Review: Aaron Siegel's Fit moniker links up with the considerable talents of Gunnar Wendel (better known as Kassem Mosse) for this killer two-tracker on FXHE, and even Omar S gets in on the action with some mixdown assistance. "Track 1" works around sizzling drums, emotive bass and a diverse spread of melodic sources for a simple and direct slice of analogue house. "Track 2" is a real carpet-burn of a track, taking the quality up to a new level with a gorgeous line in lead synths moulded into a thoroughly sexy concoction while the drums stay pert and primed for all manner of sultry floor action.
Review: Leipzig has a lot to answer for. The East German city has a very hushed reputation for being the place Berlin once was, albeit on a far smaller scale, but the sprawl is nonetheless changing at a rapid rate. So while you're still likely to find an abundance of squat parties, exceptional but internationally unsung club spaces, and memorable dive bars, some institutions are vanishing. The 'off-space' Kardamom is sadly one of the more recent losses.
Just before the place disappeared, though, Travel By Goods boss Arthur Boto Conley decided to bring together Kassem Mosse and Mix Mup for a live performance that would form this album, circa 2019. Comprised of on-the-fly remixes from the label's back catalogue, it's a grainy, sample-heavy, often off-centre and off-beat deep dive into collages of sounds, drums, loops, hooks and ideas. Basically, you'll wish you were at the show, but that's a feeling you'll have to put up with.
Review: WORKSHOP 32 has been a long time coming - not least as this is Kassem Mosse's first solo outing on Workshop since 2014. And what a way to return, presenting a full-length album that reflects the evolution of the artist while not denying any of the ideas and sounds and styles that first made us fall in love with him all those moons ago. A broad and varied celebration of off-centre electronic music that has as much right to be on the dancefloor as it does on a movie soundtrack. So what does that sound like? Well, in the case of 'Track 2', it's a skeletal toybox tech workout, while 'Track 6' takes us into deep and surrealist house music. Elsewhere, ''Track 7' explodes into a carnival of percussion and bleep, 'Track 4' offers lunging curveball fours, bassline seeming to bore holes in the very ground you're stomping on. Always pared back, but never truly minimal, it's one of 2023's earliest classics.
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