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Coming Soon: Studio Equipment

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Items 1 to 50 of 128 on page 1 of 3
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FORTHCOMING
Befaco VCMC Module
Befaco VCMC Module (equipment)
Cat: 739915 Rel: 30 Sep 19
coming soon TBA
FORTHCOMING
Befaco Percall Module
Cat: 739916 Rel: 30 Sep 19
coming soon TBA
FORTHCOMING
Befaco Instrument Interface V2 Module
Cat: 739918 Rel: 30 Sep 19
coming soon TBA
FORTHCOMING
Rakit Sticky Passive Eurorack Bus Board
Cat: 741665
 
Sticky passive bus for Eurorack systems
Notes: The Rakit Sticky passive bus board is able to fit into some tight spaces, measuring only 160mm x 30mm x 12mm with 10 connectors. It's the perfect companion for the GO! USB C supply, or any Eurorack project.

Features:

- 10 x 16-way shrouded headers
- Non-conductive rear side for short circuit free installation
- Actual red stripe!
- Really sticky adhesive pads

What you get:

One Sticky and three adhesive pads.

Installation:

Prepare the surface by ensuring its clean and dry. Attempt a dry fit before attaching the adhesive pads and make sure it's not in the way of your modules. Peel and attach the pads to your Sticky and when completely happy, press into position for a few seconds.
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coming soon TBA
FORTHCOMING
ALM Pamela's Discotheque Analogue DIN Sync Clock Device For Use With Pioneer CDJ's
coming soon TBA
FORTHCOMING
Critter & Guitari Organelle M Instrument (supplied with US 2 pin power supply only)
coming soon TBA
FORTHCOMING
Make Noise XOH Stereo Line Headphone Amp Module
coming soon TBA
FORTHCOMING
Erica Synths Black Sequencer Module
Cat: 732854
 
Intuitive 4-channel sequencer module
Notes: Erica Synths Black Sequencer takes the classical modular sequencing to the next level by adding tons of features required for contemporary modular synthesizers. Black Sequencer features 4 channels with CV, gate and modulation outputs, up to 64 step sequences that can be chained in longer ones, independent track time divisions, multiplications and lengths. CV and Gate recording, built-in quantizer, MIDI in/out and many other features essential for composing and performing electronic and experimental music. Even though it provides many programmable parameters per step, it's intuitive, easy and straight-forward to use, and, we believe, it will become a master controller of many modular setups.
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coming soon TBA
FORTHCOMING
Erica Synths Pico VC EG Voltage Controlled Envelope Generator Module
coming soon TBA
FORTHCOMING
Erica Synths Pico Ring Modulator Module
Cat: 732852
 
Ring modulator with internal oscillator
Notes: Erica Pico Ring is a balanced modulator (quadrant multiplier) circuit to create bell-like, metallic or robotic sounds. It has built-in sine-wave modulation oscillator for more versatility.
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coming soon TBA
FORTHCOMING
Koma Elektronik Field Kit Synthesiser
Cat: 738507 Rel: 01 Oct 19
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak Engraved End Cheeks Stand For Roland JP8080 Synthesiser
coming soon TBA
FORTHCOMING
Behringer DS80 Polyphonic Analogue Keyboard Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand For JP8080 Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand For Sequential  Mopho Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Oak Veneered End Cheeks Dual Stand For Korg Volca Series Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Oak Veneered End Cheeks Quad Stand For Korg Volca Series Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Oak Precision Veneered End Cheeks Dual Stand For Korg Volca Series Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Plain MDF End Cheeks Triple Stand MK2 For Korg Volca Series Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Oak Veneered End Cheeks Triple Stand MK2 For Korg Volca Series Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand For Korg Electribe SD ESX & EMX Sampler
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand MK2 For Korg Electribe EA, ER, ES Sampler
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand For Native Instruments Maschine MK2 Controller
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand For Novation Circuit Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand V2 For Softube Console 1 Mk1 & MK2 Controller
coming soon TBA
FORTHCOMING
Erica Synths Pico Drum 2 Module
coming soon TBA
FORTHCOMING
Erica Synths Pico VCO 2 Module
Cat: 732841
 
Analogue VCO module - 3HP
Notes: Erica Synths Pico VCO2 - powerful, full analogue VCO with great tracking over 8 octaves just in 3HP! Combine two of those, add some PWM and have a sound of real analogue beast!
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coming soon TBA
FORTHCOMING
Erica Synths Pico LPG Low Pass Gate Module
Cat: 732843
 
Vactrol based low pass gate - 3HP
Notes: Erica Pico LPG is our take on classical Don Buchla LPG designs. We use vactrols in the circuit for that signature sound, and we added some more features, like configurable resonance and built-in decay envelope.
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coming soon TBA
FORTHCOMING
Erica Synths Black Input Module
Cat: 732837
 
Compact interface module for incorporating audio signals - 14HP
Notes: Erica Synths Black Input module interfaces your modular system with other instruments. It features a preamp, versatile envelope follower and most importantly - an accurate, low latency pitch tracker that converts incoming audio into CV, so you can play your modular synth in unison with any external monophonic instrument, even a voice.
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coming soon TBA
FORTHCOMING
Koma Elektronik Simplex 16 Step Patchable Sequencer Module
coming soon TBA
FORTHCOMING
Koma Elektronik Sensor Interface Eurorack Module
Cat: 738506 Rel: 01 Oct 19
coming soon TBA
FORTHCOMING
Frequency Central CEMosc VCO Module
Cat: 744063 Rel: 29 Aug 19
coming soon TBA
FORTHCOMING
ERM Polygogo Polygonal Stereo Oscillator Synthesis Module
coming soon TBA
FORTHCOMING
Steady State Fate Stereo Dipole Quad Multi Mode VCF Module
coming soon TBA
FORTHCOMING
Steady State Fate Autodyne Auto Compressor & Distortion Module
Cat: 743613 Rel: 26 Aug 19
 
Clean/character auto compressor & distortion - 4HP
Notes: Autodyne is a 4hp auto-compressor/distortion featuring a multi-mode side chain filter and NY style parallel compression blend control.

Ratio, Threshold and Gain are all built into a single, simple to use COMP control. Compression gets more extreme as this control is swept past centre position. Setting below centre offers more subtle/typical compression.

Autodyne Automatically Responds to Transients, will glue a mix with ease and dial in the perfect feeling of the program material you feed into it.

GAIN CONTROL to trim the final output gain or offer up some extremely brutal distortion, whichever you prefer.

Switchable Side Chain Filter is provided along with a triple slope high pass filter, in order to retain lower frequency content and unwanted over-compression by removing them from the Side Chain. Input signal is normalized into the Side Chain or an external signal may be utilized via the Side Chain Input.

Parallel Compression BLEND Control mixes the unaffected input signal with the compressed output for even further control of your sound. Compression may be bypassed simply by sweeping this control to minimum position.

Controls are simple enough to match in tandem for dual unit, stereo operation, if desired.

Audiophile grade discrete components and Burr-Brown op amps used throughout.
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coming soon TBA
FORTHCOMING
Erica Synths Black Spring Reverb Module
Cat: 732832
 
Vintage-style spring reverb for Eurorack
Notes: Erica Synths Black Spring Reverb is a different take on spring reverberation units. Firstly, it has a built-in compact spring reverberation tank and vactrol-based audio compressor, secondly, it can operate an external tank and combination of both internal and external ones for effects unheard before. Thirdly, apart from feedback send-return loop, it has built-in feedback effects - delay, various filters, etc; feedback amount and effect parameters can be controlled manually and via CV, making the module an experimental instrument on its own.
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FORTHCOMING
Frequency Central Klang Stadt VCDO Digital Wavetable Oscillator Module
coming soon TBA
FORTHCOMING
Frequency Central Volts Platz 4 Input Mixer Module
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand For Korg MS20 Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand For Korg Monotribe Synthesiser
coming soon TBA
FORTHCOMING
Synths & Wood Oak Veneered End Cheeks Stand For Arturia Keystep Controller With Additional Shelf
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak End Cheeks Stand For Arturia Keystep Controller With Additional Shelf
coming soon TBA
FORTHCOMING
Synths & Wood Solid Oak Rack Ears For Behringer Model D, Pro 1 & Neutron Synthesiser
coming soon TBA
FORTHCOMING
Black Corporation Deckard's Voice Module
Cat: 743310 Rel: 23 Aug 19
coming soon TBA
FORTHCOMING
Sequenz Korg Volca Rack (fits up to 4 Korg Volcas)
Cat: 732466
 
Rack system for 4 Korg Volca Series units
Notes: Volca racks are all about "Volcanomics" (Volcas + Ergonomics). Up to four (2 x 2 ) Volcas can be arranged as desired, all securely in place thanks to durable aluminum framing and rubber legs.

Asymmetrical side panels enable you to flip the rack to be deeper or taller, and it is punctuated with wood ends for sturdiness and great looks.
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coming soon TBA
FORTHCOMING
Doepfer A-111-6 Miniature Synthesiser Voice Module
Cat: 731937
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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FORTHCOMING
Meng Qi Wing Pinger Analogue Desktop Musical Instrument
Cat: 731953
 
Analogue musical instrument featuring a pair of 4-pole resonate low pass filters
Notes: Your link to organic analogue texture, rhythm, noise and melodies. Travels between chaotic and tonal passages as fast as your emotions shift. It encourages fine playing gestures and rewards practicing.

Wing Pinger is an analogue musical instrument, centred around a pair of 4-pole resonate low pass filters. Surrounded by a network of comparators, pulse converters, binary counters and shift registers. Despite the absence of oscillators, it's fully capable, and actually designed to generate sound on its own.

Filter Pinging:

Wing Pinger exploits the idea of filter pinging (the operation of using narrow pulses as filter input). With Q near self-oscillation it makes naturally decaying tones of various lengths, assembling sounds from percussions to plucking. A special Q compensation is implemented, to balance pinging behaviours at different pitches.

Intuitive Playability:

Essential controls unveil the complex synthesizer patch hidden within, respond musically to your playing. Control layout is in symmetric, follows natural hand position with comfortable spacing. All control components are of light action and silky smooth. As the signals from filters generate pulses and modulations, the Q controls become playful and interactive.

Chaos:

With multiple feedback and cross modulation paths, Wing Pinger operates according to the principles of chaos theory. All parameters except volume are interactive, future outputs are related to the current state as well as parameter settings.

Tonal Patterning:

Be chaotic at will, you don't miss the expressions from melodies. Wing Pinger is capable of generating pentatonic patterns from its carefully weighted STEP modulation. With practice, you can play noise or melody at will.

External Sound Processing:

Process stereo or dual mono signals through the filters, add spice to the tone, generate movements with special Wing Pinger modulations.

CV / Gate:

Wing Pinger talks to modular synthesizers via Banana jacks. Use TRIGGER outputs to sync external synthesizers to filter pings. STEP outputs are weighted mixes from shift registers.
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FORTHCOMING
Citronic CSM8 Mixer With USB & Bluetooth Player
Cat: 735372
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 6 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
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coming soon TBA
FORTHCOMING
Make Noise Mimeophon Stereo Multi Zone Colour Audio Repeater Module
Cat: 732819
 
Audio repeater synth module - 16HP
Notes: The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.

The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.
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