Review: Robin Twelftree has been busy over the past year bringing back his particular take on peak time house with a disco edge. Prolific in the late 90s and early 00s, his 12Tree project went on an extended hiatus but now finds a new outlet with the Hot Piroski label. "In The Sun" is a sassy uptempo workout with funk and flamboyance to match the tougher edges of the track. "Magic Dust" slows things down to a supremely mellow strut, with heavy lashings of soul blissed out over the top of the drums. "Guitar Solaar" stays in the downtempo zone with a subtle cosmic lilt and gorgeous vocals unfurling over loose and lazy breaks.
Review: Originally taking form as Universal Robot Band's dreamy instrumental disco cut "Thyme" in 1977, within a year of its release Patrick Adams invited Marta Acuna to add suitably yearning, hazy vocal. Adding to the silky groove's allure without taking any of its original soul, Marta elevated an already pristine track into a real moment that embodies the deeper, most soulful aspects of late 70s disco. A highly authentic P&P reissue.
Review: Exploring the sounds emanating from South Asia, Masaala is a new label with a fresh outlook. The first release features Manchester-based producers Raheel Khan and Adesi turning in some powerful edits that will appeal to anyone seeking invigorating sounds from further afield. Khan's twist on "Mast Qalandar" sounds like a striking version of Nusrat Fateh Ali Khan's "Mustt Mustt". Adesi offers up the lions share of the edits though, channeling South Asian sounds through grooves ranging from the fierce disco stomp of "Sansani" to the low slung funk groove of "Nah Nah Nah". "Kammata" has a more dense rhythmic complexity at its heart, and "Kuchi Kuchi" collides traditional sounds with contemporary broken beat to brilliant effect.
Review: The Andromeda Orchestra project was last seen on Faze Action last year, when "Get Up & Dance" got the remix treatment by Nick The Record. This time around the project gets a serious disco treatment from Ray Mang, who stretches "Don't Stop" out across the A side for a nine minute pleasure ride that's heavy on the funk. "Kano Line Dance" kicks off the B side in another loose and nasty party jam, before the original Philly string busting brilliance of "Don't Stop" completes the set in fabulous fashion.
Review: After the strength of the Runaway 12", Armstrong is back with another pair of smokin' hot edits to get your disco sizzling in all the right ways. "Hangover" stretches out over 13 heavenly minutes of groove that sounds like the kind of source material Moodymann would be more than happy sampling. "Melting Pot" is a more Motown-esque vibe with jangly guitar chops and sweet organs bringing the emotional punch. Clearly dug by someone who knows their onions, and edited for maximum extended pleasure, this is how edits should be done.
Review: UK funkateers out on the cosmic frontier in the early 80s Atmosfear let this synth-stroking, bass-slapping star-gazing escapade loose in 1982 and OG presses have been known to fetch a fair a penny among collectors in the past. A proud piece of UK jazz boogie, it's not heard to hear why it's been in such demand. Timeless, spacious and laced with intoxicating vocals and a superbly trippy dub version on the B that was way ahead of its time. Grab it while you can.
Review: Get your motors running! Hamburg DJ and occasional editor Automart drives off the forecourt with one of his first originals. With its stately tempo and soft harmonics creating a smooth discoid ride, "Discover Me" sets to cruise control in a subtly addictive unhurried speed. Loaded with both vocal and instrumental versions from Tom Noble, there's plenty of mileage in the tank on this one.
Taylorpo (Warehouse Preservation Society remix) (5:23)
Massive Birth (Mind Fair remix) (5:43)
Review: Coolly stepping out like a white-suited player on a Miami club strip, the high expectations set by any mention of Italian disco pioneer Daniele Baldelli are easily matched by the opener and title number. And things really only get better from there.
'Massive Birth' is an intelligent, freeform outing on a half-time, DJ Rocca's ever-tight drum programming clearly having some influence on the complex percussive patterns. On the flip, Mind Fair have their way with that original, turning it into a more grounded four-four workout if you listen beyond the top layer of rolls and snare crashes. For many, though, this one will be all about the Warehouse Preservation Society remix of 'Taylorpo', which puts Italo right back at the top of the disco agenda, sounding at once space age yet nostalgic, and unquestionably, unstoppably danceable.
Review: The sneaky scalpel fiends behind the Belpaese Edits imprint are back with more inspired reworks of obscure, little known and overlooked European - and mostly Italian - gems from the 1970s and '80s. First up is "Vieni Con Mi", a wonderfully overblown chunk of loose-limbed jazz-rock/disco-soul fusion blessed with breathy female vocals, mazy flutes, wah-wah guitars, heavy bass and drumming so wild it may well be capable of raising cadavers from their graves. Flipside "20 Secoli Di Favole" is similarly minded, if a little closer to Baldelli "cosmic rock" territory - all ragged rock riffs, manic female vocals, groovy bass and intergalactic analogue synthesizer lines.
Review: Having previously blessed us with "Ocean Side" two years back, Benedek and Tom Noble return to Superior Elevation with two more Balearic gems. One for the night time, one for sunrise; "World Gruuv" hits the boogie spot with spiralling keys wandering freely up and down a tight shimmering synth-bass led groove. Meanwhile "Profesora" on the B brings us back into reality softly with its addictive percussive hook, aquatic backing and totally tropical taste. Imagine Art Of Noise on Claremont 56 and you're on the right route.
Review: Surprisingly, Don Blackman originally wrote and recorded "Just Can't Stay Away" to play as the recorded message on his girlfriend's answering machine. He later included it - tweaked and turned into a mid-80s style boogie banger reminiscent of his work during that decade - on his second and final album, 2002's CD-only "Listen". Here it finally gets a vinyl release thanks to reissue specialists Melodies International. If you're a fan of boogie, electrofunk and synth-soul it should be an essential purchase, not least because it's every bit as good as more celebrated Blackman productions made earlier in his career. There are "Stereo" and "Mono" mixes to enjoy, with the former naturally offering a more refined and intoxicating listening experience.
Review: Blue Feather were a truly blue-eyed funk outfit from the Netherlands who had a prolific run in the 80s with two albums and a string of club singles to their name. "Let's Funk Tonight" was surely one of their bigger hits, and it sounds resplendent with a fresh master and the full extended version spread out across the A side here. Offering something new for the modern market, Best call upon Faze Action to flesh out this reissue with a killer dub of the track that treads softly but funks deep, just like a good dub should.
Review: The Dessert Island Discs series continues with yet more arch remixes from across the disco and boogie spectrum. Bubbles The Pimp kicks off the A side with a tasteful treatment of Gil Scott Heron's "Winter In America," which gets rustled up into a sweet and sassy house number with a cheeky acid b-line underneath. Nelly Wilson whips up a storm on the tightly clipped, peak time-oriented "Trapped & Confused". Pierre Pressure's "Love & Beyond" takes it easy on the B side with plenty of fluttering synth wobbles to offset the choppy funk of the guitar - it's a cosmically enhanced floor burner to get you all astral under the collar.
Review: Tom Noble's Superior Elevation label started life as a home for reissues of obscure disco and boogie material, but has since widened its remit to include original productions. Here, Noble welcomes fellow Brooklyn resident Willie Burns to the label for a spot of sweaty, basement-bothering house business. Intriguingly, Burns original - nestled on the flipside - is the looser of the two, with dexterous percussion hits accompanying restless drum machine hits and a killer, New Jersey influenced bassline. Noble chooses not to emphasize these disco elements, instead delivering a wild, low-slung, dub style reinterpretation that turns it into a surging, late night house stomper.
Review: After building a reputation via a swathe of rock solid, digital-only EPs on About Disco (an imprint he founded in 2015), Rafael Cancian has finally been given a chance to showcase his wares on wax. There are lots of top-notch edits to enjoy on the Brazilian producer's first Razor-N-Tape outing, from the sax-powered, solo smothered disco-funk cheeriness of "C'est La Douceur", to the low-slung South American disco grunt of "Fragil" and the jazz-funk tinged carnival goodness of superb closing cut "Besos Libres". There's no needless production trickery or shamelessly beefed up house beats, just perfectly DJ-friendly rearrangements of obscure, little-known gems.
Review: Cannon & Mirrorball may not be the disco edit scene's answer to moustache-sporting 1970s/80s comedy heroes Cannon and Ball, but they certainly serve up tracks that will put a big goofy smile on your face. Their latest Disco Bits adventure begins via "Black Rhythm Rap", a chunky, hip-hop friendly rework of an obscure, late 1970s disco-rap bomb rich in funky guitar licks, cut-glass strings and party-starting MC flows. On the flip they get even cheekier, placing Loleatta Holloway's incredible "Love Sensation" vocal over a stomping, Blaxploitation-era disco-funk backing track and all manner of familiar soul and funk samples. Purists will no doubt sneer, but they really shouldn't: this is tastefully produced disco heat of the highest order.
Rose Of Tokyo (Also Playable mono Revision) (7:54)
Review: City O' were an Italo-disco six-piece led by renowned Italian singer and producer Gino Caria, and 'Rose Of Tokyo', originally released on Discomagic in 1984, was their one and only single. The original - all LinnDrum beats, plinky-plonked synths and gravel-voiced spoken male vocal, counterpointed by sweet female harmonies - and its accompanying Dub were reissued by Germany's XYZ Music in 2010, and now it's back, bolstered by two fresh remixes from Flamming Datum and Also Playable Mono, both of whom stay pretty true to the original but smooth off some of the rougher 80s edges - either making it more playable or detracting from its raw charm, according to taste!
Review: La dame Noir is a Marseille-based label who first crept onto vinyl with a crucial various artists release back in 2016. Now they're back with more of that noirish modern disco deviance that made them an exciting proposition first time around. "Take The Shock Away" is a bittersweet groover by Dawad and label co-founder Relatif Yann, with pitch-perfect vocals by Mounissa which sounds strong on its own. The label however has drafted in a list of big hitters to deliver remixes, from Vox Low's synthwave laced trip to Pete Herbert's punchy electro-disco burner. Whichever version you plump for, the quality is undeniable on this surefooted 12".
Review: This is the kind of track you'd imagine the legendary I-F thrashing out on a heaving dancefloor at peak time. Dharma was a short lived Italo disco project featuring Luciano Ninzatti and Stefano Pulga, and their track "Plastic Doll" was undoubtedly their finest moment. Originally released in 1982 and a proper underground classic to those that know, it featured American vocalist Linda Jean Wesley and it gets a much deserved repress here on Mr Disc Organisation. Italian duo Tiger & Woods serve up a terrific modern reshape on the A side, followed by the timeless vibe of the original mix and handy instrumental on the flip.
Review: Originally active around the turn of the century, Difusion are back in action with a mission to champion real songwriting in the deep house scene. "Playin' With Fire" rides a funky disco groove and works around some seriously catchy vocals, while Daniel Maunick dubs the track out and rides the filter to deadly effect. "Shining" rounds the EP off with a sweet, sensitive jam that strikes the kind of melancholic tone that wistful dancefloor memories are made of. Once again the vocals lift to the track to another stratosphere of heartfelt expression - this is sure to go down a storm with the late summer crowd.
Review: Dinky-Di is a modern disco ensemble conducted by Waq Takahashi with just a few key releases spread out across the past 15 years. Now Million Dollar Disco main man Al Kent has cherry picked one of the hottest jams from their oeuvre and given it a special rub down - the kind of treatment that warrants a single-sided 12" no less. In Al's hands, 2005 track "Gold Wave" becomes a sizzling party monster that romps along for more than 10 minutes. With scintillating peaks, heavyweight drum breakdowns and sumptuous musicianship throughout, this is how an epic disco bomb should sound in 2019.
Review: A mysterious white label from a mysterious source with no details or even track titles. All we know is that there are only 200 copies and that they absolutely bump. "Track 1" is a real heads down driver with a well-known female vocal ghosting through the groove while "Track 2" brings home a job lot of funk with a much looser, off-grid groove and a breakdown to melt into. Get lifted.
Review: In 1976, French band Edition Speciale released their debut album, "Allee Des Tilleuls". While much of the album saw them explore progressive rock and jazz-rock territory, it did contain one suitably groovy and life-affirming trip into jazz-funk territory, surprise LP standout "Mr Business". Here that cut gets a single release for the very first time courtesy of the dusty-fingered diggers at Pepite. You'll find the little-known band's languid, Clavinet and synthesizer-heavy original version on side A, with Aroop Roy's tidy contemporary rework on the B. Aroop sticks a rocket up the track's bottom end, underpinning the original song with peak-time-ready drums while wisely emphasizing his own killer bassline and catchy vocals.
I Just Wanna (Spend A Little Time With You) (Michael Gray vocal mix) (8:40)
I Just Wanna (Spend A Little Time With You) (Michael Gray dub mix) (6:19)
I Just Wanna (Spend A Little Time With You) (vocal mix) (7:45)
I Just Wanna (Spend A Little Time With You) (instrumental mix) (6:58)
Review: For their latest trick, Yam Who's Riot label has decided to offer up a brand new edition of Alton Edwards' 1981 UK electrofunk classic "I Just Wanna (Spend A Little Time With You)". You'll find Edwards' superb original vocal version on the flip, where his part whispered, part sung vocals rise above thickset, mind-altering synth-bass, drum machine beats and some seriously punchy horn lines. The obligatory 21st century updates come courtesy of Full Intention man Michael Gray, who delivers a suitably pumped up boogie-house vocal revision before dropping a similarly chunky dub that wisely makes much of the original bassline and Edwards' whispered vocal passages.
Review: New York City-based trio Escort are back for the first time since their Animal Nature LP from 2015. Their new track "Slide" was co-written with NYC soul artist Denitia and drives you gently with this west coast influenced roller produced by Eugene Cho and Jkriv - and featuring Adeline's wonderful vocal delivery. We absolutely adored this slick and low slung boogie-down number. For something more uplifting (and with dancefloor dynamics) you can try the classic '70s disco explosion of "Ride" (feat Brian Jackson) on the flip, which calls to mind the classic vibe of masters like Salsoul, Moulton Studios et al.
Review: Way back in 1999, Acid Jazz Records launched an offshoot dedicated to disco edits: Original Sound Track Recordings. The best of the series' many superb reworks were later gathered together on a compilation album on EMI that now changes hands for significant sums online. Happily, they've decided to reissue some of their early releases, beginning with this 7" of Family Tree featuring Sharon Brown's "Family Tree". You'll find the peerless original - a breakbeat-driven chunk of lolloping funk brilliance - on Side A, with the label's 2002 "Super Disco Break Beat" version on the flip. Inspired by hip-hop DJs doubling up the track's brilliant drum breaks, it's a killer percussion workout with a few quick blasts of funk energy and carefully placed special effects (think flanged drums, reversed sections and so on).