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Yaleesa Hall

Items 1 to 4 of 4 on page 1 of 1
Woodall (gatefold 2xLP)
Cat: WNKLP 001. Rel: 17 Nov 16
  1. 0217 (2:18)
  2. 0056 (0:55)
  3. 0508 (5:04)
  4. 0242 (2:43)
  5. 0215 (2:17)
  6. 0301 (3:02)
  7. 0406 (4:05)
  8. 0212 (2:14)
  9. 0302 (3:01)
  10. 0208 (2:51)
  11. 0600 (5:52)
  12. 0244 (2:42)
  13. 0618 (6:16)
  14. 0244 (2:46)
Played by: He/aT
 in stock $19.57
Cat: WNK 012. Rel: 08 Feb 18
  1. Zoe Price (7:25)
  2. Hayley Roach (6:32)
  3. Laura Pomeroy (6:23)
Review: Yaleesa Hall returns to his Will & Ink imprint with some fascinating techno derivatives on the Hayley Laura EP, although these are much more straight ahead than his usual stripped down experiments - best heard on his 2016 debut album. Beginning with the electro-bass assault of "Zoe Price" bringing that UK style sound popularised by Carl Finlow or Radioactive Man in true style. "Hayley Roach" with its splintered beats and and tunnelling sequences are reminiscent of Regis' output in the late '90s, while "Laura Pomeroy" being the the most atmospheric cut on offer here - going down a more lush and hypnotic route. This is the first solo output from the Amsterdam based producer on the label.
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 in stock $10.47
Cat: WNK 013. Rel: 28 Feb 18
  1. Daisy Wright (6:46)
  2. Barbara Adams (5:11)
  3. Harriet Brown (6:16)
  4. Harriet Brown (VIP mix) (5:58)
Review: Shadowy Dutch producer Yaleesa Hall returns on his Will & Ink imprint with yet more fascinating techo derivatives. We thought it was pretty hard to beat his last release (Zoe Hayley Laura) but WNK 013 certainly delivers the goods. From the Bristolian, low-end driven techno assault of "Daisy Wright" (featuring a truly ripsnorting bass!), it follows the slow burning, dystopian electro journey "Barbara Adams". The electro flavour continues on the flip, with some mental smacked-out breaks on the futurist journey "Harriet Brown" which comes with a rather experimental and IDM influenced VIP mix to even out the B side.
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Played by: Nachtbraker
 in stock $10.47
Oganesson (180 gram vinyl 12")
Cat: MGM 03.
  1. Oganesson
  2. 84
  3. Tournant
  4. Coronal Loop
Review: On the third release on his label, Malin Genie teams up with Amsterdam resident and Will & Ink regular Yaleesa Hall for a trip into dubbed out techno and house territory. The EP opens with "Oganesson," an immersive track pivoting around gnarled, shape-shifting dub techno chords. "84" is a more energised cut, using a similar central melodic thread but driving it with a sprightly beat and playful threads of synth expression. "Tournant" places the emphasis on textural sound design, embellishing a rugged techno rhythm with sonic matter that takes on an organic quality as it pulses and writhes around the beat. "Coronal Loop" finishes the EP off with an appropriately star-gazing jam that uses delay and reverb to great effect to create a sense of space in which nimble chord lines and other flourishes can cavort freely.

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Items 1 to 4 of 4 on page 1 of 1


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