. This approach does not deliver a stereo image like with two overheads but it still gives you some amount of width when panning the hi-hat to one side and the overhead to the other side.

Tascam TM-80 Once you created your basic drum sound and you're familiar with multi-microphone recording, it is easy to add more mics. Is your drum kit located in a room with a nice ambient sound? Why not add that room ambience to make your sound more natural?
Read more
 1 in stock $161.18
Items 1 to 14 of 14 on page 1 of 1

Filter

Instrument microphones
Equipment
Release Date
Featured
Close