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FORTHCOMING
ARP 2600M Limited Edition Version Synthesiser Module
Cat: 810345
 
Downsized remake of Arp 2600 FS semi-modular synthesiser
Notes: The ARP 2600 is arguably the most iconic and recognizable synthesizer of all time. Having been used in countless records, film scores, TV shows and game soundtracks since its appearance from the 70's through to today, the ARP 2600's sound remains an essential part of the music world.

The new ARP 2600 M delivers the sound admired around the world, in a more compact and portable format and including added features that make it the ideal incarnation of this historic synth.

When the ARP 2600 FS was announced in January 2020, it quickly became a phenomenal success with musicians all over the world recognizing the faithfulness to the original ARP 2600.

The ARP 2600 M is around 60% the original size, making it lighter, more portable and easier to place and use in a studio. It integrates the same analog circuitry and components as the ARP 2600 FS, thus faithfully reproducing the characteristic ARP sound.

The ARP 2600 M is built in Japan with the same care and extraordinary quality standard as the ARP 2600 FS, and uses the same analog components to accurately reproduce the sound and feel of the original.

The Spring Reverb has been re-engineered and adapted to the new size body to the same lush effect.

The ARP 2600 M comes with a dedicated Carry Case that not only protects your instrument, but also makes it easier to transport, thanks to its custom casters with special anti-shock damping technology.

There is also enough space to carry other gear together, like your favourite volca, SQ-64 or MIDI controller!

It is not by chance that the ARP 2600 has been so extremely popular to this day.

More than a synthesizer, the ARP 2600 M is a complete sound design studio. Even today, the ARP 2600 stands as a bridge between the individual elements of modular synthesis and the immediacy of a production / performance instrument. Included are an ample supply of oscillators, envelopes, a filter and amplifier - all of the building blocks of analog synthesis. But the ARP 2600 M goes even further, with a spring reverb tank and even a pair of built-in monitor speakers. Also present is much of the versatility of a vintage modular system, including a ring modulation, lag and voltage processors, an envelope follower, audio preamp, a clock-able switch, noise source, a sample-and-hold module, signal inverters, an auxiliary mixer, and even a set of parallel-wired/multi jacks.

The new ARP 2600 M is not only faithful to the original, it also includes an array of added features that will make it even easier to use:

Plug and play: Connect any class compliant MIDI controller such as a KORG microKeys, nanokeys or SQ-64 to one of the ARP 2600 M's USB ports (USB-A and USB-B) and automatically get full control of your instrument!

Resized: The new size makes it easier to visualize your patch and also allows you to use shorter patch cables

Filter Choice: Two types of filters from two versions of the original ARP 2600(4012 type, 4072 type)

More MIDI: 5-Pin DIN plug MIDI IN added

Modern Control: Pitch-bend, Modulation, Portamento ON/OFF and Portamento ON/OFF can be controlled through MIDI CC messages (USB/DIN MIDI)

Normalized voltage: The threshold of the trigger signal required to activate the ADSR through the S/H GATE JACK has been reduced from 10V to 5V, making it much easier to use in combination with other gear such as volcas or Eurorack modules

Tweaked Parameters: Improved Attack and Release time ratios

Easy Connections: L/R Stereo Output Jack (instead of XLR)

Speakers turn automatically off when using headphones- improved, smoother sliders

Celebrating the rebirth of this iconic synth, the first 1000 units will come with a special colour road case, as well as a KORG microKEY2-37 so you can start playing right away!

The ARP 2600 FS comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.
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MRP:$2,285.33 SAVE 17%
coming soon $1,904.45
FORTHCOMING
Hexinverter Mindphaser Module
Hexinverter Mindphaser Module (eurorack CV modulation/oscillator/waveshaper/ring modulator module)
Cat: 689801 Rel: 31 Aug 21
 
Complex oscillator with simultaneous thru-zero PM, wavefold/shaping and separate linear FM bus in the analog realm
Notes: The CARRIER in Mindphaser is the oscillator core that feeds the WAVESHAPER and TZ-PM BUS sections responsible for the final complex signal OUT. Switchable external hard and soft sync are offered. Over 8 octaves of VCO range are possible, perfect for FM and PM sidebands. There are V/oct, linear FM and exponential FM inputs which are all independent of the TZ-PM functionality. Linear FM happens inside the CARRIER's core, separate from the external TZ-PM BUS! Toggle the SHAPE of the signal feeding the WAVESHAPER with the button. The colour and display of Mindphaser updates as you change the base waveshape!

Built around the same analog triangle core VCO as the CARRIER, with a button press, the MODULATOR switches easily between LFO and audio range modes for maximum versatility. Besides the features it shares with the CARRIER, there is also PW modulation on the square output, which is great for a sub oscillator or MOD BUS Source.

This isn't a classic waveshaper! Featuring FOLDing harmonics up to 5 octaves above the fundamental frequency, internal FEEDBACK, and full range AM. A HIGH and LOW clipping switch offers even more harmonic experimentation! Switchable inverting attenuators on each CV input!

Thru-zero phase modulation in the ANALOG realm! Unlike its digital counterpart, analog TZ-PM has its own character we've come to expect from analog circuitry. Best of all, it can be combined with the WAVESHAPER and is independent of the CARRIER's linear FM circuitry!

This is where things get interesting- select from the PULSE, RAMP or SINE output of the MODULATOR (or inject your own SOURCE) and vary the bus INDEX manually or with CV. Control the overall INDEX here! MOD BUS send destinations include classic linear FM, AM, wavefolding, feedback and TZ-PM INDEX, with variable amounts and polarities!
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MRP:$732.15 SAVE 17%
coming soon $610.13
FORTHCOMING
Malekko Varigate 4+ 4-Channel 8-Step Gate Sequencer Module (black faceplate)
Cat: 766093 Rel: 30 Jun 21
 
Sequencer module
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes most features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with it's own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control.
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MRP:$339.98 SAVE 17%
coming soon $283.31
FORTHCOMING
Cosmotronic Cosmix Aural Enhancing Stereo Mixer Module
Cosmotronic Cosmix Aural Enhancing Stereo Mixer Module (distortion/dual & stereo/mixer/dynamics/effect/panning eurorack module)
Cat: 803497
 
Distortion/dual & stereo/mixer/dynamics/effect/panning synth module
Notes: Cosmix is an 8-channel stereo mixer with a built in analog stereo dual band maximizer.

It has four mono channels and two stereo channels, the left inputs 5 and 7 are normalised to the right inputs 6 and 8 respectively.

The four mono channels have panning- and aux send controls.

All channels are accommodated with a dedicated mute switch for live performance.

The aux output can be routed to an external effect and the four small switches below the volume faders set whether the signal that is routed to the aux bus is pre or post fader.

The master bus can optionally be fed into the stereo Drive circuit.

This circuit is true stereo, and improves almost any sound source, with full bass and amazing spatial resolution.

It works like a dual band maximizer, with separate faders for high and low frequencies.

The analog overdrive circuit can be bypassed but we don't recommend it as it sounds great and really glues the whole mix together nicely.

The overall volume can be set with the main volume knob.

The output of the compressor feeds into a diode clipping circuit, to to create a warm saturated distortion.

By playing with the levels of each channel different clipping characteristics can be achieved.

However if you prefer to keep the output signal clean, the bypass switch allows you to bypass the circuit.

The white lines indicate the non-distorted 0dB point for each channel, when the drive circuit is active and the sliders are set to zero.

Driving a channel above the white line pushes it into more overdrive and distortion, assuming 10vpp Eurorack level.

Different tones can be created by playing around with the gain staging!

Main output is eurorack level (10vpp)
Input impedance: 100k
Output impedance: 1k

70 mA +12V
70 mA -12V
0 mA 5V
20 mm deep
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MRP:$342.80 SAVE 18%
coming soon $279.78
FORTHCOMING
System80 860 MK2 Module
System80 860 MK2 Module (synth module)
Cat: 816840 Rel: 30 Jun 21
 
Eurorack filter/mixer module
Notes: The System80 860MK2 is a 10 HP updated version of the popular JOVE filter. It is a Eurorack interpretation of the multi-mode filter found in the Roland Jupiter-6, a 1980s analogue polysynth.

The 860 MK2 replaces both the 14 HP JOVE and the 8 HP 860 MK1. It has been updated and improved in several ways, including memory recall of the filter mode, a quad OTA filter core, internal voltage references, a fully attenuated 2 input audio mixer, and a steel back cover.

40 mA +12V
30 mA -12V
0 mA 5V
32 mm deep
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MRP:$317.41 SAVE 17%
coming soon $264.49
FORTHCOMING
ADDAC System ADDAC112 VC Looper & Granular Sampling Module
Cat: 811085
 
Expander/digital/sampling eurorack module
Notes: There's a long history behind the granular concept and many reinterpretations of it's core principles, this is ADDAC's take on it.

In a loose description digital Granular refer to pieces of sound files being played at the same time with slight or completely different parameters originating what is commonly referred to as granular clouds. Normally there's a buffer size from which the granular engine snips it's pieces from and plays them according to the parameters set. This buffer size is normally small in size where grains are so small that can reach the hearing spectrum and be heard as a sort of ever changing complex wavetable, this is the principle behind granular synthesis.

ADDAC have added the possibility of long buffer sizes up to 5 minutes, allowing "softer" approaches to the granular principle using it as an effect that can generate from "accidental" effects like slight "stutters" to extreme processing and transformation of any incoming audio signal.

This module is conceptually deep but easy to grasp and operate as all controls are in its dedicated panel, all jack inputs and outputs have its own separate panel to allow no compromise when playing it's controls.

There are three main sections in this module:
Looper Engine: The Looper is where all the Real-Time recording happens. The audio input feeds the recording buffer, multiple controls allow to record and play loops into a list so that any sample in the list can be accessed at ay time and more acting as a standard looper
Granular Engine: The Granular acts upon the buffer of whatever LOOP is selected.
Output Mix The output mix allow individual control for the Dry Input, Looper Volume and Grains Volume.
Besides these main sections there's also a simple strip down MENU mainly used to LOAD and SAVE Banks, no Menu diving guaranteed.

Audio Specs:
Audio input: Stereo, 16bit 44.1Khz
Audio output: Stereo, 16bit 44.1Khz

Tech Specs:
32HP + 13HP
4.5cm deep
240mA +12V
70mA -12V
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MRP:$804.10 SAVE 17%
coming soon $670.07
FORTHCOMING
Korg Modwave Wavetable Synthesiser
Korg Modwave Wavetable Synthesiser (wavetable synthesiser)
Cat: 810353
 
Hybrid wavetable synthesiser
Notes: Synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0.

In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today.

modwave builds on the DW legacy and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control.

modwave also introduces two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. Kaoss Physics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that isibesides being powerfuli a lot of fun. Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the wavestate's Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording.

Like Wave Sequencing 2.0 (wavestate) and altered FM (opsix), modwave's evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. To start, there are hundreds of preset sounds empowered by this new architecture, organized by front-panel category buttons, and all instantly customizable via the four Modulation Knobs. modwave's distinctive wavetable timbres deliver aggressive basses & leads, and lush ambient pads will add a new dimension to your tracks. Those who want to dig deeper will find an endless source of discovery; you'll be finding new things in this synth for a long, long time. Save as many new sounds as you like; there's room for thousands more.

Start with over 200 wavetables, each containing up to 64 waveforms- from thousands of individual waves. Use the 30+ Modifiers to change their basic character, and the 13 Morph Types to process them in real-time. Create new hybrids from any two wavetables using the unique, realtime A/B Blend. Quick math: that's over 230 million wavetable variations out of the box, before you even add modulation. No need to stop there, though! Load your own custom wavetables in Serum or WaveEdit formats; there's room for thousands more. Or, layer wavetables with samples from the built-in, multi-gigabyte PCM library.

Each Program has two full-featured wavetable oscillators, plus a sub oscillator/noise generator and any of a dozen stereo filter types, including the aggressive MS-20, sweet Polysix, and the newly enhanced Multi Filter. Animate almost any parameter using the massively flexible modulation system, with four triggerable envelopes, five LFOs, dual mod processors and two key-track generators- plus multi-lane Motion Sequencing and Kaoss Physics.

Even with all that synthesis power, playing up to four simultaneous wavetables per voice in a single Program, the modwave still achieves 32-voice polyphony, incredible for a wavetable synth. Layer two Programs together for double the possibilities.
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MRP:$880.28 SAVE 17%
coming soon $733.56
FORTHCOMING
Korg miniKORG 700FS Limited Edition Synthesiser
Cat: 810543
 
Reissue/update of miniKORG 700
Notes: Back To The Future: a limited edition authentic revival of the miniKORG 700.

The miniKORG 700 was KORG's first mass-produced monophonic synthesizer released in 1973 at a time when the form of synthesizers as musical instruments had not been fully established. After a lot of experimentation, the miniKORG 700 arrived bringing the world of synthesizers to a wide group of users by offering simple operations that could producing extreme changes in sound, and was championed by a strong base of admiring musicians.

The miniKORG 700FS is an authentic revival of the miniKORG 700S, (an improved version of the miniKORG 700) that was released the following year. The revised miniKORG 700FS offers added functionality such as an arpeggiator, spring reverb and aftertouch. The miniKORG 700FS is a fully-realized analog synthesizer that was developed in conjunction with the original designer, Fumio Mieda.

(Note: To avoid confusion in the following text, both the original miniKORG 700 and the miniKORG 700S are listed as "miniKORG 700" for the most part.)

Why revive the miniKORG 700 now?

The real beauty and awesomeness of the sounds produced by the miniKORG 700 could not be realized through analog modeling technology that uses computational integrated circuitry such as DSPs and other devices to model analog circuitry. And although KORG continues to produce analog synthesizers such as the prologue, the minilogue and many others, we recognize that these instruments owe their existence to the miniKORG 700.

While theoretical know how is important when designing analog circuitry, deep experience is also required to understand what the results will actually be once the circuitry is completed. Ten years have passed since the monotron, a next-generation analog product from 2010 was developed by young KORG engineers and analog enthusiasts. It took some time for the full vision of these engineers to be explored and delivered but at last we've finally arrived - at the start.

KORG's wish is for customers to experience the beauty and awesomeness of the authentic analog sound through the miniKORG 700FS designed by the KORG analog engineers under the supervision of Fumio Mieda, who designed the original circuitry, ensuring that the elements that go beyond the circuit schematics would be faithfully represented.

While the miniKORG 700 was KORG's first synthesizer, it also produced some of the fattest and most dense sounds of all of our synthesizers. The miniKORG 700FS, features oscillators with a penetrating sound and an authentic recreation of the Traveler controller, one of the key features of the miniKORG 700.

The volca keys and volca bass use the filter circuit from the miniKORG 700, because the clear and penetrating characteristics of this filter were a perfect match for products that specialize in lead and bass synth sounds with a strong presence. The miniKORG 700 sound sits easily in today's music, particularly with its lead and bass synth sounds.

The miniKORG 700 came about as a sub keyboard that players would set atop their organs (frequently used in the 1970s) to augment the organ's sound palette. Nowadays, the beautiful lead synth sound of the miniKORG 700FS works well with stage keyboards such as or electric pianos, organs and so on.

The controls on the miniKORG 700 were laid out below its keys in a row, so that players who set the instrument on top of their organ would find them easy to access. Even today, this layout is intuitive and easy to understand, with a unique look that no other instrument offers.

When the miniKORG 700 was originally released, electronic components were larger in size, limiting its functionality due to the small space inside. Thanks to changes in technology, there's now have more space to add a spring reverb effect as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as important features an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack.

Dimensions (W x D x H): 744 x 280 x 122 mm/29.29" x 11.02" x 4.80"
Weight: 8.5 kg/18.74 lbs.
Power supply: AC adapter (DC 12V)
Power consumption: 9W
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MRP:$2,509.64 SAVE 17%
coming soon $2,091.36
FORTHCOMING
IO Instruments KALLICHORE Six Voice Digitally Controlled Oscillator Module
Cat: 795935
 
CV modulation/MIDI/oscillator/ring modulator synth module
Notes: SIX VOICE FPGA based oscillator

Three pairs of DCOs controlled by CV&MIDI

MONO, 3 and 6 POLY VOICE mode

Internal & external SYNC, 3 RINGMODs

SINE/TRI/SAW/RAMP/PULSE WAVES

FREQ range from 0,1 Hz to 10 KHz

MIXER with AR-ENV in MIDI MODE

Modulation via 3 CV INs & DCO 4/5/6

Multiple MOD sources to one target

300 programs

TFT display & continuous potentiometer

Easy user interface for studio & live

Future features planned via SD Card update

EXPANDER for SINGLE OUTs

Width: 20 HP
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coming soon $262.15
FORTHCOMING
Akai  Professional MPC One Retro Limited Edition Standalone Music Production Centre
Cat: 827581 Rel: 31 Aug 21
 
Combining the full multi-core powered modern MPC workflow with the throwback colour layout of the iconic MPC 60, MPC 3000 and MPC 2000.
Notes: Step Up to Standalone- Experience the same standalone performance power of the legendary MPC in a smaller footprint.

Looking for that classic, retro vibe, but demand all the power of a modern MPC? Look no further than the new Limited Edition MPC One Retro. Combining the full multi-core powered modern MPC workflow with the throwback colour layout of the iconic MPC 60, MPC 3000 and MPC 2000. Experience the legendary look while enjoying the powerful, standalone workflow you've come to count on for next-generation beat making and music production.

From rich melodics and hard-hitting drums to the most infectious grooves, if you expect to get real professional production results you need next-generation tools that act as a natural extension of your creativity. Enter the MPC One Retro, a Music Production Centre engineered to enrich your workflow and create the ultimate standalone production experience. Spend less time hitting roadblocks and take command of your production with our latest addition to the MPC family.

Don't let the size fool you. The MPC One Retro packs a lot of features and workflow tools into ONE powerful punch, like beat programming, editing, mixing FX and instruments and so much more. This is truly an uncompromised creative experience. The heart and soul of the MPC One Retro is the same multi-core processor as the MPC X, skillfully combined into a compact standalone desktop unit that easily handles the most demanding tasks. MPC One Retro delivers a truly empowering hands-on experience, ready for any music production task. Edit and chop samples with hand gestures on the bright 7-inch touch screen colour display. Express your ideas effortlessly and directly with the dedicated knobs and touch keys that eliminate cumbersome drop-down menus.

Everything you expect from a Standalone MPC is here, without compromise. With the MPC One Retro, all MPC functionality you expect is here, perfectly positioned with two goals clearly in mind - ease of use and no-nonsense workflow enhancement. Four touch sensitive controls and a large data encoder seamlessly map to critical parameters. Sixteen velocity- and pressure-sensitive RBG pads deliver perfect response for full expressive range. MPC mainstays including Note Repeat, Full Level, 16 Levels and dedicated Transport Controls complete the MPC One Retro's arsenal of control options, providing complete production capability.

MPC One Retro integrates into your creative space with all the connectivity you demand. The MPC One Retro is ready to work with your current studio environment and will grow with you as your needs expand. Connect your USB controller or line-level 1/4-inch instruments. Control your MIDI devices and your CV/ Gate modules & racks. And there's no need to worry about interconnectivity, since MPC One Retro is ready to work right alongside professional music production gear.

Discover your creative workspace with our ground-breaking MPC Software. Akai Professional's reimagined MPC 2 Software drives MPC One Retro in both standalone and controller modes. This is a cutting-edge production suite combining 128-track sequencing capability, real-time time stretching, clip-launch functionality, advanced MIDI editing capability, VST compatibility in controller mode, operation as a standalone application on Mac & PC, advanced sampling & audio editing/recording functionality, seamless DAW integration, a redesigned GUI and much more. Whether you're seeking freedom from computer- based music production or searching for the perfect controller for DAW-centric creative exploration, MPC 2 Software delivers the ultimate in adaptive creative versatility.

Technical Specifications

Pads:
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via Pad Bank buttons

Knobs:
(4) 360- touch-sensitive Q-Link Knobs
(4) Q-Link Knob columns accessible via Q-Link button
(1) 360- encoder for display navigation and selection via push
Buttons:
(31) dedicated function buttons; red-, amber-, or green-backlit

Display:
7.0" / 177mm (diagonal)
5.9" x 3.7" / 151 x 94mm (width x height)
Full-colour LED-backlit display with touch interface

CPU
Processor: Quad-core ARMr processor
RAM: 2GB
Storage: 2GB user storage, 2GB pre-installed content

Connections (2) 1/4" (6.35mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI outputs
(4) CV/Gate outputs
(1) USB Type-A port
(1) USB Type-B port
(1) SD card slot
(1) power adapter input

Power:
via power adapter: 19V, 3.42A, centre-positive, included

Dimensions:
(length x width x height) 10.7" x 10.7" x 2.1"/272 x 272 x 53mm
Weight: 4.7 lbs./2.1kg
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MRP:$902.85 SAVE 17%
coming soon $752.37
FORTHCOMING
Malekko Quad LFO 4-Channel Quad LFO Module (black faceplate)
Malekko Quad LFO 4-Channel Quad LFO Module (black faceplate) (eurorack clock generator/LFO/noise/quad/random/sequencer/utility module)
Cat: 766096 Rel: 30 Jun 21
 
LFO module
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw, triangle and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer for each channel, as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

Multiple Quad LFOs can be controlled by one Varigate 8+ or Varigate 4+ on the same bus to instantly save/recall presets.

To create a sequence of automation for an LFO, select a channel and then hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.


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MRP:$363.96 SAVE 17%
coming soon $303.29
FORTHCOMING
Sacrement The Cursible Basic Series Module
Sacrement The Cursible Basic Series Module (eurorack controller/mixer/multiple/sample & hold/sequencer/switch module)
Cat: 811337
 
14HP 6 channel, morphing effects-send matrix module
Notes: The Cursible from Sacrament Modular brings effects morphing (and much more) to the Eurorack format. The Cursible is a 14HP 6 channel, morphing effects-send matrix with an incredible feature set and a vast amount of applications from morphing / sequencing through and blending effects through to cadavre exquis style mixing of sound sources or control voltages.

Applications for The Cursible include:

Morphing your signal through 6 reverbs, delays, distortions, waveshapers, flangers, phasers etc. and truly creating your own sound.

Sending your signal to 0-6 destinations in any order you want with adjustable fade times.

Morphing through multiple sound sources to create an ever-evolving oscillator timbre.

Morphing through multiple cv sources for an utterly unique, evolving voltage source.

Sequencing oscillator "stacks" for rich, blooming soundscapes.

Technical specifications:
Power consumption: 52mA +12V, 26mA -12V
Module width: 14HP
Module depth: 25mm
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MRP:$368.19 SAVE 17%
coming soon $306.83
FORTHCOMING
Xaoc Moskwa II 1965 Rotosequencer II Module
Xaoc Moskwa II 1965 Rotosequencer II Module (eurorack clock generator/quantizer/random/sequencer module)
Cat: 831904 Rel: 31 Aug 21
 
An eight-step sequencer generating two kinds of signals: gate/trigger and CV.
Notes: XAOC Devices Moskwa II - compact feature-packed sequencer with preset memory and trigger patterns.

Designed with live performance in mind, Moskwa II takes inspiration from vintage analog sequencers and greatly expands on their functionality surpassing our original Moskwa rotosequencer, while retaining the same size, basic panel structure, and operation principles.

At the core of the module is an 8-step CV sequencer and a parallel 8-step gate/trigger sequencer. But there's more, much more. Besides these basic functions, Moskwa II offers more unique, advanced features like eight independent programmable gate/trigger pattern generators (one for each step of the sequence). You can treat them like sequencers within the sequencer offering another eight microsteps for each main sequence step. This allows for programming complex gate/trigger rhythmic patterns (e.g. step repeat, additional pauses, microshifting or swing effect).

Moskwa II features two independent randomization sections that give the user advanced control over the optional chaotic/random change of various sequence parameters (e.g. step order, slew and trigger probability and more). A programmable custom trigger sequence can be up to 256 steps long! Topping it all off, Moskwa II can store eight presets to be loaded at any time. All these functions allow Moskwa II to generate sequences much longer and much more complex than those produced by traditional 8-step sequencers.

Compared to the first Moskwa, Xaoc have also added a transport button for manual starting/stopping of the sequence, range control for CV output, and a flexible quantizer. Two Moskwa II units can be joined for chained operation doubling the number of available steps and preset slots. Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Specifications:

- 20hp, skiff friendly
- current draw: +40mA at +12V, 0mA at -12V
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MRP:$430.26 SAVE 17%
coming soon $358.56
FORTHCOMING
Moog Sound Studio Mother-32 & DFAM Bundle
Moog Sound Studio Mother-32 & DFAM Bundle (analogue synthesiser/studio bundle)
Cat: 820409 Rel: 30 Jun 21
 
Synthesisers/mixer/2-tier rack kit/cable organiser/cables/reading materials
Notes: Moog Sound Studio: A complete analog synthesis studio in a box. Everything necessary to start patching today. All you need is a pair of headphones!

Ready to take the next step in your analog synthesis journey? The Moog Sound Studio has you covered. Moog Sound Studio is an all-inclusive bundle of semi-modular synthesizers and accessories created to provide users with all of the equipment, cables, accessories, and educational tools needed to enter the world of analog synthesis for the first time or to continue to explore sound in an immersive new way. All you need is your own headphones or personal speaker and you're ready to get started!

Moog's Mother-32 and DFAM synthesizers are a perfect pairing to anchor any electronic studio. Mother-32 is a versatile performance and production synthesizer with a powerful step sequencer and 64 slots of sequence memory. Its classic Moog synth voice delivers raw analog sound, deep Moog bass, and soaring synth leads, forming an excellent compliment to DFAM's rich analog rhythms and percussive patterns. Equally impressive on their own, these synths become truly magical when combined into a single system. By patching Mother-32 and DFAM together, a symbiotic sonic relationship is formed that unlocks new capabilities and empowers new ideas.

Along with a duo of semi-modular analog synthesizers, each Moog Sound Studio includes a personal stereo summing mixer with 3-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included are a series of guided exercises, exploration games, experimental patch sheets, imaginative studio art, and more to outfit your studio and take your synthesis skills to the next level. And of course, all of the cables and accessories needed to connect everything are included as well!

Moog Sound Studio takes the magical environment and hands-on learning experience of Moog installations found at events around the world and presents them in a way that empowers you to explore synthesis with joy and confidence from the comfort of your own home or studio.

This is an exciting time to be a part of the growing synth community. The Moog Sound Studio is here to provide a meaningful electronic experience that informs, inspires, and nurtures synthesists at any point in the creative journey.

WHAT'S IN THE BOX?

Mother-32
Mother-32 is an intuitive and expandable semi-modular synthesizer that adds raw analog sound, powerful sequencing, and extensive interconnectivity to any creative, electronic, or modular ecosystem. Mother-32 Excels at: Classic analog bass & leads and powerful step-sequencing with pattern memory.


DFAM
DFAM (Drummer From Another Mother) is a semi-modular analog percussion synthesizer that empowers an expressive hands-on approach to percussive pattern creation. DFAM Excels at: Rich electronic drum patches and organic analog sequencing that breathes.

Personal Stereo Summing Mixer and Instrument Cables
This 4-input analog summing mixer (1/4" IN, 1/8" stereo OUT) features selectable mono or stereo configurations for versatile routing options, and the built-in 3-way power distribution hub supplies power throughout your Moog Sound Studio conveniently from a single power supply. The included instrument cables come in lengths and colors to compliment the system and reduce clutter.

2-Tier Rack Kit
Conveniently stack both synthesizers and the summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity.

Cable Organizer and Custom Patch Cable Set
The included patch cable organizer connects to the two-tier rack or mounts directly to any wall, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables has been selected in lengths, colors, and quantities to maximize system patchability.

Guided Exercises, Exploration Games, and Experimental Patch Sheets
Learning synthesis doesn't have to be intimidating! Included games and educational materials allow the player to explore at their own pace while enjoying the journey. Developed with artists who know these instruments best, these detailed and fun exercises are designed to accelerate your synthesis experience by exploring new skills to support your ongoing synthesis practice - A perfect jumping-off-point for beginners or source of inspiration for the seasoned pro.

Studio Art
All original artwork, created by Jim Stoten (M32/DFAM) and Philip Lindeman (SUBH/DFAM), has been thoughtfully designed to aid users in the exploration of new imaginative worlds. The characters, poster, and objects that accompany each Moog Sound Studio come together to transform any space into an immersive creative environment.
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MRP:$1,973.57 SAVE 17%
coming soon $1,644.64
FORTHCOMING
Dreadbox Hypnosis FX Time Effects Processor
Cat: 809380
 
Chorus-flanger/delay/spring reverb effects unit
Notes: Reverb, Delay, Chorus. Three powerful effects, now with a retro twist. The Dreadbox Hypnosis Time Effects Processor is an old school inspired stereo processor. Hypnosis combines an analogue reverb, a chorus-flanger, and a digital delay. Three effects in a great looking chassis. Small enough to fit on your desktop.

Thanks to Dreadbox's effects making pedigree you can be sure to get the most interesting and deep effects out there. Hypnosis can take a simple bass sound or an arpeggiated lead and turn it into something much more evocative. Embrace the old school with this excellent effects unit.

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MRP:$605.19 SAVE 17%
coming soon $504.33
FORTHCOMING
ALM AXON-1 CV Expander Module For Squid Salmple
ALM AXON-1 CV Expander Module For Squid Salmple (eurorack CV modulation/expander module)
Cat: 830604 Rel: 31 Aug 21
 
A 4HP expander module for the SQUID SALMPLE that provides 4 additional freely assignable CV inputs.
Notes: AXON-1 is a 4HP expander module for the SQUID SALMPLE that provides 4 additional freely assignable CV inputs.

The addition of AXON-1 brings Squid's total number of CV inputs to 7, greatly increasing the possibilities for vast modular sample manipulation.

Each modulation assignment includes digital attenuation and offset and behaves just like Squid's 3 built in CV inputs.

AXON-1 requires firmware 166 or later installed on the Squid Salmple to function!
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MRP:$153.77 SAVE 17%
coming soon $126.96
FORTHCOMING
Mackie ONYX24 24-Channel Mixer With Multi-Track USB
Cat: 785661
 
24-channel premium analogue mixer with multitrack USB
Notes: Incredible sound quality, multitrack recording, and professional built-in effects make Onyx Premium Analog Mixers with USB the ultimate compact, affordable solution for live audio, home recording, and content creation.

If there's one thing Mackie engineers can do in their sleep, it's design a mixer that sounds great, is easy to use, and is packed with flexible features. Sounds pretty good right? So if you mix live sound, record in your home studio, or live stream, this is the heart of your audio.

Onyx Series mixers feature bright, easy to read buttons that shine bright in the darkest places so you will always know whats going on with your mix. On top of that, the full-color display of Studio Command makes it easy to adjust effects and SD card recording/playback.

To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology - a very musical design inspired by the hallowed "British" desks of the 60s and 70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (i15 dB) without excessively narrowing the "Q" or bandwidth of the filters.

Line inputs: 16
Mic inputs: 11
Aux sends: 3
Compressors: 8
USB I/O: 24x4



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MRP:$1,163.83 SAVE 17%
coming soon $969.86
FORTHCOMING
Moog Sound Studio Subharmonicon & DFAM Bundle
Moog Sound Studio Subharmonicon & DFAM Bundle (analogue synthesiser/studio bundle)
Cat: 820419 Rel: 30 Jun 21
 
Synthesisers/mixer/2-tier rack kit/cable organiser/cables/reading materials
Notes: Moog Sound Studio: A complete analog synthesis studio in a box. Everything necessary to start patching today. All you need is a pair of headphones!

Ready to take the next step in your analog synthesis journey? The Moog Sound Studio has you covered. Moog Sound Studio is an all-inclusive bundle of semi-modular synthesizers and accessories created to provide users with all of the equipment, cables, accessories, and educational tools needed to enter the world of analog synthesis for the first time or to continue to explore sound in an immersive new way. All you need is your own headphones or personal speaker and you're ready to get started!

Moog's Subharmonicon and DFAM synthesizers are a magical combination. Subharmonicon is a rich sonic kaleidoscope of 6-tone subharmonic chord shapes and polyrhythmic sequences, while DFAM presents an inspiring new approach to drum synthesis and rhythmic pattern creation. While each instrument is uniquely powerful alone, pairing the two together creates an experience that is greater than the sum of its parts. Patch them together to create new sounds, unlock novel behaviors, synchronize patterns, and explore endless sonic possibilities.

Along with a duo of semi-modular analog synthesizers, each Moog Sound Studio includes a personal stereo summing mixer with 3-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included are a series of guided exercises, exploration games, experimental patch sheets, imaginative studio art, and more to outfit your studio and take your synthesis skills to the next level. And of course, all of the cables and accessories needed to connect everything are included as well!

Moog Sound Studio takes the magical environment and hands-on learning experience of Moog installations found at events around the world and presents them in a way that empowers you to explore synthesis with joy and confidence from the comfort of your own home or studio.

This is an exciting time to be a part of the growing synth community. The Moog Sound Studio is here to provide a meaningful electronic experience that informs, inspires, and nurtures synthesists at any point in the creative journey.

WHAT'S IN THE BOX?

Subharmonicon
Subharmonicon is a semi-modular polyrhythmic analog synthesizer that employs a 6-tone sound engine and multi-layered clock generator to explore the world of subharmonics, polyrhythms, and the unique relationships they create. Subharmonicon Excels at: Unique subharmonic chord shapes and intricate polyrhythmic sequencing.

DFAM
DFAM (Drummer From Another Mother) is a semi-modular analog percussion synthesizer that empowers an expressive hands-on approach to percussive pattern creation. DFAM Excels at: Rich electronic drum patches and organic analog sequencing that breathes.

Personal Stereo Summing Mixer and Instrument Cables
This 4-input analog summing mixer (1/4" IN, 1/8" stereo OUT) features selectable mono or stereo configurations for versatile routing options, and the built-in 3-way power distribution hub supplies power throughout your Moog Sound Studio conveniently from a single power supply. The included instrument cables come in lengths and colors to compliment the system and reduce clutter.

2-Tier Rack Kit
Conveniently stack both synthesizers and the summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity.

Cable Organizer and Custom Patch Cable Set
The included patch cable organizer connects to the two-tier rack or mounts directly to any wall, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables has been selected in lengths, colors, and quantities to maximize system patchability.

Guided Exercises, Exploration Games, and Experimental Patch Sheets
Learning synthesis doesn't have to be intimidating! Included games and educational materials allow the player to explore at their own pace while enjoying the journey. Developed with artists who know these instruments best, these detailed and fun exercises are designed to accelerate your synthesis experience by exploring new skills to support your ongoing synthesis practice - A perfect jumping-off-point for beginners or source of inspiration for the seasoned pro.

Studio Art
All original artwork, created by Jim Stoten (M32/DFAM) and Philip Lindeman (SUBH/DFAM), has been thoughtfully designed to aid users in the exploration of new imaginative worlds. The characters, poster, and objects that accompany each Moog Sound Studio come together to transform any space into an immersive creative environment.
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MRP:$2,072.32 SAVE 17%
coming soon $1,726.94
FORTHCOMING
Akai Professional MPC Live 2 Standalone Music Production Centre
Cat: 817846
 
Music production centre with studio-grade monitors
Notes: Meet MPC Live II, the full MPC experience in its most portable configuration yet. Everything you need to make music, anywhere, right at your fingertips.

There's no need to compromise for portability. MPC Live II is the complete MPC experience without missing a step. A rechargeable lithium-ion battery means you can work anywhere for hours. Full-size MPC pads give you the ultimate in drum performance and the expanded function buttons allow for quick editing on-the-fly so you never miss a beat.

For the first time ever, you now have studio-grade monitors built-in directly to your MPC. No need to waste precious time looking for your headphones, untangling cables or powering up external monitors. These full range stereo monitors deliver low end thump along with tight top end to make portable beat-making the sonic experience you need to feel your music.

MPC Live II integrates into your creative space with all the ports, jacks and connectivity you need. USB 3.0, 2x2 MIDI, CV/Gate, 3 stereo outs and more. WiFi and Bluetooth connectivity make for a completely wireless workflow. No matter the device, MPC Live II is ready to get connected!

MPC Live II will super charge your production. With MIDI performance to tap in to as many devices as you need, an intuitive and streamlined layout not to mention the MPC workflow features you need; 16 Levels, Note Repeat, Auto Sample, Chords & Notes More and so much more. Get ready to level up to the MPC Live II.

KEY SPECS:

Pads:
(16) velocity and pressure-sensitive pads, RGB-backlit
(8) banks accessible via Pad Bank buttons

Knobs:
(4) 360- touch-sensitive Q-Link Knobs
(4) Q-Link Knob columns accessible via Q-Link button
(1) 360- encoder for display navigation and selection via push

Buttons:
(27) dedicated function buttons; red, amber, or green backlit

Display:
6.9" / 176 mm (diagonal)
5.9" x 3.7" / 150 x 93 mm (width x height)
Full-color LED-backlit display with touch interface

CPU: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB, expandable via SATA connections

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(6) 1/4" (6.35 mm) TRS outputs (3 stereo pairs)
(1) 1/4" (6.35 mm) stereo headphone output
(2) RCA inputs (1 stereo pair)
(2) 5-pin MIDI inputs
(2) 5-pin MIDI outputs
(4) TRS CV/Gate jacks, 8 outputs total
(1) Ethernet link port
(2) USB Type-A ports
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Power:
Via power adapter: 19 V, 3.42 A, center-positive, included
Via battery: Up to 5 hours of battery life

Dimensions (width x depth x height):
16.2" x 9.6" x 1.8"
411.5 x 243.8 x 45.7 mm

Weight:7.45 lbs/3.38 kg
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MRP:$1,523.56 SAVE 20%
coming soon $1,216.73
FORTHCOMING
Hungry Robots The Wardenclyffe Deluxe Effects Pedal
Cat: 826920 Rel: 31 Jul 21
 
Lo-fi ambient modiulator pedal - expansion of the Wardenclyffe pedal
Notes: This pedal is a Deluxe expansion of the Wardenclyffe pedal, with the same great Wardenclyffe vibes, and base circuit and coding. Here's what's new (spoiler: it's a lot).

The Deluxe now has tap tempo control, as well as a wider range of modulation rates, and an LED rate indicator. Also new is an independent control over the level of the ambient PAD. The CLOCK knob controls the operating frequency of the DSP.

Lower frequencies turn the signal into an ultra-muddled, borderline unusable, muddled lo-fi mess. The DETUNE toggle splits the signal into two and tastefully detunes one of them for a lush chorus effect. The CRUSH toggle adds a gnarly bit crusher to the signal.

The three small knobs on top are a Vinyl Noise simulator, to mimic an old record player. The Snake knob adds a filtered white noise/hiss to the mix. The Campfire knob adds a crackle effect. The Pop knob (adds a random popping effect. The Wardenclyffe was already a very solid pedal, but it's now got a claim to be the most feature packed lo-fi pedal out there.
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MRP:$339.98 SAVE 17%
coming soon $283.31
FORTHCOMING
LA Circuits EM-6A Chronograph Sequential Rhythm Generator Module
Cat: 816046
 
Sequencer eurorack module
Notes: The EM-6A Chronograph Sequential Rhythm Generator is the result of two years of in-depth research of analog vintage step sequencers. This device features:

Three rows of 8-step CV generators with individual CV ranges and CV outputs for each row.

Illuminated Start/Stop, Skip and Reset buttons with independent CV inputs.

Internal clock with external CV input and clock output. External clock input with manual step functionality.

Pulse output functionality.

LED lamp indicators for each step position.

LED lamp indicators to illuminate trigger status.

A versatile frequency detector and divider circuit, which generates square wave signals derived from the frequency transmitted to its signal input jack.

The divider section provides five outputs and five corresponding LED indicator for visual representation of the output rhythmic patterns.

A sequential switch section, allowing the user to select a specific input to be routed to a specific module chain. This process may be accomplished via clock or via manual switching.

Specifications:

Dimensions: 84 HP (3U)
Panel: 2.00 mm Anodized Aluminum
Power: +/- 12V | 94 mA
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MRP:$2,193.64 SAVE 17%
coming soon $1,823.33
FORTHCOMING
Norand Mono Analogue Synthesiser
Norand Mono Analogue Synthesiser (analogue synthesiser)
Cat: 825184 Rel: 31 Jul 21
 
A uniquely designed analogue synthesis engine
Notes: Fully-featured analog synthesizer - unique take on analog synthesis

Under the hood, Mono hosts a uniquely designed analog synthesis engine. Discover a wide palette of sounds in a minimalistic, two oscillator, one filter set-up.

Oscillator block

From soothing detuned sinewave to heavily modulated sawtooth, Mono's sound source is versatile and full of character.

Filter block

Designed with an emphasis on sound-character and originality, mono filter let you sculpts the oscillators output in every way possible. A unique filter for a unique synthesizer.

A World of Modulations

Mono introduces contextual modulation, a unique modulation system that gives you full control over every parameters. Each have their own envelope and audio-frequency modulator. By simply touching a knob to select the underlying parameter, unleash Mono's full creative potential.

Feature-rich sequencer

From simple note sequence to complex ratcheted phrase with parameter automations, Mono's sequencer does it all, with a straight-forward user-friendly interface. Each of Mono's 2048 patterns stores a patch (or preset) with all modulation parameters, as well as a 64-step sequencer with automation events!

Play-Record-Edit

Easily record and edit patterns, either with direct control or external keyboard. Get immediate visual feedback of what's happening, without menu-diving.

Sequence anything

Note trigs, parameter automations, Mod note, ratchet ... Mono sequencer allows the user to sequencer everything step by step without limitations

Powerful Undo-Redo

Never restrain your creativity by fear of loosing previous work. Mono's undo-redo allows for up to 1024 actions to be Undoed.

Large onboard memory

Mono stores up to 32 projects, each with 64 patterns with patch memory. Each 64-steps pattern stores a patch with all modulations, and up to 3200 automation events.

A ton of creative features

Mod Note Mode: Save 40 patch state into project memory, play saved state using internal or external keyboard.

Note Randomizer: Add between 1 and 4 notes to the current page, quantized to the active scale.

Custom Accent: Fully customize which parameter are affected by accented steps.
Per-Step Controls: Microshift, ratchet, and probability can be set on a per step basis.

Modulation features:
13x dedicated AD envelopes
20x dedicated modulator

Modulator (modulation oscillator):
4 waveforms
Type settings : Free/Synced/Audio-Rate
Audio-Rate anti-aliased, quantized to OSC1
Free from 0.1 to 80 seconds
Envelope :
Attack-Decay segment from 10us to 20s

Sequencer
Up to 64 step per pattern
Individual length/scale/beat-division per pattern
Individual microshift/ratchet/probability per step
Per step parameter automation (offsets)
Swing/Slide/Accent
Copy/paste anything
Undo/Redo anything with 1024 events history
Mod Note mode
Fast, clock independent project Load/Save

Randomizer
Quantized note randomizer
Ranged parameter automation randomizer

Step randomizer
Mod note randomizer
Microshift/Probability/Ratchet randomizer

Storage
32 projects
64 patterns with patch memory per projects
3200 parameter automation per pattern
40 mod note per projects

Hardware
23x transilluminated potentiometer
24x illuminated silent mechanical switch
23x 808-style switch

MIDI In/Out/Thru
1x 1/4" unbalanced main audio out jack
2x 1/8" eurorack Clock/Reset input
2x 1/8" eurorack CV outputs
2x 1/8" eurorack Gate outputs
48kHz internal CV D/A converters
Flash-EEPROM upgradable OS
MIDI class compliant USB-B port

Balanced audio outputs
Output level: +15dBu maximum
Output impedance: 200 Ohm
CV Outputs
Voltage range: -8V/+8V
1V/oct resolution : 3cents of a semitone

Electrical specification
Unit consumption: 10W typical
Recommended power supply: 15V DC, 2A

Physical specifications:
Machined aluminum front panel
ABS-PC back panel
Dimensions: W320xD150xH42
Weight: approx. 1.6kg
Miscellaneous: 2-year Norand warranty

Included in the box:
Mono
High-quality power supply
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MRP:$1,056.61 SAVE 17%
coming soon $880.52
FORTHCOMING
Xaoc Ostankino II 1965 Sequence Commander II Module
Cat: 831905 Rel: 31 Aug 21
 
An expander for the Moskwa II sequencer module.
Notes: Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.
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MRP:$196.09 SAVE 17%
coming soon $163.40
FORTHCOMING
Eowave 6U 104HP Eurorack Module Flat Studio Wooden Case With Power
Cat: 812446
 
Wooden powered eurorack module case
Notes: Eowave's cases are finished by hand in raw multi-ply, the nature of this means you may find slight blemishes. The intention is that you apply your own custom finish, if you feel that you want to. Simply remove the m5 screws with an size 3 allen key and then you can sand, paint, varnish or oil the surface of the wood.

Tech Specs

- 6U in 104HP
- 6cm Deep
- With/without power
- 4A supply included
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MRP:$362.55 SAVE 17%
coming soon $302.12
FORTHCOMING
LA Circuits EM-105 Bauhaus Variable Waveshape Oscillator Module
Cat: 816005
 
CV modulation/oscillator/waveshaper eurorack module
Notes: The EM-105 Bauhaus Variable Waveshape Oscillator is a true analog VCO with excellent stability, designed to provide highly precise waveform sculpting.

Bauhaus offers over 6 octaves of accurate 1V/oct tracking, a toggle for tuning range, and a frequency range beginning as low as 7 seconds per cycle. "Frequency" is controlled with a vernier dial.

The "Waveshaper" section is made up of 2 potentiometer controls: "pulse/square shape wave" and "sawtooth/triangle/sine wave", also allowing for CV control via the corresponding CV inputs.

Specifications:

Dimensions: 12 HP (3U)
Panel: 2.00 mm Anodized Aluminum

70 mA +12V
70 mA -12V
50 mm deep
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MRP:$402.05 SAVE 17%
coming soon $333.87
FORTHCOMING
NUX Steel Singer Drive Reissue Series Effects Pedal
NUX
Cat: 812818
 
Overdrive pedal
Notes: NuX Reissue Steel Singer Drive Pedal

Reissue series drive pedal for guitar or bass. The Steel Singer Drive simulates a high end boutique tube amplifier, delivering a transparent mild to medium driven gain, much revered by many famous guitar players. All analog circuitry ensures a pure signal path and a filter control provides a single intuitive EQ adjustment. Subtle gain to smoothly overdriven tones for blues, pop and rock styles.

Pure analog amplifier simulation
True bypass hardware switching
Volume, Gain & Filter controls

The box for this item contains :

Reissue series steel singer drive pedal
9V PP3 battery

Specification
Battery: 9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Volume, Gain, Filter & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight: 230g
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MRP:$83.23 SAVE 59%
coming soon $33.80
FORTHCOMING
IO Instruments KALYKE Dual Function Generator Module
Cat: 795940
 
Dual function generator module
Notes: DUAL FUNCTION GENERATOR in audio range speed

LFO section with continuous potentiometer for wide frequency range

OFFSET, PHASE SHIFT and various waveforms

Multiple OUT and negative polarity OUT

LFO modulation to ADSR

Two trigger OUTs of ADSR (AD / AR)

Four modulation INs to control ADSR and its LFO mod

ADSR with selectable curves, loop and ratched mode

Two presets for both channels

Width: 16 HP
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coming soon $183.38
FORTHCOMING
ACL WT-Quad LFO Module
ACL WT-Quad LFO Module (eurorack clock generator/CV modulation/digital/function generator/LFO/oscillator/quad/utility module)
Cat: 824302 Rel: 31 Jul 21
 
Four individual, digital, wavetable based low frequency oscillators (LFO) with an easy and intuitive user interface featuring a 1.8" OLED color display
Notes: WT-QUAD-LFO module - an ultra precise wavetable lfo with fantastic possibilities.

The WT-QUAD-LFO module consists of four individual, digital, wavetable based low frequency oscillators (LFO) with an easy and intuitive user interface featuring a 1.8" OLED color display.

The module can be updated easily by inserting a flash drive with the firmware files in the USB port on the front panel.

The oscillators and their respective controls, inputs and outputs are organized in four channels.

The frequency of each oscillator can be linearly or exponentially (1V / Oct.) controlled through the voltage applied to the corresponding CV input.

Each LFO channel can output one of the predefined waveforms (including sawtooth, ramp, square, sine, triangle), morph between two different waveforms or generate a random waveform. It can be externally reset through the Sync input.

Each Trigger output can be set to output a specific phase of the corresponding waveform.

The module offers cross frequency modulation (FM) and internal sync between LFO channels. It features also phase distortion and phase spreading of the outputs, including a classical quadrature mode (90- phase spread). Frequency relationships between the four LFOs can also be set.

Hardware:

4x CV inputs
4x Sync inputs
4x Clock inputs
4x LFO outputs
4x Trigger outputs
1.8 " OLED Display with 160 x 128 pixel
4x push encoder
USB port for firmware update
Size: 14HP
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MRP:$681.37 SAVE 17%
coming soon $567.79
FORTHCOMING
NUX Plexi Crunch Reissue Series Effects Pedal
NUX
Cat: 812827
 
Distortion pedal
Notes: NuX Reissue Series Plexi Crunch Pedal

Reissue series amp simulator pedal for guitar or bass. The Plexi Crunch provides a high gain distortion based on a hot-rodded British valve amplifier for classic crunch and heavy power chords. All analog circuitry ensures a pure signal path and both Tone and Presence controls closely mimic the same tone sculpting controls found on these classic amplifiers. Classic stack sounds for rock and metal guitar styles.

Pure analog amplifier simulation
True bypass hardware switching
Preamp, Master, Tone & Presence controls

The box for this item contains :

Reissue series plexi crunch pedal
9V PP3 battery

Specifications:

Battery: 9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Preamp, Master, Tone, Presence & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight: 230g
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MRP:$83.23 SAVE 59%
coming soon $33.80
FORTHCOMING
RME Fireface UCX II Audio Interface
RME
Cat: 832380 Rel: 30 Sep 21
 
40-channel, 192 kHz advanced USB audio interface
Notes: The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format. Designed for use in studio and live recording, the UCX II continues RME's tradition of producing powerful and flexible interfaces for the professional audio market, packing the kind of connectivity and features into a half-rack size unit that is often spread over two - or even three - 19 inch panels.

With up to 20 channels recording and 20 channels playback; RME's stellar SteadyClock FS digital clocking technology; high performance microphone inputs; TotalMix FX mixing and routing software (complete with Parametric EQ and Dynamics processing on every channel, plus Echo and Reverb sends); stand-alone hard disk recording to external USB hard drives or pen drives via 'DURec' (Direct USB Recording); MIDI I/O; a powerful headphone output; and full stand-alone operation, the Fireface UCX II excels with the highest feature to space ratio ever from an RME device.

Developed in time to celebrate the company's 25th anniversary, the RME Fireface UCX II represents the culmination and refinement of 25 years of digital audio innovation.

Throughout its 25 year history, RME has been fully committed to a principle of flexibility - the more flexible a product, the more easily it can be adapted to new requirements. For company founder Matthias Carstens, this lies at the heart of RME's success: "The Fireface UCX II makes us proud and enthusiastic as it represents a natural evolution of our product range."

"Boasting up to 20 recording and 20 playback channels, SteadyClock FS, high-performance microphone inputs, built-in parametric EQ, USB direct recording plus full stand-alone functionality, the brand-new Fireface UCX II truly represents the essence of freedom, flexibility, and passion. At present, no existing audio interface offers more connectivity and functionality in a half-rack package."

The Fireface UCX II houses two mic/line preamps in XLR combo configuration on the front panel, along with two digitally controlled line/instrument inputs, followed by a headphone jack, various control buttons, a display, and the main volume knob. At the rear is a set of ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0 as well as a switchable word clock I/O.

The RME Fireface UCX II is the first half-rack interface from RME to feature RME's Direct USB Recording (DURec) functionality. Previously only found on RME's Fireface UFX, UFX II and UFX+, any of the Fireface UCX II's input or output channels can be recorded directly to a USB storage device - in any combination, up to and including all 40 channels simultaneously - via the dedicated USB port found on the back panel of the device.

Powered by the integrated DSP, DURec also enables the Fireface UCX II to be used for standalone recording and playback (i.e. without the need for a computer). Suggested applications include creating instantaneous backups of studio, live and rehearsal recording - acting as a fail-safe against a computer hardware failure - as well as for strand-alone field recording, or for use in virtual soundchecks (using DURec for playback of a previous night's live show recording).

The Fireface UCX II also features a Class Compliant / Plug 'n' Play mode, enabling the interface to be used for high-quality, mulit-track recording with an Apple iPad, and providing iPad users with a full set of professional analogue I/O connections.

Additionally, the optional TotalMix FX for iPad app adds full control over the TotalMix hardware mixer, giving users the ability to create, store and load complete mixes directly from the iPad.

Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.

Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.

All of the Fireface UCX II's line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers.com formats) and other studio hardware.

General Specifications:

Power supply: external power supply
Typical power consumption: 13 Watts
Current at 12 Volt operating voltage: 910 mA (11 Watts)
Dimensions incl. rack ears, full depth (WxHxD): 265 x 44 x 155 mm (10.5" x 1.73" x 6.1")
Dimensions without rack ears, body depth (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1")
Weight: 910 g ( 2.0 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing
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MRP:$1,620.89 SAVE 17%
coming soon $1,350.75
FORTHCOMING
Benidub Digital Echo Desktop Delay Unit (requires a 12VDC1A power supply) (B-STOCK)
Cat: 831991
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Digital delay meets analogue filtering in this versatile little effects box. Single-tap delay with loop option and clever time multiplication, plus low-pass and high-pass filters.

Supplier's Notes:
Digital delay settings combined with analog sound shaping

SPECIFICATIONS:

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm
Read more
coming soon $326.77
FORTHCOMING
M-Audio Oxygen Pro Mini MIDI Keyboard
Cat: 818301
 
USB-powered MIDI keyboard controller
Notes: The Oxygen Pro Mini is a powerful, 32-key USB powered MIDI controller that allows you to create the music you want, wherever you want! The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music- not programming your software. It doesn't matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow.

It's simple to use the Oxygen Pro Mini controller with any DAW with the Oxygen Pro Mini's automatically mapped controls such as Transport, Faders, Channel controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select your DAW in the Oxygen Pro Mini and select the correct configuration in your DAW, and the Oxygen Pro Mini's controls will be completely integrated into your DAW! It also instantly maps to all the virtual instruments included with the Oxygen Pro Mini (Velvet, Mini Grand, Vacuum, Boom, DB33, Xpand!2). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro Mini and used in real-time as you create and mix your music.

With Smart Chord and Smart Scale technology, creating music and transferring what's in your imagination to what you hear coming out of your computer has never been easier!

With Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. The rest of the chord's properties (Major, Minor, and Voicing - 1,3,5; 1,3,5,7, etc.) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you to determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all of the parameters can be edited right on the Oxygen Pro Mini!

The Oxygen Pro Mini also features intelligent Smart Scale technology. With Smart Scale, you can set the key bed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any "wrong" notes. You can choose from 16 different scale variations when assigning a scale to the keyboard. Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating.

Built into the Oxygen Pro Mini are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional.

Note Repeat allows you to hold down any of the custom-made M-Audio performance pads and you'll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button.

The built-in Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator's timing and rhythm is based on the keyboard's time division setting and either the keyboard's or your DAW's tempo setting. Each note in the arpeggio will be the length you've selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.

With great feel in a lightweight chassis, the Oxygen Pro Mini controller provides a new level of creative inspiration. The M-Audio PrecisionTouch mini key bed adds professional semi-weighted action with advanced high-speed key bed scanning technology for an ultra-expressive playing experience.

What's In The Box:

Oxygen Pro Mini
USB Cable
Software Download Card
Quickstart Guide
Safety & Warranty Manual
Dimensions

15.8" x 7.52" x 2.56" / 401 mm x 190 mm x 60 mm

Weight: 2.65 lbs / 1.2 kg
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MRP:$141.07 SAVE 17%
coming soon $117.55
FORTHCOMING
LA Circuits EM-601 Technicolor Solid State Reverb & Echo Module
Cat: 815999
 
Clock modulator/effect/filter eurorack module
Notes: EM-601 Technicolor Solid State Reverb & Echo is a dynamic analog bucket-brigade reverberation and echo module, utilizing a special 3328-stage 6-tap buck-brigade chip. The module consists of two modes: Concurrent and Discrete.

In Concurrent mode, the input signal is processed through 6 simultaneous BBD terminal taps. These internal tap networks have been designed to maximize natural reverberation effects.

In Discrete mode, the input signal is processed through a 3328-stage tap, thereby creating a warm delay line. The delay time ranges from 20 mS to approximately 250 mS.

The Clock Frequency control adjusts the reverb / delay time. This frequency may also be modified by applying a CV to the fixed or variable inputs within the Time Modulation section. Moreover, a CV applied to the variable input can be both attenuated and inverted using the corresponding knob. Modulation of the BBD Line using an external LFO can result in lovely chorus/vibrato effects- very similar to those found in vintage BBD pedals of the 1970s and 1980s.

Most analog delays using BBD suffer from a common "clock noise" problem. To prevent this issue from arising when utilizing the on-board clock, we have designed a unique filtering circuit with meticulous care that is highly resistant to noise.

The Feedback / Repeats knob adjusts the feedback from the module's output to input. Unity is exceeded when the knob is turned clockwise by approximately 65%. When feedback approaches its maximum level, self-oscillation will occur.

The Blend knob provides mix control between the pure dry signal and the fully effected signal. When turned to zero, only the pure dry signal will be heard. When the Blend knob is turned to its maximum level, only the effected signal will be heard. The Blend control may also be modulated using the Blend CV input.

Specifications:

Dimensions: 14 HP (3U)
Panel: 2.00 mm Anodized Aluminum

30 mA +12V
30 mA -12V
50 mm deep
O 5.00 (1 Votes) Average Rating
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MRP:$481.05 SAVE 17%
coming soon $400.88
FORTHCOMING
Pioneer DJ VM-70 Active Monitor Speaker
Cat: 821663 Rel: 30 Jun 21
 
Active 6.5" DJ/studio monitor speaker
Notes: The active VM-70 produces clear audio with fast-attacking, punchy bass. The speaker can be tuned to suit the characteristics of any room, making it perfect for recreating a club sound when you're DJing or providing a flat frequency response when you're producing music in a home or professional studio setting.

Every VM series speaker includes a Class D amplifier with 96 kHz sampling DSP to enable wide-bandwidth audio reproduction. Its highly efficient performance results in low distortion and high-energy sound. The 4-mm-thick rigid aluminum front baffle further suppresses resonance and vibrations, delivering sound that's authentic to the original source.

Aramid fiber woofer cones provide outstanding punch that you'll feel in the bass and low-mid frequencies. These newly developed cones are 30 percent lighter than conventional paper-lined Aramid cones, making them stronger with deeper sound.

The Vortex Bass Accelerator ensures that low-end audio is tight and free from unwanted vibrations, as ribs in the bass reflex port mean that air flows freely from the speaker to deliver pure sound.

Mid and high-frequency sounds are delivered with power thanks to the constant directivity horn, which also creates a broad, uniform listening space. The shape of the horn and the woofer edge are specially designed so the flat playback frequency crosses over to the tweeter easily, resulting in a natural sound.

All VM series speakers are voiced flat to ensure you hear the natural sound of the music. To help you tweak the output and find the sound that's perfect for the room you're working in, each speaker includes DSP settings. On the rear panel, you'll find 2 knobs: Low EQ and High EQ. Without needing to look, you can click the knobs into 4 different positions each, giving you 16 possible EQ settings that are simple to engage. Choose the one that sounds best for DJing or producing music in your home or studio, depending on the shape, size, and construction of the room.

The brand-new design of the hexagonal aluminum front baffle brings a fresh look, as well as improved sound quality and durability. It cuts down unwanted vibrations for lower distortion while the tweeter protective guard reduces the risk of damage to the high-frequency diaphragm. And the Alumite treated brushed texture gives the speakers a professional finish so they look right at home next to Pioneer DJ gear.

Specifications:
Width: 229 mm
Height: 341 mm
Depth: 312 mm
Weight: 7.7 kg
Maximum Sound Pressure: 112 dB
Amplifier Output: Class D with 96kHz DSP
LF: 70 W / 4 O
HF: 30 W / 4 O
Frequency Range: 37 Hz - 36 kHz Hz
Impedance: 10 kO
High EQ: 4 selective EQs
Low EQ: 4 selective EQs
Cross Over Frequency: 3 kHz
Power Supply: AC 100-240 V, 50 Hz / 60Hz
Enclosure: Bass reflex
Enclosure material: MDF vinyl laminate
Baffle material: HIPS with 4mm Aluminum Plate

Terminals
Inputs: XLR/TRS combo x 1 (balanced input), RCA x 1 (unbalanced input)

What's in the Box:
VM-70 x 1 (not sold as a pair)
Power cable x 1
Cushioned feet pads x 1 (4pcs/1 sheet)
Precautions for Use
Instruction Manual
Warranty (for some regions)
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MRP:$308.94 SAVE 17%
coming soon $257.45
FORTHCOMING
Mackie ONYX16 16-Channel Mixer With Multi-Track USB
Cat: 785663
 
16-channel premium analogue mixer with multitrack USB
Notes: Incredible sound quality, multitrack recording, and professional built-in effects make Onyx Premium Analog Mixers with USB the ultimate compact, affordable solution for live audio, home recording, and content creation.

If there's one thing Mackie engineers can do in their sleep, it's design a mixer that sounds great, is easy to use, and is packed with flexible features. Sounds pretty good right? So if you mix live sound, record in your home studio, or live stream, this is the heart of your audio.

Onyx Series mixers feature bright, easy to read buttons that shine bright in the darkest places so you will always know whats going on with your mix. On top of that, the full-color display of Studio Command makes it easy to adjust effects and SD card recording/playback.

To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology - a very musical design inspired by the hallowed "British" desks of the 60s and 70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (i15 dB) without excessively narrowing the "Q" or bandwidth of the filters.

Line inputs: 12
Mic inputs: 7
Aux sends: 1
Compressors: 4
USB I/O: 16x4

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MRP:$901.44 SAVE 17%
coming soon $751.20
FORTHCOMING
Aodyo Anima Phi Monophonic Synthesiser
Aodyo Anima Phi Monophonic Synthesiser (hybrid monophonic synthesiser)
Cat: 827737 Rel: 31 Aug 21
 
Hybrid monophonic synthesizer
Notes: An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Specifications:

Stereo audio output:
- Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
Stereo audio input: one 1/4" stereo input
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine

Memory: 63 patches
3 oscillator slots
5 effect slots + 1 mono reverb
2 audio buses for mixing and effect assignation
8 modulator slots, including DAHDSR envelope generators, LFOs, curves, interpolators, slew limiters, etc.
24 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input.

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

With microtuning support, you will be able to use any scale or tuning, be it to play eastern music or to explore new harmonic universes.

The editor will allow you to load Scala (.scl) or AnaMark (.tun) files into the Anyma Phi, which will also directly respond to MIDI Tuning Standard (MTS) messages.
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MRP:$613.65 SAVE 17%
coming soon $511.38
FORTHCOMING
FMR Audio RNC1773 Really Nice Compressor
Cat: 823964 Rel: 31 Jul 21
 
Compact and cost-effective stereo compressor with a high-fidelity audio path and compression scheme
Notes: What It Is

FMR Audio's first product, introduced over 18 years ago, the Really Nice Compressor (RNC) is a compact and cost-effective stereo compressor with a high-fidelity audio path and compression scheme. The RNC provides quality compression at a budget price.

How It Sounds

The RNC provides two modes of operation. One allows the RNC to be used for special effects, like snappy snares or popping basses. The other provides near-invisible signal compression for sensitive material where compression artifacts are less desirable (like natural vocals, acoustic guitar or the program bus). The RNC yields clean, airy compression with few artifacts and little high-end loss, even at massive gain reduction! The amazing performance is why- even after almost 20 years- many professionals are calling the RNC one of the best sounding compressors for under $2000.

How It's Done

The RNC achieves such high performance at a low cost by using using a microprocessor to replace discrete sidechain components (resistors, diodes, capacitors, opamps, transistors, etc) with chunks of software, thereby reducing the component cost. This approach, however, still processes the main audio in the analog domain, avoiding the problems associated with digital audio conversion (e.g., latency, digital artifacts). Even the problem of "scratchy" pots and switches are avoided: no audio flows through the front-panel controls. The front-panel pots and swtiches merely feed DC voltages to the microprocessor and it takes care of adjusting parameters and signal path with components - like sealed-relays and VCAs - located close to the input/output jacks avoiding noise pickup and audio quality reduction due to aging controls! With this blend of technology, the RNC offers the accuracy and precision of digital control with the clean tonal character of an all-analog signal path. The RNC's digital control permits accurate repeatability of your favorite settings.
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MRP:$260.98 SAVE 19%
coming soon $210.43
FORTHCOMING
Cre8audio NiftyCASE Modular Synth Case
Cat: 825939 Rel: 31 Jul 21
 
A powered modular case with MIDI to CV
Notes: At 84hp wide the NiftyCASE isn't super tiny or super huge, in fact, it's just right for all of the cardboard boxes bought to ship it to you in. Aside from the 84hp width NiftyCASE features ample +12v -12v and +5v power for your modules. It will also take Din MIDI from any DIN MIDI device and USB MIDI from your computer and turn it into eurorack compatible CV, gate, mod, and clock.

MIDI to CV, gate, clock, and mod

It's all built into the case. Make your instrument and don't waste precious hp (space for modules) on power and MIDI tools. you can plug NiftyCASE into your computer via USB or 5pin MIDI DIN device and send it MIDI. It will convert it into CV, gate, mod, and clock. Sequence with your DAW, jam with your controllers, or do something wacky, NiftyCASE has got you covered.

Power

Built-in power saves space for more of your modules, and keeps things good and easy.

As is, you can plug up to 10 modules into NiftyCASE's 10 gang flying bus that provides a peak 1500mA of +12v, 500mA -12v, and 500mA +5v, covering all industry standard power requirements

Specs:
Useable case area = 84hp
Internal depth = 55mm
Weight = 1.8kg
6.8cm x 44.6cm x 18.6cm
Range of cv out 1 = 0-10V
Range of cv out 2 = 0-10V
Voltage output gate 1 - off =0 on =5(off = 0 on = 4.65)
Voltage output gate 2 - off =0 on =5(off = 0 on = 4.65)
Voltage output mod = 1-10V
Voltage output clock - off =0 on =5
Power output for modules
+12V - 1500mA peak output**
-12V - 500mA peak output**
+5V - 500mA peak output**
1/4" ts mono output on rear
MIDI in via USB and 5 pin Din
MIDI thru via 5 Pin Din and USB

Included in the box:

NiftyCASE
NiftyCASE switching power supply with blades for NA, EU, UK, and AU

* Please note that the right and left sides of NiftyCASE fit very flush. It is recommended to favour a module with a pcb 1mm or more narrower than it's front panel for use on the left and right sides of the case (this amount or more of tolerance is fairly common on many modules).

** The NiftyCASE power supply is designed only to power modules that are being used in the NiftyCASE. Modifying the case or using it otherwise to power external cases & external modules is not advised.
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MRP:$246.87 SAVE 21%
coming soon $195.14
FORTHCOMING
FMR Audio RNLA7239 Really Nice Levelling Amplifier
Cat: 823968 Rel: 31 Jul 21
 
Compressor reminiscent of some classic opto compressors
Notes: What It Is

Years ago, many RNC users pined for less invisible compression and requested that FMR Audio offer a more "colourful" compressor, suitable for bass guitar, drums and other sources in need of added sonic texture. In response, the FMR designer went to the RNC archives and resurrected a version of RNC software that had been rejected for release because it wasn't invisible enough! The result: a compressor reminiscent of some classic opto compressors used to just "level" the signal rather than tame every transient. To celebrate the RNLA's sonic "colour", a bright red knob* was chosen as a visual metaphor. Although the most recent version ships with a less ostentatious red-striped knob (not shown), the RNLA's sonic colour remains bolder than ever...

How It Sounds

"Thick" and "gooey" is how some customers have described the RNLA's sound. The RNLA is, admittedly, much "gentler" and not as apt to grab'n'run with the signal. Like an old-timey photocell, the RNLA is a little resistant to responding right away, but requires the signal to be there for a while to get the photocell to act. This action yields a soft musicality to the compressor's action that adds a desirable characteristic to the source signal.

How It's Done

The RNLA and the RNC share much of the same hardware, but run different algorithms to achieve the desired effect. The RNLA exercises the well-known dictum (among dynamic processor designers) that, after the static characteristics of the signal path, the main contributors to a processor's sound are the shapes of the attack & release envelopes. The RNLA's software then transforms the sidechain signal into a drive signal for the VCA that both slows things down a bit and totally reshapes the crisp and quick action of the RNC's "normal" mode. This reshaping (and slow down) are the primary sonic drivers behind the RNLA's "thick and gooey" sound!
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MRP:$317.41 SAVE 22%
coming soon $248.04
FORTHCOMING
Eowave 6U 84HP Eurorack Module Wooden Flat Case With Power
Cat: 812445
 
Wooden powered eurorack module case
Notes: Eowave's cases are finished by hand in raw multi-ply, the nature of this means you may find slight blemishes. The intention is that you apply your own custom finish, if you feel that you want to. Simply remove the m5 screws with an size 3 allen key and then you can sand, paint, varnish or oil the surface of the wood.

- 6U in 84HP
- 6cm Deep
- With/without power
- 4A supply included
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MRP:$324.46 SAVE 17%
coming soon $270.37
FORTHCOMING
Mackie ONYX12 12-Channel Mixer With Multi-Track USB
Cat: 785665
 
12-channel premium analogue mixer with multitrack USB
Notes: Incredible sound quality, multitrack recording, and professional built-in effects make Onyx Premium Analog Mixers with USB the ultimate compact, affordable solution for live audio, home recording, and content creation.

If there's one thing Mackie engineers can do in their sleep, it's design a mixer that sounds great, is easy to use, and is packed with flexible features. Sounds pretty good right? So if you mix live sound, record in your home studio, or live stream, this is the heart of your audio.

Onyx Series mixers feature bright, easy to read buttons that shine bright in the darkest places so you will always know whats going on with your mix. On top of that, the full-color display of Studio Command makes it easy to adjust effects and SD card recording/playback.

To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology - a very musical design inspired by the hallowed "British" desks of the 60s and 70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (i15 dB) without excessively narrowing the "Q" or bandwidth of the filters.

Line inputs: 10
Mic inputs: 4
Aux sends: 1
Compressors: 2
USB I/O: 12x4
Read more
MRP:$774.47 SAVE 17%
coming soon $645.40
FORTHCOMING
Dreadbox Darkness Effects Pedal
Cat: 823160 Rel: 31 Jul 21
 
Digital stereo reverb pedal
Notes: Darkness is the deficiency or absence of light.

Dreadbox Darkness is a Digital Stereo Reverb effect pedal suitable for fretted instruments and synthesizers. Instead of having several switched algorithms, DAarkness has a single versatile and flexible algorithm, that can create from small and smooth reflections up to huge shimmering and endless reverbs.

100 mm wide
140 mm high
150 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs
IN/OUT : TS Unbalanced 6.4mm jack

Power Supply:9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 150mA
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MRP:$351.26 SAVE 17%
coming soon $292.72
FORTHCOMING
IO Instruments DIA High-End Preamplifier Module
IO Instruments DIA High-End Preamplifier Module (external/filter/preamp synth module)
Cat: 795949
 
Preamplifier module
Notes: HIGH-END PREAMP

MIC and HI-Z INPUT MIX

Up to 80dB MIC GAIN

Low distortion and noise

High CMRR, sweet sound

Variable HI and LO PASS

PAD switch - 20dB

POLARITY switch

PHANTOM power

All switching is with relays

KOMBI jack IN

XLR, 6,3 & 3,5 mm OUTs

INDICATORs

Width: 12 HP
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coming soon $279.78
FORTHCOMING
Cosmotronic Vortex Complex Oscillator Module
Cosmotronic Vortex Complex Oscillator Module (eurorack oscillator/synth voice module)
Cat: 831106 Rel: 31 Aug 21
 
Complex oscillator featuring two independent VCOs
Notes: Thru Zero Complex Oscillator

A new complex oscillator, featuring two independent VCO's. Both voices have a unique signal path and flavour. Complex cross modulations entangle them together, opening up completely new timbral territories.

Features include the Thru Zero trinity; Frequency, Phase and Amplitude modulation.

Each oscillator also has its own Low Pass Filter, which works great to mellow the harsher tones from complex intermodulations.

Each VCO has great tracking and temperature stability, there is no distinction between a carrier and modulator.

The FM bus lets you modulate the index of each individual voice, with linear and exponential inputs for external sources. There are also inputs for Sync in, with both soft and hard sync.

VCO 1

The left VCO signal chain starts with a shape function, that let's you morph between triangle and saw. This waveform is also available as a separate output.

Next is a sinusoidal wavefolder, which changes its response dramaticaly based on shape of the waveform. The circuit is based on a modified version of a design by Barrie Gilbert from 1977, popularized by Open-Music-Labs (used with permission).

This circuit also creates the possibility of Thru Zero Phase Modulation, here the depth is controlled with the third slider. The source is normaled to VCO 2, but external modulation sources can be patched in, and the depth can also be modulated with CV.

Lastly there's a 2-pole Low Pass Filter, before going out the MAIN output. All parameters can be CV controlled, and feature handy attenuators at the inputs.

VCO 2

The first slider is a continuous waveform shaper, that morphs from sine to tri to saw.

This waveform then enters the Thru Zero Amplitude Modulation (Ringmod) section. The slider sets the depth of modulation, with the source normalized to VCO 1. The depth can be CV controlled, and an external source can be patched as well. The result is also available on a separate output, pre wavefolder/filter (VCO 2 sine).

The third slider is a wavefolder, it's based around a novel wavefolding topology, with a unique and more aggressive sound compared to the sinusoidal folder of VCO 1.

The wavefolded signal goes into a 2 pole Low Pass Filter, and out of the MAIN output.
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MRP:$957.87 SAVE 17%
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Grendel DC-2 Drone Commander 2 Module (black faceplate)
Cat: 825198 Rel: 31 Jul 21
 
All-analog synth voice module with dual VCOs, multiple LFOs, envelope and two filters
Notes: The Grendel DC-2 Drone Commander 2, introduced in 2021, represents the Main + Expander from the earlier Grendel DC-2e system fused together as a single eurorack module of 35HP width. DC-2's front panel features a low-glare brushed aluminum finish, anodized, in both silver (natural) and black. This module requires a rear clearance depth of 72 mm behind the rails in your euro case. The DC power requirement is 120 mA (+12 V), 2.5 mA (-12 V).

Almost all of the DC-2 circuitry is exactly as in the DC-2e, with minor updates. Notably, the v/oct inputs have been re-organized. DC-2 has two 1V/oct inputs, and a 15v/oct input suitable for pitch bender or vibrato modulation - all three v/oct inputs affect both VCO 1 and 2 simultaneously. This differs from the DC-2e, which has separate 1v/oct inputs for each oscillator, plus one 1v/oct input that affects both.

Another noteworthy update to the DC-2 is an increase in dynamic range, less noise, and hotter audio outputs at both the 1/4" and 3.5mm output jacks.

The published user manual for the DC-2e also applies to DC-2, except for what's mentioned above!

Drone Commander 2 is an all-analog synth voice module. It incorporates two VCOs, two VCFs, two synchronized sawtooth LFOs, a special dual sinewave LFO dedicated to VCO PWM, an attack-release envelope generator that controls low pass gate, and a triggered variable shape 'Slide' LFO. There are 12 control voltage I/O patch points, 4 clock and gate I/Os, 2 audio outputs, and 1 audio input. All 12 solid metal knobs double as push-pull switches for secondary functions such as signal routing, envelope gate on/off, and filter mode.

The warm, dark, and unique tone of DC-2 is attributable to extensive use of discrete transistor OTAs in its circuits - 86 discrete transistors in all - and no generic synth chips.
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MRP:$665.85 SAVE 17%
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Grendel Grenadier RA-99 Synthesiser
Grendel Grenadier RA-99 Synthesiser (analogue synthesiser)
Cat: 825407 Rel: 31 Jul 21
 
Tabletop all-analog CV-Gate synth module with 3-VCF formant filter bank, versatile modulation, variable shape VCO + suboctave and noise, semi-modular patchability
Notes: In the spirit of sonic exploration and musical evolution, Grendel bring you the RA-99 Grenadier, an all-analog synthesizer with an original and unique tone palette. It implements parallel formant synthesis with a bank of three voltage controlled filters to generate tones inspired by the human voice, without being limited by the conventional boundaries of speech modeling. Twenty patch points give you extensive self-patching options plus creative compatibility with analog modulars, sequencers and keyboard controllers.

Oscillator

The RA-99 sound engine is based on an accurate voltage controlled oscillator with variable wave shape. The VCO has multiple CV (control voltage) inputs for creative stacking of the various CV sources available in your studio. There are two 1 volt per octave inputs for melody. It also has a 5 volts per octave input that is ideal for creating octave modulations from an LFO with 5V output. Finally, the 15 volts per octave input is suited to narrow pitch modulations like vibrato and pitch bend. The CV inputs of the RA-99 VCO have wide response bandwidth, allowing FM with audio frequency waveforms.

A subharmonic square wave is generated at a frequency 1 octave below the VCO. Activating the SUB switch mixes this with the VCO output. Raw subharmonic waveform is available from the SUB OUT jack.

Noise Source

A pink noise generator is included to add complexity to the sound. Pink noise is mixed with the VCO at the input to the filter bank. Pink noise volume is adjustable with the knob labeled P-NOISE, and by CV input to the NOISE CV jack. The noise source also adds a subtle amount of jitter to the VCO waveform.

Modulation

The RA-99 modulation section contains a pair of multifunction waveform generators called MOD1 and MOD2. They can provide (1) gated attack-release envelope, (2) triggered decay envelope, (3) pulse LFO with variable pulse width, or (4) saw-triangle LFO with variable symmetry. In envelope mode, the output is a true exponential slope. In addition, RA-99's MODs can create time delayed gate events, serve as low-frequency audio VCOs (with limitations), or act as frequency dividers. Both MODs have variable output level that is sweepable from normal to inverted polarity. Either MOD1 or MOD2 can serve as the main volume envelope.

Filter Bank

The Grenadier RA-99 filter bank combines one low pass and two band pass filters to produce full-bodied tones with resonant character of vowels. The filter bank has three control parameters: ALPHA, BETA, and FILTERS. These parameters are also fully controllable with CV inputs.

Power Input

This unit requires 12 volts DC and draws a maximum current of 100 mA. Polarity of the AC adapter connector does not matter. It can be tip positive or tip negative.

* Grenadier RA-99 will also operate from 9 volts DC, but please note that the pink noise source will be unavailable in this situation, and distortion may be heard in the output.

The unit is protected against over-voltage with a built-in self-resetting fuse.

It is OK to use a daisy-chain cable to share power with other 12V gear from a single AC adapter, provided the total current demand (mA) does not exceed the AC adapter's rating.

Power Switch?

For simplicity, this unit does not have a power switch. It is on whenever its AC adapter is connected to mains power. It is recommended that you plug its AC adapter to a power strip with on-off switch built in.

Main Audio Output

Use a common 1/4" shielded audio instrument cable (mono, TS type) to connect the synth's output to a line input of a mixing board, computer sound interface, keyboard amplifier, or effect processor.

The output impedance is 220 ohms, so it is unnecessary to connect it to a high impedance (HI-Z) input.

You may plug headphones in to this jack, but you'll only hear sound on one side.

A DI Box may be necessary on stage to connect to a PA system.

Patch Points

VCO: 1V/oct (x 2), 5V/oct, 15V/oct, Timbre CV In (controls wave shape)
MOD1: Gate In, Rate CV In, Vari Out, Gate Out
MOD2: Gate In, Rate CV In, Vari Out, Gate Out
Filter Bank: Alpha CV In, Beta CV In, Filter CV In
Audio: Subharmonic Out, VCF audio In, Mix audio In, Noise VCA CV

Compatibility

CV-Gate In: 1 V/oct, +5V Gate
Patch cables: 3.5 mm mono
Audio output: 1/4" analogue unbalanced
CV output range: 0 to +5 volts
MIDI: Not included
Polyphony: Monophonic

Specifications:

Power Input: 12 VDC @ 1.2 Watt
Dimensions: 30 x 10 x 6 cm
Mass: 0.53 kg
Case Material: Anodized aluminum
RoHS-Compliant: YES
Lead-free: YES
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MRP:$606.60 SAVE 17%
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Thorn Audio VC LFO Module
Thorn Audio VC LFO Module (eurorack LFO/sample & hold/VCA/noise/random module)
Cat: 832527 Rel: 30 Sep 21
 
Voltage controlled low frequency oscillator
Notes: Fully voltage controllable Eurorack format, externally syncable, 16 waveform low frequency oscillator with built-in VCA and sample & hold.

Powered by a socketed VCLFO10 IC from Electric Druid.

The core idea behind this module is all about control voltage. Hence all features are individually broken out to CV inputs, making the most use possible of the benefits of the digital wavetable oscillator. This means that the design is geared towards allowing hands-off control of all aspects and some concessions have been made to that effect.

Initial setup basically consists of connecting the power cable to the module and your bus. The cable has a slotted socket for correct orientation, but mind that the red stripe faces the white line on the edge of the pcb. The included screws are nylon in order to minimise rack-rash.

Tuning the module is possible by adjusting the small smd trim potentiometer on the back. It adjusts the offset voltage that affects the center point of the lfo oscillations. It should be close to its three o'clock position, but you can adjust it by turning the module on, reducing the output level to almost zero and turning the trim potentiometer until you find the point where the gate output led just barely turns off.

The LFO sync type is hard sync, meaning that it resets the current cycle to the beginning of the waveform. It does not control the duration of the cycles. This allows you to further shape the output to, say, three quarters of a sinewave by using external sync and adjusting the HZ knob so the duration of a cycle is just a little longer than the time between incoming sync pulses.

Color coded nuts indicate the type of jack, with gold representing Gate/Trigger input, black is +-5v CV inputs and red jacks are outputs.

The CV inputs are scaled down to +-2.5v and added/subtracted with the knob setting, meaning that to sweep the full range of the parameter with CV, the knob should be in center position. The inputs are clipped to the allowed range after mixing, so you can apply any eurorack voltage here.

The module's core processor is socketed, so using a simple PIC programmer and some basic Assembly knowledge you can modify its functionality to suit your needs.

The code is written by Electric Druid who supplies the chips preprogrammed.

Height: 3U (128.5mm)
Width: 12hp (60.6mm)
Depth from panel: 31mm
Depth total: 51mm

+12v: 80mA
-12v: 60mA
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MRP:$246.87 SAVE 17%
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Mosaic Four Channel Mixer Module (black faceplate)
Cat: 828142 Rel: 31 Aug 21
 
4-input mixing solution, with DC coupled inputs, working well with both audio and CV signals
Notes: Blend your signals together with Mixer, our 4 input mixing solution! With DC coupled inputs, Mixer works well with both audio and CV signals, making it the perfect option for level controls across your system.

Tech Specs:
Width: 14HP
Depth: 38mm
Front Panel: Intellijel format, Pulp Logic replacement panels available here.
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MRP:$84.64 SAVE 17%
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Decksaver Waldorf Blofeld Desktop & Pulse 2 Desktop Synthesiser Cover
Cat: 829312 Rel: 31 Aug 21
 
Smoked polycarbonate cover for Waldorf Blofeld Desktop & Pulse 2 synthesisers
Notes: The tools we use to compose and produce music are dear to our hearts. The studio elements of dust, smoke and liquid have taken many a good synth down over the years. This is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, your Blofeld can sit ready for operation. This case slides straight into a flight or soft case for maximum protection during transportation, and it also shields delicate controls and internal components from damage at home, on the road and onstage.

Length: 31cm
Width: 13.5cm
Height: 3.7cm
Material: Smoked polycarbonate
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MRP:$52.20 SAVE 30%
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Tangible Waves AE Modular JOYSTICK Module
Cat: 818237 Rel: 30 Jun 21
 
Eurorack interface module
Notes: This module offers a four-quadrant-control for CVs via its joystick.

The module can act either as CV source at its four outputs, or as four-quadrant attenuator for the CV inputs. Beyond this, a mix of the input CVs according to the joystick position is provided separately.

Another feature is a gate output that is controlled by pressing the joystick handle.

The joystick remains in each position - there is no automatic "return to centre".

The JOYSTICK module can operate in two different modes:

Quadrants independent: In this mode, all outputs are zero when the joystick is in centre position
Overlapped: In this mode, each quadrant output fades from full to zero over the whole range to the opposite corner.

Together with a quad VCA / mixer (available soon from tangible waves) you can use the JOYSTICK also for mixing/blending four independent audio sources.
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MRP:$69.12 SAVE 17%
coming soon $57.60
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