Eddie Leader - "Way Back" (feat Hector Moralez) (5:54)
Washerman - "Twilite" (6:43)
Brett Johnson - "Mr Smarty Pants" (6:12)
Rhythm Plate - "Keep Moving" (6:40)
Review: Hudd Traxx 3rd installment of their 10th Anniversary series comes from Eddie Leader, Hector Moralez, Washerman, Brett Johnson & Rhythm Plate. Label owner Eddie Leader delivers a deep & moody house groover with the slick vocals of long time Hudd Artist Hector Moralez, aptly title 'Way Back'. Washerman picks the pace up with 'Twilite', which is reminiscent of legendary Detroit label Underground Resistance, and adds to the continued diversity of this project. Brett Johnson's 'Mr Smarty Pants' is re-released after gaining plays from the likes of Laurent Garnier and an edit by Dyed Soundorom. Closing out the EP are 2 of the most underrated Producers in the business; Rhythm Plate. 'Keep Moving' was Overshadowed by 'Inside Me' on the 'Robbin Hudd EP' in 2007 but is given it's time to shine on 'Now & Then Part 3' and is a fine addition to the 10 Year celebrations.
Review: While Ant Plate has been insanely busy with a plethora of aliases on a multitude of labels recently, he's still found time to turn out some surefire heaters in the studio with long time sparring partner Matt Hunt. This release marks the first appearance of Rhythm Plate on Vinyl Only, but it's worth the wait. There's an epic scope to "Apathetic Empathy," which features bashy 80s drum hits and squelchy bass front and centre, but soaring vocal licks and piano stabs that widen the track out beautifully. "Observed Privacy" is a more emotive cut laden with illustrious keys, "Abuser Experience" is a bright and bashy deep house belter and "Prototype Night" takes things down a slinky, acid-speckled route. Rhythm Plate - still serving up the house music realness after nearly 20 years.
Review: Rhythm Plate are absolute powerhouses when it comes to delivering top-notch tech house, and they're back once again on Pressed For Time with this sizable payload of classy joints. There's a timeless quality to this stuff, whether it's the late-night swirl of "Sacrement" or the choppy, quirked-up groove of "Every Kind Of People With Any Kind Of Soul". Out of time and out of mind, the Plate just bring the kind of satisfaction to club music that could launch a thousand sessions. For the late night crew, for the mid-morning rollers and the sophisticated toe-tappers in between, sink your ear-teeth into this generous serving but whatever you do, don't call it an album.