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Effects pedals

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Effects pedals

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Animal Factory Baron Samedi Fuzz Pedal
Cat: 683891 Rel: 28 Mar 18
 
Fuzz pedal offering additional gain and a variety of experimental sounds
Notes: The AFA Baron Samedi Fuzz pays homage to the legendary Jordan Bosstone, but sounds nothing like one. Additional gain and a very strange tone control add aggression, fullness and bite to the sound. The interactivity of the top three knobs make this a raucous device that yields an entire variety of sounds, from a great vintage fuzz tone to synthier sounds with faux-portamento decay.

Guaranteed to summon harmonics from other worlds, the AFA Baron Samedi encapsulates the vulgarity, the madness and sheer joy of the electric guitar. Whether you're playing mellower brass sounds on a jazz solo from hell, gated faux-bass single-note riffs or all-out scooped mid riffs, this pedal will take every note to the afterlife and back.

Did we just say guitar? For those unafraid to experiment and stand out, the Baron is a devastating effect, live or in the studio, to use on drum machines, synthesisers and bass guitar too.

Hand-built with pride in Bombay, India.
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MRP:$234.10 SAVE 17%
 1 in stock $195.07
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quote 683891
Animal Factory Pit Viper Solid State Overdrive Pedal
Cat: 683890 Rel: 28 Mar 18
 
Overdrive effects pedal with Gain, Tone & Volume controls
Notes: The Pit Viper is a solid state overdrive which can go from a rather clean boost to a roaring "all controls to 11" sound.

It features controls for Gain, Tone and Volume as well as switches to alter the clipping behaviour.

The cases are made from distressed hand polished aluminium with hand etched graphics, every single one is unique!
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MRP:$234.10 SAVE 21%
 1 in stock $184.56
Dreadbox Kinematic Compressor Filter Effects Pedal
Cat: 823155 Rel: 12 May 21
 
VCA-based compressor/envelope filter effects pedal
Notes: Kinematic is a Greek based word, which describes motion - of points, bodies or systems of bodies, without the consideration of the forces that cause them to move.

Dreadbox Kinematic is a VCA based Compressor and an Envelope Filter effect pedal suitable for fretted instruments and synthesizers, with eurorack compatibility.

10 mm wide
140 mm high
85 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs
IN/OUT : TS Unbalanced 6.4mm jack
Filter / Level / EG Out : 3.5mm mini jack

Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 85mA
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MRP:$236.90 SAVE 17%
 2 in stock $197.42
Earth Quaker Devices Westwood Translucent Drive Manipulator Pedal
Cat: 781758 Rel: 14 Jul 20
 
Overdrive manipulator pedal
Notes: Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee.

This mild-mannered light to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood's Level control has enough output on tap to alert the proper authorities. Even the FBI.

Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there's always music in the air, and the birds sing a pretty song.

Controls:
1. Level: Adjusts Westwood's output level. Clockwise is loud, counterclockwise is quiet.

2. Drive: Adjusts the amount of overdrive. Clockwise is dirty, counterclockwise is clean.

3. Bass: Selects amount of low frequencies around 80Hz. Clockwise to boost, counterclockwise to cut.

4. Treble: Selects amount of high frequencies around 2kHz. Clockwise to boost, counterclockwise to cut.

Tech Specs:
Switching
This device is true bypass and uses electronic relay based switching. Audio will not pass without power.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw 18 mA
Input Impedance 1 MO
Output Impedance <1 kO
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MRP:$250.92 SAVE 31%
 1 in stock $174.06
EarthQuaker Afterneath V3 Enhanced Otherworldly Reverberator Pedal (B-STOCK)
Cat: 827402 Rel: 28 Jul 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Giant ambience from this cleverly designed reverb pedal. Straightforward, intuitive approach with a clever 'drag' control to spread out and separate the individual digital delay lines.

Supplier notes:
The Afterneath sounds a lot like it looks - a wizard bursting forth from ethereal cave and ready for the ambient battle.

Once inside the cave, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.

Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal.

Will you cast "Length," which controls the decay length of the reverb?
What about "Diffuse," which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

Overwhelmed by fear, you hastily cast "Dampen!" As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It's almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

Elsewhere in your book of magic is "Drag," which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise "Drag" positions will gather the delay lines close together for a more reverb-like effect. Turn the "Drag" counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

The Drag can be put under voltage or expression control using the "EXP" jack located on the side and operates in 9 different modes which are selected by the small "Mode" control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave,
Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

The "Reflect" alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.

Finally, the "Mix" alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

Modes
The Modes control changes the way the Drag control functions. The LED will change colors indicating which mode you are in.

1. Unquantized: Smooth, unquantized response over the operating range

2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The "Drag" will lag behind the knob or cv changes, but then quickly catch up.

3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.?

4. Chromatic Scale: Quantized 1v/octave to the chromatic scale?

5. Minor Scale: Quantized 1v/octave to the minor scale?

6. Major Scale (Lydian): Quantized 1v/octave to the major scale (Lydian)?

7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale?

8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths?

9. Octaves: Quantized 1v/octave to omit all but octaves

Specifications:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 100 mA

Input Impedance: 1 MO

Output Impedance: 500 O
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 1 in stock $197.09
EarthQuaker Ghost Echo V3 Vintage Voiced Reverb Pedal
Cat: 781647 Rel: 14 Jul 20
 
Reverb pedal
Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO
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MRP:$250.92 SAVE 21%
 3 in stock $197.42
EarthQuaker Grand Orbiter V3 Phase Machine Pedal
Cat: 781668 Rel: 28 Jul 20
 
Phase machine pedal
Notes: Grand Orbiter is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal's tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the "Phase/Vibrato" switch. When in "Vibrato" mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

1. Sweep: Controls the frequency peak of the sweep. Higher peak clockwise, lower peak counter clockwise.

2. Rate 1,2,3: Changes the range of the speed control. Rate 1 is slow mode, Rate 2 is LFO kill to use the Orbiter as a fixed resonant filter, Rate 3 is fast mode.

3. Rate: Controls the speed of the LFO. Faster clockwise, slower counterclockwise.

4. Depth: Controls the amount of phase effect mixed with dry signal. Clockwise for more intense phasing, counterclockwise for less. In "Vibrato" mode, this acts as a volume control.

5. Phase/Vibrato: Cuts the dry signal to create a vibe/vibrato effect depending on the setting of the other controls. Vibrato is created by turning the resonance down low.

6. Resonance: Controls the regeneration of the phased signal. More resonant clockwise, more subtle counterclockwise.

Tech Specs:

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$287.37 SAVE 31%
 6 in stock $198.54
EarthQuaker Hummingbird V4 Repeat Percussions Tremolo Pedal
Cat: 781684 Rel: 14 Jul 20
 
Tremolo pedal
Notes: The Hummingbird is a choppy, sawtooth tremolo modeled on the vintage "repeat percussion" unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic "50's style" shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost!

Controls:
1. Depth: This adjusts how much the oscillator affects the signal. All the way clockwise produces a full chop, all the way counterclockwise produces no chop and the Hummingbird can be used as a simple JFET booster.

2. Mode: Three way toggle switch which selects the range of the oscillator. Mode 1 is slow, Mode 2 is mid tempo and Mode 3 is fast.

3. Rate: This adjusts the speed of the oscillator. Faster clockwise, slower counterclockwise.

4. Level: Adjusts the output volume

5. Expression Jack: Use an expression pedal to adjust the rate with your foot! When an expression pedal is in use the Rate control is defeated. We recommend the Moog EP-2 expression pedal.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 10 mA
Input Impedance: 50 kO
Output Impedance: <10 kO
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MRP:$236.90 SAVE 27%
 2 in stock $174.06
EarthQuaker The Depths V2 Analog Optical Vibe Machine Pedal
Cat: 781628 Rel: 28 Jul 20
 
Optical vibe machine pedal
Notes: The Depths is Earth Quaker Devices' take on the classic optical vibe circuit. Now you can swab the decks with the same lush, pulsating, three-dimensional swirling sound you know and love, with some modern accouterments for all you land-lubbers out there.

The Depths is optimized for use with all kinds of instruments, pickups, and to play well with dirt, so nobody's left waiting on shore. If it's got a 1/4" output, plug it in and get deep!

Controls:
1. Intensity: This controls how subtle or intense the overall effect is. Counterclockwise from noon are the more subtle, classic sounds. Clockwise from noon are the more drastic and intense sounds.

2. Voice: Dials in the overall sound. Turn it clockwise for a fuller sound with more lows, bring it back for a thinner, more midrange focused tone.

3. Rate: Controls the speed of the effect. Counterclockwise for slow, clockwise for fast.

4. Level: Controls the volume of the effect. Unity is around 1 o'clock, everything above that is boost.

5. Throb: This controls the low end pulse. It may not be immediately evident on the bridge pickup, but switch to the neck or add some dirt and it comes alive. All the way up for more throb, dial it back for less. Works best when the Voice is set to a warmer tone.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 21 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$287.37 SAVE 30%
 2 in stock $199.76
EarthQuaker Tone Job V2 EQ & Boost Pedal
Cat: 781748 Rel: 14 Jul 20
 
EQ & boost pedal
Notes: This compact Boost & EQ device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard, no matter what instrument you play.

So what does that mean, exactly? It means that you'll hear full frequency response from your Tone Job everywhere you plug it in - guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo, or wherever!

The Tone Job has active EQ controls for Bass, Mid and Treble, with up to 20 dB of cut or boost, which is handy for pairing up with other pedals in your chain to breathe new life into old dirt. Unlike boring old graphic EQs, the Tone Job's EQ controls are interactive, so you can experiment with different settings to alter the response and overall feel of the device, getting your tone out of the lunchroom and back on the clock.

Place the Tone Job at the beginning of your chain to alter the overall character of your guitar, or use it at the end to boost output at the end of a long cable run and fine-tune your tone. The Level control on the Tone Job can boost your signal up to 5x the original input level, so you'll always be heard, and makes for a fantastic solo and/or clean boost!

Controls:
1. Level: Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 o'clock.

2. Treble: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the treble and all settings below cut treble.

3. Bass: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the bass and all settings below cut bass.

4. Middle: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the middle and all settings below cut middle.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 21 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$231.30 SAVE 20%
 1 in stock $184.58
EBS OctaBass Blue Label Triple Mode Analogue Octave Divider Pedal
EBS
Cat: 751988 Rel: 24 Oct 19
 
OctaBass pedal - Blue Label edition
Notes: The new EBS Octabass Blue Label pushes the boundaries for what has seen as possible with an analogue octave effect. The quality and character of the octave tone, as well as the precision and speed of the tracking, is outstanding.

The EBS OctaBass was the first effect unit ever made by EBS. It is famous for fast and accurate tracking and a fat, natural sound. When you play your instrument, it "tracks" the note you play and produce a sound one octave below to mix in with the note you play. The 'Blue Label' model has a couple of new features that enhance the tracking range and improves the control of the sound.

Improve the tracking where it matters the most:

A new Range-switch makes possible to move the optimized focus area of the tracking to either higher up or lower down the fretboard. All to match your playing style and needs. This feature makes the tracking speed and range outstanding for an analogue octave pedal. Note: Don't confuse this switch with the Range-switch on previous OctaBass pedals where it changed the character of the tone.

Enhanced tone control:

By adding a seamless tone control you can go from a present, focused octave sound that cuts through the mix all the way to a sub-bass backdrop of lows that discreetly supports the note you play. The tone control enhances the palette of sounds and also makes it easier to achieve a synthesized bass sound.

Power the Blue Label OctaBass with 9-18V DC power. The footprint is reduced by 12% compared to the previous Studio and Black Label editions.
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 1 in stock $190.10
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quote 751988
Electro Harmonix 1440 Fourteen-Fourty Stereo Looper Pedal
Cat: 785073 Rel: 30 Jul 20
 
Looper pedal
Notes: The EHX 1440 Stereo Looper is a compact powerhouse that provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you'll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

A 1 Shot function is also included, adjustable fadeout times and optional external footswitch control for selecting loops and Undo/Redo. The affordable 1440 Stereo Looper puts a ton of looping power on your pedalboard.
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MRP:$287.37 SAVE 34%
 2 in stock $189.24
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quote 785073
Electro Harmonix 1440 Fourteen-Fourty Stereo Looper Pedal (B-STOCK)
Cat: 812342 Rel: 30 Jul 20
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The EHX 1440 Stereo Looper is a compact powerhouse that provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you'll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

A 1 Shot function is also included, adjustable fadeout times and optional external footswitch control for selecting loops and Undo/Redo. The affordable 1440 Stereo Looper puts a ton of looping power on your pedalboard.
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 1 in stock $194.68
Electro Harmonix B9 Organ Machine Pedal
Cat: 560196 Rel: 03 Feb 15
 
Organ machine pedal with 9 presets ready to use
Notes: With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation.

Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

*UK 230V power adapter included*
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MRP:$294.38 SAVE 35%
! low stock $190.41
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quote 560196
Electro Harmonix Bass9 Bass Machine Pedal
Cat: 743356 Rel: 10 Oct 19
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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MRP:$287.37 SAVE 31%
 1 in stock $197.42
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quote 743356
Electro Harmonix C9 Organ Machine Pedal
Cat: 565166 Rel: 16 Mar 15
 
Organ machine guitar effects pedal with 9 presets designed to emulate classic organ tones
Notes: The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds.

The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound's sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content.

Blend your dry signal to create beautiful layers. Lovers of classic organ and keyboard rejoice!

*UK 230V power adapter included*
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MRP:$287.37 SAVE 34%
 1 in stock $189.24
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quote 565166
Electro Harmonix Mainframe Bit Crusher Effects Pedal
Cat: 793996 Rel: 12 Oct 20
 
Bit crusher pedal
Notes: Clever take on bit crushing, sample rate reduction and all-round lo-fi goodness. Crunchy retro digital sounds with a neat option to tune the sample rate to the key of your song.

Supplier's Notes:
Buzz. Beep and bloop. Electro Harmonix are high on the lo-fi sounds of "old-school" games, toys and terminals and the Mainframe Bit Crusher takes us back in time to when Pac Man and Donkey Kong ruled the arcades, to when the Commodore 64 was high tech.

It provides sample rate reduction ranging from 48kHz to 110Hz. A little background- the sample rate is the number of times per second that a sample or snapshot of an analog signal is taken. For example, CDs (remember them?) had a sample rate of 44.1kHz which means that the original analog signal is sampled 44,100 times per second.

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Electro Harmonix Mainframe Bit Crusher Effects Pedal (B-STOCK)
Cat: 827654 Rel: 12 Oct 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Clever take on bit crushing, sample rate reduction and all-round lo-fi goodness. Crunchy retro digital sounds with a neat option to tune the sample rate to the key of your song.

Supplier's Notes:
Buzz. Beep and bloop. Electro Harmonix are high on the lo-fi sounds of "old-school" games, toys and terminals and the Mainframe Bit Crusher takes us back in time to when Pac Man and Donkey Kong ruled the arcades, to when the Commodore 64 was high tech.

It provides sample rate reduction ranging from 48kHz to 110Hz. A little background- the sample rate is the number of times per second that a sample or snapshot of an analog signal is taken. For example, CDs (remember them?) had a sample rate of 44.1kHz which means that the original analog signal is sampled 44,100 times per second.

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 1 in stock $169.65
Electro Harmonix Micro POG Polyphonic Octave Generator Pedal
Cat: 560437 Rel: 03 Feb 15
 
Polyphonic octave generator effects pedal with udjustable original pitch volume
Notes: The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility.

The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

*UK 230V power adapter included*
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Electro Harmonix Nano POG Effects Pedal
Electro Harmonix Nano POG Effects Pedal (polyphonic octave generator effects pedal)
Cat: 569657 Rel: 12 May 15
 
Polyphonic octave generator effects pedal, tracks chords sweeps or single notes - features additional "dry" output
Notes: The smallest member of the polyphonic POG clan provides impeccable tracking and sound.

Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.

*UK 3-pin 230V power supply included!
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Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal
Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal (polyphonic pitch shifter effects pedal)
Cat: 560349 Rel: 04 Feb 15
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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Electro Harmonix Super Pulsar Stereo Tap Tremolo Pedal
Cat: 565165 Rel: 16 Mar 15
 
Analog tap tremolo guitar effects pedal with stereo in/out, mono in/stereo out, stereo in/mono out, mono in/mono out & true bypass
Notes: A truly super tremolo with powerful controls and signal routing.

Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity.

Create your own rhythmic patterns and store them.

Save and recall up to eight customized preset programs.

Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation.

Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

*UK 230V power adapter included*

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 1 in stock $197.42
Electro Harmonix Superego Synth Engine Pedal
Cat: 560459 Rel: 04 Feb 15
 
Synth engine effects pedal with latch mode with a layer feature to stacksounds
Notes: The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

*UK 230V power adapter included*
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Empress Effects Fuzz Pedal
Cat: 783034 Rel: 10 Sep 20
 
Fuzz pedal
Notes: This classic sounding fuzz offers smooth, rich sustain with great note definition. A tighter low end makes it ideal for full chords as well as sustaining single notes.

The Empress fuzz is true bypass and has gain control, two bands of EQ and output control to fully tailor your sound.

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Friedman Smallbox Effects Pedal
Cat: 804276 Rel: 08 Dec 20
 
Overdrive pedal
Notes: Based on Dave Friedman's excellent Small Box valve amp, the Small Box pedal is designed to offer similar touch-responsive tone and rich vintage overdrive in a pedal format.

Supplier's Notes:
Dave Friedman's Small Box all-tube amplifier is well known for being one of the most flexible and touch-responsive amplifiers on the market today. You can now get the same tonal versatility, sensitivity and harmonically rich overdrive as this legendary amp with Friedman's new Small Box overdrive pedal. The Small Box pedal packs the same intuitive control set as the amplifier, allowing you to dial in your perfect shade of rock, from vintage Plexi goodness to high gain madness. Whether you want a high-output cleaner tone for pushing your amp hard, or a thick gritty drive that will sit well in any classic to modern rock band, a sweep of the gain control easily gets you there. If you want to reign in the gain some more, simply flip the side mounted gain switch and it will simulate the Plexi-Channel of the Small Box amplifier. To experience the Small Box's accolade-garnering Friedman tone, put this overdrive pedal on your board today.

The Small Box overdrive can scream with an unabashedly rock 'n' roll voice while still being surprisingly versatile. You can go from screaming high gain to a killer dirty boost by simply rolling the pedal's gain knob back and flipping the gain structure switch to "lower gain mode".

Friedman Small Box amp tone in a compact pedal format
Responds to guitar controls and picking nuance exactly like the amp
Gain control and gain structure switch, takes you from gritty to hard rock with ease

The Small Box Overdrive pedal delivers tube like tone in a small pedal format which can be used either into a clean amp or to boost an already over-driven amp.

Can be powered between 9-18VDC (no battery)
Assembled in USA
Dimensions: 2.5" (W) x 4.75" (L) x 2.5" (H)
Weight: 1 lbs.
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Fulltone 69 MkII 60's Classic Fuzz With 2 Matched Germanium Transistors Pedal
Cat: 782502 Rel: 11 Sep 20
 
Fuzz pedal
Notes: This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick.

If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great Overdrive/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking.

Specifications subject to change at any given moment due to availability... and whimsy.

True-Bypass w/LED is standard equipment to preserve tone when the pedal is off!
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Fulltone Full-Drive 2 V2 Overdrive With Boost Pedal
Cat: 782837 Rel: 11 Sep 20
 
Overdrive pedal
Notes: Since the 1990s, Fulltone's FullDrive series of pedals have been among the most popular overdrive stompboxes around. Undergoing many refinements and tweaks over years to meet the demands of its fans, the FullDrive 2 V2 is the smallest and most pedalboard-friendly version yet!

Featuring a super-compact enclosure without losing any of the key controls or functionality that users adore, this potent-sounding unit can really add some grit to your amp.

2 Footswitches:
Left ON/OFF footswitch: True-Bypass switching with exclusive Fulltone "Anti-Pop" circuit.
Right "Channel select" footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs.
100% Built in the USA.
16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews.
9-18VDC operation, extremely green circuit only pulling 10mA of current.

2 toggle switches to access the many clipping options
LEFT 3-position switch:
Comp-Cut- removes clipping diodes, not a clean boost because it can distort the opamp.
Flat Mids- a late 1990's Fulltone invention that feeds signal back on to the clipping diodes removing the Mid-hump.
Vintage- traditional 90's Full-Drive slightly asymmetrical clipping.
RIGHT 3-position switch
Wide- combines Mosfets & Schottky Diodes for more clarity, less compression, a more D*mble-like sound.
Standard- traditional 90's FD2 slightly asymmetrical.
Half-Clipped- another Fulltone exclusive, only clips the top waveform for extreme clarity, feel, and touch like you've never experienced!

Explanation of DRIVE 2 channel.
Think of it as the "More" Channel....
Engaging the DRIVE 2 footswitch brings in the DRIVE 2 knob, allowing you to add distortion (in addition) to what's selected on the DRIVE 1 knob.
At the same time, the pedal jumps from the (pedal's main, large) VOLUME knob level setting to a higher level selected on the DRIVE 2 VOLUME (mini-knob.)
Practical uses:

1) Use as a volume Booster (same Distortion setting, only louder): Set DRIVE 2 knob to "0" and set DRIVE 2 VOLUME mini-knob to taste

2) Use as a higher Gain lead tone with Volume Boost: set DRIVE 2 knob anywhere above "0" and DRIVE 2 VOLUME mini-knob to taste. Ideally you set DRIVE 1 for your lower-distortion sounds and DRIVE 2 for the higher distortion sound...effectively giving you 2 pedals.
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Fulltone Full-Drive 3	Overdrive With Boost Pedal
Cat: 782842 Rel: 23 Sep 20
 
Overdrive pedal
Notes: Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET's give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar's volume control.

3-way CLIPPING toggle switch:
Set to 90's and you'll get symmetrical clipping with ample midrange.
Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones.
set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp.

Discrete Channels:
Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel before or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit.

Buffered Bypass:
Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and feel of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin.

DYNAMICS knob:
A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp's input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies.

The Icing on the cake? The housing is about 20% smaller than the traditional FD2.

SPECIFICATIONS:
Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms.
Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz.
Power Consumption: maximum 13 ma with both channels on
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Fulltone Octafuzz OF 2 Octave Up Fuzz Pedal
Cat: 782858 Rel: 16 Sep 20
 
Fuzz pedal
Notes: Octafuzz OF-2

Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 14ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe.

"Edgy, tweaked, and haunted by strange overtones, it's distortion occupies a galaxy far, far away from modern crunchola fuzz."
-- Guitar Player Mag

Almost synth-like with its ring-modulation and "steel-drum" vibe... you will turn heads.



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Fulltone Octafuzz OF 2 Octave Up Fuzz Pedal (B-STOCK)
Cat: 823504 Rel: 16 Sep 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Octafuzz OF-2

Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 14ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe.

"Edgy, tweaked, and haunted by strange overtones, it's distortion occupies a galaxy far, far away from modern crunchola fuzz."
-- Guitar Player Mag

Almost synth-like with its ring-modulation and "steel-drum" vibe... you will turn heads.



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 1 in stock $165.10
Fulltone Soulbender	 60's Classic Fuzz Pedal with 3 Matched Germanium Transistors
Cat: 782873 Rel: 11 Sep 20
 
Fuzz pedal
Notes: The Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings.

Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding.

The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons of tonal character and even harmonics and of course, true bypass w/ LED is included with every one.
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Fulltone Supa-Trem Jr Amp-Style Opto Tremolo Pedal With Boost
Cat: 782881 Rel: 11 Sep 20
 
Tremolo pedal
Notes: The logical progression to the beloved Supa-Trem1 is here!

It's a much, much smaller than the ST-1 at only 3.9" wide x 4" deep, and more intelligent version of the epic Supa-Trem1. Sporting True-Bypass,Tap-Tempo, external Tap jack, Half/Double hold feature, up to 15dB boost, true Square, Sine, and the natural heartbeat-like Warble wave-forms! It also can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Don't forget, just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!

3 switchable waveforms:
Square, (modified) Sine, and (heartbeat-like) Warble wave-forms. Digital Brain (for the oscillator only) with 100% analog signal path. Unlike the ST-1, the Jr can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!
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Hungry Robot Clockable LFO Desktop Module
Cat: 780980 Rel: 03 Sep 20
 
LFO module
Notes: The Clockable LFO brings multiple waveforms, CV control, subdivisions, and wave symmetry in a simple, user friendly package. LFO speed can be controlled by the tap tempo pushbutton, clock input, or over-sized Speed knob. There are three waveforms that can be selected by toggle and further modified by the Level and Symmetry knob. The Symmetry knob shifts the wave form from a symmetrical wave to a ramp up or ramp down waveform (or when using square wave, acts a pulse width control). Clock In and Clock Out for syncing with other devices. All knobs on the Clockable LFO can be manipulated with CV. As with all Hungry Robot "Modular Boxes" the Clockable LFO can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-SPEED: Sets the overall speed of the LFO. Turning this knob will override any tap or clocked tempo. This control is still affected by subdivision.
-LEVEL: Sets the level of the LFO output. Ranges from 0-10V peak-to-peak
-SYMMETRY: Sets the symmetry of the waveform. Shifting from ramp-down to ramp-up on triangle and sin waves. Adjusts pulse width on square.

SWITCHES
-SUBDIVISIONS: Selects subdivisions (x1,x2,#2). Automatically converts LFO speed.
-WAVESHAPE: Selects the waveshape of the LFO output (Sin, Triangle, Square)

PATCH POINTS
-SPD CV: CV input for Speed. Allows for CV control of this parameter.
-SYM CV: CV input for Symmetry. Allows for CV control of this parameter.
-LVL CV: CV input for Level. Allows for CV control of this parameter.
-CLK IN: Will sync to external clock. Will override the speed knob.
-CLK OUT: Outputs a 5V clock signal at 50% duty cycle. Can also be useful as a gate signal for your ADSR
-LFO OUT: Two outputs of final waveform. Both outputs are buffered for minimal signal attenuation. 10V Peak-to-Peak

PUSHBUTTON
-CENTER PUSHBUTTON: On-board tap tempo. Will override the speed knob.

Dimensions: 4.7" x 3.7" x 1.96"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot The Borderland (Lite) Ambient Digital Reverb With Octave Pedal
Cat: 780924 Rel: 03 Sep 20
 
Digital reverb with octave pedal
Notes: The Borderland (lite) contains the same base circuitry and reverb algorithm as its older sibling, but without the modulation options. It contains the same lush reverb algorithm and retains the three octave mode. It is perfect if you love the tone of The Borderland, but don't need the complex LFO and modulation options and just want a really solid ambient reverb.

Pressing down on the right footswitch sends the pedal into near infinite sustain with the trails teetering on the edge of self-oscillation. The Effect and Clean knobs allow you to dial in the perfect ratio of wet and dry signals. Adjusting the Ambiance and Brilliance knobs sets the length of decay and the cutoff frequency of the onboard low pass filter, ranging from a small room reverb to a cavernous, dark hall reverb.

The Borderland (lite) is the perfect for creating lush, ambient textures.

Knobs

"Clean" - Sets the volume of the original dry signal
"Ambiance" - Sets the overall decay of the reverb trails

"Brilliance" - Sets the cutoff frequency of the low pass filter

"Effect" - Sets the volume of the wet reverb signal

Toggle Switch

Octave - Enables a three octave reverb algorithm. Taking the original reverb signal and mixing it in with an octave up and octave down reverb.

Footswitches

Left - Master On/Off

Right - Sends the pedal into near infinite sustain

Other
"Secret Mode" - There is a secret mode that can be selected internally by way of a dipswitch. This mode replaces the reverb code with delay code. The "Ambiance" knob is now delay feedback and the "Brilliance" knob is now delay time.

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot The Lumen State Variable Overdrive Pedal
Cat: 780918 Rel: 03 Sep 20
 
Overdrive pedal
Notes: The Lumen is a State Variable FET-Based Overdrive. It marks a return to the overdrive world for Hungry Robot Pedals.

Under the hood, it contains an active State Variable Filter, a type of filter that is common place in the synth world. State Variable Filters offer more clarity and presence than standard passive tonestacks. A typical passive tonestack works by removing tonal content, a State Variable Filter works by actively amplifying frequencies that are already present in your signal. The filter is actually made up of 3 individual filters (low pass, band pass, high pass) that split the incoming signal into 3 frequency ranges and amplifies those ranges without tone loss.

While designing The Lumen, Hungry Robot challenged themselves to create an overdrive that used no diode clipping. The most common approach for an overdrive is to send an amplified signal into a clipping section where diodes chop up the waveform and distortion is create. I opted for a more natural approach of cascading FET gain stages. The distortion is created by soaking the transistors with gain. To me, this method provides a more organic, tube-like saturation than a clipping section.

And to top it all off, The Lumen also has a clean blend, allowing you to mix back in some of your clean tone. At 12 o'clock, the clean signal is near unity gain. Past 12 o'clock, it amplifies your clean signal.

Knobs:

"Drive"- Sets the gain level on the first FET stage. It is normal for the knob to crackle when turned.

"Clean" - Sets the level of the clean blend. Past 12 o'clock is boost.

"Level" - Sets the volume of the drive signal.

"H.P" - Sets the level of the high pass filter.

"B.P" - Sets the level of the band pass filter.

"L.P" - Sets the level of the low pass filter.

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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quote 780918
Hungry Robot The Lumen State Variable Overdrive Pedal (B-STOCK)
Cat: 804823 Rel: 03 Sep 20
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


The Lumen is a State Variable FET-Based Overdrive. It marks a return to the overdrive world for Hungry Robot Pedals.

Under the hood, it contains an active State Variable Filter, a type of filter that is common place in the synth world. State Variable Filters offer more clarity and presence than standard passive tonestacks. A typical passive tonestack works by removing tonal content, a State Variable Filter works by actively amplifying frequencies that are already present in your signal. The filter is actually made up of 3 individual filters (low pass, band pass, high pass) that split the incoming signal into 3 frequency ranges and amplifies those ranges without tone loss.

While designing The Lumen, Hungry Robot challenged themselves to create an overdrive that used no diode clipping. The most common approach for an overdrive is to send an amplified signal into a clipping section where diodes chop up the waveform and distortion is create. I opted for a more natural approach of cascading FET gain stages. The distortion is created by soaking the transistors with gain. To me, this method provides a more organic, tube-like saturation than a clipping section.

And to top it all off, The Lumen also has a clean blend, allowing you to mix back in some of your clean tone. At 12 o'clock, the clean signal is near unity gain. Past 12 o'clock, it amplifies your clean signal.

Knobs:

"Drive"- Sets the gain level on the first FET stage. It is normal for the knob to crackle when turned.

"Clean" - Sets the level of the clean blend. Past 12 o'clock is boost.

"Level" - Sets the volume of the drive signal.

"H.P" - Sets the level of the high pass filter.

"B.P" - Sets the level of the band pass filter.

"L.P" - Sets the level of the low pass filter.

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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 1 in stock $186.40
Hungry Robot The Monastery Dual Channel Polyphonic Octaver Pedal
Cat: 780926 Rel: 03 Sep 20
 
Polypohnic octave generator pedal
Notes: The Monastery is a Dual Preset, Polyphonic Octave Generator that allows for simultaneous octave up and octave down with minimal latency and excellent tracking anywhere on the neck, even with multiple notes. The Monastery is inspired by the rich, multi-layered, timbre of vintage organs with its subtle Leslie warble.

The Monastery features highly intuitive controls. Hungry Robots decided to deviated from the standard three knob "Dry,Up,Down" controls used in many octave pedals and went for a more intelligent crossfade/pan arrangement. The biggest advantage of this setup is that the volume remains at unity-gain no matter where you set the knobs. The left knobs are the "Dry/Wet" controls. They adjust the ratio of wet and dry and can go from 100% wet to 100% dry with an even split at twelve o'clock. The right knobs are the "+/-" knobs. They work in a similar matter, but control the ratio of octave up and octave down.

The most compelling aspect of The Monastery is the dual preset function. You can seamlessly cycle between two presets with the right footswitch. The top LED denotes which row of controls is active. If the LED is lit, the top row of knobs is active. If the LED is unlit, the bottom row is active.

Current Draw: 74 mA

Switching: True-Bypass

Dimensions: 4.7" x 2.6" x 1.5"

Powering: 9V DC - Negative Center - 2.1mm Barrel

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MRP:$259.33 SAVE 33%
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Hungry Robot The Wardenclyffe Mini Effects Pedal
Cat: 826908 Rel: 04 May 21
 
Lo-fi ambient modulator pedal - mini version of the Wardenclyffe pedal
Notes: The Wardenclyffe V2 is a faithful recreation of the original Wardenclyffe, only shrunken down in size a bit.

The only actual difference between the original and the V2 is a slightly faster clock speed to provide a slight improvement in the speed of processing.
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MRP:$238.31 SAVE 17%
 2 in stock $198.59
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J Rockett APE Classic Tape Echo Preamp & Boost Effects Pedal
Cat: 783154 Rel: 30 Sep 20
 
Preamp experiment pedal
Notes: The APE is a unique design and an accurate re-creation of a famous vintage tape delay's analogue section. This is not just a preamp but rather the entire analogue circuit from input to output including the sonic influence of the tape heads. It runs at 22.5v just like the original. For convenience it uses a DC to DC converter allowing you to power it with a simple standard 2.1/5.5mm 9v power supply just like most of the pedals on the market.
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MRP:$278.96 SAVE 34%
 1 in stock $184.58
J Rockett Archer Clean Boost Effects Pedal (white)
Cat: 783174 Rel: 30 Sep 20
 
Boost pedal
Notes: An exact recreation of the clean boost side of a Klon. Add the sought after Klon midrange to your tonal range!

The Archer Clean is based on the famous Klon circuit minimally using the iconic diodes giving it almost no gain, but an exact recreation of the clean boost side with the ability to add the sought after Klon midrange.

Dimensions: 4.00" x 2.30 x 1.25"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Current Draw: 28mV

True Bypass Switching
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MRP:$278.96 SAVE 29%
 1 in stock $197.42
J Rockett Blue Note Low Gain Blues Overdrive Effects Pedal (blue) (B-STOCK)
Cat: 811452 Rel: 30 Sep 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Blue Note gives you a very woodsy blues overdrive feel and can achieve more gain than a typical tube screamer (no this isn't another TS clone just using this as a reference). With the newly added "Hot" switch the pedal is capable of multiple tones. The "Hot" switch adds more gain, more volume and gooses the low mids for a thick juicy feel. The Blue note can be set to run flat in its EQ section or select the "Hot" position for more prominent mids. Since the Blue note can be run in either position it makes it suitable for many applications. This pedal is all about feel and really works well with any guitar/amp combination.

Dimensions: 4.75" x 3"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass Switching
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 1 in stock $194.64
J Rockett Blue Note Tour Series Overdrive Effects Pedal (silver)
Cat: 783205 Rel: 30 Sep 20
 
Overdrive pedal
Notes: The Blue Note Tour Series is exactly what you think a small, compact version of the current production Blue Note. The Blue Note Tour Series is identical in sound to the original Blue Note, but does not offer the Hot Switch option.

The Blue Note Tour Series is designed for the touring musician with a rugged, steel enclosure and the new Speed Switch system. You can live in the jazz/blues world all day long with the Blue Note Tour Series always engaged.

The Blue Note gives you a very woodsy blues overdrive feel and can achieve more gain than a typical tube screamer (no this isn't another TS clone just using this as a reference). With the newly added Hot switch the pedal is capable of multiple tones. The Hot switch adds more gain, more volume and gooses the low mids for a thick juicy feel. The Blue note can be set to run flat in its EQ section or select the Hot position for more prominent mids. Since the Blue note can be run in either position it makes it suitable for many applications. This pedal is all about feel and really works well with any guitar/amp combination.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass
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MRP:$278.96 SAVE 38%
 1 in stock $174.06
J Rockett Boing Classic Spring Reverb Sound Effects Pedal
Cat: 783207 Rel: 05 Oct 20
 
Reverb pedal
Notes: The BOING is a simple one knob recreation of the classic Deluxe Reverb. Like many of the classic amps, it is just a single knob reverb for either more or less

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass Switching
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MRP:$236.90 SAVE 18%
 2 in stock $193.85
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J Rockett GTO Guthrie Trapp Signature Overdrive Effects Pedal
Cat: 783210 Rel: 30 Sep 20
 
Overdrive pedal
Notes: The new GTO is the latest design coop with Guthrie Trapp. The original was sort of the Nashville favorite, recreating the old Nobels ODR-1. A great sound in itself but Guthrie wanted more.

The new GTO has a much tighter bottom, less gain and more cut in the mix. It can go from super mild to a really nice, dynamic OD feel. This pedal has compression but in a great way. You can use it as a clean boost and EQ or you can bring in the dirt.

Level: Interactively controls the overall output. The more gain, the louder it will become so you have to use the two in conjunction

Gain: Controls the gain level but also creates compression and feel. It blends with the clean signal so you can really find interesting sounds

Accent: Controls the cut through the mix, the top end and the bite

Warmth : Controls the bottom end but is also very interactive with the Accent control. You can really fatten up the mids but use the accent to keep it from getting woofy.


Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass
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MRP:$278.96 SAVE 30%
 1 in stock $195.09
J Rockett Hot Rubber Monkey Classic Dumble Overdrive Effects Pedal
Cat: 783213 Rel: 05 Oct 20
 
overdrive pedal
Notes: The Hot Rubber Monkey is a re-creation of the overdriven sounds of the legendary D style ODS amp but with the HRM EQ mod.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Analog 18mA Current Draw

True Bypass Switching
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 1 in stock $197.42
Keeley Bubble Tron	Dynamic Flanger/Phaser Pedal
Cat: 782324 Rel: 04 Aug 20
 
Flanger/phaser pedal
Notes: The Keeley Bubble Tron Dynamic Flanger.Phaser pedal explores some of the famous, but very hard to find sounds of the past. Keeley Engineering has created another batch of Neo-Vintage effects that never were. This time Keeley has made the Flanger and Phaser in dynamic with your pick attack and strength. Then add the Random Stepped Filter with the new "M-Style Synth" bandpass shaping feature, and you have a lead guitarist's dream tool. Shut up and play your effect pedal! Yeah, you play this thing like an extension of your mind and fingers.

The Keeley Bubble Tron Dynamic Flanger Phaser and Random Synth Filter has three modes of operation.

The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The word envelope is used because if you were to measure the "weight" of your guitar signal and put it in a storage container (the "envelope" is an imaginary capacitor) it can then be used to control another part of the circuit. The Bubble Tron uses your playing to start and stop the flanger. Most flangers just cycle around and around and you can hear that swooshing in the background. Not in this case, it only cycles as you play. Many flangers offer only positive or negative feedback. This one allows you to try either with the FDBK Control. The negative feedback sounds more vocal like and hollow to my ears while the positive feedback is more conventional and has a thicker, smoother sound. The Sensitivity Control allows you to set how delicately you want to play and have the flanger go fully crazy on you. You can set for crazy silverback gorilla flange or easy flangin' on Sunday morning. The Depth Control is just that, how deep you want the flanging to be.

The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it's depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity of this phaser to give you a very watery sound that is all based on your guitar's signal. You can turn off the standard phaser and just run it DynaPhase by turning the Rate Control off.

The White Zone is for Loading and Unloading Only.

The only effect that isn't dynamic is the Filter Section of the Bubble Tron Dynamic Flanger Phaser. With the Filter you can control the different ramps or random nature of the pedal with the Shape Control. The very exciting part of this pedal is the Sensitivity Control which is actual like a vintage synth style bandpass filter control. It shapes the bandpass filter on the filter and gives you some incredible keyboard like sounds.

One very nice side effect of dynamic based effects is that they don't produce the constant, swooshing sound of LFO based effects.

If you're a lead guitar player that likes to explore and has never had the kind of expression or dynamics from your sound effects that you have in your mind, this is for you. If you are a sound-experimentalist, this is for you! The sounds are nearly endless in that your input shapes what the effect will do.
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Keeley Caverns Delay & Reverb V2 Delay Pedal
Cat: 782331 Rel: 04 Aug 20
 
Delay/reverb pedal
Notes: All the reverb and analogue-style delay you could wish for in a single pedal thanks to this killer all-rounder. Separate foot switches for reverb and delay on/off, with optional true bypass or 'trails' setting.

Supplier notes:
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.
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 6 in stock $186.90
Keeley DDR Custom Drive Pedal With Delay Or Reverb (B-STOCK)
Cat: 827802 Rel: 04 Aug 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The DDR combines the most common guitar effects- DRIVE and WET- into one pedal. Choose between two classic overdrive tones and then pour on some delay or reverb. One pedal, any gig.

The DRIVE section gives you two styles of overdrive to choose from: Crunch or Lead. The Crunch Style gives you a gritty British tube-amp combo sound. The Lead Style gives you a warm and dark, mid-pushed overdrive. The WET side of the pedal gives you Delays and Reverbs. A Vintage/Modern Switch allows you to toggle between Spring & Plate reverb or Analog & Digital delay. Use the built-in effects loop to insert effects between Drive and Wet, or run it by itself as the only pedal you'll need!

DRIVE Channel:
A pair of modified super-drives to choose from. Volume, Tone, and Drive for days!

STYLE Switch:
Tube-amp Crunch or Lead-channel Sustain

WET Channel:
three knob delay or reverb with Blend, Decay, and Time

Delay/Reverb Switch:
Center toggle, WET Mode Select

Top-mounted jacks for effect pedal insert or split

TRS Insert Switch:
side mounted selector

True-Bypass or Trails Switch:
side mounted selector

9VDC, 100 mA, no battery option
Designed and Made in the USA
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 1 in stock $180.48
Keeley Dynatrem Multiple Waveform Tremolo Pedal
Cat: 782397 Rel: 18 Aug 20
 
Tremolo pedal
Notes: The DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.

Tone Trio - Three Modes
Dynamic Rate - Your playing strength controls the Rate. The harder you play, the faster it modulates! Relax and play softly and the tremolo almost stops.

Dynamic Depth - Play gently and it just barely throbs. Play aggressively and it and pulse hard and deep.

Harmonic Tremolo + Reverb Mode. Yes that phaser/vibey, soulful and sweet sound! Slippery and smooth, you won't want to gig without it. Add Reverb by adjusting the SHAPE control

Wave Table
With a spin of the SHAPE control you get 4 wave-forms: Ramp Up, Sine Wave, Ramp Down, and Square Wave.

4th Mode! All DynaTrems after serial number 300 have a hidden feature mode: Stadard Tremolo Turn the Shape knob all of the way down and it become a standard triangle wave tremolo in the Delta Rate or Delta Depth modes. Call us for a free upgrade if yours does not have this feature.

Or, when in Harmonic Tremolo Mode the Shape control is Reverb!

Other Features:
Integrated noise reduction - developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible.

Output Volume Control - Can be set for a boost for stand out effect.

True-Bypass - No tone loss when off

Battery Free - Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II. 60mA or greater.

Keeley Engineered - Decades of audio experience and design.

The DynaTrem Dynamic Tremolo features killer graphics! Looks like an old tube amp or old tube radio. Tone to match too!
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MRP:$287.37 SAVE 43%
 1 in stock $162.37
Keeley Dyno My Roto Tri-Chorus, Rotary & Flanger Pedal
Cat: 782399 Rel: 18 Aug 20
 
Tri-chorus.rotary/flanger pedal
Notes: You want tri-chorus in a pedal? Try the new Keeley Dyno My Roto!

Finally you can get those 80's vintage rack chorus sounds that define killer chorus sounds. This was not an easy development. The Dyno My Roto is a tough and difficult thing to accomplish in such a small package and we couldn't leave good enough alone. Keeley have added a Flanger and a Leslie Cabinet simulator.

The magic to the chorus sound in the Dyno My Roto is the three LFOs that give you lush modulations that truly sing out like a chorus of guitars. Most chorus pedals, in fact nearly all, are simply two voice, one straight and one modulated. This offers twice the amount of joy by modulating another voice. That significantly reducing the ability to just hear one voice being affected and smears a couple voices in an effect that is truly enjoyable to listen to.

Keeley have come up with a new Rotary Cabinet package that give you a Proximity Control. The Proximity Control controls how far away you are from the spinning speaker cabinet. This adds a depth and distance to the cabinet and is a touch like a reverb control. It gives you that spatial expanse that can give you presence or depth in the chorus-like rotations. Lastly, while we were spinning things, we crafted a RotoFlange sound that has a simple negative feedback control. Easy to use and gets you the most classic flanger sounds possible.

So whether you are going for a Alex Lifeson of Rush tone, a Andy Summers of the Police tone, or an SRV Crossfire rotary tone, we have you covered in one box with the Dyno My Roto.
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MRP:$278.96 SAVE 38%
 1 in stock $174.06
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