The Reflex

Review: While his source material tends towards the well known, there's no denying the quality of The Reflex's "revisions". Their genius likes in his ability to source and utilize stems and master tapes, allowing him to remix and re-edit killer disco jams in the same manner as original masters such as Tom Moulton. It means that he can craft new instrumental breakdowns, stretch out portions that were originally overlooked, and generally breathe new life into otherwise all-too-familiar anthems. The two revisions featured here are typically impressing, with the impassioned, driving, heavily rearranged Philadelphia Soul flipside ("BD LCK") just nudging out anthem like A-side "Ansun" (a brilliantly teased-out version of one of the most familiar disco records of all time).

Review: Multitrack wizard The Reflex returns for his second release on Revision Records with two more killer edits. He tackles Marvin Gaye's classic "Gotta Give It Up" giving it the perfect modern revision for modern dancefloors, pretty damn brilliant if we do say so ourselves. On the B side he lends his Midas touch to Serge Gainsbourg's infamous "Sea, Sex & Sun" allegedly three years in the making, this dirty disco funk nugget includes vocals from both the English and French versions. Exclusive to vinyl and previously unreleased, get your hands on this one before you miss your chance as pressings are limited.

Review: The Reflex's reworks of million-selling disco, soul and pop hits may be sneered at by snooty, self-styled "collector" DJs, but the rest of us can't get enough of them. There's a reason for that, of course: they're invariably brilliant. Here he serves up two more gems guaranteed to start the party. On the A-side you'll find his legendary revision of the sparser LP mix of Wham's "Everything She Wants". The London-based Frenchman extends and dubs out the track's delicious machine drums and synths before introducing the late, great George Michael's fantastic vocals. The results are, of course, impressive. Over on the flip, he gets busy with Eddie Kendricks' classic "A Date With The Rain", making merry with the original's killer percussion, horns and reverb-drenched vocals.