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Back catalogue: Bass
Juno's full catalogue of Bass
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Singles
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Review: NX12X is the first in a new series of experimental records from this label and the artists given the keys for the inaugural release are Goldsmiths student and modular synth maestro Sam Hostettler and electronic innovator La Leif who tackle a pair of tracks each. Hostettler's sounds are the moody, heavy ambient atmospheres of 'Pointalims' and the more light and airy li-fi soundscapes of 'Opalescence.' La Leif offers broken beats with a skeletal feel and a burial-style synth aesthetic on 'Kyoto' and then crunchy breaks and fizzing, distorted synth malfunctions of 'Kimochi.'
… Read more in stock $8.82
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Review: In the space of just a few years, Luca Lozano has made a busy schedule for himself. Managing Klasse Records and Grafiti Tapes, he has released a load of music both form himself and a number of artists, such as Kris Wadsworth and DJ Fett Burger, among many others. This time he's up on the excellent Super Rhythm Trax with a little vintage flavor; "Outer Space" makes up the A-side and it's a gorgeous, break-ridden dance stepper in the same vein as stuff from the likes of Horsepower Productions, back in their day. On the flipside, "End Of Line" is a certified UK swinger, a grimey beast of a tune with a heavy percussion march and that inimitable London feel. Recommended.
… Read more in stock $10.90
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Review: NYC songstress Lafawndah makes her big label debut on Warp with some killer jams produced by Night Slugs lynchpin Lvis 1990. "Town Crier" is bass driven urban dance with her sweet soaring vocals backed by stuttering and clattering industrial textures. "Ally" is a full frontal and funky bass assault with exotic middle eastern instrumentation infused throughout as she declares "I'll take you like in like a firefly". "Tan" is the most restrained and stripped effort on here, with massively reverberated drums carrying the track wonderfully while "Crumb" is the most chilled track: it's pop inflected and will take you on a journey with its immaculately programmed steel drums. Big things!
… Read morePlayed by: Juno Recommends Bass
in stock $11.20
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Review: Canadian minimal veteran Tomas Jirku has been a little quiet of late, but now he makes a welcome and unexpected return with something quite different for Silent Season. You can hear echoes of his earlier work in the soundscapes he's sculpted across Touching The Sublime, as high-definition sonic manipulation draws on his experience and eye for detail in wielding music technology, but rather than creating pointillist rhythmic structures, he's more concerned with billowing clouds of ambience. It's easy to draw parallels with the likes of Tim Hecker, but there's space for more techno-oriented productions in the midst of the maelstrom. Epic in scope and powerfully rendered, this is an album that will feed your head for a long time to come.
… Read more in stock $8.82
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Review: Glasgow's Full Dose delivers its first injection of the year with Lvcchesi offering up a fascinating EP. Opener 'Vsna' is all about scratchy ambient textures, implied rhythms and bleak atmospheres, much like the work of early Actress. 'Vespucci' then lays down more of a club groove, with hissing and spitting electro beats and more great synth craft before 'Ominino' is a mix of caustic textures, frosted synths and explosive loops that is as eerie as they come. Last of all is an S&H Late Nite Hot mix that is just as unsettling, with whirring machine sound and a soulful feminine voice lost amongst the busted sounds.
… Read morein stock $4.74
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in stock $13.24
Albums
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Review: Frequent Jeremy Greenspan and Morgan Geist collaborator Jessy Lanza was hailed as a future star on the release of her 2013 debut album, Pull My Hair Back. That album projected her as some kind of New York freestyle chanteuse dragged kicking and screaming into the 21st century, backed by an all-electronic band fascinated with the potential of future R&B and left-of-centre synth-pop. This belated follow-up, which was once again produced in cahoots with Jeremy Greenspan, is even better. Colourful, vibrant and attractive, the ten songs are truthful to their '80s NYC inspirations, but smartly avoid the pitfalls of such blatant retro-futurism. In other words, it's a superb collection of future R&B and pop gems.
… Read morePlayed by: Juno Recommends Experimental
in stock $14.01
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Review: Four years have passed since Jessy Lanza last offered-up an album, the Jeremy Greenspan co-produced leftfield space-pop masterpiece that was "Oh No". While plenty has changed in Lanza's working life since then - she now lives in New York and improvises more with "modular and semi-modular" synthesizers - her commitment to delivering a genuinely unique take on 21st century synth-pop remains. Those versed in the work of the Junior Boys will hear the hand of regular collaborator Jeremy Greenspan in the chords, melodies and synthesizer settings, but "All The Time" is undoubtedly Lanza's vision. Combining her usual glassy-eyed vocals and ear-pleasing, often melancholic synth-pop sounds with the colourful vibrancy of future R&B and grooves that subtly reference all manner of styles (dubstep included), it's most perfect underground pop album you'll hear all year.
… Read more in stock $15.56
