Review: Since moving to Rotterdam a couple of years back, Chicagoan DJ/producer Jamie 3:26 has begun serving up some seriously good original music, usually in cahoots with local lad, wizard keyboard player and fellow producer Danou P. The most eyebrow-raising cut here is a more surprising collaboration with UK legend Mr Scruff: the wonky, analogue rich, Ron Hardy-goes-to-Manchester style wayward house brilliance of 'Scrubb It'. Danou P replaces the Ninja Tune stalwart on the EP's two other cuts, both of which are excellent. Check first the immersive, dreamy, synth-smothered deep house hypnotism of 'Love Not', where Danou P's keyboard skills and musicality work in perfect harmony with the Chicagoan's dancefloor instincts, before admiring the more Brazilian disco-influenced elasticity of 'Earl Montana'.
Review: Mr.Scruff and Ninja Tune are both entities that need little introduction. Veterans of the urban sounding landscape they both go hand in hand like peanut butter and jelly. Always creative with naming things, Mr Scruff giving a 'Ninja Tuna' title to this 3x12 is a jammed packed compilation of older tracks as well as different versions of desired and classic Mr. Scruff gems. Included among others are the unique 'Music Takes Me Up' featuring Alice Russell, the addictive quirkiness of 'Whiplash', the funked up, sample-heavy 'Rocking Chair', and the classic 'Nice Up The Function' with Roots Manuva. Mr.Scruff gives us a collection here that demonstrates his amazing ability to make catchy instrumentals while also being elite at featuring singers over his eclectic style. 'Ninja Tuna' is sure to be a favorite with anyone into music regardless of your background or experience in music.
Review: Many happy returns to Mr Scruff's third and most celebrated album, Trouser Jazz, which turned 20 at the tail end of 2022. To mark the occasion, the long-serving, Stockport-born DJ/producer has reissued it on blue and red vinyl and reworked the artwork a bit. It remains a genuinely kaleidoscopic, all-action musical treat that moves in a myriad of different directions, blending quirky and unlikely samples with good grooves, oodles of musicality and plenty of aural colour. Highlights include the jaunty, solo-laden breakbeat bounce of 'Sweetsmoke', the up-tempo soul-jazz of Seaming To collaboration 'Beyond', the 21st century jazz-funk of 'Shrimp', the jazz-flecked hip-hop of 'Shelf Wobbler', the horn-heavy nu-jazz excellence of 'Champion Nibble', and the sample-laden silliness of 'Ahoy There'.
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