Review: The Psychic label comes on strong with its inaugural EP here from Philadelphia-based rave rebel Furtive. His Muscles Hug Your Bones EP is indeed a rugged and tough affair that opens with the searching psychedelic synths of 'Convoke', an intensely atmospheric piece that sounds like being trapped in a factory in meltdown. The title track is a strobe lit techno anthem that takes no prisoners and 'I Always Try To Be This Gentle' then slows it down, layering up grimy sounds, smeared metal pads and rickety drums. 'Intrepid Smiles (Golden)' shits down with a more hopeful vibe that takes you into a brighter future.
Review: Tal Fussman's new EP 'Focus' is a dazzling experimental techno gem. Following up releases on the likes of Survival Tactics and Innervisions, Fussman this time crops up on Drumpoet Community's catalogue for a stylistically fragmentary, but still somehow unified, five-tracker. It's hard to put our fingers on the je ne sais qoui of this EP's charm, though one thing we can nod to is its overarching glassy feel, whether evoked by the brittle front cover or refractive synthwork throughout. The arc of the EP is dub techno-ish, then IDM and breaksy, and back again, reflecting a stylistic unpretentiousness despite the producer's clearly, unusually cogent talents.
Review: It's testament to the enduring quality and far-sighted nature of Future Sound of London's iconic 1991 single 'Papua New Guinea' that it keeps being 'rediscovered' by new generations of DJs. It has been a while, though, since any new reworks dropped - hence this 'Rebooted' edition. L Major kicks things off with a suitably cosmic, psychedelic and slow-building proto-jungle style offering, before Nishiesque flits between passages of hot-stepping, synth-laden d&b and slo-mo 4/4 chug. House heroes Soul Central reach for vintage hip-house breakbeats, ambient electronics and the original version's most life-affirming elements (the bassline, twinkling synth melodies and heady vocal samples), while Dee Montero re-casts the cut as a proggy, tribal-tinged tech-house roller.
The Future Sound Of London - "Stolen Documents" (Jazz dub) (5:17)
Smart Systems - "Zip Code" (Stress Ball mix) (5:15)
The Future Sound Of London - "Innate" (W O W mix) (4:42)
Indo Tribe - "I've Become What You Were" (Insider mix) (4:21)
Review: The influential 90s IDM and techno act Future Sound of London continues to delve into their early career with the reissue of The Pulse EP Vol 2, originally released in 1991. This EP exemplifies the early techno sound, blending rave elements with the more intelligent and linear side of electronic dance music. Side-1 kicks off with 'Stolen Documents' (Jazz dub) by The Future Sound of London, a track that perfectly melds jazzy undertones with dub influences, creating a sophisticated and immersive experience. Following this is Smart Systems' 'Zip Code' (Stress Ball mix), a piece that balances high-energy beats with a stress-relieving ambiance. Side-2 begins with 'Innate' (W O W mix) by The Future Sound of London, a track that delves into deeper, more atmospheric realms, showcasing the group's innovative approach to soundscaping. Indo Tribe's 'I've Become What You Were' (Insider mix) closes the EP, with a pulsating techno rhythm that encapsulates the essence of the early '90s rave scene. Before their signature chill out sound was made, FSOL his some of their highest notes here with these early EPs.
Review: Rhythm Section's latest favourite, (Oliver) Gallegos, evidences his mastery over the art of what we like to call the "speech tune" - a format almost as old as time. Think Rum & Black's 'Slaves' or Underground Resistance's 'Transition'; the formula is as such; a slow-built dance beat, at least over 110BPM by our estimation, over which a rousing historical speech plays out throughout the track. Though this form lends well to a 90s rave aesthetic, Gallegos finds himself at a post-comedown period of history, indeed in which "rave" is often bittersweetly thought to be anachronistic; and in which house music often reigns supremer. So, then, does he bring a record-breaking, body-moving homily vocal sample to an incredibly arranged set of house arpeggiations and medley-style sample cut-ups, working in a sort of auditory bricolage but nonetheless bringing them together under a seriously reflective memorial dance-dome.
Review: Trip-hop meets modern digital ambience on Gi Gi's latest for INDEX:Records. Nothing but the music meets the ear here, plunging us into ricochety sonic hotwirings from the jump. Allusions to dancehall ('Maiolica'), dub ('Palm Slick') and illbient ('Lilted Song') ring true here, while a vocal feature on the track 'Sinews' - from fellow mic-caresser and expert moniker-coiner Hysterical Love Project - yields a sound that recalls something like the combined sonics of HTRK and 3XL. A not-to-miss EP for anyone who loves it textural.
Review: Chris Gialanze brings plenty of dancefloor clout to this fresh drop on the Beeyou label. The title cut 'Gunna Bee' is already one that has been doing the rounds and doing the damage recently so it's great it finally gets a proper release on vinyl. As well as coming as s dub mix, also included is 'So Criminal' which is a steely and metallic garage infused tech cut, while 'Tough Cloud' entirely switches things up with downtempo and breakbeats combining in old school post-rave or second room fashion to provide a great comedown after the main room fun. As such this is an EP that shows Gialanze has greta style and versatility no matter what he's making.
Review: Following his recent impressive release for Animals On Psychedelics,2 is the second appearance of rising Ukrainian talent Volodymyr Gnatenko on Treviso, Italy's Where We Met. It opens with the moving twilight breaks of 'Een' on the A-side, followed by the evocative slo-mo beats of 'Twee'. Over on the flip, Gnatenko finally ups the tempo on the tranced-out euphoria of 'Drie', with 'Vier' following in equally elevating and psychedelic fashion that will have you reaching for the lasers.
Kai Noob & Volodymyr Gnatenko - "Noppera-Bo" (6:15)
Volodymyr Gnatenko - "Umibozu" (7:02)
Kai Noob & Volodymyr Gnatenko - "Zashiki-warashi" (5:41)
Review: Carl Hardy's Animals On Psychedelics label doesn't rush things. It has taken several years to get to release number seven, but you won't find us comparing. It is a prime example of quality over quantity and here again with have another timeless, mind-melting release designed for whacked out dance floors at 5am. Vladimir Gnatenko is back once again after previous impressive outings and both his cuts are molten affairs with liquid synths and neon colours over supple drums. He also collaborates twice with Kai Noob on a pair of similarly tripped out techno wormholes.
Review: Astonishingly, almost six years have passed since Gnork last appeared on Unknown To The Unknown, and that was under his alternative DJ Shark alias. This collection of cuts from his 'dance archives' is therefore long overdue. The Hungarian producer has long been inspired by vintage dancefloor sounds, and the EP is full of nods to styles of old. Opener 'YFliyinng Vvv', for example, offers an ultra-deep breakbeat house shuffle laden with spacey electronic motifs and early Warp style bleeps, while '31 Seconds' is a blast of breakbeat/deep house fusion that boasts the crunchiest of beats and some tipsy rave riffs. Elsewhere, 'Floating' douses an early breakbeat hardcore groove (complete with LFO-esque bass) in intergalactic chords and tight vocal snippets, while 'Short Jam' is an immersive, pitched-down ambient techno treat.
Review: The second drop on Ouroboros Ltd comes from Grey Pantone, aka Berlin-based producer Andres, making his debut release with this assured package of uptempo tech-funk rollers. 'Acid Break' is an instructive title, but the track is finely balanced between warm synth touches and some nimble 303 action darting around a light-footed breakbeat. 'Get Down' is a crisp electro workout with the snappiest of 808 lines driving the expressive splashes of melody, and 'Gypsy Drumming' turns up the heat with a busy cut that's equal parts squelchy and soulful. S Moreira steps up for a remix of 'Acid Break' which draws on the fractured power of half time dubstep to create a refreshing alternative to the original version.
Review: Straight from Tokyo, the elusive Guchon debuts on Feelings Worldwide with his latest and maybe greatest release. This one is a treat for night owls and video gamer lovers alike as it is packed with dance floor curveballs and great sound design. It features Japanese bubblegum pop-house infused with bonus breaks along with a remix by Chicago club Smartbar's cult hero Chrissy. The tracks exude super fun vibes from start to finish so bring fun as well as function and great form.
Review: Scott Hallam has been an acid devotee since the early days, and he's largely put out his music on his own Axia label. While most of that is digital-only, now Cartulis have picked up on the considerable talents of this hardware lifer and presented five of his finest works on wax. The vibe veers tremendously, touching on dark and sinewy dungeon acid, boxy electro workouts, strangely psychedelic hardcore and plenty more besides. Hallam's style feels betrothed to the outboard approach - it's all synths and drum machines to these ears, and its immediacy is a big part of the charm. That, and the playful personality he works into those wigged out acid lines and pinging FX.
Review: Handsonwax top up their esteemed repertoire with another four tracks added to their anonymous white labels series. 'Volume 3' continues the elusive label's preference for cheesy breaks lent to classic dance music motifs, leading the charge with a whomping breakstep version of Max Romeo's 'Chase The Devil', followed by a blissful dub techno excursion. The B-side rerubs Moodymann to delicious ends, while the star of the bunch reworks a rework; that is, Herbert's snappy version of Louie Austen's 'Hoping', except this time it's lent a swath of extra soulful house ornamentations.
Review: REPRESS ALERT!: Burnski's superb Pilot label is back with more club-ready gold and this one is from Hatori Hanso. He opens up by covering the gorgeously deep and soul enriching sounds of a Pepe Bradock classic but reworks the pads into a more thumping breakbeat rhythm. 'My Chorus' is a soft acid delight with surging breaks heading off into the cosmos and 'I'm A Taker' then has a squelchy bassline to die for that dances about between snappy snares and lively kick drums. 'Kraulen' shuts down with some boogie energy, radiant chords and more crispy drum patterns for good time fun.
Review: 'Loose Fit' isn't always the first song name that springs to mind when thinking about the Happy Mondays, but the immediately identifiable opiate guitar riff is up there with the band's most memorable and infectious. A highlight of the group's third album, Pills 'n' Thrills and Bellyaches, the track was already dancefloor ready before this pack of re-dos arrived on the scene. We're glad it did, though. Greg Wilson and Che Wilson open the scoring, keeping things thoroughly Manchester and acid-tinged, it's a trip through the blue lights and sweat of a warehouse at 2AM. The Grid's EOE Edit and subsequent Remix take the tempo down and the atmosphere deeper, almost druggier if that could humanly be possible given the wider context here. Topped off with a post-club overture in the form of the epic downbeat Perfecto version, and you might want to stick it in the shopping cart now.
Peggy Lee - "Sittin On The Dock Of The Bay" (Wonderlove edit) (3:55)
Review: French label Battle Weapons does it again here with another superb reissue of a dynamic fusion of vintage soul-jazz and catchy beats. They come from Hardly Subtle featuring Peggy Lee, whose iconic vocals soar over Hardly's masterful production to utterly alluring effect. The track pulsates with a gently infectious energy and infuses organic drums with modern electronic rhythms. It is a great one among many from Peggy Lee, and on the flipside you're treated to a superb Wonderlove edit of her sumptuous take on the Otis Reding classic 'Sittin On The Dock Of The Bay'.
Transformer 2 - "Fruit Of Love" (Borai dub) (5:54)
Review: A couple of years back, the revitalised Hooj Choons label released an album of orchestra-sporting covers of classic dance cuts of the 1990s under the HEO: Hooj Ensemble Orchestra tag, then got rave revivalists Borai and Denham Audio to remix their new version of trance classic 'Cafe Del Mar'. Here those mixes - a frankly filthy, bass-propelled 'Rave Booty' mix and a more acid-flecked, grandiose breakdown-sporting 'Pluck Dub' - finally make it onto wax, alongside the Club Glow duo's similarly previously digital-only reworks of Transformer 2's early 90s 'Hooj' classic 'Fruit of Love'. More tactile and loved up, with tactile bass, pleasing pianos and glassy-eyed vocal snippets, the pair's 'Redux' mix is simply sublime, while Borai's solo dub is a deliciously dreamy, rush-inducing affair that sounds like a future rave classic.
Review: Club Night Club is a new Brooklyn label born out of an event series, and they're positioning themselves squarely in the leftfield of the contemporary techno scene with a wild EP from the lesser-spotted Herron. The Manchester-based artist has slipped out a few scattered releases over the past six years, from EPs on the meandyou label he helps run, and one big drop for Peder Mannerfelt's label. This fierce return to the fray shows the producer pushing a tough yet supple strain of mutant, stepped techno with soundsystem blood pumping in its veins. It's ludicrously high-end, swimming in needlepoint sound design and yet still rough as hell, and it comes very highly recommended.
Review: Will Hofbauer and Igaxx collaboratively expand the all-too-easily received palettes of electro, techno, garage all in between, and even more yonder, proving to us that the boundary edges of each genre may be blurred without worry. Sharing three groove-bays each on this latest 12", Hofbauer indulges an across-the-pond sojourn, guesting on Japan's Ladybug label, which is managed by the also eminent Igaxx, who occupies the B with equal grip. Hofbauer's 'Cricket', 'Clod' and 'Cocodrilo' bring three endocrine C's to a singly sanguine side, echoing a Hessle Audio-esque experimental dance sensibility while secreting all manner of vital sonic fluids from his ears unto ours; the last track is especially alarming; cursedly toothy, its growly lead zombifying the elsewise rapid mix by way of an enthralled grunt. Igaxx's contributions are relatively supportive and yet mad, moving from the squelches and pipey ascensions of '4 5 SL Trip' to the parabreaks flows of 'Liquefy' and the sloshing cosmo-funk astro-vista that is 'Ray In Space'.
Review: Organic Analogue makes it to double figures with a sublime new split EP from HVL and Gacha Bakradze. The A-side is opened up with 'Infinitesimal', a stripped back and icy bit of minimal dub techno, then 'AgneffC01' gets more rhythmically physical with scattered beats and hits and 'Collective Genius' is tense, kinetic techno with a real sense of paranoia. 'Routes' is the first B-side joint with Gacha Bakradze bringing some direct but economical drum machine grooves under meticulous percussion and then 'Chain' layers smeared cosmic pads with twitchy details and 'Widow' ends with a heavy heart. No wonder, then, that a host of eminent DJs like Ben UFO are all over it.
Review: Ltd B's good recent run of form continues with another dive into lush deep house realms courtesy of ICTV. First off the mark is 'Hit The Floor' with its US garage-inspired drums and some old school hip-house vocals. 'Orange Mood' is a steamy one with romantic melodies soothing the soul and some smart vocals adding a tough of firey soul. 'Adrift' then picks up the pace with some high-speed jungle breakbeats and 'Dazzling' sinks back into loved-up late-night sounds with expressive vocal yelps. Last of all, 'Sunset Recall' takes things down into blissed out realms with dusty drums and wispy pads.
Review: Santiago-based Drumma label is back in full swing with its first release in a couple of years. Before the pandemic they had releases from scene heavy hitters such as Luciano, (iO) Mulen, Barac and Livio & Roby. For this one they've chosen Miami-based up-and-comer Idana who presents the immersive and multi-layered minimal techno experience of 'Cantan Los Pajaros Modulares' featuring an array of atonal blips and bleeps underpinned by clipped and hypnotic polyrhythms. Over on the flip, the mesmerising energy continues on the wonky breakbeat-driven roller 'Telepatic'.
Asymmetric Information (Homemade Weapons remix) (6:30)
Don't Crush The Acid (Viels remix) (6:43)
Don't Crush The Acid (Fred P remix) (6:28)
Inner Sunset (Soramimi & Rondec remix) (4:36)
Review: Just before it hits the double digits milestone, Dusk Notes revisit earlier suns with a new imagery remix EP. 'Asymmetric Information' (Homemade Weapons remix) opens up with a jungle techno assault that comes on in waves of irresistible physicality, and 'Don't Crush The Acid' (Viels remix) then gets deeper and darker and more paired back. 'Don't Crush The Acid' (Fred P remix) is one of the New York don's famously heady, spiritual and jazz inflected works and 'Inner Sunset' (Soramimi & Rondec remix) then slows it down to a dubby mutant crawl.
Review: Strap in for more rickety breakbeat workouts here from Imaginary Number on a limited edition heavyweight white label. Opener 'Push' is crunchy as you like with raw drum work and frayed edges to the synths. 'Grv' pairs a lively breakbeat drum loop with bleeping synths and the sort of pent up late night energy that gets any floor going. 'Somebody' is a more macho and texture techno wobbler built on ramshackle drums with wild vocals and last of all is another physical and prickly drum workout 'Fools' that is pure heat, especially with the pitched up and snatched vocal that cuts in.
Review: Maimi troupe Imbue continue their free-spirited sonic spree, this time on Re:Face. As always, it's a very fluid affair; washing our souls with their delicate fusion of live instrumentation, analogue wizardry and hypnotic groovemanship. Over four tracks we explore their full palette. Electro feels inform the opening track 'Boy With Apple' while the title track 'Overlook' bumps with more of an essence of funky house. Meanwhile on the B it's all-out funk affair. 'Model 29' is a party waiting to happen while 'Dawn' shrouds us in a big old cosmic cloak. Bottoms up.
Incognito - "Freedom To Love" (Atjazz Astro remix) (5:25)
MRMILKDEE & Jill Rock Jones - "2 Positions" (Sean McCabe Cosmos dub) (5:22)
Harold Matthews Jr & Sean McCabe - "Metronome" (Turbojazz remix) (6:16)
KV5 & Kaidi Tatham - "Shook Up" (5:03)
Review: Reel People Music breaks new ground, in more ways than one, with the launch of fresh compilation series Broken, Deep & Dope. A spin-off from acclaimed compilation brand Soulful, Deep & Dope - introduced back in 2015 - this new series sees the much-loved independent imprint pushing further at the boundaries of soulful music. All with that customary Reel People feeling. Broken, Deep & Dope 2024, the series' first instalment, unleashes 20 superlative examples of the soulful 'bruk' (broken beat), nu beat and nu jazz sound that has so innovatively informed contemporary dancefloors around the world since its inception back in late '90s West London.
Review: The Incredible Bongo Band were a loose studio collective interpreting classics of the day in their own inimitable percussive fashion .They are of course most famous for their ultimate b-boy classic version of "Apache". This particular 7" however features two Incredible Bongo Band cuts that have not previously featured on any albums. "The Riot" is a frenetic drum workout and has been championed by the likes of the Chemical Brothers. "Ohkey Dokey (Part 2)" takes on a somewhat more subdued hue in comparison, but has some dope funky clavinet in the mix. Well worth checking.
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