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Effects pedals

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EBS
Cat: 754903 Rel: 28 Nov 19
 
Analogue, high performance, multi-band compressor pedal
Notes: The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.

The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

You can't go wrong with the MultiComp:

A compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn't require a degree in sound engineering and still does exactly what you want. What more to ask for?

A sensible upgrade:

There is a major addition to the new EBS MultiComp Blue Label. A control on the front panel to adjust the threshold level, or Sensitivity. The more you turn up the control, the higher the sensitivity.

The benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A centre click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.

More headroom to handle the extremes:

To handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments.

The new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.
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 1 in stock $151.89
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quote 754903
EBS
Cat: 768224 Rel: 28 Nov 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.

The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

You can't go wrong with the MultiComp:

A compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn't require a degree in sound engineering and still does exactly what you want. What more to ask for?

A sensible upgrade:

There is a major addition to the new EBS MultiComp Blue Label. A control on the front panel to adjust the threshold level, or Sensitivity. The more you turn up the control, the higher the sensitivity.

The benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A centre click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.

More headroom to handle the extremes:

To handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments.

The new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.
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 1 in stock $146.57
EBS
Cat: 751988 Rel: 24 Oct 19
 
OctaBass pedal - Blue Label edition
Notes: The new EBS Octabass Blue Label pushes the boundaries for what has seen as possible with an analogue octave effect. The quality and character of the octave tone, as well as the precision and speed of the tracking, is outstanding.

The EBS OctaBass was the first effect unit ever made by EBS. It is famous for fast and accurate tracking and a fat, natural sound. When you play your instrument, it "tracks" the note you play and produce a sound one octave below to mix in with the note you play. The 'Blue Label' model has a couple of new features that enhance the tracking range and improves the control of the sound.

Improve the tracking where it matters the most:

A new Range-switch makes possible to move the optimized focus area of the tracking to either higher up or lower down the fretboard. All to match your playing style and needs. This feature makes the tracking speed and range outstanding for an analogue octave pedal. Note: Don't confuse this switch with the Range-switch on previous OctaBass pedals where it changed the character of the tone.

Enhanced tone control:

By adding a seamless tone control you can go from a present, focused octave sound that cuts through the mix all the way to a sub-bass backdrop of lows that discreetly supports the note you play. The tone control enhances the palette of sounds and also makes it easier to achieve a synthesized bass sound.

Power the Blue Label OctaBass with 9-18V DC power. The footprint is reduced by 12% compared to the previous Studio and Black Label editions.
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 1 in stock $154.97
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quote 751988
Cat: 753164 Rel: 31 Oct 19
 
guitar amplifier pedal
Notes: The EHX 5MM Guitar Power Amplifier is a pocket-sized power amp that’s a great alternative to a traditional guitar amplifier. It’s super portable and perfect in playing situations where a high-powered amp is not required… like when you’re mic’d on stage, in the studio or as a backup. It produces 2.5 watts so one of the cool things about it is that it doesn’t take much to start getting some nice drive and saturation. Plus, it can be connected directly to any 8 O – 16 O speaker cabinet.

The 5MM is complete simplicity. It features a Volume control and a Bright switch which, when engaged, adds presence to the signal. Since it is a power amp, a preamp, overdrive pedal and, or an EQ in front of it will really let you dial in your tone, but it can be used by itself. The 5MM Power Amplifier also comes equipped with its own power supply.
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MRP:$72.66 SAVE 17%
 1 in stock $60.56
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quote 753164
Cat: 743356 Rel: 10 Oct 19
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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MRP:$252.48 SAVE 28%
 2 in stock $181.66
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quote 743356
Cat: 744056 Rel: 10 Oct 19
 
Modulator effects pedal for guitar with 11 modulations, depth control, rate control, volume/colour control & momentary mode
Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
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MRP:$172.42 SAVE 27%
 1 in stock $126.24
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quote 744056
Cat: 752466 Rel: 31 Oct 19
 
distortion & sustainer pedal
Notes: A faithful reproduction of the highly coveted 1973 Violet Ram’s Head Big Muff heard on countless classic recordings and famous guitar solos. It delivers the unmistakable articulate string separation and exceptional sustain that’s made the V2 Big Muff so sought after. Now with a few choice updates for convenience including true bypass switching, an LED to indicate effect status and the option of being powered by a 9-volt AC adapter.
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MRP:$113.31 SAVE 17%
 2 in stock $94.43
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quote 752466
Cat: 757958 Rel: 06 Dec 19
 
Remote footswitch
Notes: The Triple Foot Controller gives you remote control over functions in pedals that are equipped with an external foot control jack. Depending on the pedal it's plugged into, the Triple Foot Controller can control tasks such as setting tap tempo, toggling through programs, mode selection and more. It works with Electro-Harmonix pedals as well as those made by other manufacturers.
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MRP:$46.80 SAVE 10%
 1 in stock $42.03
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quote 757958
Cat: 757955 Rel: 17 Dec 19
 
Vintage Blackface Fender amp in a box with a boost
Notes: Fender Blackface amps (1963-1968) are widely considered as the most recorded amps in the history of music. And for a good reason.

Mad Professor Super Black has the Fender Blackface tone in the box! The whole amp signal path is replicated inside. You can turn your amplifier easily into 60's Fender glory! Don't be afraid to plug the Super Black pedal also straight into the return jack of your amp ?s FX loop. This way you can bypass the preamp of your amp and get the sound of a full Blackface amp signal path without the colour of your amps preamp.

Super Black amp-in-a-box pedal will deliver the punchy, mid scooped and sparkling chimey clean tone that Fender Blackface amplifiers are known and famous for. And this might be the most sought after Fender sound!

Super Black will also deliver the most beautiful and amp-like break up tone you could imagine. Gain and Volume controls are making sure you will achieve the sweet spot and nail this iconic tone at any volume, still retaining full clarity. So Super Black makes it easy to get the ultimate break up tone also with your big high headroom amp or with a big Fender amp too that is too loud when you crank it up till 6 where it is finally giving the goods.

Fender Blackface amps, when pushed nearly all the way, are producing fantastic classic overdriven tones as well. At this point even the smallest models are fairly loud though. Enter the Mad Professor Super Black and you have a rocking machine at your feet at any volume.

Also, we at Mad Professor Amplification, noticed some variation on amounts of both low end and compression depending on the model when we took both big and small Blackface amps into a close look. Therefore we added two mini switches, one for the bass and one for the compression. You get to tailor these characteristics, whether you want more or less, by adjusting these two switches.

And there is more! We added our all time best seller overdrive pedal, Sweet Honey Overdrive, to boost the front end of the Super Black. Sweet Honey Overdrive pedal into a Blackface amp is a magic combination! Now you have even more possibilities when you are fine tuning your overdriven tones with the rest of your gear. Having its own on/off switch plus Volume and Drive controls you can use the Sweet Honey circuit separately too.

The combination of all above is meaning that the Mad Professor Super Black is a jack of all trades pedal in a best possible way. Plugging in the Super Black is like striking gold in a studio or live stage when tone seeking!
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 2 in stock $202.87
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quote 757955
Cat: 761054 Rel: 09 Jan 20
 
reverb pedal
Notes: New Reverb (Ambiance) pedal
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 3 in stock $92.21
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quote 761054
Cat: 761055 Rel: 09 Jan 20
 
delay pedal
Notes: D7 is the redesigned multi-delay effects pedal from Micro-series. Using the 7 signature LED lights as a guide, this pedal houses 6 customizable digital delay effects and a built-in LOOPER that can be used in tandem with any delay setting. All of this effects are customizable and storable for your convenience, featuring Tap Tempo functionality to easily set the despired delay timing. With the "Trail on" feature, delay effects fade out naturally and organically to complement your musical creativity.
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 1 in stock $92.21
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quote 761055
Cat: 754937 Rel: 10 Dec 19
 
Polyphonic guitar synth effects pedal
Notes: The E7 Polyphonic Guitar Synth Pedal is the second of MOOER's New Micro series. Seven LED indicators have been added on the right side of the shell. E7 can transform your guitar into a typical electronic synthesiser, without the need for special pickups or instrument modifications. It is named E7 for its seven different MOOER custom synthesiser tones. Each tone has an individual arpeggiator, high/low frequency cut, attack, speed function, allowing users to shape the tone more easily.
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 2 in stock $92.21
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quote 754937
Cat: 748617 Rel: 01 Nov 19
 
Multi-effects processor featuring 55 high quality amp models
Notes: The MOOER GE150 is the newest entry in the GE line of multi-effects pedals from MOOER. The GE150 comes packed with 55 high-quality amp models and 151 different effects, a straight forward and intuitive UI, topped off with a fully-functioning expression pedal. With OTG capabilities, users can record directly into a compatible device from anywhere!

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 3 in stock $145.74
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quote 748617
Cat: 761049 Rel: 09 Jan 20
 
multi-effects unit & pedal
Notes: Offering higher-quality IR support and more features than its little brother the GE200, the GE250 fills the gap in MOOER’s GE Series.

The GE250 offers many of the same features expected from a GE multi-effects unit such as 70 digital amp models, over 180 different effects, customizable effects chain, drum machine, metronome, 70-second looper, and easily customizable and storable presets. It even borrows some features from the GE300 such as Tone Capture to create your own digital amp models. MIDI IN/OUT, easy FX LOOP integration and low-latency USB audio support make it suitable for live performance or recording directly to a PC.

All of these features come wrapped in a fresh new black on white design to set it apart from the rest.
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 2 in stock $390.00
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quote 761049
Cat: 761052 Rel: 10 Jan 20
 
reverb pedal
Notes: Mooer R7REVERB Classic Reverb Micro Pedal
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 1 in stock $92.21
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quote 761052
Cat: 752276 Rel: 18 Oct 19
 
tone capture guitar pedal
Notes: The TONE CAPTURE Guitar pedal is based on MOOER's unique EQ matching technology, TONE CAPTURE. This pedal allows you to capture any guitar's tone by sampling the unique tonal characteristics of the target guitar. The days of lugging around multiple guitars are over. The Tone Capture Guitar pedal opens up a variety of guitar sounds without the need to carry several guitars. Need 8 bars of acoustic? Don't want to take your vintage Strat to the gig? You can sample the unique tonal qualities of any of your guitars at home and carry them around with you in the compact TONE CAPTURE guitar pedal!

Mooer's Tone Capture pedal has some unique functionality for guitarists who like a wide range of guitar sounds. As the name suggests, the Tone Capture allows you to sample one guitar and then use that tone on a completely different guitar.

For example, say you mainly play a Les Paul but you'd love to incorporate some strat-y tones into your playing, the Tone Capture allows you to do that without having to switch guitars. You could simply sample a Strat into the Tone Capture and then access those sounds while playing a Les Paul. With just the press of a footswitch you can instantly go from humbucker to more single-coil tones. You can even sample an acoustic guitar if you need to play an acoustic intro to a song before launching into a more electric sound.

The Tone Capture has EQ controls which you can use to sculpt the sampled tone to get a better representation of the sampled guitar or to simply use it as a standalone EQ. There are 7 preset slots to store EQ and sampled guitar sounds so you don't have to constantly re-sample sounds. Additionally the Tone Capture is switchable between true and buffered bypass.
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 2 in stock $84.16
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NUX
Cat: 747768 Rel: 21 Oct 19
 
Analogue overdrive pedal with 3-way toggle-switch
Notes: NuX Drive Core Deluxe is a combined boost and overdrive pedal for clean to dirty guitar tones. 3 switchable modes are for clean boost, drive or mixed boost + drive. Clean boost can be used to push a guitar amplifier input into overload for a naturally saturated overdrive. The Drive mode generates its own overdrive from subtle to distorted and in mix mode, can be used with the boost to combine the best of both worlds. A single rotary tone control is joined by a bass boost when the Drive control is pressed. An all round drive monster for blues and rock tones.
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 1 in stock $48.23
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NUX
Cat: 747764 Rel: 21 Oct 19
 
Dual switch looper pedal
Notes: JTC Pro is an advanced drum & loop pedal with simplified controls, built into a dual switch stomp box pedal with 6 hours of recording capability and 256 loop track memories. Audio recording quality is 24-bit with a 44.1 kHz sample rate. A fully functional built-in drum machine section can be controlled on-the-fly by tapping tempo and punching in fills on demand using the 2 footswitches. A USB interface is included for firmware updates and can even load pre-recorded audio files to be used as backing tracks. Selectable playback modes and output options make this pedal an indispensable accompaniment tool for solo and duo performers.
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MRP:$158.88 SAVE 24%
 1 in stock $121.10
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NUX
Cat: 747757 Rel: 21 Oct 19
 
Mini compressor pedal
Notes: NuX Sculpture is a mini compressor pedal with professional performance. Sustain and level controls adjust the compression and output, whilst blend gives the ability to add back in some of the unaffected signal to give a more natural attack. Hold down the on/off pedal to switch between soft clip and clean compression modes. Perfect for long sustain chords and clean lead tones.
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MRP:$60.35 SAVE 37%
 1 in stock $37.97
NUX
Cat: 747754 Rel: 21 Oct 19
 
Dual overdrive & boost pedal
Notes: One of the most sought-after dual overdrive and boost pedals produced in the mid '90s is now available in a pocket size pedal. NuX Horseman pays homage to the legendary Centaur pedal. There are 3 dials for primary settings and 2 modes: Gold and Silver, and it offers massive headroom which usually requires an 18v input. Boutique transparent overdrive at a pocket money price.
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 2 in stock $49.25
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NUX
Cat: 747760 Rel: 21 Oct 19
 
Classic overdrive with improved high frequencies
Notes: NuX Morning Star is a blues drive pedal with a twist. Along with standard Drive, Level and Tone controls, holding the on/off pedal engages a Shine mode, which boosts the high frequencies adding sparkle to cut through a mix. Wide ranging gain adjustment offers tones from natural break-up to thick authentic overdrive. Enough range for blues to full-on rock styles.
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MRP:$60.35 SAVE 34%
 1 in stock $40.01
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NUX
Cat: 747756 Rel: 21 Oct 19
 
Mini studio speaker cabinet simulator & Impulse Response loader
Notes: NuX Mini Studio brings 8 speaker cabinets into pocket size portability. Each impulse response (IR) file is captured from its own original source, processed with the state-in-art audio technology. At the end of the signal chain, Mini Studio processes preamps and drive effects through accurate cabinet simulation to produce a rich, natural and musical tone for recording or feeding direct into a PA. The Space control adjusts the amount of room early reflections for added dimension. Load and edit cabinet IR models via USB using the downloadable Mini Studio Software. Carry the sound of your favourite guitar cabs in your pocket.
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MRP:$109.61 SAVE 47%
 1 in stock $58.07
NUX
Cat: 747771 Rel: 21 Oct 19
 
Mini pitch tuner pedal featuring dual displays for note information & tuning status
Notes: NuX HD Pitch is a new style of tuner pedal with dual displays for note information and tuning status. The upper display is a high definition screen for geometric visuals which indicate the current tuning status. The lower circular display shows the closest musical note to the pitch. In addition, the HD Pitch has selectable buffered or true bypass modes. Buffered mode is recommended for placing the HD Pitch first in a pedal chain to drive the signal through connected effects and avoid signal loss. A unique and intuitive tool for any pedal board.
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 1 in stock $48.23
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NUX
Cat: 747769 Rel: 21 Oct 19
 
Tape echo effects pedal
Notes: A contemporary stomp box that offers classic Tape Echo tone. Just like the original Tape Echo, the NUX Tape Core features 3 reproduction heads yielding 7 different combinations of delay sounds. All of the natural sound, decay, modulation was created with our cutting-edge NUX TS/AC Technology.
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 2 in stock $50.43
Cat: 762013 Rel: 05 Feb 20
 
double looper stereo looping pedal
Notes: Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.
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MRP:$282.04 SAVE 28%
 1 in stock $203.20
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quote 762013
Cat: 770695 Rel: 05 Feb 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.
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 1 in stock $201.55
Cat: 754912 Rel: 03 Dec 19
 
Analogue delay pedal with time, blend, modulation & feedback controls
Notes: The Echoman, designed by guitar effects guru Howard Davis, is a simplified monaural version of the Memory Analog Delay. It is a state-of-the-art design based on Davis's highly successful Deluxe Memory Man, acknowledged as among the best if not THE best analogue delay pedal.

Up to 600 m/sec of delay time with no aliasing distortion. Buffered bypass with a 900K input impedance guarantees no tone sucking (loss of highs) due to pickup loading. Wide bandwidth - good high frequency response even at long delay settings. Feedback control allows self-oscillation if desired. Blend control allows adjusting the output from dry signal only to delayed signal only. High-tech filtering and noise reduction circuitry guarantee an excellent signal to noise ratio, even at long delay settings.
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 2 in stock $100.57
Zoom V6 Vocal Processor Pedal (vocal effects pedal)
Cat: 750416 Rel: 29 Nov 19
 
Vocal effects pedal with voice processing, harmony, effects, 40 presets, looper & SGV-6 shotgun mic
Notes: Packed with professional vocal effects, built-in looper, and our new Formant Pedal, no matter what style you sing the V6 will take your music to the next level.

Command Your Performance:
Perfect for live performance, you can easily activate effects and quickly recall your favourite settings.

Voices In Your Head? Not Anymore:
The V6 offers instant access to dozens of studio-grade effects that can be combined to create the right voice for any song.

Plenty of Preloaded Patches:
With 40 preloaded patches there are plenty of great sounds to choose from right out of the box. Or experiment and create and save your own.

Take Your EDM from the Studio to the Club:
Select the key of your song and the V6 will process your voice to the nearest pitch within the key. Using the ADJUST knob you can determine how fast the processing is executed to obtain a softer or harsher correction to your original voice.

Step to Add Flavour:
The V6 is the only vocal processor to use an expression pedal for shifting the formant of your voice. The formant pedal can provide radical changes in vocal characteristics without changing the pitch, delivering an unprecedented level of creativity and exploration.

A Mic Designed Just for You:
An important component of the V6 is Zoom's innovative SGV-6 mic. The SGV-6 is designed to isolate your voice by suppressing sounds from other instruments on stage. The mic's vocal isolation enables the V6 to process your voice with unmatched accuracy.

Meet Your New Backup Singers:
The built-in looper allows up to 3:30 of loop creations. Overdub multiple vocal parts all by yourself. Simply step on the footswitch and off you go.
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