Review: Fat Dog's debut album, WOOF., is a frenetic and electrifying trip through a kaleidoscope of genres, encapsulating electro-punk, rock'n'roll snarls, techno soundscapes, industrial-pop and rave euphoria. Frontman Joe Love and synth player Chris Hughes lead the charge, delivering a sonic assault that defies categorisation. The album's tracks, like 'King Of The Slugs' and 'Running,' pulsate with runaway rave intensity, showing the band's knack for combining dance-punk energy with klezmer-tinged interludes and broken-down grandeur. While WOOF. offers few moments of reprieve, its relentless fervor and wracked nerves keep listeners hooked from start to finish. With their rapid ascent and zany hybrid sound, Fat Dog emerges as a captivating force in London's art-rock scene, leaving audiences both fascinated and puzzled by their enigmatic charm.
Review: Fat Dog make a riveting return to the spotlight with new single 'All The Same'. Following up their 2023 debut 'King Of The Slugs', their latest track is a hardcore stadium-crusher, hadron-colliding motifs of coldwave, EBM and anthem punk for an electronic statement reminiscent of Scalping or Yard Act, but to an end all of their own fashioning. It's no wonder this cold-punk five-piece group of lads are billed as "music to grow your hairline to"; despite the huge sonic histrionics present in their music, the track somehow manages to provoke the release of cortisol and oxytocin in the brain at the same time, nailing that ever so delicate blend of humour and tension.
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