GREGORY PORTER Vinyl & CDs

Review: Nicola Conte's 'Do You Feel Like I Feel' and 'Ghana' were initially part of his 2011 album, 'Love & Revolution,' a project that showcased a vibrant mix of Italian and international jazz talent. Produced during sessions at Tommy Cavalieri's studios, this album never saw a vinyl releaseiuntil now. Schema Records is rectifying this with a new 2-LP edition, set to include these standout tracks. The 45rpm single, featuring 'Do You Feel Like I Feel' and 'Ghana,' highlights the core of Conte's vision: the soulful resonance of the former and the Latin-jazz flair of the latter. Both tracks are enhanced by Magnus Lindgren's arrangements and feature Gregory Porter, whose vocals, though still emerging at the time, are already a testament to his rising status in the jazz world. With this vinyl release, Conte's modern jazz masterpiece receives the physical format it deserves, offering a fresh opportunity to appreciate its intricate compositions and collaborations.

Review: Ella Fitzgerald has a spotless discography that is packed with many a classic tunes but for plenty of fans and critics alike, Let No Man Write My Epitaph is one of her ultimate standouts. She recorded the album back in 1960 with backing from the pianist Paul Smith. The album takes its name from the movie in which Fitzgerald starred and hits some truly rare depth of emotional understanding. It helped secure Ella's status as one of the finest translators of the Great American Songbook and now Verve's Acoustic Sounds Series transfers the originals from analog tapes and has remastered them on to 180-gram vinyl complete with deluxe gatefold packaging.

Review: When Gregory Porter first released "1960 What?" back in 2012, he'd yet to become the soul superstar we know and love today. The single was released in limited numbers first time round and, thanks to his elevation to star status, has become an in-demand collector's item - hence this timely reissue. It's every bit as classic-sounding as the majority of Porter's work, with the main man providing an impassioned delivery of conscious lyrics over a wonderful soul-jazz backing track. Serious contemporary dancefloor thrills are provided by Opolopo's superb flipside revision, which re-imagines the track as a bass-heavy chunk of jazz-house brilliance that rivals St Germain's "Rose Rouge" in its ability to send dancefloors wild.

Review: Few contemporary jazz songwriters have emerged with such demonstrative authenticity and clarity as Gregory Porter. Liquid Spirit continues where the prolific artist left us with Be Good and Water; soulful, funky and galvanised in honest emotion. Echoing foundation-setting singers such as Isaac Hayes, Curtis Mayfield and even further back to the likes of Sammy Davis Junior, Porter flings us from vibe to vibe with precision-written lyrics and emphatic delivery. Highlights include the double-bass slapping stomper "Liquid Spirit", the boogie-fuelled "The In Crowd", the Cullum-esque "When Love Was King" and the tear-jerking finale "Water Under Bridges." Beautiful business.

Review: A modern day Scott-Heron, without the myriad of demons on his back, Grammy-nominated jazz singer Porter has such a distinctive voice, charm and band command. He clearly lends himself well to edit culture (as proved by the huge success of the many "1960 What?" versions in recent years) and this 7" from Expansion is no exception. "On My Way To Harlem" is straight up narrative jazz with fantastic attention paid to the subtle samba and solemn horns. "1960 What?" speaks for itself; far more authentic to the original than the other versions that have popped up, if you've not already got a favourite edit - Jazz & Cole have the answer.

Review: Second time around for Teflon Dons' legendary 1999 collaboration with soul sensation Gregory Porter, who at the time was a virtually unknown artist whose greatest commercial successes were still some years off. The EP begins with the 'Main Mix', a blend of Kenny Dope style broken deep house beats, sumptuous chords, garage-house bass and slick lead vocals from Porter, before we're treated to a 'Bonus Beats' version that wraps spacey synths around the Dons' hot-stepping drums. Over on the flip, the Teflon Dons reach for weighty sub bass, reverb-laden vocal snippets and oceans-deep chords on a superb dancefloor dub, before the 'Original Mix' - a warmer, sunnier and more soulful vocal deep house excursion - rounds off a must-have reissue.