ABUL MOGARD Vinyl & CDs

Review: If you've ever wondered what the soundtrack to post-Brexit Britain would be, Abul Mogard is here to help. A couple of years ago, he was asked to provide a suitable soundtrack to an experimental film by Duncan Whitley that was filmed on the small island of Portland, off the Dorset coast, in the months following the 2016 referendum. Like the film, Mogard's score - created using modular synthesis, manipulated field recordings and layered organ sounds - is dark, atmospheric and inward-looking, offering a particularly bleak sonic appraisal of the United Kingdom's naval-gazing descent over the last few years. Musically, it's highly impressive and thoroughly absorbing, though we can't see Nigel Farage and Boris Johnson buying copies any time soon.

Review: If you've ever wondered what the soundtrack to post-Brexit Britain would be, Abul Mogard is here to help. A couple of years ago, he was asked to provide a suitable soundtrack to an experimental film by Duncan Whitley that was filmed on the small island of Portland, off the Dorset coast, in the months following the 2016 referendum. Like the film, Mogard's score - created using modular synthesis, manipulated field recordings and layered organ sounds - is dark, atmospheric and inward-looking, offering a particularly bleak sonic appraisal of the United Kingdom's naval-gazing descent over the last few years. Musically, it's highly impressive and thoroughly absorbing, though we can't see Nigel Farage and Boris Johnson buying copies any time soon.