Back in stock: All genres

Notes: Pair of high quality black felt slipmats with Soleil Records print in white & red

Review: Reissue of classic mid-70s Niney production with Big Youths 'Ride On' & a cut to 'Westbound Train' on the flip.

Notes: The Zomo carbon fiber brush VBC-01 is the perfect way to clean your vinyl without electrostatic charge. A gentle brush with the microniser prior to record playing enables a million tiny filaments to discharge the harmful deposits from the grooves and bring a new dimension to record care.

Notes: The Zomo earpad set is suitable for the headphones Technics RP-DH1200 and Pioneer HDJ-1000/-1500/-2000.

With this pads you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Technics DJ headphones.

Features
Material: PU (100% Polyurethane)
Colours: black
Weight: 18 g

Suitable for the following headphones
Technics RP-DH1200
Pioneer HDJ-1000
Pioneer HDJ-1500
Pioneer HDJ-2000

The headphones in the picture are not included, they are for demonstration purposes only.

Notes: The Zomo Earpad set made of velour in many colours is suitable for the headphones Technics RP-DJ1200 and RP-DJ1210. With these pads you can leave a creative note on your headphones and you can give an old headphone a new look within seconds.

Also, you can save the stable value and the great look of your professional Technics DJ headphones. Velour Earpads are very comfortable to wear even if it's getting hotter and the normal earpads are full of sweat.

Features:

Perfect fit
Simple mounting
Comfortable velour material
Comfortable to wear for hours

Technical data

Material: Velour (100% Polyester)
Weight: 18 g
Suitable for
Technics RP-DJ1200
Technics RP-DJ1210

** The illustrated or mentioned headphones are not included in delivery.

Notes: UDG Turntable dust cover made from high quality material with exclusive UDG logo's printed in plastisol ink will be the best choice to protect your gears from dust and liquid drops.

Specifications

Colour: Black
Weight: 0,12 kg / 0.264 lbs
Outer Dimensions (W x H x D) cm: 49 x 39 x 16 | inch: 19.3 x 15.3 x 6.3
Inner Dimensions (W x H x D) cm: Not Applicable
Material: Water Resistant Nylon 210D
Protection: Various equipment

Extras

UDG logo printed in plastisol

Fits:

Turntables
19" mixer

Notes: This earpad set is made of velour in wood colour and suitable for Sony MDR-V700 DJ headphones.

With these pads, you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Sony DJ headphones. The velour earpads are very comfortable to wear even if it's getting more hot and the normal earpads are full of sweat.

Notes: The Zomo VS-Box 100 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 100 is made of solid wood and laminated with tough water-repellent dekor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: The Zomo VS-Box 50 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 50 is made of solid wood and laminated with tough water-repellent dekor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: This Zomo earpad set is suitable for the headphones Technics RP-DJ1200, RP-DJ1210 and Pioneer HDJ-500. The set includes 2x Earpads and can be mounted in a few seconds.

With this set you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Technics Dj headphones.

Features
Material: PU
Color: black
Weight: 18 g

Suitable for the following headphones
Technics RP-DJ1200
Technics RP-DJ1210

Headphones in the picture not included- they are for demonstration purposes only.

Notes: The ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-12FX is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

MUSIQ
ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a
higher input impedance.

Notes: The MBase11 can do only one thing, but it does it right, and it does this even better than in the past.

The MBase11 is the logical follower of the MBase01 and offers even better performance, more versatility and an even phatter sound. It generates analog bass drums, from extremely powerful to soft and covers the whole range from 909-style to 808-fashioned. And also, the LFO has 8 different waveforms including true sine that can be used to create very different envelopes. The resulting sounds are not simply kicks, this turns out to be a bass drum synthesizer.

The MBase11 has a compression parameter to vary the thickness of decaying sound. It offers a variable gate time to to create very different sounding attacks. It also has a metalise parameter to have hundreds of variations on the attack noise.

For more intuitive editing, JoMox have added an analog potentiometer that works alternatively to the parameter editing when scrolling the data wheel is too hard.

The MBase11 purposefully sounds a bit different to the XBASE 999/888, making it a great sounding expansion for our other drum products and other analog percussion.

The kick sets in very precisely and the attack sounds very snappy at all kinds of sound variations.

The MBase11 can also be used as a real bass with some limitations. If decay is cranked up it is long enough for tones and the pitch can be played on the keyboard in semitones over three octaves.

The kick drum can be triggered by an external analog trigger input. This is especially useful for live drummers who want to thicken up their live drum kit. The trigger input works with regular piezo pickups or audio signals.

Last but not least: one of the most convincing arguments for the MBase11 is the price: This is an inexpensive tool that helps you to create great kick sounds, without the time-consuming searching associated with mostly not satisfying samples. You save time and energy while reaching the sound quality you always imagined.

Tweak the sound you need. Everything is real.

Review: Fela Kuti and Tony Allen are your key starting points when it comes to the wild frenetic Afrobeat fusion Nigeria gave us in the late 60s but dig a teeny bit deeper and you'll find multi instrumentalist Tunji is right behind them. Armed with his band The Benders, Tunji ran a tight ship and perhaps should've done with a little more recognition. Now living and gigging in London, he's curated this essential collection of tracks from Afrobeat's most prolific era.

Notes: The cost effective way of replacing the cable of your HD25 heaphones. These replicas are perfect for extending the life of your precious Sennheiser heaphones without breaking the bank.

Review: Though his career has taken many turns over the last decade, DJ Koze has remained that most illusive of creatures: a minimal-minded producer with an ear for a melody. This fourth full-length, packed to the rafters with big-name collaborations (Apparat, Caribou, Ada and Matthew Dear all feature), continues his move towards the home-listening sphere. So, while many of the heady rhythms and shuffling grooves hark back to his stripped-back past, Amygdala impresses with its woozy songs, genre-straddling fusions (see the modern soul meets deep house of "Homesick" or the steppy, tropical vibes of "Marilyn Whirlwind") and homely atmosphere.

Review: This is a reissue of Bikini Kill's second EP, "Yeah Yeah Yeah Yeah". Recorded in 1992 with Tim Green (Nation Of Ulysses) at The Embassyia group-house in Washington, DC, it was the first Bikini Kill release to feature the band's song, "Rebel Girl." Originally a split EP with the Brighton, UK-based band, Huggy Bear, the B-side now features seven previously unreleased Bikini Kill songs drawn from era-appropriate live shows and practice tapes. The artwork has also been updated to include archival photos and liner notes from the Bratmobile's Erin Smith, Comet Gain's David Feck, and the members of Bikini Kill.

Bikini Kill was a feminist punk band based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997. Kathleen Hanna sang, Tobi Vail played drums, Billy Karren (aka Billy Boredom) played guitar and Kathi Wilcox played bass. Bikini Kill is credited with instigating the Riot Grrrl movement in the early '90s via their political lyrics, zines, and confrontational live performances. This EP is the second release in a larger campaign to reissue the complete Bikini Kill catalog on vinyl and CD.

Review: Samba flavours do not come more authentic than this. The sixth in Mr Bongo's Brazil 45 series, here they unearth two foundation pieces from Rio collective Os Origianais Do Samba. Forming in 60s Rio, they're still highly active today and have a discography peppered with Brazilian gold. This 45 does well to showcase their breadth... "La Vem Salgueiro" is quintessential samba. Heavy rhythm, punctuated vocals and a dynamic that leaps from bold and delicate in a flash, it charms you instantly. "Tenha Fe" has a softer soul as it strums and sways and more of a folky sensation, tight harmonies and alluring naked instrumentation.