Back catalogue: Bass

Review: Following a low-key EP way back in 2011, Eprom and Stillcold founder Andrew Doubek's Deep Sky Objects go high-key with this raw and rampant LP. Nine tracks spanning the electronic diaspora, we're treated to everything from warm jacking house ("Brothers & Sisters") to industrial strength techno ("Lethwei") to schizoid bashment ("T.M.K.F") to divine dubbed-up haunted house ("The Chant") and all manners of club flavours in between. Unbounded business.

Review: A very special set right here from Melbourne's DJ Plead for Boomkat's Editions series. Relentless Trills is a loosely woven menu of beats that dig into Plead's own heritage but also his love for dancehall, dub and hip-hop. All named by number in true beatmaker fashion, the focus is on the scenery each cut sets as we gently duck and dive from the subverted ESG-style basslines and eastern horns of 'RT1' and Saharan march of 'RT2' to the heavier Timbaland-reminiscent beats of 'RT5' or the dreamier delights of the decaying euphoria and ambient nature of the finale 'RT6'. Relentlessly good.

Review: This debut release from footwork crew Teklife's label sees them pay tribute to DJ Rashad, the late, great innovator who passed away in the spring of 2014. Afterlife gathers together a collection of DJ Rashad tracks co-produced by Rashad's close friends and associates, including DJ Spinn, Traxman, DJ Manny and more. As the label themselves state, this 14 track album really conveys the wealth of musical influences and knowledge Rashad possessed with soul, hip-hop, house, techno and many more all brought together at 160 BPM. "Afterlife is our tribute to our friend and our inspiration. Rest In Peace DJ Rashad," Teklife write. Enough said. A must for all fans of Rashad.

Review: Mount Kimbie's journey of self discovery continues with the next instalment in the MK3.5 series. Whether this really is a new era for the pair, or not is of course besides the point - Kai Campos and Dom Maker have displayed real evolution on the road to get their two-man project to this point, and at this point it really shows.

Dom's side is an altogether more colourful and varied affair in the sense it opens with sultry piano-driven late night drinks electronica via 'dvd', featuring the perfectly suited vocal cuts of Choker, before edging into rainier territory with 'in your eyes', welcoming everyone's favourite UK MC with loads to say, slowthai, and Danny Brown . Sparse but technically astute, Campos opens his lot with clubbier tones, namely the muffled crunch-house of 'Q', quickly moving through broken filter bass ('Quartz'), and warm, laidback beats ('Satellite'), among other vague descriptions.