Input impedance 190 Ohm, output impedance 2575 Ohm. Input connector insulated, output connector grounded.
Powered by 3 AA batteries for a truly untethered experience, the LPK25 Wireless is optimized for long battery life. No batteries? No problem. The LPK25 Wireless can also be powered via USB connection to keep your production moving.
Light as a Feather, Heavy on Features:
At the centre of the controller is a solid, 25-note mini-keybed, octave up and down buttons, and a powerful Arpeggiator mode which turns chords into exciting and complex music phrases. You're looking at the little Swiss army knife of production!
The LPK25 Wireless can also connect to any iOS device, giving you a truly portable workstation. Rip the keys on countless available music apps for on-the-go performance that leaves the lightest of footprints.
- LPK25 Wireless
- USB A to B Cable
- Software Download Card
- Safety and Warranty Manual
- Printed User Guide
Alesis Elevate 5 studio speakers enable you to listen to mixes, masters and multimedia content with impressive clarity and warm, full sound. Elevate 5 speakers bring out every detail of your sound, unencumbered and crystal clear. Their custom wooden cabinets have a dense construction that provides natural bass. Elevate 5 studio speakers contain powerful, five-inch woofers, crisp, one-inch silk-dome tweeters and dedicated power. Alesis engineers carefully selected and tuned these crucial components to work in concert as a single unit within the custom wood cabinet to deliver full lows, clean highs and a detailed compelling stereo image. Unlike passive speakers, Elevate 5 speakers have a volume knob built right in to the front panel for easy control. Packaged in stereo-matched sets, Elevate 5 studio speakers give you everything you need, all in one box.
Alesis has been creating studio monitors for nearly a quarter century. In that time, we've learned a thing or two about maximizing sound and sonic clarity. Built using technology adopted from Alesis' award-winning Monitor One and M1Active professional studio monitors, Elevate 5 studio speakers are the perfect way to upgrade your computer or mobile device experience. Elevate 5 speakers leverage Alesis' experience in designing studio loudspeakers by employing custom-designed wood cabinets that stay natural and neutral, regardless of the frequency content or volume.
A pair of rugged RCA jacks and a pair of 1/4" TRS jacks are onboard, perfect for connecting mixers, interfaces, and virtually any other piece of audio gear. A 1/8-inch stereo headphones connection gives you the ability to defeat the speakers and switch to headphones easily at any time, and connecting the speakers is just as easy, requiring just one standard 1/8-inch cable (included). Elevate 5 studio speakers are designed to produce natural frequency response, but if you need a little more low-end punch, a convenient bass-boost switch does the trick. Trust your sound to the clarity, precise design and premium performance of Alesis Elevate 5 studio speakers.
Independent stereo level controls are provided on each channel. All 1/4" connections are stereo TRS (Tip, Ring, Sleeve) and all channel connections have intelligent switching to allow for a wide variety of configurations. Plugging into a mix input channel removes it from the splitter bus, and plugging into a splitter output channel removes it from the mix bus. Stereo or mono operation is determined by the type of 1/4" plug and cabling that you use.
The fully passive design of the SPLITMix4 has no active circuitry to add noise or distortion, and virtually any signal level can be handled. The Level attenuators cover a wide range and offer over 90 dB of attenuation and channel isolation. The SPLITMix4 is designed primarily as a line level device with medium input and output impedances.
This is why we carefully designed this 1HP broken contact emulator in form of 2x 4 way multiple!
It is not only a random type of generator to break your patches, it is also very usefull as a CABLE HANGER or as 1HP blank panel. And most of all... it is the ONE module you would love to talk about with your friends!
How to calibrate:
- the module cannot be mounted in the rack for successful calibration
- please don't use it uncalibrated
- Take a broken patchcable (works also with functioning one, but still...)
- push it thru the connector hole you want to calibrate
- keep moving the cable inside the hole to all sides
- keep putting it in and out until you get the feeling and broken-ness you desire
- repeat that process with all connector holes of the module
- note: each hole can and should be broken differently - but we leave that part of the process to your personal taste
Compact and portable its small foot-print takes very little space on stage or in your gig bag. Durable 3 button metal chassis construction. A 10' stereo TRS cable is included with each unit.
Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of "Rubbernecking." These extended features are controlled by individual clear mini knobs that double as multi-colour LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.
The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.
The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.
Those who own Moog Mother 32 know that it requires -5V - +5V on 1V/oct input to operate in full range, while the Eurorack standard is 0V - +10V. So, to control Moog Mother 32 from a Eurorack sequencer you need to bias a sequencer output for 5 volts down. And vice versa - Moog Mother 32 sequencer outputs -5V - +5V on 1V/oct output, and, if you wish to control some Eurorack VCO from Moog Mother 32, you need to bias it 5 volts up. This is exactly what MSCALE does - it has two sections - upper one adds 5V to the input voltage, other subtracts 5V form the input voltage.
Of course, the module is not limited for use with Moog Mother 32 only. You can use it as a regular Eurorack precision voltage scaler.
- Three audio inputs, one output
- 3U Eurorack module, 3 HP wide, 35 mm deep
- Diode protection against overvoltage
- Power consumption: 4 mA at +12 V and 4 mA at -12 V
You can also upload your own drums (samples) on it using the programmer device.
Small, yet versatile envelope plus VCA, the Pico Modulator is an envelope generator with AD and ASR modes. The circuit can work with linear or exponential curve shapes. Thanks to its loop function, the module is also usable as a LFO. Furthermore, the Pico Modulator comes equipped with a VCA, which is controlled by the envelope.
3.5mm stereo output jack allows you to connect the Pico System directly to virtually any speaker system or line input. Even in your car.
The module is used to create four trigger sequences which can be up to sixteen steps long. The pattern length can be set for each track - polyrhythmic use is totally easy to accomplish!
Patterns are created solely with a web based pattern generator and are loaded to one of the eight memory slots via the clock input in a special mode. The pattern generator is neither an app nor a special program but a website and thus works with every computer, laptop, tablet or smartphone with internet connection.
The Pico Trigger has an integrated clock generator but it can be synchronized to an external clock, depending whether the clock socket acts as an input or output.
Red LED indicates positive voltage.
Yellow LED indicates negative voltage.
Blue LED indicates positive voltage.
Red LED indicates negative voltage.
Green LED indicates positive voltage.
Red LED indicates negative voltage.
Compatible with Doepfer-style modules.
Red stripe = -12V
The level controls of the MX1 are logarithmic, but the channels are DC coupled, so CVs can be summed together using the MX1 if necessary.
The MX1 provides unity gain of each channel when the level control is fully clockwise, meaning that there is no loss of signal level when mixing. This also allows for the MX1 to be overdriven, especially if the same source is multipled to the four inputs or the "normal" output is fed back into one of the inputs.
A set of expansion headers also allow for the FSS P.O.C.A. VAC1 and Whitehall SW1 modules to be used alongside the MX1 without any patching required, when using the MX1x expander accessory.
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.
In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled "LINK" which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.
The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.
The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.
The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.
In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.
Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.
This tiny but handy module connects the USB A connector to the +5V bus on the Intellijel TPS series powered busboards. Allowing 1A or more of current to be supplied to USB devices such as lamps, phone chargers, and usb powered musical devices.
It connects to the bus via supplied two-pin cable.
*Compatible with the TPS30 MAX and TPS80 busboards. TPS30MINI board requires an adapter.
The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.
The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.
The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
The QuNeo is a different species of pad controller for electronic musicians, DJs, VJs and DIY hackers. While it covers all of the functionality of other pad controllers, the QuNeo adds the power of touch recognition in other dimensions.
The QuNeo ships with presets, templates and scripts for popular music software including: Ableton Live, Serato Scratch Live, Traktor, Apple Logic Pro, Mixxx, Reason, Battery, BeatMaker for iPad, and Korg iMS-20 for iPad.
An all-in-one that delivers inspiration. A mobile MIDI keyboard that connects via USB or wirelessly.
The nanoKEY Studio provides a keyboard, knobs, trigger pads, and touch pad that lets you instantly convert your inspiration into sound. It is battery operated and can connect wirelessly to iPhone/iPad or Mac/Windows. It's a compact, mobile MIDI keyboard that is easy to travel with, allowing ease of use anytime, anywhere.
Step-record as easily as typing. A keyboard with 25 backlit keys that illuminate:
Even if you're not the most skilled keyboardist, the 25 velocity-sensitive keys allows you to step-record easily. The Scale Guide function illuminates the keys to show recommended notes in the scale, making it easier to play. This is a smart keyboard with a variety of performance modes, such as the Easy Scale function, that lets you produce musical phrases using any keys.
More freedom to produce music, via USB or wirelessly:
The nanoKEY Studio can connect not only via USB but also wirelessly. It's easy to connect to an iPad/iPhone music app such as KORG Gadget or Apple GarageBand, or to your Mac/Windows music production software. Liberated from annoying cables, you'll be free to set up your system much easier than some other products. Thanks to careful tuning, you'll enjoy low latency and high stability.
Lightweight and compact design can be placed anywhere and easily transported:
Smaller than a sheet of letter-sized paper, you can put the nanoKEY Studio in your bag and take it anywhere. With a simple, refined, and stylish design, along with beautiful lighting with white LEDs, you won't get tired of using it every day. With its modern design, the nanoKEY Studio is ideal for use with new devices such as your laptop, tablet, or smartphone.
Create the ultimate mobile music production system with your iPad/iPhone and the nanoKEY Studio:
The combination of the nanoKEY Studio with KORG Gadget is the ultimate combination for mobile performance. With the nanoKEY Studio that supports wireless connection via Bluetooth MIDI, your iPhone can instantly transform into a music production tool. In your room, in a coffee shop, in transit, or outdoors, you can immerse yourself in music with minimal requirements of space and time.
Eight high-sensitivity trigger pads that you can use for drum input or playing chords:
The eight velocity-sensitive trigger pads will convey every dynamic nuance of your drum performance. In chord-playing mode, the Chord Scale function automatically assigns the best chords for the key and scale you've selected, so your song will take shape at amazing speed. You can also assign the pads to trigger audio clips. These pads are not limited by musical genre; they deliver all-purpose music production power.
Touch pad inherited from the KAOSS series provides one-finger control of software synthesizers:
You can use a single finger to control a software synthesizer just like you can with a Kaossilator, or control a plug-in effect the same way as a KAOSS PAD. The nanoKEY Studio features an arpeggiator with rhythm patterns, letting you generate a succession of new phrases simply by touching the pad.
Eight assignable knobs for controlling your DAW and plug-ins:
The eight knobs provide versatile control of your software synthesizers, plug-in effects, and DAW mixer.
A lavish and powerful bundle of music software is included free of charge:
The nano Studio series comes with an extravagant bundle of powerful mobile and desktop music software that includes iPad / iPhone apps, a special edition of KORG Gadget, and the KORG Legacy Collection M1 Le which includes plug-in versions of classic KORG instruments. If you have the nanoKEY Studio, there is no need to buy any additional software.
The sounds and functionality of "iPad / iPhone apps" can be expanded by connecting them to a nano Studio series unit.
Customize using dedicated "KORG KONTROL Editor" software.
We provide "KORG KONTROL Editor" software that lets you freely customize the settings of the nanoKEY Studio. You can adjust the velocity curve of the keyboard, and customize the MIDI messages that are assigned to the pads and knobs to meet your needs.
It's difficult to say what exactly the knob and CV do, as this parameter is responsible for controlling several different pieces of the code at once. It's a sort of hybrid between the overall pitch and the amount in which the module glitches out.
Bask in the glory of the days of yore... when modems and dial-up tones reigned supreme. That god-awful sound emitted as you tried with all of your might to ping a communication across the globe...that sound...is precisely what we have harnessed and packaged into a percussion voice for the modern day cyber junkie.
Mother-32 comes secured in a rugged extruded aluminium enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patch-bay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources.
*For sound demos, please visit - http://www.moogmusic.com/products/semi-modular/mother-32#sound-tab
Moog Music's engineers have crafted the Sub Phatty's oscillators to perform with extreme accuracy and require almost no warm-up time. Just power up, dial in your settings, and put your fingers to work on the keys to summon crisp and detailed waveforms, a vibrant and articulate sound that more than honors the rich sonic density synonymous with Moog creations.
The Sub Phatty is the first analog synth to feature Moog's transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. Experiment with this new circuit and unlock an undiscovered world of vivid analog tonalities.
The mixer section offers innovations of its own, including a sub oscillator that outputs a square wave one octave below Oscillator 1. Use this powerful tool as a third oscillator for added depth, or to craft your own customized incarnation of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver low-frequency content, rich with body and punch. If your goal is to sculpt analog percussion and sound effects, look no further.
The Sub Phatty features a wide range of parameters just below the surface, and all features are easily accessible from the instrument's front panel, or via the free standalone/plugin editor. Select filter poles, assign wave mod destinations, or specify pitch bend amounts i it's all there.
The Sub Phatty brings a fearless new voice to the Moog family of synthesizers. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration.
The Sub Phatty's filter includes the transformative new Multidrive circuit, a unique combination of OTA distortion and FET drive, which serves as the sparkplug in the instrument's powerful sound. At low settings, Multidrive adds warmth and width; when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level.
Users can access a total of 16 definable presets via the 4/4 preset matrix on the Sub Phatty's front panel. This matrix also doubles as a control panel for the instrument's subcutaneous nerve center, users can select filter poles, set pitch bend amounts, toggle between legato glide modes, and more. These functions can also be accessed via the included Sub Phatty standalone/plugin editor.
The configuration of the Sub Phatty's mixer section allows users to easily determine, at any given moment, which sources overdrive the filter and which simply pass through it. The mixer section further hosts controls for a square wave sub oscillator; those operating the Sub Phatty can utilize this tool as a third oscillator for added depth, or to craft their own customized incarnations of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver rich, punchy low-frequency content, designed for analog percussion and sound effects.
This stand is ideal for schools, Teachers, solo-artists, musicians and bands.
Also included is a large carry case for easy transporting & storage.
Each speaker stand is height adjustable from 1100 - 1600mm so ideal for most venues.
The speaker poles are a standard 35mm diameter and have a max. load of 45kgs.
The carry-bag is made from a lightweight material and helps to protect the stands in transit as well as making them easy to carry, zip fastened with a carrying handle.
New sounds and new gear pave the way for new music, and Reason 10 is here with a rackload of new synths, instruments, samples and more. Grain and Europa: two massive, brand new synthesizers. Klang Tuned Percussion, Pangea World Instruments, Humana Vocal Ensemble: three new live-sounding organic instrument devices. Radical Piano: a top-notch acoustic piano. Synchronous: creative modulation device. Loop Supply and Drum Supply: a multi-gigabyte infusion of cutting-edge drum loops and samples. What music will you create?
Europa Shapeshifting Synthesizer:
Europa was created for huge, epic sounds and oh boy, does it deliver... From big stacks of buzzing sawtooths to shimmering, glitched-up sonic explorations, Europa has you covered. To call it a wavetable synth wouldn't be wrong, but it's so much more than that. Apply a wide range of modulation to the waveform itself, to start with. Add advanced spectral filtering, harmonics processing and even draw your custom waveforms. And the best part: despite its deep synthesis powers, it's still surprisingly easy to use.
Grain Sample Manipulator:
Get granular with your samples! The Grain synthesizer opens up the world of granular synthesis for your creative use. Drop any sample into Grain and explore the endless sonic variations you can create with Grain's selection of playback algorithms, ultra-flexible modulation, routing and effects. With immense sonic power and an inviting interface, Grain is the easy-to-use sonic lab that turns your samples into grains and your grains into music.
A huge cache of inspiration:
Update your sound with this multi-gigabyte injection of cutting-edge loops and drum samples made to deliver up-to-date pop. electronic and hip hop sounds for Reason. Get creative with a huge selection of patches for Reason's Kong drum machine and Dr Octo Rex loop player.
Advanced Acoustic Piano:
The premise is simple. The results are stunning. Three basic pianos paired with the technology to make an infinite number of your own. Based on a custom blend between sampling technology and physical modelling algorithms, Radical Piano affords songwriters, producers, and sound designers an unprecedented level of control to craft a realistic piano that is 100% unique.
Timed Effects Modulator:
Bring your music to life with Synchronous' modulation effects. Create quick sidechain effects or draw your own LFO curves to control filter, delay, reverb, distortion and level. Make your sound evolve, change and loop over time.
Buy this upgrade if you own any of the following products:
- Reason (version 1-9.x)
- Reason Student/Teacher
- Balance with Reason Essentials
Mac OS X
- Fast, stable internet connection for installation and registration
- Intel Mac with multi-core processor
- 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions)
- 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space.
- Mac OS X 10.7 or later (64-bit)
- Monitor with at least 1280x768 resolution
- CoreAudio compliant audio interface or built-in audio hardware
- MIDI interface and a MIDI keyboard recommended
- Fast, stable internet connection for installation and registration
- Intel or AMD multi-core processor
- 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions)
- 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space
- Windows 7 or later (64-bit)
- Monitor with at least 1280x768 resolution
- Audio Interface with ASIO driver
- MIDI interface and a MIDI keyboard recommended
From studio production to live performance, Eurorack-based modular synthesis has exploded in popularity around the world. For portability, protection, and usability, a quality case and power supply is an essential part of every modular synth rig. With the SYR-E84, Roland introduces its first Eurorack case, which integrates a durable, lightweight design and a super-clean power supply with high capacity for today's power-hungry modules. The SYR-E84 fits AIRA modular electronic instruments such as the SYSTEM-1m, BITRAZER, DEMORA, TORCIDO, SCOOPER, and SYSTEM-500, as well as standard Eurorack modules from other manufacturers.
Featuring a rugged black aluminium enclosure and wood side panels, the SYR-E84 offers top-level looks and performance for modular synth starters and seasoned pros alike. Specially designed for modular instruments, the high-capacity DC supply provides stable, low-noise power that meets Roland's discriminating quality standards, delivering clean and reliable operation you can count on. The versatile case can be used in flat, angled, or vertical positions to meet any working situation, and offers easy stacking capabilities for expanding your setup in the future.
The ASSIMIL8OR works with high-quality 24-bit AD and DA converters. Internally, however, sample and bit rate for lo-fi sound can be lowered, the latter is even CV-controllable. The samples can also be otherwise manipulated in many ways. Thus, the phase of a sample via CV or a different sample can be modulated. Likewise, the loop points can be controlled and the sample can be traversed with CV control (scrubbing), whereby wavetable similar effects could be achieved. The following parameters can be addressed via the gate / trigger and CV inputs:
- Bit Depth
- Phase Modulation
- Sample Start
- Sample Length
- Loop Start
- Loop Length
- Release Decay
Samples and presets are stored on an SD card, which is easily accessible plugged into the module front.