Review: Leeds' legendary 20/20 Vision Recordings marks 30 years at the forefront with this new project, 'Full Circle', which takes the form of a series of records and events celebrating a fine legacy. Founded by Ralph Lawson and Carl Finlow in a Leeds farmhouse, 20/20 has since put out nearly 500 releases and 2,000 tracks in all. This latest features rare gems, remixes and unreleased tracks and kicks off with a showcase of classics reintroduced for a new generation. Highlights include Christian Loffler's melancholic 'York', Tuccillo's evocative 'Sabotage', Art of Tones' 'Praise', which is already a bonafide anthem for DJs like Honey Dijon, Wulf n Bear's debut 'Space Groover'. Great stuff.
Review: Tuccillo is an Ibiza-based groove maestro who turns out functional house that is never lacking in charm. And that's exactly what he does here on the great Koas label headed up by Kerri Chandler. 'Sundown' is pure vibes with its warm waves of rising chord loveliness and subtle sense of Balearic magic. 'Holding On' has a more choppy, garage-inspired groove with some nice muted horn leads and splashy finger clicks. It's a luxuriant sound that leads into the equally blissed out and smooth 'Whatever' before 'Velvet City' closes down with a super sweet bassline and more heartfelt house vibes.
Review: The legendary Nu Groove carries a heavy signifier with its legacy in New York house's breakthrough years, and the contemporary artists signing up to its current incarnation get the memo in full. Tuccillo is a dab hand at all kinds of house, but he particularly shines crafting this gritty, inventive gear that pushes the low end forwards in the mix and uses a broad palette for rhythms and vibes. It's got the open-hearted swagger which made the O.G. Nu Groove releases so iconic, not least when Ron Carroll pops up with a pitch perfect early 90s vocal turn on 'Don't Walk Away'.
Review: Although he's made plenty of appearances on Visionquest, an imprint renowned for the tech-tinged nature of its output, Guiseppe Tuccillo's house productions have always embraced dancefloor nostalgia and in particular dancefloor sounds from the late 80s and 90s. He's in that made on this surprise EP for Kerri Chandler's Kaoz Theory imprint. Both 'The Waves' and 'Apple Eyes' are warming, thickset and hypnotic affairs that doff a cap to Chandler's trademark brand of timeless New York deep house, while 'Breaking Leds' also incorporates raw, rave-igniting stabs, breakbeats and deep sub bass for a more UK-circa-1990 feel. Closing cut 'Apple Eyes', meanwhile, is a more shuffling and loose-limbed take on some of Chandler's premier late-night dancefloor dubs.
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