Review: This is a new cut of new cut of the classic O'Jays track that was recorded with Winston Reedy and the Cimarons in the 1970s. 'Ship Ahoy' is as laid back and immersive as roots gets with its swaggering low ends and sparse, ruminant chords. The vocals are in no hurry either and add a lingering sense of soul that really cuts deep. On the flipside, the label's in-house production crew Room In The Sky Allstars offer up their melon-twisting and paired back 'Woy Hoy Dub.' Two classy gems.
Review: The renowned Jamaican reggae singer Winston Reedy is someone who has had several solo number-one hits that have made him widely known in the reggae world. He was also the lead singer for top reggae band The Cimarons with whom he saw much more success. He leads this new 45rpm with the super laid back and vibey 'Pirate' and it is paired with a 'Steady Rock' dub by The Inn House Crew, then backed with Jamaican-born, London-based artist, songwriter and producer Barry Issacs and a Germany-based Jamaican in Juliaiasiah whose 'Secret' is a sun-kissed delight.
The Inn House Crew - "Headlock Riddim" (feat Vin Gordon & Bongo Herman) (3:07)
Fawda Don - "Warrior" (3:24)
Barry Issacs - "So Mi Get It" (3:16)
Review: Winston Ready has played a big part in the evolution of reggae booth as a solo artist and as the mic man for The Cimarons. He has had plenty of hits in his time and is now a regular on this label, Room In The Sky, with a couple of tunes dropping this month alone. 'Cool It Amigo' is first up and is an earthy one with shakers and fat horns over deep bass. The Inn House Crew then appear as usual with a head-twisting dub and on the flip are two more cuts that rework the original, firstly Fawda Don's 'Warrior' then Barry Issacs's 'So Mi Get It.'
The Rits Riddim Force - "Moonlighting" (instrumental) (2:58)
Review: Room in the Sky welcomes us back to their world with Winston Reedy & The RITS RIddim Force. Here they cover The Eternals' classic Studio One hit, 'Stars' in their own unique and inimitable style. It is laden with rolling drums and fleshy bass. Trilling chords, buttery smooth vocals and tumbling congas all make it an earthy and authentic roots sound that sweeps the heart and gets the head nodding. Flip this one over and on the b-side, you will find a decent instrumental version that is more stripped back.
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