Back in stock: All genres

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Part of 1010's excellent Nanobox series, the Tangerine is a tiny powerhouse sampler. A fresh new approach to sampling, from one-shots to loops, all the way through to four-hour recordings.

Supplier's Notes:
Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analogue/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There's even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current OD-200 system software

Premium Drive Tones with BOSS's Advanced Hybrid Design

The OD-200's next-generation hybrid design seamlessly brings analogue and digital clipping circuits together for the best of all worlds, putting a universe of expressive drive colours under your fingers. Twelve modes offer a variety of premium overdrive, fuzz, and distortion sounds, including a high-gain Brown mode derived from the acclaimed Katana amplifier series. And with the three high-performance "X" drive modes powered by BOSS's cutting-edge MDP tech, you'll experience enhanced definition, clarity, and dynamic response that's perfect for modern playing styles.

Powerful Gain Shaping with Series and Parallel Boosts

While each of the OD-200's 12 main drive modes sound fantastic on their own, you're able to craft tones even further with 15 switchable boost circuits. Placing the boost in series lets you create traditional stacked drive voices, complete with post-gain level to balance with the bypassed sound or kick up the volume for solos. The boost circuit can also be used in parallel with the main mode, enabling side-by-side blending for an unlimited range of unique drive textures.

Kill the Noise and Tighten Your Tone

With its integrated gate circuit, the OD-200 always keeps your signal clear and quiet when you're not playing. The default setting is a great starting point, providing gentle, transparent gating that works well for general playing styles. The decay and threshold controls can also be adjusted for super-fast gate performance when needed, perfect for bringing tightness to heavy modern styles that combine full-throttle gain with precision staccato riffing.

Dial in Sounds Fast

The OD-200 offers a ton of advanced capabilities, but remains as simple to use as any regular distortion stomp. With dedicated controls, you can quickly dial in the gain and overall level for any selected mode, then sculpt the tone with wide-ranging low, mid, and high EQ. There's also a multi-function parameter knob, which changes operation based on the group selected with the panel's parameter switch and LED status indicators.

Save and Recall Your Favourite Setups

The OD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Drive Circuit: Analogue + Digital

Modes:
12 modes
OVERDRIVE, BLUES, SCREAM, CNTR OD, X-DRIVE, DIST, X-DIST, STACK DRIVE, FAT DIST, BROWN, X-METAL, FUZZ

Memory: 127 + Manual
Nominal Input Level: INPUT: -10 dBu
Maximum Input Level: INPUT: +7 dBu
Input Impedance: INPUT: 1 M ohm
Nominal Output Level: OUTPUT: -10 dBu
Maximum Output Level: OUTPUT: +7 dBu (Load Impedance: 220 k ohms or greater)
Output Impedance: OUTPUT: 1 k ohms
Recommended Load Impedance: OUTPUT: 10 k ohms or greater
Bypass: Buffered bypass

Controls: ON/OFF switch, MEMORY/BOOST switch
MODE knob, DRIVE knob, LEVEL knob, PARAM knob, LOW knob, MIDDLE knob, HIGH knob
PARAM button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: PARAM indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT jack, OUTPUT jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 220 mA

Expected Battery Life Under Continuous Use:
Alkaline: Approx. 6 Hours
* These figures will vary depending on the actual conditions of use.

Accessories:

Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight:

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height: (including rubber foot)65 mm / 2-9/16 inches
Weight: 600 g / 1 lb 6 oz
Weight (including battery): 670 g / 1 lb 8 oz

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide

Notes: This specially designed stand for Elektron Digitakt / Digitone is attached from below to the equipment’s chassis, utilizing its universal VESA mounting points, enabling the use of the equipment in a much more ergonomic inclined position.

By swapping the position of the feet, it is possible to use the equipment in two different positions: lying down and upright.

It can be set up in a matter of seconds and weighs just a few grams.

Each stand features a groove to accommodate silicone feet to prevent the equipment from slipping or scratching.

Includes both side stands, screws for installation, and silicone feet.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A unique analogue take on granular synthesis, inspired by Yannis Xenakis, the Grainity pairs a granular filter with a multimode filter to create new textures and harmonics.

Supplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V

Notes: MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.

Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.

This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.

When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.

Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.

Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: The Serge GTS is a complete redesign of the famous Serge Dual Universal Slope Generator (DUSG) by Serge himself - with a new core, optimized for speed and tracking. Like some of the clones it can be used for CV, but also provides exceptional audio performance: transient rise times as fast as 13us and a maximum cycle speed of 27kHz.

Some functions for which one Slope Generator can be used:

Function generator for linear, logarithmic, exponential, stepped etc. curves
Integrate an incoming signal
Sawtooth / Pulse oscillator
Add, subtract up to 4 signals
Max and Min function
VC Transient Envelope Generator
VC LFO
VC Portamento device, Envelope Follower (Detector), VC Pulse Delay (Monostable), Sub-Harmonic Series Generator (Divider), Audio Oscillator with variable waveform symmetry (saw to triangle), Non-Linear Audio Processor (low-fidelity VCF).
Serge GTS for eurorack:

Designed by Serge Tcherepnin 2021-2023
Increased audio range (up to >28kHz)
Tracks >5 octaves as a Sawtooth / Pulse oscillator
Temperature stabilized
Eurorack format (3U), 26 hp
Power consumption: 90mA @ +12V, 80mA @ -12V
(NEW) Skiff-friendly: < 25mm (1")

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms