Save That Magic Feeling (Ron Basejam remix) (5:42)
Save That Magic Feeling (Siren remix) (6:30)
Review: You couldn't get more authenticity on one record if you tried... Certified selector dons DJ Pippi and Willie Graff bless the dance with their first official studio collaboration since 2007's "Hyper Space" on Drumpoet. The wait's been worth it; "Save That Magic Feeling" is a purring Balearic deep house soul jam with a strong vocal allure while "Everything's Groovin' On" eases back on a cool low-swung break groove and looped vocal harmonies to seductive effect. Remix-wise Ron Basejam strips it back for an early 2000s Classic Music Company style late night twist while Siren continues the stripped back theme but in a much sleazier, slippery funk way. Magic.
Ed Wizard & Disco Double Dee - "Love Me Too" (5:28)
Will Buck & PRTMNTO - "I Need Your Love" (6:40)
Vagabundo Club Social - "Sonico Amor" (7:41)
Review: Perhaps we should think of Whiskey Disco's Small Batch series as their attempt at "artisan disco". Certainly, the re-edits on show should have a few hipsters - and plenty of disco DJs - stroking their hirsute chins in appreciation. Dubtribe Soundsystem's Sunshine Jones kicks things off with the mid-80s synth-pop-goes-acid-house brilliance of "Lovergirl", while regular collaborators Ed Wizard & Disco Double Dee doff a cap to Sly & Robbie and Larry Levan on the dub disco vibes of "Love Me Too". Those after some high tempo jazz-funk-meets-disco-house thrills should check Will Buck and PRTMNTO's "I Need Your Love". As for Vagabundo Club Social's "Sonico Armor", it's a hazy, dub-flecked Balearic disco delight.
Review: During a record digging trip to South Africa a year or two back, Rush Hour co-founder Antal stumbled on an obscure local cover of Klein & MBO's Ron Hardy and Larry Levan favourite, "The MBO Theme". The Warrior version, which was recorded at some point in the early '80s, is a little slower and breezier than Klein and MBO's original, with even finer fretless bass flavours and the track's famous melodies re-played on some particularly spacey synthesizers. Helpfully, the Klein & MBO version is on the A-side, so you can easily compare the two: Warriors' little known cover is definitely our pick of the pair.
Shit Hot Soundsystem - "Shit Goes 2 Minneapolis" (8:02)
Review: Burgeoning Italian imprint Samosa quite literally kick off a new year with purpose as they launch this exciting new V/A EP series "Funk Purpose". Onside are a motley collective of allied editors who dig deep, far and wide for these four party essentials. Lego Edit instantly gets fruity with his Faze O style hazy organs and loose guitar loop, C Da Afro gets super freaky on the chugged out early 80s funk fire "The Disco Freak" while Will Hofbauer goes in express mode with a full sleazy and slinked out strutter. Finally Shit Hot Soundsystem stirs up a fantastic controversial finale. Princely.
Lonnie Liston Smith - "Space Princess" (JN Space Goddess mix) (10:44)
Lonnie Liston Smith - "Space Princess" (JN Break mix) (3:52)
Gwen McCrae - "Keep The Fire Burning" (JN Special dub #3) (6:49)
Wardell Piper - "The Power Of Love" (JN Power Of The Boogie mix) (7:11)
Review: Thanks to soaring demand on the second-hand market, Joey Negro has decided to re-press this killer collection of disco remixes that originally appeared on a limited-edition Record Store Day release. All four were created, but not released, during the making of his superb Remixed With Love albums. The A-side boasts two versions of Lonnie Liston Smith classic "Space Princess"; an epic, peak-time disco revision and a brilliant beats version (the "Break Mix"") that consists of little more than punchy percussion, trippy effects and bags of energy. Turn to the flip for Negro's impeccably delay-laden, New York style dub of Gwen McCrae's "Keep The Fire Burning" and a spine-tingling, sing-along rearrangement of Wardell Piper's lesser-celebrated disco-boogie classic "The Power of Love".
Review: Following the recent dip into the Theo Parrish archives that was The Twin Cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from Wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the Soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential.
The Man From Colours (instrumental version) (6:43)
Review: This timeless and utterly singular slice of italo disco magic was bootlegged a little over a year ago, but Dark Entries have decided to reissue it properly, with a remastered set of tunes for maximum playback effect. The 1982 bombshell, originally out on Discomagic Records, goes by the name of "The Man From Colours", and it is a special track indeed, one that's full of romantic charm, mystery and plenty of proto-house vibes. Its vocals will be embedded in your mind forever upon first listen, and you get an instrumental cut on the flip, too. Highly recommended - DO NOT SLEEP.
Review: Released in celebration of Expansion's recent re-serving of two of Leon's early 80s albums - Rockin' You Eternally and Leon Ware - here's a delightful 45 that reminds us of his finest solo moments. "Why I Came To California" is a sun-kissed soul boogie groove with big horns and even bigger chorus. "Rockin' You Eternally" (which is, let's face it, one of the smoothest song titles to ever come from the 80s) showcases Leon's softer side. A ballad steeped in sentiment, play this loud enough and everyone in a five mile radius will stop and get smoochy.
Review: In 2016, Family Groove Records released a 12" of previously unheard 1979 demo recordings by Webster Station, a boogie-funk band from Dayton, Ohio whose studio efforts were initially binned by Warner Brothers for not being commercial enough. Demand for Family Groove's limited 12" of their recordings has remained high, so the label has decided to do a reissue. There's much to admire throughout, from the high-octane thrills of opener "Are You For Real" and the spacey warmth of the super-soulful "Can You Feel My Love", to the sugary sweetness of the Latin tinged ballad "Lady" and righteous closer "If You Feel Like Dancing", a killer combination of spacey synths, crunchy drums, urgent vocals and killer Clavinet lines.
Review: A brief glance at a high-profile second-hand vinyl website confirms that original copies of Henry Wenceslas Thenard's obscure 1985 zouk cut "Ne Dis Pas Cela" (or, as we say in English, "Don't Say That") are not only incredibly hard to come by, but also change hands for extortionate amounts. This reissue, then, is rather handy for those without super-sized record-buying budgets. Thenard's jaunty, horn-heavy and sun-kissed original version resides on the A-side, with Mr Bird providing fresh reworks on the flip. On his "Rework", the French scene veteran gives the cut a disco-zouk feel, placing choice elements of Thenard's original mix (mainly the horns and vocals) above a chunky new beat. That beat naturally comes to the fore on his admirably percussive DJ Tool.
Review: Amidst recent praise from a variety of individuals including Ben UFO, Legowelt and the Juno review team, the Peoples Potential Unlimited label keep up the brilliant work with yet another killer disco boogie oddity from the early 80s. This Westwood / Cash twelve is the first of two twelve's from the Washington imprint to switch the focus to the career of Detroit producer Danaan Potts who can count on studying alongside a young Juan Atkins as well as spending close to 100 hours a week studio time alongside George Clinton as influences. Here he adopts the anonymous Westwood tag to add some bizarre P Funk to the delightful Orlando Cash jams "Psycho For Your Love" and "Work Those Joints". Additional PPU tweaks of both make this one of the labels best twelve's to date!
Review: Dean Meredith’s White Light Circus returns to the 12" format with the celestial funk of "Rocket Ride" (extended version), a synth and drum work out that pays its dues to not only the robo-disco of Giorgio Moroder, but also to the Teutonic modulations of Kraftwerk and their oscillating computer soul. For the B-side, Meredith hands over the controls to Andy Meecham, who re-configures the rocket’s motherboard, presenting us with an Emperor Machine Version that spins us sideways into a meteor shower of insistent rhythms, sputnik melodies and sound effect squiggles. This is the follow up to 2005’s acclaimed "Marching Orders" which had a legion of DJ supporters including The Glimmers, Headman, Trevor Jackson, Soulwax, Prins Thomas, Rub N Tug, Pedro Ed Banger, Idjut Boys, Optimo, Stevie Kotey & Mr Scruff, etc.
Greg Wilson - "Summer Came My Way" (feat The Reynolds - Luxxury mix) (9:17)
Oddfellow's Casino - "The Ghosts Of Watling Street" (Greg Wilson & Peza mix) (5:18)
The Super Weird Society - "Gone With The Vibe" (Henry extended mix) (4:50)
The Reynolds - "Don’t You Worry Baby The Best Is Yet To Come" (Greg Wilson & Peza mix) (8:46)
Review: As the title suggests, Super Weird Select Volume 1 gathers together some of the most sought-after cuts on Greg Wilson's growing Super Weird Substance label. First up is Luxxury's deliciously languid, poolside nu-disco take on Wilson's own "Summer Came My Way", featuring the attractive and cheery vocals of regular collaborators The Reynolds. Wilson and Peza's rework of "The Ghosts of Watling Street" by Oddfellow's Casino is a gently acid-flecked nu-disco shuffler, while the Henry Extended Mix of The Superb Weird Society's "Gone With The Vibe" is a p-funk flavoured electrofunk workout. Arguably best of all, though, is the classic disco soulfulness of Wilson and Peza's closing remix of The Reynolds' Bessie Banks cover, "Don't You Worry Baby The Best Is Yet To Come".
Review: For their latest on-point reissue, the Dynamite Cuts crew has raided the bulging back catalogue of soul organist Reuben Wilson. Or, to be more specific, the Cadet-released 1975 set "Got To Get Your Own". Sadly, there's not enough space for the full version of the album's celebrated title track, so Dynamite Cuts has prompted for the no less essential seven-inch edit instead. It remains a stone cold killer that no soul or funk DJ should be without, even in its shortened form. The lesser-known "Tight Money" is no less essential - or heavy, for that matter - with Wilson and pals strutting through a heavyweight Blaxploitation funk cut whose lyrics riff on poverty and Black America's mid-'70s financial crisis.