Review: Hoary Ukraine has kept up a busy rate of release since first appearing in the world, and as was the case with their eighth EP in April, this ninth offering is a various artists affair that calls on some slick tech house talents. Nick Beringer's "AI" is tight and crisp, with an old school feel thanks to the neon baseline, the Sota really pumps the party with his effervescing, fist pumping "Zerosandones". "UXB" on the flip is Nolga's clipped, bass driven tech-garage shuffler, then closing things out is Diego Krause with "Touchstone", a darker jam with some fresh sound designs.
Review: Nick Behringer has been quietly and competently been going about his business for a few years, somehow rather more under the radar than he deserves to be. From muscular garage tinged house to stripped back but funk laced techno, he is a master of making functional music that also has plenty of character. Here he goes for warehouse tackle laced with warped synths on opener "Practice" before serving up silky, woozy but heavyweight minimal on "Anima Silvae". "Take IX" finds him casting free into the cosmos, with trippy designs and eerie pads all making it a track as physical as it is cerebral.
Michael James & Benjamin Joseph - "The Island" (7:53)
Nick Beringer - "Nyx" (5:52)
Pascal Benjamin - "Falkhill" (6:32)
Review: The next airdrop from the good ship Constant Black is a various artists affair with four tracks from four artists guaranteed to find a home in your extended micro sesh. Pascal Benjamin takes the lead with "Falkhill", locking into a Romanian-flavoured minimal breaks formation that rolls in resplendent fashion with a particularly choice vocal lick from an undisclosed RnB track. Michael James and Benjamin Joseph nudge the pitch fader up and dial in the swing for the decidedly funky wiggler "The Island", and TIJN keeps things bumping but works in some sharper drum sounds for the tough but bouncy "Maybe". Nick Beringer finishes the record off with the chunky funk of "Nyx", calling to mind Mike Shannon amongst others.