Review: After kicking off the label in 2017, Loop LF returns to Well Street bringing his unique sound design, broken rhythms and deep subs. Martsman kindly pops back from the future to deliver a beautifully technical dnb remix.
Review: Receptor Theory is the seventh release on Verdant Recordings and the first of several scheduled for 2019. Once again we find carefully selected compositions assimilated into another elegant EP of guaranteed deepness. The EP sets tracks from Berlin's Sirko Muller (Tokomak / Wandering) with Ornate Music's Jonno & Tommo on each side plus serious remixes from Verdant favourites RV800 and Havantepe (last seen together on the 2017 Aura EP). It is measure of the label's growing rep that these producers sought to be featured by the label away from their established imprints. The original Affinity and Efficacy tracks are assured yet subtle, dub inflected grooves but each are treated quite radically when reinterpreted. The RV800 reshape of Affinity moulds it into peak time tech house territory with a playful 303 bassline. Havantepe changes up Efficacy with devastating effect; the remix is a sinister breakbeat slow burn with a creeping & growling 303 bassline and a very strong conclusion to this intriguing EP. An EP for students of the deep and scientists of the mind.
Pimping People In High Places (Woodword Ave alternative mix)
The Medusa Touch
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: Birmingham experimental dub terrorist Mick Harris inaugurates new Madrid imprint Trauma Collective here as Monrella, with four brand new executions of sheer naked aggression. It was under this moniker that Harris (aka Fret/Lull) released half a dozen EPs for Karl O'Connor's ZET label between 1996 - 2002 - a strong departure from his previous involvement in seminal grindcore outfit Naplalm Death, and the experimental Scorn project (with fellow band member Nik Bullen). Fierce, functional and direct impact grooves that lunge straight for the jugular, the cuts featured on the Build Time EP recapture the zeitgeist of legendary local club night House Of God - an institution responsible for unleashing fellow legends such as Regis and Surgeon back in the day. Although somewhat overlooked, Harris' sound under this alias has most definitely evolved, and follows through with enough dancefloor dynamics to blend with other modern techno sounds.