BRIAN ENO Vinyl & CDs

Review: A true enigma, an artist that represents all that was fascinating and romantic and alluring and intriguing about 20th Century sounds, Brian Eno was always going to need a feature length documentary, when the time was right. Premiering at the 2024 Sundance Film Festival, Eno, Gary Hustwit's ode to the man, myth and legend, wowed critics and blew audiences away. Not least because it uses a computer programme which selects footage and edits the movie so a different version is shown at every screening. Innovation befitting Eno, removing the visuals and focusing on the sounds readjusts our vision to bring Eno into greater focus. The breadth of what's on this soundtrack is remarkable, from upfront indie on 'Stiff' and the weird folk-pop of 'Spinning Away', a John Cale collaboration, the ghostly post-rave of 'Cmon' with Fred Again, spectacular pianos of 'Motion In The Field', ethereal ambient vocals on 'There Were Bells', the angular punk dominating 'Third Uncle' - we could go on, and on, and on.

Review: Eno is a new and groundbreaking documentary that explores the multifaceted career of musician, producer, artist, and activist Brian Eno. Compiled from extensive footage, music, and interviews, each screening of the film is different as it delves into Eno's music, art, and ideas. Accompanying this cinematic journey is a soundtrack spanning Eno's illustrious career, from early solo works to recent collaborations. Released on CD, the album features tracks from 14 different albums, including three previously unreleased recordings. 'Lighthouse #429, the first track from Eno's Sonos radio station, offers a glimpse into his extensive archive and overall this album celebrates Eno's influential legacy.

Review: When The Ship was released in 2016, Brian Eno was comfortably settled into a rhythm with Warp Records which had yielded multiple albums with Karl Hyde amongst other projects. The Ship was notable in that it was Eno's first solo record with vocals since 2005's Another Day On Earth and its widespread acclaim saw it make an impression on the UK charts. Loosely based around the rich thematic thread of the Titanic, but it's as much an exploration of Eno's older, lower register vocal. There's also a choice cover of The Velvet Underground's 'I'm Set Free', which brings this majestic album to a close. Now it's seeing a re-release via UMR pressed on Coke bottle green vinyl.

Review: Last year, Brian Eno served up his latest critically acclaimed album in the form of FOREVERANDEVERNOMORE. Now he follows it up with the much anticipated instrumental version. Despite his advancing years and the sheer scope of what he has already accomplish dint he ambient world - not least devising the genre in the first place - Eno still manages to excite and intrigue here. The artwork alone is beautiful, and the music inside is similarly lush - widescreen cosmic soundscapes with subtle melodies and shifting timbres, pregnant empty space and a knack for sounds designs with meaning few others can match.

Review: The Dedalus Ensemble have performed a collection of legendary albums by the great Brian Eno. They are Discreet Music (1975), Music For Airports (1978) And Thursday Afternoon (1985) and all of them set the blueprint for the then-new musical genre known as ambient. These versions go beyond what you might expect and take you far away from the source material but stay true to the original theories of ambient. It is music without a beginning or end and music that makes you want to get lost in its midst.

Review: Illuminating the remarkable, and largely otherwise undocumented, creative ferment within and between the British and American scenes of experimental music during the mid to late 1970s, Dialogo's box set - made in full collaboration with all of the composers or their estates - contains the entire ten album output of the label, completely remastered and housed in faithful mini-replicas of their original covers and liner notes, as well as an extensive booklet. Over the last few years, the Italian imprint has showed a remarkable dedication to the history of experimental music via reissues of seminal artefacts from the Cramps catalog, and important albums by Piero Umiliani, Ennio Morricone, Bruno Nicolai, Enrico Rava, and others. This initiative now takes on a towering scale with the first ever box set gathering the entire ten album collection of Brian Eno's Obscure Records, originally issued between 1975 and 1978. A truly groundbreaking body of recordings - many of which have remained out of print and difficult to find for decades - it contains some of the most important, influential, and enduring music to emerge during the second half of the 20th Century, which collectively reconfigured the terms of Minimalism and laid the groundwork for the emerging movement of Ambient music over its short, three year run.

Review: British and American artists working in the experimental scene were in fine fettle during the mid to late 1970s, though it is a rather under-investigated time. This new, vast and comprehensive box set from Dialogo's - made in full collaboration with all of the composers or their estates - serves up all ten of the albums Brian Eno's Obscure Records label put out. Each one has been remastered and an extensive booklet is included making this an essential collection that documents some of the most vital sounds to emerge during the second half of the 20th Century.

Review: A mythical collaborative live album - documenting an appearance shared between Brian Eno, Can's Holger Czukay and J. Peter Schwalm in 1998 - Sushi! Roti! Reibekuchen! is a three-hour ambient kraut improvisation, which first coincided with Eno's then hot-topic multimedia light installation at the Art and Exhibition Hall of the Federal Republic of Germany, known as the Future Light-Lounge Proposal. Schwalm prepared ideas for the session and guests ate the three foods from the event and album's title; this provided sufficient, but slow-burning energy to fuel the intense whorls, feedback freakouts, snake-charmer melodies and metrically challenging rhythms that make up its sound.

Review: Now here's a rarity for you. Not even many of the most committed megafans know that Brian Eno, Holger Czukay and J.Peter Schwalm, accompanied by Raoul Walton and Jern Atai, performed a secret live music show, outside the esteemed Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, the Art and Exhibition Hall of the Federal Republic of Germany, situated in the city of Bonn, in August 1998. Forming a part of the opening party of Eno's Future Light-Lounge Proposal multimedia installation, this furtively-recorded album hears an exclusive slice of incidental "high-altitude food music", of course made during Brian Eno's airborne ambient era. Now reissued via Gronland, this five-piece cut of sophisti-ambi-krauttronica makes for a welcome surprise.

Review: Roger and brother Brian Eno have already assured their legacy as pioneers of experimental ambient music. Mixing Colours was their first album on Deutsche Grammophon and this reissue reminds us why the par are so well known for revolutionising music-Brian through innovative pop treatments and Roger with ambient synth/piano works. This collaboration reflects their shared genius and guides you through rich soundscapes blending mood and place into immersive auditory experiences. Crafted over several years, this poetic collection highlights the brothers' mastery and is a deep dive into ambient sound.

Review: If you don't know the backstory then Fred Again and Brian Eno being on the same record might seem rather unlikely. One is an ambient innovator and long-time musical wizard who has worked with the like of David Bowie on his most seminal albums, and the other is a dance music powerhouse who has turned out plenty of pop hits under his own name and worked on even bigger ones with stars like Ed Sheehan. But as a youth, Fred was mentored by Eno, so there you go. Together they fuse their respective sounds perfectly - Fred's diary-like vocal musings over Eno's painterly synth sequences, the whole thing an immersive and escapist masterclass.