Review: After spending three years wowing us with dazzling EPs on Sampling As An Art, Ego, Wild Oats and Sound Signature, Byron The Aquarius is finally ready to drop his debut album. As the title suggests, "Astral Traveling" is a suitably starry affair, with the fast-rising producer wrapping twinkling electronics, dreamy pads, hazy vocals and jazz-funk influences keys around sumptuous deep house grooves, dusty hip-hop beats and pitched-down, post-boogie backing tracks. Highlights include the deep space jazz-funk flex of "Deep In That ***** (feat. MDMA)", the driving Detroit deep house soulfulness of "Sorry Kari (Lu$t)", the jazzy downtempo beats and sultry soul vocals of "My Only Life (featuring Brandon Banks)" and the ultra-deep head-nodding hip-hop of "I Can't Help Myself (U)".
Perpetual State (feat The Poem Alles Ist Eins by Thorn Hoedh)
Review: Given that he's a born collaborator, as his vast discography proves, it's perhaps fitting that David Moufang's latest album as Move D is packed to the rafters with killer collaborations. Check, for example, the ultra-deep, woozy and off-kilter "Innit", a superbly dubby and opaque studio hook-up with German rave pioneer D-Man, and the shuffling, intergalactic deep house warmth of Fred P collaboration "Building Bridges". Fittingly, his renowned collaborative projects also feature. There's a wonderfully elastic and out-there dub techno/minimalist track by Reagenz (Moufang and Jonah Sharp AKA Spacetime Continuum) with German veteran Thomas Fehlmann, and a Magic Mountain High (alongside Juju and Jordash) track that takes slow-burn, softly spoken deep house/dub techno fusion and runs with it. As you'd expect, the solo tracks are impeccable, too.
Review: Manchester-based DJ/producer Yadava hasn't been releasing music all that long, but what he has put out has been superb. Here he makes his first appearance on Omena with a mini-album every bit as inspired as his 2018 debut album on Church, "It Rains Here". As with previous outings, the showcased tracks are imaginative and evocative, with Yadava blending dreamy electronics and jazzy instrumentation with grooves that variously doff a cap to dusty deep house, West African and South American rhythms, jazz-funk and broken beat. Highlights are plentiful throughout, with the richly percussive "Earth Tones", bustling "Message From Poets", jazzy "Ixelles '42" and super-sweet "Good Mourning" standing out.