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Effects pedals

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Danelectro The Breakdown Boost Overdrive Pedal (B-STOCK)
Cat: 792809 Rel: 13 May 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Rewind to 1968. Famous guitar god uses this pedal to record his first album. Entire planet goes nuts. Inexplicably, the pedal then disappears. Until now. Danelectro resurrects this awesome, incredibly organic sounding pedal. 6 position "Break Up" control takes your guitar signal and slams the front of your amp with increasing punch. Positions 1 through 3 are ear-friendly and have "leave on all the time" potential. Positions 4 through 6 grab you and knock you back against the nearest piece of concrete. But in the most pleasant way. Caution: Do not listen to this... unless you want it to be your life companion.
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 1 in stock $110.67
Earth Quaker Devices Acapulco Gold V2 Power Amp Distortion Pedal
Cat: 781143 Rel: 14 Jul 20
 
Distortion pedal
Notes: The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!

Since tone is in the hands, the controls of the Acapulco Gold are as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That's it. The rest is at your fingertips. Want less gain? Turn down your guitar's volume knob. Need a darker rhythm tone? Roll back your guitar's tone control. Easy, right?

Big Knob: The big knob sets the output level, sometimes known as Volume. PLEASE BE CAREFUL, the Acapulco Gold is extremely loud!

With your guitar's volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.

How about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 18 mA

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MRP:$171.69 SAVE 26%
 1 in stock $127.17
Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal
Cat: 781561 Rel: 14 Jul 20
 
Pre-amp booster pedal
Notes: The Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

Level: Adjusts Arrows output level. Clockwise is loud, counterclockwise is quiet.

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally receommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 8 mA
Input Impedance: 10 MO
Output Impedance: <10 kO
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MRP:$138.63 SAVE 24%
 1 in stock $105.98
Earth Quaker Devices Erupter	Ultimate Fuzz Tone Pedal
Cat: 781640 Rel: 23 Jul 20
 
Fuzz tone pedal
Notes: When's the last time you turned up your favorite fuzz pedal to anything but eleven? If there's one true thing about rock n' roll, it's that it sounds best cranked all the way up. But where do we go from here? We go one louder. Enter the Erupter.

The Erupter is the result of over two years' worth of tone-chasing, tweaking, and experimentation in search of the ultimate classic fuzz tone with a big low end, a biting top end without being too harsh, and just enough output to politely send a tube amp over the top to deliver a well-rounded and defined fuzz tone with just enough pummeling intensity, so you can rock n' roll all night and still get to bed at a reasonable hour.

It's the perfect fuzz... just sayin'.

Controls:
Bias: This control has a center detent for the perfect fuzz setting. When in the center position, the tone will be big and round with a slight volume boost and great sustain. As you turn this counterclockwise it becomes more gated with lower output. As you turn this clockwise it becomes louder and more refined.

Tech Specs:

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 9 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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MRP:$202.22 SAVE 28%
 1 in stock $146.24
Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal
Cat: 781709 Rel: 28 Jul 20
 
Overdrive pedal
Notes: Plumesr is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom and almost three-dimensional clarity that will push your amp over the edge. The reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain.

Controls:
1. Level: This controls the output volume.

2. Gain: This controls the amount of drive.

3. Tone: More bass to the left, more middles in the middle and more treble to the right.

4. Clipping Modes (3-Way Toggle):

1. Symmetrical LED clipping - More Crunch and Compression.

2. No clipping - Wide open OpAmp drive for clean boost.

3. Asymmetrical silicon diode clipping - More transparency with a loose feel.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 10 MO
Output Impedance: 100 O
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MRP:$133.54 SAVE 22%
! low stock $103.86
Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal
Cat: 781743 Rel: 14 Jul 20
 
Octave up pedal
Notes: The Tentacle is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amps mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we'd like to know too). What's better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.

Tech Specs:
Flexi-Switch Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.00 in. (121 x 64 x 51 mm) with footswitch
Current Draw: 10 mA
Input Impedance: 100 kO
Output Impedance: <1 kO
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MRP:$171.69 SAVE 19%
 1 in stock $138.83
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quote 781743
Electro Harmonix Attack Decay Tape Reverse Simulator Pedal
Cat: 719369 Rel: 06 Jun 19
 
Volume envelope manipulation with adjustable Decay & Attack times
Notes: The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
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MRP:$153.89 SAVE 28%
 2 in stock $111.28
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Electro Harmonix Bass Mono Synth Effects Pedal (B-STOCK)
Cat: 785279 Rel: 18 Feb 19
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.
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 1 in stock $115.52
Electro Harmonix Bass Mono Synth Effects Pedal (B-STOCK)
Cat: 785281
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.
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 1 in stock $115.52
Electro Harmonix Deluxe Big Muff Pi Distortion Sustainer Pedal
Cat: 560388 Rel: 02 Feb 15
 
Distortion sustainer effects pedal with true bypass for maximum signal path integrity
Notes: Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we've added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi. It delivers all the classic sounds of the original NYC Big Muff Pi, plus more.
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MRP:$155.16 SAVE 32%
 2 in stock $104.92
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Electro Harmonix Freeze Sound Retainer Pedal
Cat: 560329 Rel: 04 Feb 15
 
Sound retainer effects pedal with real time sample capture & perfect looping
Notes: Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready.

Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions.

Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard.

It's like adding an extra musician to the band.

*UK230V power adapter included*
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MRP:$153.89 SAVE 35%
 1 in stock $100.69
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Electro Harmonix Hot Wax Dual Overdrive Pedal
Cat: 660823 Rel: 01 Sep 17
 
Dual-overdrive effects pedal for electric guitar & bass
Notes: Electro-Harmonix unveils the new Hot Wax pedal which combines the Crayon full-range overdrive and the Hot Tubes, a reissue of the classic 1970s CMOS overdrive. Each pedal can be used individually or they can be stacked with the Crayon driving the Hot Tubes to create new tones and textures.

Independent Volume and Drive controls are included for both overdrives as are dedicated pop-free footswitches and effect status LEDs. A master EQ section featuring Bass and Treble, plus a Blend control which lets the player mix in their dry signal, provide superior tonal control and flexibility making the Hot Wax ideal for guitar and bass.

The Hot Wax comes equipped with an EHX 9.6DC200mA power supply.
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MRP:$132.27 SAVE 21%
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Electro Harmonix Memory Boy Analog Delay With Chorus Vibrato Pedal
Cat: 560432 Rel: 03 Feb 15
 
Analog delay effects pedal with chorus vibrato and up to 500ms delay time
Notes: What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970's, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.

The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC's the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

*UK 230V power adapter included*
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MRP:$147.53 SAVE 32%
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Electro Harmonix Mod 11 Modulation Pedal
Cat: 744056 Rel: 10 Oct 19
 
Modulator effects pedal for guitar with 11 modulations, depth control, rate control, volume/colour control & momentary mode
Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
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MRP:$179.32 SAVE 28%
 1 in stock $129.30
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Electro Harmonix Mono Synth Effects Pedal
Cat: 719370 Rel: 18 Feb 19
 
Guitar synthesiser effects pedal with 11 monophonic synth sounds
Notes: The EHX Mono Synth transforms your guitar into eleven great sounding synthesizers... from vintage synth emulations to fat, stacked voices to soaring lead sounds and more.

The Mono Synth was designed to work on guitar without any modifications, special pickups or MIDI implementation. Its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. The pedal's DRY dial adjusts the dry guitar volume at the Synth Output while SYNTH controls the volume of the synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedal's response to your guitar and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides extra tweakability for customizing your sound. There's also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From string-like synths, to aggressive resonant sounds and deep drones and bell-like tones, the Mono Synth puts a collection of hot synthesizers at your fingertips.
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MRP:$148.80 SAVE 29%
 3 in stock $104.92
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Electro Harmonix Oceans 11 Reverb Pedal
Cat: 691705 Rel: 25 Jun 18
 
Compact, affordable pedal packed with advanced functionality & eleven reverb styles
Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
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MRP:$179.32 SAVE 26%
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Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal
Cat: 560349 Rel: 04 Feb 15
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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MRP:$207.30 SAVE 34%
 6 in stock $136.62
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Electro Harmonix Switchblade Pro Deluxe Switcher Pedal
Cat: 730043 Rel: 14 May 19
 
Deluxe switching box for electric guitar with True Bypass
Notes: The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!
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MRP:$148.80 SAVE 29%
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Electro Harmonix Tri Parallel Effects Loop Mixer & Switcher Pedal
Cat: 738558 Rel: 16 Jul 19
 
3-way FX pedal switcher & mixer
Notes: EHX's Tri Parallel Mixer is a powerful effects creation and mixing hub. Three separate FX loops with flexible controls allow for multiple configurations, as follows:

- Run up to three FX Loops in parallel and create sounds that are not possible by connecting effects in series.
- Switch seamlessly between FX Loops in XOR mode
- Send one instrument out to three separate amplifiers
- Mix three instruments into a single output.

The Tri Parallel Mixer is surprisingly compact considering the level of functionality it provides, while its intuitive controls and I/O make it easy to operate. The Tri-Parallel Mixer comes with an EHX 9.6DC power supply.
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MRP:$162.79 SAVE 30%
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Empress Effects Buffer FX Pedal
Cat: 782948 Rel: 24 Sep 20
 
Buffer pedal
Notes: The Empress buffer was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy.
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MRP:$127.18 SAVE 18%
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Empress Effects Buffer Plus Pedal
Cat: 782953 Rel: 25 Sep 20
 
I/O interface
Notes: The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+.

Input Impedance: 10k - 1Meg
Output Impedance: 510 Ohms
Frequency Response (-3dB): 5Hz - 40kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 86mA
Total Harmonic Distortion: 0.02%
Signal to Noise Ratio: 105.3dB
Headroom: +9.4dBu
Enclosure Material: Die Cast Aluminum
Input connectors: 1/4" Jack
Output connectors: 1/4" Jack
Height (enclosure): 1.25"
Height with controls: 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$203.49 SAVE 29%
 1 in stock $145.48
FORTHCOMING
Fulltone 2B Clean Boost With Germanium Limiter Pedal
Cat: 782489
 
Boost pedal
Notes: The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the "Boost" channel in Fulltone's FD3 pedal.

Why does a guitarist need a "Boost" pedal?

A boost pedal is not only used to kick up your volume when it's time for your solo! A good booster can also solve a lot of problems in the modern guitarist's rig, because today's pedalboards average 8 or more pedals, with each of those pedals requiring: a guitar cable--->jack--->more wire--->footswitch--->circuit--->footswitch again--->jack--->more wire--> and on to next pedal. It's a wonder there's any signal left after all the stuff we put our signal through. Ever played through a 10' guitar cable straight into a great tube amplifier? The feel, the dynamics, the fat tone...makes you want to play! Then you connect to your overpopulated pedalboard and suddenly the sound is tiny, thin, with diminished lows, cardboard mids, and scratchy thin highs. This is where a good booster comes in handy, because all that wire and all those connections reduce your signal by a measurable amount with each passing effect in your signal chain. Add a good booster and you can recoup a lot of that lost gain, tone, and reactive interplay between you and your lovely tube amp. Suddenly the "touch" is back.

What happens when the 2B is turned OFF?

That's the problem with other boosters...once they're OFF, they cease to offer a high quality unity-gain buffer to drive the long cables, so you end up having to buy TWO boosters, one set to "unity gain" and the other set to do your Volume changes! A better solution is the 2B, its unity-gain JFET amp buffers your signal when the pedal is turned OFF...and when the 2B is turned ON; the only difference is now the GAIN knob comes into play allowing you to set the desired boost up to 20dB!

Why is the 2B a great booster?

The problem with other boosters is that the more you turn them up, the more highs they add. Not the case with the 2B, there is a subtle roll-off of the harsh ultra-high frequencies as you roll the LEVEL knob clockwise past 12 o'clock. It's subtle, you may not hear it, but you WON'T hear that shrill top end that other boosters can impart!

What's the DYNAMICS knob?

The 2B offers something completely unique in the world of Boost pedals; a DYNAMICS knob. A subtle Germanium diode Limiter circuit that (as you turn the mini-knob clockwise) starts to slightly alter the feel of the notes being played as well as subdue the harsh transient spikes which can overload your amp's input. Those spikes can be fatiguing to your ears, to the amp, and to its speakers! Similar to using a limiter on the mix down of a song in the studio, the 2B's DYNAMICS feature helps you keep your place in the live mix.....like a very smart compressor. This feature can make even an "ok" amp feel responsive and juicy, and will keep you from distorting the amp's input, a problem plaguing most booster pedals.

Specs:

Input Impedance: ultra-high 1.65mega ohms...Not a chance of any interaction issues with guitars or other effects
Output Impedance: ultra-low 300ohms..no chance of loading or interaction issues.
Max Gain: @ 20dB
Size: 4.5" x 2.1" x 2.3"
Weight= 12 ounces (with the included battery)
Power requirements: anything from 5 to 18 volts DC, 9 or 18 VDC recommended.
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MRP:$171.69 SAVE 17%
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Fulltone 70 70's Classic Fuzz With Matched BC108C Silicon Transistors Pedal
Cat: 782503 Rel: 11 Sep 20
 
Fuzz pedal
Notes: Ever played an original FuzzFace from around 1970? (HINT: Not AT ALL the same sound as ones with the same namesake being mass-produced currently.) Fuzztone's has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the "Fuzz" on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock. Don't try using it with a wah wah... you can't, and neither could Jimi, without it screaming and howling. You want polite and quiet? Go elsewhere. You want art in a box? Come on in.

Housed in a 16 gauge steel box and powder coated deep blue, this pedal is a bit unruly but with some warmth... ideal for older 4 input Marshall amps, it has much more FUZZ than the '69 Pedal and includes a Mid control for extra clarity and cut.
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 1 in stock $139.76
Fulltone Full-Drive 1	Overdrive Pedal
Cat: 782522 Rel: 16 Sep 20
 
Overdrive pedal
Notes: Yes it's true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes... with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90's FD2 anymore.

Soundwise, this is based on the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids CC in later models. So even though the FD-1 will have the Flat-Mids mode, the Comp-Cut is the fuller-mids version identical to the "pre FM/pre-MOSFET" versions of the FD2. This tiny pedal is the size of Fulltone's Mas-Malo, with top-mounted (also called rear mounted) jacks & power port, and a JRC4558 chip for your go-to overdrive sound. Come home.

size: 4.8" x 2.9" x 2.35"
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 1 in stock $130.98
Fulltone OCD V2 Obsessive Compulsive Drive Pedal
Cat: 782848 Rel: 24 Aug 20
 
Drive pedal
Notes: The OCD has received many slight tweaks since its birth in 2004, often incorrectly identified as version 2, Version 3, Version 4. In reality there has always been only one version- Version 1, with very slight variations in a couple of values after that making them V1.0 through V1.8. On 6/15/2017 we released a new OCD, different enough that it warrants a V2 designation, an explanation, and a trip to your favorite dealer to give it another listen. Not a subtle change when turned on- not a subtle change when turned off (in E.B. mode).

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer.

NEW FEATURE: output buffer (when pedal is turned on in True-Bypass mode, or always when in Enhanced Bypass mode) which eliminates it from being influenced by effects that came after it. Translation, your sound remains consistent regardless of placement in today's more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal's hard-clipping stage, allowing more sustain of both the sound and the overtones.

NEW FEATURE: Class A configured discrete 2N5457 JFET input section, raising the input impedance to 1 mega ohms (previously 330K) and increasing the dynamics- resulting in significantly better interaction with both single coil and humbuckers.

NEW FEATURE Internal switch to choose between Enhanced Bypass & True-Bypass, and with no popping sound in either mode. No other company offers EB invented it.
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MRP:$189.50 SAVE 29%
 2 in stock $134.49
Hungry Robot Clockable LFO Desktop Module
Cat: 780980 Rel: 03 Sep 20
 
LFO module
Notes: The Clockable LFO brings multiple waveforms, CV control, subdivisions, and wave symmetry in a simple, user friendly package. LFO speed can be controlled by the tap tempo pushbutton, clock input, or over-sized Speed knob. There are three waveforms that can be selected by toggle and further modified by the Level and Symmetry knob. The Symmetry knob shifts the wave form from a symmetrical wave to a ramp up or ramp down waveform (or when using square wave, acts a pulse width control). Clock In and Clock Out for syncing with other devices. All knobs on the Clockable LFO can be manipulated with CV. As with all Hungry Robot "Modular Boxes" the Clockable LFO can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-SPEED: Sets the overall speed of the LFO. Turning this knob will override any tap or clocked tempo. This control is still affected by subdivision.
-LEVEL: Sets the level of the LFO output. Ranges from 0-10V peak-to-peak
-SYMMETRY: Sets the symmetry of the waveform. Shifting from ramp-down to ramp-up on triangle and sin waves. Adjusts pulse width on square.

SWITCHES
-SUBDIVISIONS: Selects subdivisions (x1,x2,#2). Automatically converts LFO speed.
-WAVESHAPE: Selects the waveshape of the LFO output (Sin, Triangle, Square)

PATCH POINTS
-SPD CV: CV input for Speed. Allows for CV control of this parameter.
-SYM CV: CV input for Symmetry. Allows for CV control of this parameter.
-LVL CV: CV input for Level. Allows for CV control of this parameter.
-CLK IN: Will sync to external clock. Will override the speed knob.
-CLK OUT: Outputs a 5V clock signal at 50% duty cycle. Can also be useful as a gate signal for your ADSR
-LFO OUT: Two outputs of final waveform. Both outputs are buffered for minimal signal attenuation. 10V Peak-to-Peak

PUSHBUTTON
-CENTER PUSHBUTTON: On-board tap tempo. Will override the speed knob.

Dimensions: 4.7" x 3.7" x 1.96"
Power: 9V DC - Negative Center - 2.1mm Barrel
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MRP:$179.32 SAVE 17%
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J Rockett Immortal Echo Warm Echo With Tone Control Effects Pedal
Cat: 783232 Rel: 01 Oct 20
 
Echo pedal
Notes: The Immortal Blue Echo pedal was made with the intention of creating a vintage style echo with full controls, but in a housing for any board size! With an all analog dry signal and warm repeats the Immortal Echo has an addictive ethereal sound that makes the delayed notes musical. J Rockett surveyed many Nashville touring players about what added feature they would like to see and almost everyone said Tone Control.

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog/Digital hybrid - 28mA current draw

True Bypass Switching
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MRP:$151.34 SAVE 17%
coming soon $126.12
FORTHCOMING
J Rockett Squeegee Low-Noise Analogue Compressor Effects Pedal
Cat: 783236 Rel: 01 Oct 20
 
Compressor pedal
Notes: We all know the classic tones of The Police or laying down those killer funk lines, tearing it upwith our double stops or plinking out innerchordal melodies right? Well, they all really need compression.

This is not one of those recreations of a complicated studio compressor where you have no clue what any of the controls do. This is a basic two know job that makes it easy for the user, just like what the classic guitar tones were made of. Unlike most compressors that squash your tone a little too much or have too much noise when kicked on our Squeegee provides toneful compression that is dead quiet and feels like real tubes working hard.

Dimensions: Coming Soon

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog - 20mA current draw

True Bypass Switching
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MRP:$151.34 SAVE 17%
coming soon $126.12
FORTHCOMING
J Rockett Steampunk Boost & Buffer Effects Pedal
Cat: 783238 Rel: 01 Oct 20
 
Boost/buffer pedal
Notes: This highly versatile yet simple pedal is a perfect 2 in 1 Buffer Booster. The buffer is perfect for fixing any impedance issues created from using long cables and big boards. The buffer will allow you to save your tone and regain any high end loss that may occur. The good news, it is fully selectable so if you don't want it there is an internal slide switch and an LED indicator to let you know of it is in or out of the circuit. It can also be used whether the boost is engaged or not.

The boost feature provides a clean 20+ Db push to your amps and effects. Whether you need your solo to have more umph, want to drive your amp that last little bit towards total crunch or push your other overdrives into high gain mode the Steampunk is your pedal. The side benefit to the steampunk is that it can take a pefectly clean tones and add a magical sustain and
clarity.this is no Rangemeaster by any stretch but rather a chime machine that keeps your EQ spectrum in tact!

Dimensions: Coming Soon

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog-12mA current draw

True Bypass Switching
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MRP:$151.34 SAVE 18%
coming soon $124.00
FORTHCOMING
J Rockett Touch All In One Overdrive Effects Pedal
Cat: 783233 Rel: 01 Oct 20
 
Overdrive pedal
Notes: Experience touch sensitivity within this pedal that makes your playing come alive! Play soft to experience near clean chime and simply play harder to make it scream! The Touch Overdrive has enough shades of gain on tap to cover a huge range of styles and its size makes it perfect for any pedalboard.

Dimensions: Coming Soon

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog - 12mA current draw

True Bypass Switching
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MRP:$151.34 SAVE 17%
coming soon $125.06
Keeley El Rey Dorado Overdrive Pedal
Cat: 782412 Rel: 04 Aug 20
 
Overdrive pedal
Notes: The El Rey Dorado is your go-to box for that Plexi tone. Yes, there is a wide range of 1960s Plexi Amp Tone in terms of power, which tubes are installed, which speakers and/or cabinet is used, but the El Rey Dorado hits the core tone bullseye! One of the many reference points for the tone was the JTM 45/100r full stack. (It's a dead-on reissue Marshallr did with crazy cool custom-made vintage-recreation speakers and dual transformers to transfer the load of the 4 EL-84s!)

The El Rey covers a lot of classic British amp tones by featuring two gain modes with the Power Toggle. With the Power Toggle switch you have control over the compression and harmonics. Low Power mode is louder, has more girth, and has fewer harmonics for a more old-school tone. The High Power mode has more compression, more harmonics, and a tighter, more defined tone. Old-school crunch in Low Power mode, super lead tones in the High Power mode.

Simple as grabbing an open E Chord!
Volume, Gain, Tone, Power Toggle: Yes

Keeley Engineered: Yes

Ripe Tide Gain: Yes

9 volt battery: 9V compatible (battery not included)
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MRP:$189.50 SAVE 21%
 1 in stock $149.42
Keeley Fuzz Bender	 Fuzz Pedal With Active EQ And Gate Controls
Cat: 782420 Rel: 04 Aug 20
 
Fuzz pedal
Notes: The Keeley Fuzz Bender is a 5 knob-3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender's five knobs confirm size matters when creating a new and epic world of fuzz.
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MRP:$189.50 SAVE 25%
 1 in stock $143.06
Keeley Super Phat Mod Full Range Transparent Overdrive Pedal
Cat: 782451 Rel: 04 Aug 20
 
Overdrive pedal
Notes: Many say the Phat Mod delivers their favorite tone from a pedal. It's that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That's the reason the modified pedal has stayed on people's boards for nearly 15 years. The Keeley Super Phat Mod is the famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way.

The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits to bring out the best in any guitar's pickups. The problem with building one in the past has been the difficulty finding the perfect FET to capture the magic. If the harmonic content and grain of the distortion and overdrive weren't exactly right, it was put to one side- then Keeley found the magic device that pushed it over the top, and it was dressed in gold and royal purple. The name badge had to speak of its history and heritage. With Super Phat Mod in an old, Blackface-style logo and the metal-flake clear-sparkle on gold, it will look incredible in any rig.

The Super Phat Mod pedal now has incredible dynamics. It is full range and very responsive. The phrase "transparent overdrive" was born of this design! From country pickin', to blues and rock wailing, the Phat Mod is the choice for those not wanting the over-refined sound of a common Screamer. Set the gain high and let your guitar's volume control or your pick attack do the work. With the Super Phat Mod, you now have all of the refinements-the very best of tone-shaping electronics and modern features like true-bypass.

The Keeley BD-2 was the first mod that had a switch. It was done to give players two modes of bass response. With the slight boost, it was called the Phat mode. It was perfect for players of Strats and Teles who wanted just a small push without being muddy. That same design is also available via the micro toggle on the Super Phat Mod. Later on Keeley released the Luna Overdrive which won a Gear of the Year award in England, and that pedal had further refinements made to it and became the Katana Blue Drive. The Katana Blues Drive still retained the active bass and treble controls but smoothed out the highs and increased the gain range slightly. That was an original design designed to meet many of the tonal characteristics of the Blues Driver. The new Super Phat Mod takes off by duplicating the Keeley Phat Mod part-for-part with the exception of the new super JFETs.
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MRP:$189.50 SAVE 24%
 1 in stock $143.27
KMA Audio Machines Fuzzly Bear Silicium Fuzz Pedal
Cat: 782224 Rel: 31 Jul 20
 
Fuzz pedal
Notes: Holy Spirit of the forest, the Fuzzly Bear fuzz pedal is here, so kick the Switch to unleash the beast!

The sound of this fuzz-pedal is influenced by an old rare and underrated fuzz box from the 1970s, the classic Jordan Boss Tone. The main reason though why this pedal did not conquer the world of effects back in the day, was due to its massive lack of bass. However, the fuzz could be heavenly and ranged from a snake's hiss, to a kitten's purr or it could just be downright nasty and trebly. When you found the sweet spot though, it had such a rich voice and all in a day when most fuzz boxes prided themselves on being overwhelmingly grainy or just downright harsh.

KMA refined the circuit to get the essence of that old-school sound, but with a modern twist. First of all, they brought back the low end and added a bias control to explore lots of new capabilities of this long forgotten pedal.

The essential SKIN/MEAT knob controls the bias of the circuit. You can dial in a sharp skinny fuzzy drive tone or a thick and meaty wall of furry. The GAIN control delivers a whole range of different fuzz shapes.

Back it off to get a dirty chunky overdriven tone, turn it up and your tone becomes thicker and thicker. Set the gain fully clockwise and magic will happen: The smooth decay turns into a starved and gated fuzz sound, perfect for classic tunes.

Powered by an optional standard 9V-18V DC PSU (negative center, 2.1mm, approx. 2mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. Doublesided PCBs designed, tested and assembled by KMA were used, to guarantee a high quality standard and keep the price of the pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures maximum durability.



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MRP:$197.13 SAVE 31%
 1 in stock $136.06
KMA Audio Machines Queequeg Sub Octave Generator Pedal
Cat: 782237 Rel: 31 Jul 20
 
Octave generator pedal
Notes: Guided by an immortal spirit and encouraged by the old seer's prophecy to plunge into the abyssal sea fulfilling his destiny. He is holding his weapon with ease willing to tame the tremendous beast and showing you the beauty of the deepest sounds. Queequeg - just one man to pave the way for your intense suboctave experience!

Queequeq is KMA Audio Machine's take on a simple, yet massive analog monophonic suboctave generating device. Our aim was to provide a super easy to use and ultra-fast tracking suboctaver in a small footprint that works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there.

With its one knob SUB control, you are able to dial in the right blend of the generated suboctave and your clean signal. Queequeq's quick tracking benefits from the all-analog circuit design, giving you a very organic and smooth suboctave sound.

Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of Queequeg's specialties. The SUB control goes from completely clean on the left, to 100% suboctave action on the right side and with different sonic blends in between.
Your search for an easy to set and great-sounding all analog sub octaver ends right here with the Queequeg.

Powered by an optional standard 9V-18V DC PSU (negative center, 2.1mm, approx. 10mA current draw)
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MRP:$164.06 SAVE 18%
 1 in stock $134.59
Mad Professor Big Tweedy Drive Pedal
Cat: 635225 Rel: 03 May 17
 
Drive effects pedal for guitars
Notes: Big Tweedy Drive pedal is voiced after a super rare High Powered Tweed Twin amp. The pedal gives you the highly sought-after vintage tone that has big fat punchy midrange and sweet gnarly bite like the late 50 's American amplifiers.

Like the big vintage tweed amps, the Big Tweedy Drive has the same tactile dynamics and touch sensitivity players are raving about: adjust the amount of gain with your picking attack or the guitar volume. This makes the pedal fit into a surprisingly broad range of genres: jazz, blues, rockabilly, country and rock 'n 'roll.

The pedal stacks very well too, so you can find the more saturated and higher gain tones by placing a booster or an overdrive in front of the Big Tweedy Drive for extra gain and sustain. Or you can place the Big Tweedy Drive in front of a clean amplifier or boost an already distorted amp.

The tone controls help you to fine tune your tone when using the pedal with different guitars and amplifiers.

VOLUME: Sets the output voltage.
GAIN: Adjusts the amount of distortion.
TONE: Adjusts high frequency tone. Adjustment range is from significant high frequency cut to slight high frequency boost. The wide spectrum Tone control can either soften the tone or add some brightness to your straight signal.
PRESENCE: You can fine tune the shimmer and cut with Presence knob that adjusts the upper high end.

Turn both TONE and PRECENSE knobs down for a mellow fat tone or turn them up for a bright cutting rock tone.

The pedal cleans very well from the guitar volume pot and thanks to the finely balanced compression the volume level will be adjusted just the right amount.

- Current consumption 10 mA at 9VDC
- Supply voltage range 7.5V to 12V (9V recommended, the sound of the pedal depends on supply voltage)
- Input impedance 220kOhm at 1kHz
- Output impedance 1kOhm
- Complete bypass (true bypass)
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 1 in stock $130.08
Mad Professor Nashville Hot Mids Solo Boost Modded Ruby Red Limited Edition Booster Pedal
Notes: Treble boost part is now modified to fattening also the upper mids and treble instead of only treble as in original Ruby Red Booster. This new mod makes for a thick and sparkly lead tone as the carefully chosen hot midrange frequencies are added to the treble pot, which is now bringing up a perfect blend of presence and mids.
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 1 in stock $140.95
Mad Professor Stone Grey Distortion Modernised Mod Limited Edition Pedal
Notes: This pedal was developed for high gain applications and specifically for clarity at heavy distortion levels.

The Stone Grey Distortion is unique in that it has razor sharp dynamics and high gain intensity. It's ready for drop tuning, 7 string, and modern rock players who are seeking extreme gain with intense string to string definition.

Play a chord and hear each note distinctly, instead of it turning to mush like many other high gain pedals.

With the gain turned down, the Stone Grey Distortion approaches overdrive-like textures and responds to the player's touch and dynamics like our other Mad Professor pedals do.
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 1 in stock $140.95
Maxon CP-101 Compressor Reissue Series Pedal
Cat: 783403 Rel: 21 Sep 20
 
Compressor pedal
Notes: The CP101 is the perfect solution for players who need a compressor that doesn't get in the way of their tone. Its optical circuit has a slow, smooth reaction time that allows your initial note attack to pass through without being compressed, creating a more natural picking feel.

The CP101's 4:1 compression ratio is so subtle that it's easy to forget that it's on - until you turn it off, that is. While it is on, you'll notice note levels that are smoother and more consistent, chords and arpeggios that are tighter and more focused, and sustain that will last for days.

One thing you won't notice is the hiss and noise associated with VCA compressors - the CP101 has one of the lowest noise floors available in a stompbox Compressor, even with its Level and Compression controls set to max.

With its natural picking response, transparent effect and low-noise operation, the Maxon CP101 is the perfect compressor for players who hate using compressors.

TECH TALK:
At the heart of the CP101's circuit sits a single CdS (Cadmium Sulfur) Photocoupler. This light-sensitive component varies resistance based on the input signal to control the amp gain, increasing level as the input signal weakens.

Many other compressors accomplish this task using a VCA (voltage controlled amplifier), but the multiple transistors packed into a VCA inevitably lead to high noise levels, which means lots of "hiss" from your rig. The CP101's optical circuit keeps the noise floor low - so low that you can even run it after a distortion and still retain near-silent operation.

The CP101 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Sustain, Level

Switch: Normal/Effect

Max Input Level: 2 dBu

Max Output Level: 0 dBu

Noise (IHF-A): -110 dBu

Max Compression: 42 dB

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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 1 in stock $121.88
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FORTHCOMING
Maxon D&S Distortion & Sustainer Reissue Series Pedal
Cat: 783406 Rel: 02 Oct 20
 
Distortion pedal
Notes: The EH Big Muff Pi defined the guitar tones of the 70's and then re-defined them in the 90's. Yet for all its legendary pedigree, the Pi of today is a far cry from the triangle knobs and ram's heads that came before it.

Originally released in 1974, the D&S Distortion & Sustainer creates the same silky, compressed fuzz that those vintage Muffs are famous for. Yet where Muffs have a tendency to "blanket" your original guitar tone, the D&S retains more of the original sound and feel of your instrument and amp.

By using hand-selected low-noise transistors, the D&S actually offers more gain than a vintage Black & Red, yet with a lower noise floor. That's right - MORE distortion with LESS noise.

The smooth EQ sweep of the D&S Tone control covers a frequency range that is narrower yet more useful than the Pi's - This tighter, more focused EQ provides superior note definition, even when playing chords.

The combination of these elements gives the D&S the ability to produce huge amounts of distortion with minimal alteration to your guitar's tone.

One big wall of raw, grungy nastiness in a box - the D&S takes the sound of the greatest vintage Muff and turns it up to 11.

TECH TALK:
The secret to the D&S' smooth tone and natural response lies in two areas of its circuit. First, the Hi boost/Hi cut Tone control retains low end response while adding top-end clarity to notes. Next, high-grade, low noise Toshiba 2SC1815 transistors offer more intense distortion with minimal noise and signal degradation.

The D&S features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Distortion, Tone, Balance

Switch: Normal/Effect

Noise (IHF-A): -110 dBu

Max Amplitude: 40 dBu

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9V) / 7 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 260 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$146.26 SAVE 17%
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Maxon GE-601 Graphic Equalizer Reissue Series Pedal
Cat: 783410 Rel: 25 Sep 20
 
EQ pedal
Notes: EQ's may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively). There's also a Master Level control with 12 dB of overall Boost/Cut.

Adjusting these controls, the GE601 can be used to fine tune your sound in an infinite variety of ways, a few of which are detailed below:

Pickup Simulator (Humbucker to single coil) - To turn a Humbucker into a Single Coil, cut 200, 400, & 800 Hz and Boost 100 Hz & 1.6 KHz.

Pickup Simulator (passive Bass to active Bass) - Cut 200 Hz and Boost 100 Hz & 1.6 KHz to give a passive Bass the clarity and punch of an active instrument.

Pickup Simulator (single coil to piezo)- Cut 200, 400, & 800 Hz and Boost 100 Hz, 1.6 & 3.2 KHz to make a single coil electric simulate the bright, chiming sound of an acoustic guitar with piezo pickup.

Half-cocked Wah - Boost at 800 Hz to emulate the tone of a wah pedal with the treadle set half-way forward. This setting is also ideal for solo boosts (Adjust Level control to taste).

Clean Booster - Leave all frequency bands flat and boost the Level control to use as a clean booster for solos or to overdrive an amplifier's input. For more output, set all frequency bands to maximum boost.

TECH TALK:
After a low-impedance input buffer, the GE601 splits its signal into 6 parallel EQ bands each powered by its own Op Amp (JRC4558). Through the sweep of the slider you can cut or boost the selected frequency.

Boost is created by feeding the effected signal back into the Op Amp, creating an effect of exponential multiplication of that frequency - the higher the slider, the more of the effected signal is fed back through the EQ Op Amp chain.

The GE601 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Cut/Boost (6), Level (1)

Switch: Normal/Effect

Max Input: 4 dBu

Noise (IHF-A): -110 dBu

Max Amplitude: 12 dB

Frequency Range: 100 Hz 3.2 KHz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 240 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783410
Maxon OD-808 Overdrive Reissue Series Pedal
Cat: 783412 Rel: 25 Sep 20
 
Overdrive pedal
Notes: Can a pedal be considered a clone if it's made by the company that made the original?!? Maxon designed the original OD808 overdrive circuit in the late 1970's - they then rebranded this pedal for Ibanez as the TS808 Tubescreamer, and the rest is history...

The OD808 Reissue offers up all the warm, creamy, organic overdrive as the original and then some. Never one to rest on their laurels, Maxon has tweaked the current version ever so slightly to reduce noise level while retaining the legendary "808" tone (see Tech Talk below).

The OD808 is the perfect pedal for adding smooth, tube-like overdrive to any clean amp - use it as a secondary dirt channel to beef up a song's chorus section, or keep it on all the time for the crunchy tone that has defined rock and roll.

The OD808 is also ideal for pushing an already overdriven amp over the edge, a la Stevie Ray Vaughan. Hell, stack two of them together like Stevie did and the house is a rockin'! You've never heard - or felt - bluesy goodness like this before.

In recent years the OD808 has been adopted as the overdrive of choice by a generation of guitarists in a most unlikely musical genre - metal.

Turns out that the OD808's mild compression and slight low-end cut are perfect for tightening up high-gain amps; allowing fast note runs to stand out with clarity while making rhythms tight and punchy. Just listen to any recording by Grammy-award winning Producer/Killswitch Engage founder Adam Dutkiewicz to hear how the OD808 has become the voice of a whole new generation of metal guitarists.

The Maxon OD808 - After 40 years it's still being used to reinvent guitar tone as we know it. Reinvent your tone - play the Maxon OD808.

Besides the fact that the Maxon OD808 Reissue sounds richer, warmer, and BETTER than the Ibanez TS808 Reissue, there are also these facts to consider:

Lower noise floor than TS808
Smaller, lighter enclosure
More reliable plunger type switch with soft-click tactile feel
More affordable
TECH TALK
Maxon developed the OD808 circuit more than 40 years ago, and since then it's become the most used, most imitated and most lauded overdrive circuit of all time. While the 808-style overdrive circuit is commonplace nowadays, in 1979 it was a unique design and an industry first.

The secret behind the legendary "808 tone" lies in the amplifier section of the circuit. Rather than having separate amplifier and clipping stages, the OD808 features a signal-distorting diode (Panasonic #MA150) located in the negative feedback loop of the amplifier stage.

The OD808 distorts signal in the amplifier circuit itself which yields a smoother, milder, more natural sounding distortion than a separate clipping stage. This is also the reason that the IC type used in the circuit has such a large impact on the unit's tone. The Reissue uses the correct JRC4558 Op Amp that made the 808 the tone of legend.

It should be noted that the Reissue Series OD808 uses different output resistors than the original version. Vintage TS808's are susceptible to microphonic noise due to static electricity buildup on the chassis. To improve performance, the positions of the output resistors on the reissue OD808 were reversed and their values increased in order to reduce noise levels. This circuit change has no audible affect on the sound of the unit, save for reducing the noise levels.

Input Impedance: 500K Ohms
Input Jack: 1/4 inch standard phone jack
Output Impedance: 10K Ohms
Output Jack: 1/4 inch standard phone jack
Output: 1
Controls: Drive, Tone, Balance
Switch: Normal/Effect
Noise (IHF-A): -110 dBu
Max Amplitude: 35 dBu
Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor
Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)
Current Consumption: 5 mA (9V) / 6 mA (10 V)
AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)
Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)
Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)
Weight: 260 g
Accessories: 9V Manganese dry cell battery (S-006P) x 1
Non-skid pad: x 1
Warranty Card: x 1
User's Manual: x 1
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Maxon OD-808X Extreme Overdrive Reissue Series Pedal
Cat: 783413 Rel: 11 Sep 20
 
Overdrive pedal
Notes: For over 40 years Maxon's legendary "808" overdrive circuit has been an essential ingredient to achieving great guitar tone. Whether it's used as a booster to drive an amp, as a Dirt box for crunch and extra sustain or as an EQ to shape the tone of a high-gain amp, the 808 in its many incarnations has shown up in more rigs and on more recordings than anyone would care to count.

Yet for all its legendary status, there are some who wish the 808 offered just a little bit more - and for those players obsessed with excess, Maxon has created the OD808X Overdrive Extreme.

The Extreme shares the same basic circuit architecture as the OD808. However, several key component values have been altered to achieve what may be the ultimate overdrive tone.

The OD808X offers a wider frequency response than a stock OD808, with an extended hi-frequency tonal range that offers additional clarity without becoming harsh.

It also features a harder clipping pattern than the standard model, creating a searing, full-bodied drive tone that helps chords ring and notes sing.

An additional +5 dB of output level assures that the OD808X will punch through the densest of mixes with an authority that most OD's just can't match. Its additional level and top-end also allows the X to be stacked in a chain of pedals without getting buried under other Dirt boxes.

The OD808X offers the same "feel" and amazing transparency that the 808 is famous for - digging in you'll get more break-up; rolling back your volume will clean things up and you're guitar will sound like your guitar.

Beyond that, all similarities end and all bets are off. Comparing the X to a stock OD808 is kind of like bringing a gun a knife fight - it's excessive, but you know it will get the job done!

When even legendary overdrives just aren't enough, it's time to go to the extreme - the OD808X Overdrive Extreme.

The OD808X takes Maxon's classic 808 circuit to the extreme; adding extra Drive, Level and High frequencies to create a versatile, amp-like overdrive with excellent note clarity that won't get lost in a mix.

TECH TALK:
The OD808X features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Maximum Gain: 40dB (2 kHz)

Input Noise: -110dB or less (Input shorted, IHF-A weighted)

Controls: DRIVE, TONE, LEVEL

Switch:
BYPASS/EFFECT (Buffered Electronic Bypass)

Indicator: BYPASS/EFFECT LED

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Consumption: 7.2mA max. / 9VDC

Battery Life:
9VDC manganese battery 78 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 114 hours 25 deg C (TOSHIBA 6LF22)

Dimensions: 70(W) x 113(D) x 56(H) mm

Weight: Approx. 300g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms

* Be sure the battery is firmly connected to battery snap with the correct polarity.

* All specifications are subject to change for improvement without notice or obligation.
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quote 783413
Maxon OD-9 Overdrive Nine Series Pedal
Cat: 783322 Rel: 11 Sep 20
 
Overdrive pedal
Notes: While the OD808 may have been the first overdrive circuit of its kind, it was the OD-9 that cemented this sound in the history of Rock & Roll guitar.

Looking at the OD-9's circuit, you'll realize that this is not some redesign being cleverly marketed as a reissue - this is THE original OD-9 (TS-9) circuit, yet with the addition of true bypass switching. Even the PC board is the same one that Maxon's been using for the past 30+ years, complete with empty slots where parts for the FET switching circuit have been left out!

Like the original, the current production OD-9 features the NJM (JRC) 4558D Op Amp - an essential component for authentic "TS" tone. The NJM is smoother sounding and less compressed than other Op Amps, offering superior sound quality with low noise.

The absence of the FET switching circuit gives the OD-9 some added output and a slightly more open sound than the OD808, making it perfect for the classic rock tones that it helped to define.

If your future plans include a meteoric rise to rock & roll stardom, then rely on the legendary tones of the OD-9 to fuel your ascent.

The OD-9 is a true-to-spec reissue of the legendary 1980's OD-9/TS-9 circuit, with the addition of true bypass switching for clean, uncolored tone when bypassed.

TECH TALK:

Input is fed into a 2SC1815 emitter/follower transistor to optimize the signal's impedance structure. From here it's on to the first section of an NJM 4558D Op Amp - NJM is the company formerly known as the Japan Radio Corporation (JRC) - the legendary manufacturer that designed and built tons of these components in the late 70's/early 80's.

In this non-inverting Op Amp there are diodes in the feedback loop that clip the signal gradually as well as a High-Pass filter that keeps low frequencies from being distorted as much as high frequencies - the classic "808" configuration that creates the tone we all know and love.

After this is a passive LP filter and then an active tone stage that uses the other half of the Op Amp to create a HP filter that brings back frequencies cut by the inter-stage LP filter. After the tone stage it's through the volume pot, another E/F 2SC1815 to provide a low impedance output and then the true bypass switch.

The OD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - input signal is sent to ground when bypassed.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 1

Equivalent Input Noise: -114 dB or less (input shorted IHF-A weighted)

Maximum Output Level: 0 dBm

Maximum Gain: +40 dB (at 1.5 KHz)

Controls: Drive, Tone, Level

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9 V) / 7 mA (10 V)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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Maxon PT-999 Phase Tone Phaser Reissue Series Pedal
Cat: 783418 Rel: 21 Sep 20
 
Phaser pedal
Notes: With its single knob, the PT999 Phase Tone looks deceptively simple. Yet packed into this tiny blue box is a host of the most authentic 70's-era phasing effects available in a current production unit.

The secret behind the PT999's timeless tone lies in the fact that its circuit is exactly the same as it was when first introduced in 1974. While many "reissue" effects are far from true to the original designs, Maxon has taken great pains to keep the Phase Tone unchanged for close to 45 years.

By adjusting the lone Rate control, a wide variety of expressive phasing nuances can be coaxed from the PT999 - all of them whisper quiet and amazingly transparent. Its minimalist circuit doesn't get in the way of your guitar tone - it simply accentuates it, working equally well to spice up clean or distorted sounds.

If you demand classic phase shifting effects without compromising your guitar's signature tone, the PT999 Phase Tone has no equals.

The PT999 is the easiest way to replicate classic 70's phasing tones without dropping $300-500 (or more!) for a vintage Phase 90.

TECH TALK:
The PT999's four-stage phasing circuit offers 720 degrees of phasing sweep variable from .2 to 14 Hz (cycles per second). The PT999's FET's (Toshiba #2SK246) are carefully sorted and matched by hand to produce the smoothest phasing sweep possible with low noise. Unlike some phasers, the PT999 runs negative feedback of the signal to each phase-shifting FET for less signal distortion.

The four-pole shift of the PT999 creates a chewy, organic phase with a subtle drive to the signal. The 4 phasing Op Amps work together to emphasize this phase point, as each successive one accentuates the notch of the previous, creating a very resonant effect. The subtle drive and resonance really bring out pick attack and add a degree of real, dirty dimensionality.

Internal trimmers adjust center frequency and width of the phasing sweep (factory calibrated, we recommend adjustment of these trimmers be left to a qualified technician).

The PT999 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Rate

Switch: Normal/Effect

Max Input Level: 0 dBu

Noise (IHF-A): -80 dBu

Speed Frequency: 0.2 Hz 14 Hz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 12 mA (9V) / 14 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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Maxon SD-9 Sonic Distortion Nine Series Pedal
Cat: 783334 Rel: 25 Sep 20
 
Distortion pedal
Notes: Maxon's current-production reissue captures all the magic of the original with the added benefit of true bypass switching.

The SD-9 provides a smooth distortion that covers a wide range of Gain levels from mild overdrive through pseudo-fuzz. Regardless of the Gain setting, the SD-9 remains articulate and responsive to note dynamics, providing excellent sustain without crossing over into super-compressed Metal territory.

The SD-9's Tone knob has plenty of top end on tap, yet notes still retain a round, full-bodied tonality with the low end presence usually associated with amp distortion. The pedal's midrange response is smooth and even - present without seeming spiked.

Since its humble origins to its current place in the pedalboards of the stars, the Maxon Sonic Distortion has proven itself to be a timeless classic that has only improved with age.

Since its original release in the early 80's the Sonic Distortion has gained a huge cult following among tone connoisseurs, including the likes of guitar legends Scott Henderson and Mike Landau.

"The Maxon SD-9 is the best distortion pedal EVER made, period. It has the clarity and punch you get from a pedal, while retaining the low bass you get with amp distortion. The SD-9 is one of the rare pedals which sound equally great on both the neck and bridge pickups, whether they're humbucking or single coil. It's been a very important part of my tone for many years." - Scott Henderson

TECH TALK:
Input signal goes through a simple High-Pass filter into a transistor that's set up as an emitter/follower (high input impedance - low output impedance). After this it's into an Op Amp stage designed to give a gain range of 67 to 567and a Low-Pass Filter with a corner frequency of approximately 1540 Hz.

From here it's on to a set of opposing-direction diodes to ground and a tone control that is reminiscent of the Boss DS-1 (kind of a Big Muff dual High and Low cut - ending up with a mid scoop that has a high frequency limiting resistor with corner frequencies of 867Hz and 234Hz respectively).

The SD-9's dual diodes to ground give a crunchier, chewier distortion than the popular 808-style "diodes in feedback loop" configuration. Likewise, the SD-9's mid scoop is practically the antithesis of the 808's infamous mid hump.

After the tone control section it's through to a volume control and into another E/F transistor to provide a low impedance output and then on to the true bypass switch.

The SD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - Input is switched to ground when bypassed.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -114 dB or less (input shorted IHF-A weighted)

Maximum Output Level: 0 dBm

Maximum Gain: +42 dB (at 2.0 KHz)

Controls: Distortion, Tone, Level

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9 V) / 7 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Warranty Card: x 1

User's Manual: x 1
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quote 783334
Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal
Cat: 783351 Rel: 21 Sep 20
 
Distortion pedal
Notes: Over the past 10 years Maxon effects have become key ingredients in the guitar rigs of countless metal bands. Notable artists such as Killswitch Engage, Arch Enemy, Shadows Fall and All That Remains have come to rely on Maxon overdrives for their brutal guitar tones on stage and in the studio.

The irony here (pun intended) is that Maxon has never offered a pedal tailored to the needs of the metal guitarist - until now.

Introducing the Maxon SM-9 Pro+ Super Metal - specifically designed for high-gain distortion tones, the SM-9's flexible saturation circuit can churn out everything from classic NWOBHM crunch through to the throaty chunk of today's drop-tuned metal extremes.

Developing such a pedal was no easy task, and the Pro+ was on the drawing board for years before Maxon felt it was ready for release. Several unique "tricks" were incorporated into its design to create a pedal that is as versatile as it is merciless.

Forgoing the use of conventional tone controls, the SM-9 instead features Scoop and Edge knobs to dial in the riffage.

The Scoop control is a mid-band elimination filter with a range from 200 Hz - 2 KHz. This control adjusts the frequency range where the pedal's midrange cut is centered.

Once the amount of mid scoop is determined, any high-end loss can be dialed back in using the Edge control - a Hi-cut shelving filter continuously variable between 2-15 kHz.

These two controls are highly interactive and work much like a parametric equalizer - Adjusting both knobs simultaneously allows the user to find the perfect mix of brutality and clarity.

The SM-9's Gain control adjusts the degree of saturation the pedal provides. This control is actually a dual-ganged pot that increases the amount of distortion while simultaneously boosting the upper midrange band up to 20 dB at 1 kHz.

By boosting and cutting specific frequency bands in relation to Gain, the SM-9's controls allow the user to sculpt brutal, beefy guitar tones that retain note clarity and definition.

The Pro+ also offers switchable 9- or 18-volt operation. In Classic mode, the SM-9 runs at the incoming 9 volts DC, greatly extending battery life. Switching to stabilized 18-volt operation increases headroom, frequency range, and dynamic response of the pedal.

Using the SM-9's controls and voltage options, an almost unlimited variety of monstrous high-gain tones can be dialed in. Whether you're a full-time metal maniac or just need the occasional "nuclear blast" without the bulk or volume of a full stack, the Maxon SM-9 Pro + Super Metal will deliver the goods.

The SM-9 Pro+ offers all the might and majesty of a high-gain amp stack at a fraction of the size and cost.

TECH TALK:
The SM-9 Pro+ features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE SM-9 Pro+ - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the SM-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 52.5dB (4 kHz)

Equivalent Input Noise: -60dB or less (IHF-A)

Control: GAIN, SCOOP, LEVEL, EDGE

Switch: Bypass/Effect, Voltage Switch (9V/18V)

Indicator: Bypass/Effect LED, 9V LED, 18V LED

Internal Circuit Voltage: 9VDC / 18VDC (DC / DC Converter)

Power Consumption: 12mA/9VDC, 42mA/18VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 600g (including battery, excluding AC adaptor

Power Supply: 6F22 / 6LR6 9V battery x 1 or Maxon AC adaptor

Standard Accessory: AC adaptor AC2009,user's guide

Battery life:
9VDC manganese battery 27 hours @ 25 degrees C (Panasonic 6F22NB)
9VDC alkaline battery 50 hours @ 25 degrees C (Panasonic 6LR61G)
18VDC manganese battery 1.3 hours @ 25 degrees C (Panasonic 6F22NB)
18VDC alkaline battery 6 hours @ 25 degress C (Panasonic 6LR61G)Option: AC adaptor (Maxon AC210N)* OdB = 0.775Vrms
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Mooer GE150 Amp Modelling & Multi Effects Pedal
Cat: 748617 Rel: 01 Nov 19
 
Multi-effects processor featuring 55 high quality amp models
Notes: The MOOER GE150 is the newest entry in the GE line of multi-effects pedals from MOOER. The GE150 comes packed with 55 high-quality amp models and 151 different effects, a straight forward and intuitive UI, topped off with a fully-functioning expression pedal. With OTG capabilities, users can record directly into a compatible device from anywhere!

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 6 in stock $143.06
Mooer L6 Pedal Controller
Mooer L6 Pedal Controller (loop controller pedal)
Cat: 666655 Rel: 19 Oct 17
 
Programmable 6-fold loop switcher
Notes: With the PCL6, controlling your pedals has never been so easy and convenient. The PCL6 is a programmable 6 channel loop controller. After connecting your pedals to the 6 true bypass loops, the PCL-6 provides a control hub right at the front of your pedalboard which can be operated in 2 different ways.

In preset mode, any combination of multiple loops can be instantaneously engaged or disengaged at the touch of a single footswitch, without the need to tap dance all over your pedalboard. In this mode the Loop Controller has 6 banks, with 6 presets in each bank, giving a total of 36 possible preset pedal combinations available.

In Live mode the PCL6 operates in a more traditional manor. Each loop has its own dedicated footswitch which simply engages and disengages it's respective loop. This is perfect for the more old-school musicians who simply want their pedals footswitches conveniently relocated for easy access.

Each loop has a backlit display panel which can be written on or can take the coloured stickers provided and makes it easy to see at a glance which loops are engaged and disengaged.

The PCL6 has a precise built in tuner based on our very popular 'Baby tuner' and a 'tuner out' should you prefer to use your favourite dedicated tuner pedal.

Complete with 2 different buffers (pre and post) you don't need to worry about tone loss due to long cables.
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quote 666655
Mooer Radar Speaker Simulator Pedal
Cat: 672344 Rel: 05 Dec 17
 
Fully-fledged cab simulator in tiny stompbox format
Notes: The MOOER RADAR is a full-featured professional speaker simulator which can be a permanent resident at the end of your pedalboard. Not only does it carry 30 cab models but it also has optional microphone and power amp simulation. Ideal for recording or hooked up to your favourite headphones for practice. The RADAR will transform your pedalboard into a complete guitar rig.
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 5 in stock $113.39
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